10,000 search results (0.028 seconds)
  1. Hertina by Letterara, $12.00
    Hertina designed with high detail to bring a stylish elegance. This font is for those who are in need of an elegant and appropriately modern calligraphy script.
  2. Albiol by Mr. Typeman, $14.00
    Create your own design by choosing this wonderful handwritten font. Albiol has an effortless yet refined quality, making it an excellent fit for projects of all types.
  3. AZ Harpers July by Artist of Design, $25.00
    AZ Harper's July font is inspired from original early 1900's Edward Penfield's poster art. This font is designed for use as a worn and antiqued headline.
  4. Bulldog Hunter Std by Club Type, $36.99
    Slab Serif version of the Bulldog family. Hunter family lends itself to on-screen use for web design - the letterforms being legible and robust at small sizes.
  5. Clou by Fontfabric, $35.00
    Clou is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.
  6. Grosfer by Typeskets, $17.00
    Grosfer is a cool, bold and thick lettered display font. This font reads as strong, confident, and dynamic and can add a fierce character to your designs.
  7. Black Range by Maulana Creative, $14.00
    Give your designs an authentic brush handcrafted feel. �Black Range Brush Font� is perfectly suited to stationery, logos and much more. Caps only fonts. Many Thanks! MaulanaCreative
  8. F2F Entebbe by Linotype, $29.99
    Inspired by the Techno sound of the 1990s, Alexander Branczyk designed a series of new, wild and controversial fonts which mark a complete departure from typographic traditions.
  9. Hellena by Motokiwo, $17.00
    Hellena, an elegant script font that great for fashion, quote, and many more. This font was designed with uppercase, lowercase, ligature, numbers, punctuation, and also multilingual support.
  10. Folk Art Flowers by Gerald Gallo, $20.00
    Folk Art Flowers was inspired by the flowers used in many folk art designs. There is an assortment of 47 ornaments located under the character set keys.
  11. Broken Home by Wildan Type, $10.00
    Broken home is a cute handwritten font with display letters! This font is perfect for shirts, mugs, signs, children's designs, headings, blogs, logos, brandings, invitations, and more!
  12. Large OT by DSType, $19.00
    First designed in 1999 Large now becomes LargeOT and it's available in Regular, Extra and Italic. Includes plenty of OpenType features, like SmallCaps, Alternates, Ligatures and Swashes.
  13. Baby boo by Sipanji21, $13.00
    Nala Junior is a chubby, fun and charming display font. Its simple and friendly style makes this design incredibly versatile, fitting a wide variety of creative ideas.
  14. Jimbo by Adobe, $29.00
    First used by the designer on his personal letterhead, Jimbo has an informal modern style. Use the Jimbo font family on posters, in advertisements and on packaging.
  15. Trybuna by RMU, $30.00
    Inspired by Thannhaeuser's Liberta, completely fresh drawn and designed, Trybuna is a pronounced, freestyle serif font family, intended for body texts in print and for the web.
  16. Russel dexter by Stringlabs Creative Studio, $25.00
    Russel Dexter is a retro display font with a vintage style. Use it to add that special retro touch to any design idea you can think of!
  17. Buncher Georgia by Fargun Studio, $16.00
    Buncher Georgia is a vintage display typeface inspired by the art of ancient decoration which is suitable for retro-style designs with ancient concepts. File Included Multilingual
  18. LTC Californian by Lanston Type Co., $24.95
    Frederic Goudy designed Californian as a private commission for the University of California at Berkeley in 1939. The first Commercial release was by Lanston Monotype in 1958.
  19. TWT Pavane by Three Islands Press, $29.00
    TWT Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch. Chelsea Studio is based on hand lettering from architectural sketches by Charles Rennie Mackintosh.
  20. Bantublesh by Forberas Club, $16.00
    Bantublesh is handwriting style. This font create and nice to application for wedding invitation, tees design, cover, writing text, wedding moment, logo photography , signature and many more.
