Batelik -This is handwriting on paper using a pen and then we turn it into 3 styles such as regular Batelik which is original or natural handwriting without being cleaned or tidied up in the slightest while Batelik1, or Batelik2 I tidy it up and clean it, it's very modern and minimalist, it's really cool and it's amazing that you can try it for the job you're doing. letters are equipped with uppercase and lowercase letters, punctuation numbers and also language support

RaseDowne is unique amoung all of our other Graffiti Fonts. This font is intended to be rotated 90 degrees clockwise so the text reads downward. This single font includes 2 alphabets with capitals that extend downwards. The RaseDowne font was created from hundreds of handwritten samples. This style was created by RaseOne & is often used to create tattoo designs, fashion designs and mountable artwork. There are actually nearly 3 full alphabets plus numbers, symbols and a variety of embellishments all included in this one font. The rough, natural style and imperfect lines help maintain a handmade look. Using the optional glyphs you can try multiple letter combinations until you get just the right configuration for whatever word or phrase you are trying to make.

Nouveau Eccentrique JNL is a novelty Art Nouveau lettering style found on some 1920s sheet music cheerfully entitled "I'm Glad I Can Make You Cry".

GansBlasones images were selected from the vignettes catalog from Fundicion Gans published in 1920. Represents heraldry devices, Spanish city seals, world nations seals, coats of arms, helms, crowns, crests etc.

A stencil variant of last year's bestselling Device font family, Korolev . Named after Sergei Korolev, father of Soviet astronautics, and based on signs from the Red Army parade of 1932.

Miserichordia evolved from photographs taken on a trip to Venice and instigated a sharp turn left into more idiosyncratic and decorative serif fonts. Something of a new direction for Device.

SK Merih is a geometric sans serif and semi-condensed font family. Produced with a clean and modern design approach, SK Merih can be easily used in titles, body texts and many points you may need in design. SK Merih takes its name from Mars. Although Merih is not used today, it is the Turkish equivalent of Mars. SK Merih consists of 12 fonts and 5244 glyphs in total and has multilingual support. In this way, it contains all the typographic elements you will need in your designs. You can visit my Behance account to examine the project images in more detail.

Sisco is a complete font family of 18 weights intended for editorial use and brand identity. Open counterforms give it a touch of modernity and technological. Sisco is designed to be legible in small sizes in both paper and display devices. It contains a set of authentic Small Caps and various sets of numerals, fractions, ligatures, and an extensive map of suitable characters for most languages ​​based on Latin characters. Sisco is a typeface that will bring the future to your graphic projects.

Joyscript-Two is an upgrade of the 'Plain-Joyscript' Font containing many more ligatures which makes it much more versatile and may be applied to many applications including headlines, logos, ads, captions, packaging, bulletins, posters, books and greeting cards.

BB Noname™ (Pro) is intended to imply the appearance of a conventional typeface in a contemporary context. Due to the frequent use in the public service (among other things), the style associates a supposedly objective face. The style is characterized by the proportions, the contradiction of the apparently perfect reduction and the retention of chirographic elements. In addition, the rapid further development of the input devices has meant that existing character sets have been added again and again, regardless of style and technical requirements. With this work, the properties were analyzed, the characteristic features highlighted and summarized in a complete typesetting: Anonymity (procedure), bureaucracy (style by category), convention (shape) and formality (optical corrections). ● 3 Variants: Human, Computer, Interaction ● 20 Stylistic-Sets ● 34 Styles ● 39 OpenType features ● 93 Languages Support ● 35,598 (1,047/Style)

Quilt Patterns Three was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Three is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Three can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Quilt Patterns One was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns One is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns One can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Quilt Patterns Four was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Four is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Four can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Quilt Patterns Two was inspired by the patchwork designs used in quiltmaking in early America. There is an assortment of 94 patterns located under the character set and shift+character set keys. Quilt Patterns Two is based on the nine patch pattern, a block that is 3 squares by 3 squares, the most basic and most common. The nine patch pattern can be subdivided into 6 squares by 6 squares, 9 squares by 9 squares, etc. Characters of Quilt Patterns Two can be typed in a vector drawing program and then converted to paths/outlines, color may then be added to various parts of a given pattern. Patterns can be stacked horizontally and vertically creating an infinite number of quilt designs.

Exa Metline is a conceptual font. It's a modern style geometric typeface with unusual letter shapes. This package consists of 3 fonts with separate inside line layer. Also 10 alternate characters are available, if you'll need a more familiar letter shapes. Thank you and have a nice day!

I love peanuts! Actually I eat peanuts every day, in the shape of Peanut Butter ... and it kind of slaps me in the face with energy and good taste! What a good way to start the day! The same thing could fit to this font: a good way to start your day is with a good design ... using my Peanut Slap font: Mix the 3 versions with your favourite colorscheme, play around with the transparency...and voila! Great results awaits you!

