Bageline in a beautiful handwritten style. Equipped with 300 glyphs. Bageline is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance.

Hangout has got a big mouthful of ligatures - including substitution for double letters and numbers - and on top of that, almost 200 substitutions for the most common letter combinations - almost 250 ligatures in total. Furthermore, Hangout also includes alternate version of lowercase letters! Take that and chew!!!

Elk Grove JNL is both historical and original in design. Inspired by a small sampling of letters from an 1800s wood type called Facade, Jeff Levine created the remaining characters. Because of its highly condensed design, it's best when used in large headlines and short phrases.

The inspiration for Fence Post JNL comes out of an early 1900s manual for sign writing. A number of changes were made to make the design more aesthetically pleasing, but it retains its novelty effect of evoking the look of wooden fence posts or Western-themed typography.

Modeled from an example in the book “Lettering” by Harry B. Wright (1950), the poster alphabet shown was reminiscent of the kind of style used in the early 1900s by sign painters and show card artists. Vintage Poster JNL is available in both regular and oblique versions.

A 1940s sheet music edition of an early 1900s song entitled "You Taught Me How to Love You, Now Teach Me to Forget" was set in a popular metal type slab serif face. It is presented digitally as Elite Resort JNL, in both regular and oblique versions.

Artheria is a script font with a classic vintage style. The classic style of this font is suitable for retro/vintage-themed designs but can also be used for designs with other styles. This font is equipped with 130+ stylistic sets, Ligatures, and multi-language support.

Jumbo Sale is a bold and comical display font designed and published by Eko Bimantara in August 2022. This font has fun, bold and loud characteristics. Fit for titles, brand, product packaging and big size display. It has more than 300 glyphs which cover broad latin languages.

AZ Union font was inspired from an old vintage tin from the early 1900's This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Trade Journal JNL and its oblique counterpart are derived from a classic grotesk sans face from the 1800s. Despite the 'Grotesk' style name, the font design is actually quite pleasing to the eye and a nice alternative to many of the sterile sans serif faces of today.

Havilnar is a modern bold font designed by Daily Studio. Havilnar typeface is very suitable for use in making headlines, branding, cover designs, and posters. The round edge and smooth surfaces make your projects look stunning. This font has over 200 glyphs with multilingual letters included.

BARKLEY is a messy pencil drawn display font. It has over 200 glyphs and several variations on the standard alphabet and those extra pesky foreign features. I wanted it to look messy and rough but also with a little heart. Buy it, I know I might.

Bodywerk is a futuristic looking font, but worn and torn! The font has got more than 200 ligatures - including double letter and number substitution - along with a huge load of most common letter combinations! You will need to use OpenType supporting applications to use the autoligatures.

Introducing Wondar Quason Classic Serif Typeface. Wondar Quason Classic Serif Typeface is a handmade Modern Victorian handlettering, which is combining modern and classic typography with some awesome alternates. Yes we back to early 1800s, bring classic touch on this decade. Thanks for use this font. MaulanaCreative.

Contains over 130 symbols based on the Western astrology system - it features the 12 zodiac signs, the 12 astrology symbols, the 12 corresponding planets, along with the 30 phases of the moon and charting signs. NOTE: this font comes with an interpretation guide in pdf format.

Margot font family, has more than 1000 + glyphs in each font. The font includes advanced language support, fractions, table shapes, ligatures, and more. Perfect for graphic design and any display use. It can easily work for websites, signage, corporate, and editorial design. documents and folders, mobile interface.

Font design meets architecture – the unique and architectural design of the urban villa “Dupli.Casa” by the architect J.Mayer.H triggered the inspiration for the typeface “La Casa”.
Inclinations and curvatures mirror the linear, modern impression of the architecture. The overall impression of the sans serif accounts for the great readability, even in lower point sizes – perfect for the design of books and magazines. The fresh and modern appearance of the font is particularly suitable for corporate designs of enterprises. The seven-font weights support more than 100 languages and the Cyrillic characters ensure a versatile and international use. The low contrast, the reduction of the corner points and the clear nature of the font make “La Casa” perfectly applicable as a web font.

Pani Sans is a contemporary type family in 18 styles designed by Alessio Laiso. It takes inspiration from Italian rationalist and art deco typefaces, bringing them into the present with the mix of its reliable geometric structure and distinctive warm personality. The italics add to the unique character of the family by featuring distinguishing calligraphic touches. Pani Sans is fully equipped for intense professional use for both print and digital applications. It supports 219 languages, covering 100% of the Latin Plus character set, and it ships with powerful OpenType features including beautiful small caps, ligatures, stylistic alternates, fractions, tabular figures, old-style figures, and more. The variable fonts included in the family package allow you to pick the perfect weight, for unlimited design freedom.

Mr. Peter is a warm and friendly handwritten san-serif font which has two weights, Regular and Bold. He also features multi languages, some alternative letters, and 35 ligatures. He is good for an eye catching title, display as well as small text. Mrs. Peter is a handwritten script font based on Mr Peter. She also provides two weights, Regular and Bold, and features multi languages, automatic ligatures, and beginning and end-changing effect. It will be in good taste if you combine and use Mr. & Mrs. Peter together. Jr Peter consists of around 100 unique icons and ornaments. Also you can simply create multiple faces by using this font. The description of how to make a face is on the promotion poster.

Soul Drifter is a handwritten font collection of 6 fonts that were designed to go together nicely. All six fonts were drawn using the same brush pen, so that their weight and design are consistent, and you can mix and match them easily. Soul Drifter includes: - a brush script font in regular and slant versions, with over 100 ligatures - a matching set of swashes to ornament your texts and designs - a cute sans font in two weights, regular and bold (true bold, drawn separately) - a tall serif font in all caps, with two sets of caps All you need for beautiful and easy designs with a hand-lettered feel, such as postcards and notes, creating logotypes, social media posts, branding and packaging, etc.

Inspired by the works of Howard Philips Lovecraft (1890-1936), and the city of Arkham lying abroad the Miskatonic River... witth all those witchcrafts secrecy and the infamous Necronomicon. The Elder Ones and the mighty Cthulhu, who lies and not dies within the dephts of the ocean in R'lyeh he's awaiting... arf, anyway this font will well set for posters, detective stories or horror books, pulps and others... *Full western latin language with most diacritics and numbers* Included in this set: - ARKHAM77 Black (More formal display) 560 glyphes - ARKHAM77 Elegante (for a creepiest rendition) 590 glyphes - ARKHAM77 Titles (as its name do not tells, for credits, or simple text) 560 glyphes - ARKHAM77 Extras (Embellish your work with this cool collection of frames and ornaments) +100 glyphes

Sans-Skript is a display typeface that is inspired by Javanese Script (or Sanskerta in Bahasa Indonesia). Javanese script is one of Indonesia’s many traditional scripts that were commonly used by Javanese people from mid-15th CE to mid-20th CE. Though not commonly used anymore, it is still taught and used in cities across East and Central Java. Sans-Skript translates the high-contrast, modular and organic features of the Javanese Script into the Latin alphabet. (Hence the not-script naming) The typeface is aimed to be used for large format prints, above 100 pt, and can be used alongside Javanese script. Typefaces that pair nicely mimic features of Javanese script, and Hatton by Pangram Pangram Foundry is an example.

Aloha! Veteran Sign Painter Pierre Tardif and Lettering Artist Charles Borges de Oliveria have teamed up to bring you these fun to use brush fonts. Aloha Script comes in two flavors: Aloha Script and Aloha Script Casual. Both fonts contain the same lowercase, alternates, and ligatures – the difference is in the capitals. By mixing both fonts you can create a variety of unique logos. Aloha Scripts Casual can be set in all caps for greater emphasis on captions. Both fonts contains over 100 alternate characters, as well as an assortment of ligatures, swashes and underlines. With over a year and a half in development, Aloha is bound to please. Great for logo design, signs, posters, culinary food packaging and so much more. Aloha!

House Sans is a 100 style super-family made up of 5 widths, 10 weights plus matching italics in two design approaches through stylistic alternates to the E, F, L and e characters. The weights range from compressed to expanded, from thin to heavy creating a plethora of styles to create with. House Sans has a unique visual structure to key glyphs such as the A, M & Y that give the font a stand out feel while the contrasting horizontal bars provide a nice balance. The compressed weights are great for fitting in tight spaces whilst the Heavy styles are perfect for standing out from the crowd. The font features extensive support for European and Cyrillic languages, stylistic and discretionary ligatures, plus superiors, inferiors and fractions.

Codeline Mono is a friendly monospaced typeface designed to appear more modern, softer and less formal than the usually robotic and strict mono fonts. Unique and highly versatile, this family includes over 400 glyphs in each of its twelve styles (six weights and six obliques). While great at all the typical mono use cases where a technical look is needed, Codeline also creates an ease of reading not commonly found in mono typefaces. This duality makes it a perfect fit for other uses in the role of a uniquely technical yet remarkably breathable display font. The character set implemented in Codeline Mono ensures full support for over 100 languages by including an extensive list of localized forms, precomposed accented letters and modifiers.

The Adinkra name, by legend, comes from the King who was conquered by the Ashante people of Ghana. The king, Adinkra, wore wonderful patterned fabrics. Adinkra means “goodbye,” and the symbols were reserved for funeral garments. Today the symbols are part of the Ghana popular culture and around the world. You will find the symbols on everything from housing, clothing, to tattoos. These 100 symbols are accompanied by the Ghana name, a loose translation and what the symbol has come to represent. The meanings and symbols are by no means the complete list and some people do not use the exact same translations and meaning as you will find here. These are for casual use and not historical or anthropologically completely accurate.

An elegant, contemporary and quirky handwriting font inspired by fonts such as Satisfaction and Nothing. There are many handwriting fonts out there, almost all of them tending to highlight the individuality of a particular person's handwriting. I wanted to go beyond this. What I've always wanted was to write in an elegant, casual yet legible style: something which my own hand often refuses to do. So I set out to produce the handwriting of my dreams - this font. While it doesn't match my dreams 100%, it certainly comes close! Affable comes in three styles, Affable Regular, Affable Blak and Affable Lite. The Affable family is fully professional, carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Introducing "Summer Surfing", a font duo - serif and sans serif designed to bring the energy of the waves to your designs! With three styles - regular, rough, and texture - you can create a range of effects, from clean and modern to weathered and rustic. Each style of the font features bold, rounded letters that evoke the movement and curves of the ocean. But that's not all! Summer Surfing also includes 13 beach-themed illustrations as dingbats, including surfboards, waves, and palm trees.

Crassula is a versatile display font. Like the plant of the same name (Crassula, jade tree, money plant), which has thick juicy leaves, the font is distinguished by rounded contours and smoothed out forms of elements. Stylistic Alternates offer more traditional letter shapes and make Crassula more readable in long texts. Six weights allow a broad range of applications - from informal book and magazine headlines to emotional marketing ads. The font was designed by Natalia Vasilyeva and released by ParaType in 2018.

Made from a simple font incantation, the Invocation typeface was born. Inspired by an old Atari game called Necromancer where trees uprooted and came after the wizard, or something like that. The end result, a thematic typeface spawning roots. On darkened night, the moon eclipsed, a cryptic verse does pass my lips, from ancient parchment, edges worn, this Invoctation font is born... Sometimes we need an evil look for our designs, so why not summon this typeface into your hands today!

The origins of the font Versailles go back to the 19th century in France when, with the introduction of lithography, alphabets could contain freer forms. The basic forms are Modern Face with triangular serifs. The direct influence for Versailles was the writing on the back of the memorial to Charles Garnier, the architect of the Paris Opera. Versailles is a classic font for advertisements, perfect for shorter texts and titles/headlines and it makes an impression of elegance and strength.

This font is a latin based version of the ogham alphabet used in the writing of the old irish language. It can be used on Latin keyboards. I will make a unicode font version of this font in the future. Ogham (/ˈɒɡəm/ OG-əm, Modern Irish: [ˈoː(ə)mˠ]; Middle Irish: ogum, ogom, later ogam [ˈɔɣəmˠ] is an Early Medieval alphabet used primarily to write the early Irish language (in the "orthodox" inscriptions, 4th to 6th centuries CE), and later the Old Irish language (scholastic ogham, 6th to 9th centuries). There are roughly 400 surviving orthodox inscriptions on stone monuments throughout Ireland and western Britain, the bulk of which are in southern Munster. The largest number outside Ireland are in Pembrokeshire, Wales. The vast majority of the inscriptions consist of personal names. According to the High Medieval Bríatharogam, the names of various trees can be ascribed to individual letters. For this reason, ogam is sometimes known as the Celtic tree alphabet. The etymology of the word ogam or ogham remains unclear. One possible origin is from the Irish og-úaim 'point-seam', referring to the seam made by the point of a sharp weapon.