  21. Giglio Rosso by Reel Hood, $-
    Giglio Rosso is a decorative typeface with a floral design. The font is named giglio rosso, “red lily,” because it is inspired by the symbol of Florence.
  22. RTCO Fransworth by Roams Type Co, $12.00
    RTCO Fransworth Inspired by Vintage Horror Novel & Movies Poster Typograhphy This font is suitable for graphic designs such as logotypes, merchandise, printed stickers, and other branding needs.
  23. Roundwood JNL by Jeff Levine, $29.00
    The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.
  24. Floe by Jolicia Type, $20.00
    This is the one and only Floe designed by Jolicia Type in 2021 every single letters have been carefully crafted to make your text looks value typhography
  25. Hosbela by Nissa Nana, $22.00
    Hosbela is a beautiful script font. It has a classy, elegant, and modern look that works perfectly in any design projects in need of a handwritten touch.
  26. Fullfox Liberalism by Antonio Iaconesso, $4.00
    Liberalism is a sans-serif, grotesque and hybrid typeface that I created during the lockdown. Born as a pure design exercise, it has turned into something more.
  27. Forward Passed JNL by Jeff Levine, $29.00
    Some Impko decal letters and numbers with a "college look" from the 1960s were the inspiration for designing "Forward Passed JNL"; Jeff Levine's second sports-themed font.
  28. Express 18 by Kosinsky, $30.00
    Express 18 is a sans-serif with open forms and optically balanced noticeable contrast. typeface is designed for universal use. supports extended latin and open type function.
  29. Bros Rover by Blankids, $27.00
    Introducing a new font is Bros Rover Classic Sans Serif. Bros Rover good for logotype, poster, badge, wedding invitation, book cover, tshirt design, packaging and any more.
  30. Old Bodoni Wide JNL by Jeff Levine, $29.00
    Old Bodoni Wide JNL is based on examples of this classic Bodoni design and contains the quirks and imperfections one might find within a wood type font.
  31. Portal by Fontfabric, $25.00
    Portal is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.
  32. Prisma by Fontfabric, $25.00
    Prisma is a custom font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.
  33. Bloxed Rounded by Fontmill Foundry, $20.00
    Bloxed Rounded was originally designed for a new Manchester band called Datadiva. Unfortunately they split up before the face was completed. Well, their loss is your gain.
  34. Manual Typewriter JNL by Jeff Levine, $29.00
    Manual Typewriter JNL was modeled from an example of the 1933 design originally created by Morris Fuller Benton, and is available in both regular and oblique versions.
  35. Malberg by Eko Bimantara, $24.00
    Malberg is condensed sans serif family. Consist of 9 styles from thin to heavy with matching obliques. Fit for display and short text for various design purposes.
  36. Venesia by Edcreative, $15.00
    Venesia is a beautiful and clean font with an ornamental style, perfect for use in various designs such as mugs, t-shirts, invitations, greeting cards and more
  37. FunFont by John Moore Type Foundry, $18.00
    Funfont is a sans serif fantasy font with funny spirit designed to recreate an style of good humor. FunFont comes in three styles: Normal, Outline and Shade.