U-P-D-A-T-E (more glyphs, bug fixed, MAC (Desktop) + WIN (Office) Version) CHARACTERISTICS An own interpretation of a classic egyptienne/slab serif typeface with modern and fancy handmade haptics/hatching. The 3 styles/weights fits perfectly in each font size. From light till bold. All 3 styles are handemade sketched for diverse display size. APPLICATION AREA This heavy, sketched, scribbled, handmade slab serif font “Hand Scribble Sketch Rock” with many language support would look good in head­lines. Magazines or web­sites, party flyer, movie pos­ters, music Poster, music covers or webbanner. TECHNICAL SPECIFICATIONS ■ Font Name: Hand Scribble Sketch Rock ■ Font Weights: Regu­lar, Bold, Light ■ Fonts Cate­gory: Dis­play for Head­line Size ■ Font For­mat: OpenType OTF + Windows TrueType TTF ■ Glyph Set: 361 gly­phs ■ Lan­guage Sup­port: Basic Latin/English let­ters, Cen­tral Europe, Bal­tic, Roma­nian ■ Spe­cials: alter­na­tive let­ters and liga­tures (with accents & €) ■ Design Date: 2013 ■ Type Desi­gner: Manuel Vier­gutz ■ Font License: Desk­top license, Web license, App license, eBook license, Ser­ver license

A revival of one of the popular sans serif wooden type fonts of the 19th century, narrow, rounded strokes at top and bottom, pointed horizontal devices in centers, no lower case designed.

Paul Grotesk Stencil is a new Version of the modern, clean, minimalist grotesque typeface Paul Grotesk, with delicious detail. Created and published in collaboration by Fargus Meiser and Lukas Bischoff. It comes in 8 stylish weights and 3 are free to try. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, arrows, special numbers and more. It fits perfect for graphic design, editorial, corporate and any display use. Also check the webfont to create a nice responsive interface design!

A happy, friendly hand printed font for many uses. Works as a display or body copy font. Great for that letter home to Mom or when you need a casual look. It can also be found in the book "Indie Fonts 3, a Compendium of Digital Type from Independent Foundries".

Aquus is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures. Most alternate glyphs can be switched automatically by use of the Stylistic Set function in OpenType-supporting applications, others you can access manually via the glyphs palette. You may try Aquus Linearis as a fashionable outline variant, which reveals its beauty especially when combined with imagery. Use them best for concise strings of characters, such as logotypes, packaging or magazine titles. Aquus Simplex is their sober companion, based on the same letterforms, minus the geometric ornaments and conjunctions.

Welcome to the Jet Age! LIETZ Rathoga jumps right out of the covers of vintage Space-Hero comics and onto your flickering cathode ray tube monitor. Fight the evil Zombies of the Stratosphere with sharp serifs! Race the Rocketmen with narrow stroke widths and fast italics! Loaded with Ligatures for more firepower! Team up with Rathoga's brothers and sisters from the LIETZ font family and you will triumph over the hordes of evil! Power on!

Is it blood, melted ice, water or something slimy? Choose yourself, because Bloody Charm can be used for all purposed that needs something either scary or melting. I've added two versions: Regular and Drips. The Drips versions is (you may have guessed it already!) a bit more drippy than the regular version. Both versions uses contextual alternates, which in this case means that there is 3 different versions of all lowercase letters - and these automatically cycles as you type!

Wedding Doodles Too is the follow-up font to the popular Wedding Doodles. This font gives you all you need to make your own invitations, announcements, RSVP cards, save your date cards and thank you notes. Font includes 3 sets of hand-lettered words… save our date, thank you and RSVP. Just add a wedding cake, flowers, top hat, wedding bell, heart or flower and you are done. Check out Wedding Doodles, you may need both.

A simple stylistic device gives this clean, bold sans serif face a slightly spooky feeling. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

A geometric design, published in Rick Poynor’s Typography Now 1 (Booth-Clibborn Editions, London UK,1991). Discussing these kinds of angular styles, the critic Rick Poynor noted that "fate has overtaken the angular post-constructivist type design of Neville Brody, Zuzana Licko and Max Kisman". Poynor described a process by which typefaces, once “fresh, unexpected, precisely attuned to the moment”, get used increasingly often in less and less appropriate contexts and end up looking "irredeemably passé". (Poynor, Rick, ‘American Gothic’ in Eye Magazine, 6/1992)

Pomerans is a redo of an old font of mine called Suco De Laranja. Since the original font had a citrusy name, I decided to name this reincarnation Pomerans, which means ‘Seville Orange’ in Dutch. I doubt that there are many Dutch people who actually know what a pomerans is! Pomerans is a handmade, all caps font. I kept the look and feel of the original font, but I cleaned up the glyphs, added new glyphs and added additional language support (including Vietnamese and Sami).

The Overleys is a handwritten font with quick dry strokes and a signature style. perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters. The Overleys has an entire alternate glyph set. This is accessible simply by their own separate font file - just install this as normal and select 'The Overleys Swash' , ‘The Overleys Alt' or ‘The Overleys Brush’ in your text-tool. The Overleys includes 3 Font files: 1. The Overleys - A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. The Overleys Alt - The second version of The Overleys, with a completely new set of both lower and uppercase characters. 3. The Overleys Swash - A set of 26 hand-drawn swashes, with cool touch to underline you’re The Overleys text.