A lovely script face remastered from found drawings, great for antique, vintage and romantic designs.

This font is a classic scholastic handwriting font designed to help students learn to write.

Solemnis was designed by Günter Gerhard Lange in 1953 and is a uncials-based typeface.

Another design inspired by Chinese characters, but with a somewhat less obvious treatment than many.

This swirly, twirling font was created specifically for monograms. Each letter's unique design flows beautifully.

It has a three-line design, a characteristic feature of which is its rounded shape.

A classic, timeless design by the phenomenal Ed Benguiat! Featured in: Best Fonts for Logos

Each style is a collection of 174 home improvement and construction equipment icons and designs.

Original, thought-out minimized simplicity. It is designed for those who want a unique font.

This is a hand-written script font. Specifically designed for books, invitations, magazines and advertisements.

An open, evenly spaced book face designed for quality headlines and enhanced readability in text.

Ornaments 1 are from designs from 18th and 19th Cent. founders descended to Stephenson Blake.

Donna Julia is the embellished version of DonJulio. They are designed to be used together.

Apollon is an angular display font. Made for social media posts and game design purposes.

Maplehurst JNL is an original design by Jeff Levine with a strong Art Deco influence.

An informal script designed for ATF as an italic for his Piranesi by W.T. Sniffin.

Leitura Symbols is part of Leitura Type System and was specially designed for editorial purposes.

FP Palina is a very simple and geometric, stencil typeface with a strong graphic design.

Radiac is a semi-monospaced unicase design inspired by lettering constructed from pieces of tile.

A Handdrawn typeface that can be used to create almost all types of design projects.

The most popular type of this kind, designed for ATF by M.R. Kaufmann in 1936.

The Falace family, a contemporary interpretation of the Didone typefaces, is designed for text applications.

LD Verdant Leaves is a bold font with leafy designs sprouting from the thick lettering.

This abundantly ornate former Nebiolo font was freshly designed and carefully extended for multilingual use.

A clean and simple sans-serif, Informatic was designed as a friendlier alternative to DIN.

Buster is a shadowed typeface that Tony Wenman designed in 1972 for Letraset transfer sheets.

Font family designed for ornament use in texts, with three variants, arrows, dividers and ornaments.

A formal text font designed for legibility, suitable for documents, books and intense text requirements.

Designed by Georg Trump in 1938, this typeface was Weber’s answer to Ludwig & Mayer’s Candida.

A beautiful very bold serfi face, formal legible design, with matching Italic, Powerful yet elegant.

The monospace companion to Jim Lyles’ Prima Sans, designed by colleague Sue Zafarana at Bitstream.

Introducing “Tenky Font” – Embrace the Essence of Summer. Tenky Font embodies the spirit of summer in every stroke. With its refreshing summer theme, this font brings the warmth and vibrancy of the season into your creative projects. Whether you’re designing beach party flyers, tropical-themed banners, or anything under the sun, Tenky Font effortlessly captures attention and infuses your designs with the joyful essence of summer. Crafted with meticulous detail, Tenky Font radiates the energy and sunshine of the season, creating an immediate connection with your audience. Its versatility knows no bounds, making it a perfect fit for a wide range of applications, from vacation postcards to festival posters. Tenky Font elevates your text with its playful and breezy characters, giving your designs a carefree and inviting look. Plus, it supports various languages, ensuring it resonates with a global audience. Capture the essence of summer in your creative projects with Tenky Font. Explore this delightful typeface today and let your designs shine with the warmth and spirit of the season. – PUA Encoded Characters – Fully accessible without additional design software.

New from the Monotype Studio, Cotford is a contemporary serif from Creative Type Director, Tom Foley. Dynamic, adaptable, and surprising—Cotford is a languid serif that ranges from delicate thins, bending and reaching like flower stems, to bold heavy weights that command the page and screen with confidence and vintage charm. And as a variable font, Cotford allows designers to explore and refine the design almost endlessly, unearthing its many visual tones and hidden secrets. Foley set out to design a soulful, contemporary serif typeface that delivers all the versatility and robustness today's designers expect. The variable font unlocks an expandsive spectrum of visual expression that allows designers to explore, tweak, and adjust the typeface until they find the perfect weight, contrast, and optical size for their project. At the same time, Cotford’s static weights follow a traditional model of 3 text and 5 display weights, making it a strong choice for brands looking for simple implementation. A pop serif for the digital age, Cotford takes you places. Cotford font field guide including best practices, font pairings and alternatives.

The idea of this font started while designing a logotype for a company named (Mazarat), consisting of 3D geometric looking shapes and overall structure. After designing several words, I thought of using the design concept of this logo to develop a geometric Kufi font for headline category. All letters of this typeface family were conceived with suitable coordinates and dimensions to create the first weight, bold, before finishing the rest of the letters to support Arabic, Persian, Urdu and Kurdish languages. Another weight was conceived, regular, which was designed closer to light to support applications that require variations in thickness. With a 3D look, this font is a simple and creative addition which can be useful for book titles in addition to a variety of other geometrical constructions projects. It brings new design concept for ends of Jeem, Ayn, Reh and Waw to enhance beauty and harmony and to enrich our previous geometrical font contributions which started with the release of HS Alhandasi and HS Almohandis from HibaStuido.

If there was an American Typeface Hall of Fame, Bank Gothic, designed by the great Morris Fuller Benton would hold a place of special distinction considering this design has survived so many trends in typographic fashion since being introduced in 1930. It's just as desirable today as it was over eighty years ago; arguably more. Today, Bank Gothic is a very popular choice as a titling face for science fiction books, posters and countless television and movie titles. It is also a popular typeface for use in computer games and digital graphics. GroupType’s 2010 revival of this American classic is true to the design, the period, and Benton’s aesthetic. GroupType worked with some of the most talented and experienced type designers that were historically grounded and sensitive to this design project. Fortunately, Mr. Benton has left us a large selection of other great typefaces for insight and guidance. GroupType’s new revival includes the original three weights in regular and condensed style but also a new small cap and lowercase in each font necessary for 21st century typography.

Sinoreta is a classic serif font with a bold retro style that adds sophistication and elegance to any design. The decorative alternates add a touch of uniqueness, making Sinoreta perfect for projects that require a bold and proper typographic presence. Whether it's branding, logos, headlines, or editorial designs, Sinoreta will bring a timeless and tasteful touch to your work. This font is designed by Mans Greback in 2023 and combines traditional serif style with modern design elements. Choose Sinoreta for a retro, elegant and versatile font that will make your designs stand out. The Sinoreta family consists of four high-quality fonts: Regular, Italic, Bold and Bold Italic The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Yalta Sans combines the warmth of a traditional humanist design, the clarity of a grotesque and the modernity of a square sans. Several design traits contribute to this melding of diverse typographic concepts. Characters find their foundation in stroke-based shapes rather than constructed forms. Curve stokes are also slightly squared and counters are open. Curved strokes join verticals at nearly right angles to create a strong horizontal stress, aiding the reading process. The resulting design is exceptionally legible while still inviting. Although Yalta Sans is clearly differentiated from its calligraphic ancestors, many details of the design emulate the distinctive characteristics of typefaces from the Renaissance. Tapering horizontal stokes also give Yalta Sans a dynamic relationship with linear grotesque while its angled stroke terminals echo the work of a calligraphic brush Yalta Sans italics are cursive designs that are in keeping with humanistic letterforms and are markedly narrower than the Roman characters. Lining and old style figures, small caps and a suite of ligatures also make for a remarkably versatile typeface family.