Buffallo is a unique and interesting handwritten font. Incredibly versatile, this font will fit a wide pool of designs. What you get: PUA encoded = Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software.

If you are searching for a stylish font to fit in a not very wide space, GL Tetuan is your font. Slab, modern but with a touch of oldstyle, compatible with many languages, including special characters and very nice ligatures. It includes Cyrilic, Georgian and Greek alphabets.

Beckson is a futuristic unique sans serif typeface, which comes with creative alternative letters. Beckson is designed with minimalist distinctive shapes that make it very eye catching. Beckson is a fantastic typeface for modern and futuristic designs, you can use it for a wide range of projects.

Summer Calling is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Summer Calling is PUA encoded which means you can access all of the glyphs and swashes with ease!

Mainstream is a graffiti handwriting font, designed created by Måns Grebäck. It is vivid, artistic and contains a wide range of characters. Write underscores after any word to make an underline. Example: Mainstream_ Write * after any letter to put a crown on it. Example: Mainstre*am

Summer Knock is a unique and interesting display font. A little bit quirky, this font is a great choice for a wide variety of contexts! It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a creative spark.

Fallaxe Graffiti is a spectacular, with bold graffiti display font, there are two style font inside, normal style and dripping style. It will elevate a wide range of design projects to the highest level, be it branding, headings, wall art illustration, apparel, labels, and much more!

Jelly Boots is a cute display font, carefully created to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

Oyster Lake is an elegant signature script font. This versatile script font has a wide spectrum of applications ranging from greeting cards, product branding to headlines and more. So what’s included : Basic Latin A-Z & a-z Numbers, symbols, and punctuations Ligatures Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Some Assembly is a sans serif printer font which ran into a few problems when it came time to print. Offered with a wide range of distressed styles. It is a pleasantly styled geometric face which is highly legible and its various styles provide dynamic alternatives.

An example of hand lettering from a vintage instructional book was the basis for Fashion Statement JNL; available in both regular and oblique versions. This extra-wide "thick and thin" design is perfect for replicating the classic signage and print work of the Art Deco era.

IF Kargo Sans Clean and Highly Professional. This sans serif typeface includes nine (9) weights and variable format. Aims to serve a wide variety of graphic styles, branding, logotype, packaging, ecommerce in modern way. 9 weights Variable Upper / lower case, numbers, punctuation Language support: Latin and Greek

Shady Characters JNL places type against a simulated halftone background to produce a "ribbon" with black and white visual contrast. By typing the left bracket key, you produce a wide space for between the words. A narrower space is on the right bracket key. Limited character set.

Wolf Paul is an elegant signature script font. This versatile script font has a wide spectrum of applications ranging from greeting cards, product branding to headlines and more. So what’s included : Basic Latin A-Z & a-z Numbers, symbols, and punctuations Ligatures Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Summer Story is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Summer Calling is PUA encoded which means you can access all of the glyphs and swashes with ease!

Flying, elegant, handwritten font Orange Mochi. The font is built on the basis of personal handwriting, has narrow and wide glyphs, brave external elements, alternative letters and funny ligatures. The font works well in an array of text, titles and logos. Display font Extended latin & cyrillic

Lard Pro Regular is an extreme contrasted extra black typeface designed for usage at larger sizes. Lard Pro Bold is an extra black typeface designed for usage at larger sizes. They contain extended Latin, Cyrillic and Greek alphabets to support a very wide range of languages.

Biosphere is inspired by industrial style typeface that's will give look a modern and technical industrial display font. That will take any design idea to the next level, covering a wide range of project types such as poster design, book covers, prints, headlines, id cards, packaging, branding.

"Overmind Demond" is a striking display font designed with a futuristic theme in mind. Its sleek and modern letterforms exude a sense of technological advancement and innovation, making it a perfect choice for a wide array of design projects centered around futuristic concepts or space exploration.

The classic blues album "I'm Jimmy Reed" released on the legendary Vee-Jay label out of Chicago featured title lettering in a bouncy, fun, casual take on the classic Latin Wide style of alphabet. Bluesman JNL offers a full digital typeface based on that album titling.

Hiragino Sans Traditional Chinese is a traditional Chinese font that inherits design characteristics from the Hiragino Sans (Kaku Gothic). The font satisfies the rising demand for a high-quality Big 5 embedded font for multilingual products, allowing it to be utilized in a wide range of applications.

The Vivala old black letter font family is characterized by its hard-cut lines. This gives the typeface a special woodcut-like character. The typeface family offers a wide range of possibilities for design. It works well for posters, packaging, and corporate design for restaurants or breweries.

SK One Block was designed by Salih Kızılkaya in 2020. Inspired by Kufic typeface, this font includes many typographic material you will need. SK One consists of 8 different fonts and 2696 glyphs.

Sodra is a wide-accented antiqua with sharp serifs and hints of futuristic forms. This typeface emerged from a passage in the Manifesto del Futurismo by Filippo Tommaso Marinetti. One short word was the inspiration and the guidance for the creation of this font. An attempt to create something unique and distinctive, an attempt to add a bit of futurism to something historical. The special aesthetics and expressiveness the type conveys will make you look closely at each letter and draw attention to your design. The font has been in development for a long time and painstaking work has been done on it. Large language support, about 470 characters and almost 4,000 kerning pairs. Hinting and testing the font itself in business and in a wide variety of applications. The uses of the type are very wide. Whether it's a branding, logo, identity or merch, a headline or product design. The nature of typeface is not limited to something rough and gloomy, on the contrary, it all depends on how you look at it. I've shown you my point of view, you in turn will see yours!

URW Dock is a contemporary geometric type family inspired by the square sans typefaces of the 60s, notably the Eurostile, which is still used in countless applications to the present day. Designed to meet today's requirements for a multifunctional font, this reinterpretation includes numerous enhancements and optimizations to ensure a professional use in today's digital age. Including a wide range of styles, an extended character set and a careful composition, it has the potential to give brands, artworks, and interfaces a modern, professional and unique touch. Its high legibility and clear informative and technological appearance are perfectly suitable for infographics, signage and way-finding systems. And especially when embedded in app, gaming and infotainment software it will display its strength. While the upright styles communicate a clear, professional and informative message, the italics express a technological, dynamic and forward-thinking spirit. An extensive language support, several figure sets and a wide range of OpenType Features will make the URW Dock font family a perfectly suitable partner for a wide range of print, web and app projects. For more information please have look at the URW Dock PDF Type Specimen.

Amitale (A-mi-tah'-lay) is the union of Amitale Book and Amitale Wide into a new 8-font book family in my continuing objective of designing a better font family for readability in booklets. My goal here is for a full range of styles from light, regular, bold, and black without the plugged counters and clunky feel of most bold fonts. In my use, personally. I do not use Amitale Book Bold. I use Wide for the bold and Wide-Bold for the black style. In many ways, Amitale is Brinar with bracketed serifs. Many people find Brinar to be an exceptionally readable and beautiful humanist sans. This new serif font family has many of the same characteristics. This is also the debut of my new OpenType features set for 2009. There are more and more ligatures for your fun and enjoyment: bb gg ff fi fl ffi ffl ffy fj ft tt ty Wh Th and more. Like all of my fonts, there are: caps, lowercase, small caps, proportional lining figures, proportional oldstyle figures, & small cap figures, plus numerators, denominators, superiors, inferiors, and a complete set of ordinals 1st through infinity.

Mynaruse Royale is an expansion of Mynaruse Titling. It features script capitals and widely tracked and smaller titling capitals. Mynaruse Royale has plenty of character and, with its powerful and sharp serifs it draws in the eye. Mynaruse Royale is useful in settings that call for titling with an extra touch of elegance, such as a storefront, wedding program or formal invitation. Mynaruse Royale contains a number of OpenType alternates, including alternate forms for the capitals that are large, drop cap like capitals instead of the calligraphic script capitals found in the default forms. Additionally, there are non-widely tracked lowercase forms that work well with the included alternate characters and ligatures. The lowercase forms are 80% smaller in height than the Mynaruse lowercase forms, so the families are not interchangeable, but they can be used together. The calligraphic script capitals could also be used separately as drop capitals. OpenType-capable applications such as the Adobe suite or Quark can take full advantage of automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of latin based languages.

Reminiscent of circuitry and wrought iron, Anachrony constructs the forms of an Old English Blackletter with the strokes of a Modern Geometric Sans, and lands in the vicinity of Art Deco. For such an unusual chimera, the Anachrony family is legible and versatile. Its glyphs cover pan-European Latin, Greek, and a wealth of symbols including arrows, zodiac, planets, chess, suits, and circled numbers. It is also packed with Opentype features: Small Capitals: Of similar proportions to the default numerals, tall enough to be a suitable choice in place of regular capitals. All Caps Forms: In addition to the four usual types of numerals, there are numerals and currency symbols that match the capitals. Swash: A leading curly swash on capitals, and fancy looped ascenders in the lowercase that are handled by over a hundred standard ligatures where they would collide. Style Set 01: Romanized forms. Especially recommended for all caps. Plainer A/M/T/V/W/Y, J/Q reined in to the baseline, and alternate g. Style Set 02: Masthead forms. Old-fashioned capitals with descenders and that lower left dealy. Also f/x/z/ß in a more traditional fraktur mode. Style Set 03: Mild embellishments. Tall bifurcated ascenders and descenders. Style Set 04: Extravagant swash descenders. Style Set 05: Final swashes for the end of a word. Style Set 06: Converts capital letters into the corresponding connected Roman numerals. Seemed like it could be useful sometime. Easy swooshes: Standard ligatures allow you to type two to seven commas in a row to append an assortment of sweeping or ending swashes. Catchwords: In Anachrony Royale, turn on Discretionary Ligatures for a variety of decorative articles and prepositions.

One of the most widely used typefaces in the world is actually a legacy of 18th century aesthetics, representing the spirit of late Baroque design, architecture, fashion and society. It has been created and printed for millions of readers around the world for more than two and a half centuries. It influenced many modern typographers. It shaped culture, education, entertainment and science, but also the development of typography itself. As a calligrapher and technical innovator, Baskerville invented new design, papermaking and printing methods, and his typography is very natural and legible to this day. Graphic design today calls for clean and minimalistic solutions, where the use of historical typefaces can achieve a vivid contrast with contemporary elements on the page or screen. Baskerville is undoubtedly the best choice for any kind of publishing house. In keeping with the original inventor’s spirit of excellence, we hereby offer its most advanced digital version. This is not a precise remake of rare Baskerville prints or a restoration of the original punches cut by John Handy, but rather our ideal essence of transitional typography. The old masters were limited by the technology of the time, but today we can dare to have very fine lines, unlimited ligatures, size variations and sophisticated OpenType functions. Drawing, programming, proofing and testing took us many years of development and brought thousands of new letters and dozens of language options. We are convinced that your readers will enjoy this font mainly for reading extensive works, but also for creating corporate identity, orientation systems and cultural posters. Baskerville is perfectly modern in its antiquity, striking in its modesty and timeless in its transiency.

SomaSkript is a natural extension to the basic Somatype font design, adding more variety to the family, all of which have similar features. Basically, by widening the uprights and maintaining the thin cross-bars it takes on more of a script-like quality, hence the name. Slanting the letters reinforces the script illusion and consequently brings a broader application to the font’s original format. When designing the Somatype alphabet originally, I always envisaged maximizing on its potential by creating an incised version. This variation not only emphasizes the implied script qualities within the name but brings out the softer, feminine side of the typeface. This evolutionary process creates a different looking font altogether and in turn the slanted version emphasizes the elegant quality even more so.

The Macarons font family consists of a monoline version, regular and bold weights, and a set of gestural catchwords, which reflects the use of the ruling pen as a freestyle tool. Ornaments and dingbats are also included. Macarons is a display type based on the classic Garamond typeface. It’s inspired by the foodie culture and the slow food movement, which began as a rebellion against fast food and has now grown to a global scale. Every day, thousands of people around the world take pictures of their food, look for new recipes to try and recover old ones, enjoy wine-pairing, and value locally produced food. Macarons is a fresh and spontaneous looking typeface that has been designed by Coto Mendoza, who also has developed a hand-made product line (Ride my Bike, Ride my Bike Serif, Four Seasons, D.I.Y. Time, Dans le Cuisine and In a Jar). This font is not constructed out of modules: each character is drawn by hand. Macarons is ideal for cookbooks, menus, liquor bottle labels, food packaging, wedding invitations, greeting cards, tea boxes, food blogs, small shops, cupcake bakeries and so on. Try! A freshly-baked homemade macaron!

Peridot is not just another typeface – it's a multifaceted sans serif type system crafted with passion and precision by Foundry5. Painstakingly developed through long hours and a keen focus on every minute detail, this typeface boasts a high-quality 10 weight family with matching italics in 6 widths, and the highly versatile variable format. Brimming with character, Peridot invites you to experiment with its various stylistic variants, allowing you to tailor the typographic tone to fit your creative vision perfectly. The diverse range of widths and styles in Peridot offers a dynamic typographic toolbox, ready to inspire and captivate even the most innovative designers. Peridot Latin covers over 320 languages, including Vietnamese. It includes all required localised variants, tabular numerals and currencies, fractions, clever discretionary ligatures and many more features. Peridot performs in varied environments – from branding, display, corporate use, editorial, advertising, poster, web, screen usage etc. Think of any other use case as well, and Peridot will perform. Peridot comprises 120 static fonts, family packages, and variable support. It is the gem you ought to have in your collection.

Herschel ventures into the elaborate world of late 19th-century typography to bring its winsome charm and compelling aesthetics into modernity. Staying true to the spirit of its historical era of inspiration, Herschel was designed with extreme attention to detail. Although its aesthetic roots are firmly planted in the treasury of Gilded Age typography, it has been technically constructed to withstand all the rigorous demands that modern technology places on type today. Herschel’s nostalgic, flared, and gently bifurcated serifs shine brightest when employed as display type, but are suited well for any application where inimitable character is needed. Named after designer Brian Brubaker’s maternal grandfather, a retired dairy farmer of more than 60 years, Herschel is available in six delectable weights: Skim, One Percent, Two Percent, Whole, Creamline, and Butter. Features overview: • 800+ glyphs per weight • 120+ stylistic alternates • Upper and lower case • Titling/Drop capitals with multiple and contextual ligatures • Lining, oldstyle, proportional, and tabular figures • Standard and discretionary ligatures • Unique dingbats and special characters • International language support for 200+ latin-based languages, including Vietnamese

Introducing NEWGATE, a trendy font that is both retro and contemporary, is now available. Its thick curves give it a 70s groovy vibe, while the serifs return it to tradition. NEWGATE fits right in with those vintage moodboards and logos. It has separate lower and uppercase letters, as well as numbers, punctuation, and multilingual letters. The Ligature fonts will come in handy for anything your imagination can dream up! 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numerals & Punctuation Stylistic Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it. Check out Leonardo Sans which is a great pair for Newgate.