  38. Oceanwide Pro by California Type Foundry, $47.00
    A font perfect for not just one, but many projects! Introducing Oceanwide Pro, a sans that loves to be used in just about any situation! Designed with ultra clean lines and versatility in mind, Oceanwide wants to be your new favorite sans! Oceanwide’s ultra clean letters work anywhere you want to communicate orderliness and competence, and designed to build trust and rapport with your audience. Its wide proportions make it ideal for display and logo use. Oceanwide especially shines for white/bright letters on black/dark backgrounds! That’s because the inside shapes are nearly perfect circles in many weights. Here's a quick video tour of Oceanwide Pro by Dave Lawrence, including all the great things Oceanwide can be used for! We've tested Oceanwide for these industries, with stunning results!: Tech Arts Fashion & Style Business & Branding Corporations Logistics Architecture Food and many more... Oceanwide can be used for: Headers Subheadlines Logos Even body text, if tracked. Print & Screen The styles it can take are also many. It's great for: Modern/minimalist design Flat design Cut out design User Interface (UI) Technical designs In combination with text effects, even for grunge and other situations. And many others... DESIGN FEATURES Simplicity Tall x-height Hand-sloped obliques (italics) Narrow spacing Semi-wide proportions Expert kerning Well proportioned, usable lights & extra lights Large caps Great ALL CAPS MODE Uppercase punctuation Uppercase spacing with California Type Foundry’s Smart Tracking™ Advanced fraction support Proportional lining figures Thick joins Smooth curves Sturdy—great for textures and effects Variable font available Latin Pro character set for Central European languages. That's the writing for over 782 languages and transliterations worldwide! DESIGN STORY—THE FORGOTTEN SANS by Dave Lawrence, Lead Designer, California Type Foundry Adrian Frutiger was the 20th century master of sans, but I didn't realize he had made—not one—but TWO geometric sans! It wasn't until I had purchased the book “Adrian Frutiger: Typefaces”. I had hoped to someday meet Adrian Frutiger, but he passed away that very same year. Here is the story of Frutiger's forgotten sans. Back in 1968, Frutiger was approached by Pentagram to make a design for British Petroleum. They wanted a "new version of Futura". However, they wanted him to make a couple adjustments. First, they felt that Futura was "too fiddly." By this, they meant that it narrowed too much at the joins. (Joins are for example where the round and straight parts of the 'd' meet.) This is something that is necessary for small print text (to prevent ink clogging), but is not necessary at large sizes. Second, they wanted it to be entirely geometric, using the circular shape with minimal optical corrections. Unfortunately this font was not even used very consistently in the BP brand. A haphazard mix of Futura and Frutiger's BP font ensued. It was then replaced by another font design very soon after. My design is different in several ways. First, the commas and quotes are a more modern style. I tried his original commas, but these just didn’t work to 21st century eyes. Second, in his drawings, Frutiger went for a more standard u with a downstroke on the right. However, Oceanwide has a simpler u. Third, I made more optical adjustments. At the direction of his employer, Frutiger reluctantly put no font optical corrections into the letters. So I think my optical adjustments are similar to what Frutiger would have wanted. Fourth, I extended the weight into the light and extra light ranges. Fifth, the rest of the font I created according to the principles of Adrian Frutiger, but with no sources for inspiration. Here is Frutiger’s design philosophy, in his own words: “If you remember the shape of your spoon at lunch, it has to be the wrong shape. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page... When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful.” The words about the spoon were the ones I kept in my mind as I tried to make the curves ultra smooth, and the shapes ultra simple. Hopefully this font is a worthy successor to the font that inspired it. Released on the 93rd birthday of Adrian Frutiger, to celebrate the life and achievements of this amazing designer. ——————— Simplicity. Versatility. Oceanwide.
  39. Kirshaw by Kirk Font Studio, $24.00
    Kirshaw is not your grandfather's sans serif from the 1950s and 1960s. All those old classics like Helvetica, Futura, Franklin Gothic, and Univers are showing their age like an old Elvis Presley song. Kirshaw is a clean, rounded design with sharp contrasting edges. Like those classics, Kirshaw is easy to read in small body copy and captions, plus it's delightfully modern and stylish for headlines and logos. I designed Kirshaw and Kirkly while undergoing cancer treatment at Stanford Medical Center. Font design was always in the back of my mind and now I had extra time. Kirshaw is a distinctive, modern, easy-to-read sans serif family consists of 14 weights (including italics). It’s an Adobe Latin 3 Character Set containing 350 glyphs per style (including special characters).
  40. Epines by Taznix Creative, $17.00
    Epines is a modern handwritten font, carefully handcrafted to become a true favorite. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile. Epines will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! Epines is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste. What's Included : Bonus Swash Ai & Eps Standard glyphs Ligature Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡ Hope you enjoy with our font! Taznix
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing