Introducing Lupina, where modern simplicity meets timeless sophistication. This sleek sans-serif grotesque font effortlessly enhances your projects with a clean, contemporary vibe. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

"Holland Matcha" – the handwritten font that adds a touch of organic elegance and warmth to your food and beverage brand. Elevate your identity with this unique, memorable typeface and make your culinary creations truly stand out. Explore "Holland Matcha" today for an unforgettable brand transformation. Features : - Holland Matcha Font - Multilingual, US Roman, Latin 1 Support

The letters of ShirlyUJest have serifs that have gone wild, crossing over themselves, giving them the look of overgrown vegetation. It is weird and bizarre and out of control; the name says it all. It is caps-only with the lower-case keys containing the glyphs identical to those on the upper-case keys.

Unytour is a modern sans serif font family of 54 fonts. It includes nine weights with italics from Extra Light to Heavy. Each weight includes alternatives (A,G,I,R,a,l) and OpenType features. Unytour is easy to read and perfect for logotypes, advertising, packaging, book covers and magazines, headings, corporate identities, and more.

Built with both thick and thin lines this display font uses heavy round terminals giving this almost didone-style font a more playful and slightly stylish look. Perfect for magazines and publications as well as for identity and branding. The character set contains typical OpenType features in addition to small caps, and old style numbers.

‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the beginning, these letters were strongly associated with the pubs connected to the Amstel brewery, given that Visser was the company’s official painter. As the years passed, the style became increasingly popular, and various business owners in Amsterdam and other Dutch and Belgian cities also commissioned its use. In the 1970s and 1980s, Leo Beukeboom, another talented letter painter, continued and expanded this lettering tradition while employed under the Heineken brand. Much of his work can still be found in the Jordaan and De Pijp neighborhoods in Amsterdam. The Amsterdamse Krulletter, or Amsterdam’s curly letter, is strongly inspired by the calligraphic works of the 17th century Dutch writing masters, of which Jan van den Velde was a central figure. However, distinct characteristics of this style, for example, its unusual and beautiful ‘g’, originate from a model that was published by Johannes Heuvelman in 1659, which J. W. J. Visser referenced. Typographic circles have somehow overlooked the Amsterdamse Krulletter and its heritage. The Dutch calligraphic hands preceded and influenced the formal English penmanship which has inspired numerous typefaces in the Copperplate style. In contrast, the models from van den Velde, Heuvelman, and Jean de la Chambre, among others, are a missing chapter in Dutch typographic history, and had never been turned into typefaces until now. Conscious of the cultural and identity issues that arise in reviving a unique style, and concerned about the speed with which the lettering style was disappearing, Ramiro Espinoza focused the project of designing ‘Krul’ on digitally recreating the calligraphic complexity of these beautiful letters. Created through several years of research, ‘Krul’ is not a direct digitization of the Amsterdamse Krulletter, but instead, an interpretation that incorporates numerous alternative characters absent in the original model, and improves upon details where necessary, resulting in an optimal performance on the printed page. The typeface is presented in Open Type format, with an abundance of intricate ligatures, fleurons, and swashes, which permit the creation of numerous calligraphic effects. The very high contrast and rhythm of the strokes in this typeface make it especially suited for media applications conveying a sense of elegance and sophistication. Designers of feminine magazines, advertisements, and corporate identities within the fragrance and fashion industries will find in this typeface to be an extremely useful and appropriate resource.The great Amsterdamse Krulletter is finally back, and we are proud to make it available to you.

The Rosetta Stone, or Rashid Stone, was accidentally found by a French soldier during an excavation in the fortification of Egypt. The stone was inscribed in three languages, intended to be sent to three major Egyptian temples. These languages are: Demotic (the language used by the people in Egypt), Hieroglyphic and Ancient Greek. This font contains ancient greek.

ITC Humana font is the work of British designer Timothy Donaldson, an extended and versatile font family with a large array of variations. Donaldson first created ITC Humana Script with a broad-tipped pen and then went on to design the corresponding roman. ITC Humana is the perfect font for anything requiring both clarity and a touch of personality.

Quagey - Psychedelic Typeface: Where letters dance with vibrant, kaleidoscopic energy. It's not just a font; it's an electrifying visual experience, making your message unmissable, like a psychedelic journey. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

NorB Chalk is a handwritten text font with an angled fat chalk style. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun!

Academica Sans was drawn with the aim of following the artistic features of Josef Týfa's fonts. It has the same proportions as the famous Academica, so both fonts can be successfully combined. It is suitable for all types of literature from scientific to poetry, but also for corporate identity and websites. It has a calm and timeless character.

Avegas Royale font is modern sans serif font that is made in 4 styles regular, italic, bold, and bold-italic. The shape is made to contrast curves and lines between light and thick so that it looks more stylish and stands out. This font that perfect for logo, headline, advertising, quote text, invitation card, branding identity, and more.

This typeface was developed for the Different Ground exhibition identity (and that explains the name of the font). The aim was to make an absolutely geometric, constructed font. Sometimes even too geometric and too much into it's own rules. But at the same time to make it look very humane, sometimes imperfect and weird, but alive and not soulless.

Take Trails is a handcrafted script vintage font. The font uses rounded rough edges, inked style and has texture, so this script typeface gives a feel of vintage, classic, old, handmade looked-like. The process of the font design went through scanning and digitally carving, and the texture is well crafted and was carefully added in each character.

Canterbury is named after the English cathedral city in the county of Kent, chiefly because its sculptural qualities are reminiscent of ecclesiastical architecture. It's a monumental font in the sense that it is well suited to plaques, certificates and other formal inscriptions. It's also suitable for any application that strives for a sense of elegance and dignity.

arima is a beautiful and feminine serif font created by a romantic and lovely look. Karima was built with Open Type features, stylistic Alternate and Ligature makes your project will be awesome!! Perfect for Branding identity, editorial projects, Logo design, web font, clothing branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image.

Luisa is a typeface with two weights: regular and inline. Its design responds to the calligraphic principle of pressure. It combines the elegant qualities of the calligraphy with the unstructured and informal layouts of modernity. It is suitable for striking composition in words and short sentences and for shaping dense and deep textures when applied into paragraphs.

Startup is a nine style type famaly. It combines the aesthetics of gothic sans and Neo-grotesques. Created specifically for the creation of startup identity. When you need something that doesn't scream, but has personality. This type family can be used in the design of the logo, as well as apply it to headlines and secondary texts.

Adonis New is a considerate update of the Adonis serif. This dense serif with smooth lines has new, bolder styles, and it supports Greek now. In addition, Natalia Vasilyeva reworked the main styles and made them fresher and more accurate. Adonis New works well in bookset, particularly in fiction and humanities. New version was released by ParaType in 2021.

‘Ted’ is a geometric typeface. It is a synthesis of the geometric and the humanistic. It has both mathematical straightforwardness, and humanistic refinement. It will shine in both headlines and text. It is well suited for graphic design and corporate identity design. It's tall shape, high middle line and form gives ‘Ted’ neo art-deco look and feel.

Freud is a sans family of 9 weights ranging from hairline to extra bold (also available as a 5 styles Economy Pack). It’s a legible face with straightforward geometry spiced with lovely humanist terminals. Some strokes are cut at an angle to enhance its identity. Freud provides a strong partner both for screen and print projects.

The Larryline family contains 6 stroke thicknesses and a proper italic, also in 6 thicknesses. It is suitable for a wide range of applications and can be readily combined with other fonts. The x-height of Larryline is identical with the x-height of Lunaquête font. Erwin Krump, typograph and sculptor, developed the Larryline font in 2016—2020.

Broken Vows was one of two typefaces I created to go along with some fragmented poetry written as I went through a divorce, the second being WHORE. The letterforms contain fragments of familiar script faces that are attempting to hold themselves together. Some of the connecting elements of the letterforms remain and hold the face together.

Orka Condensed Sans is a stylistic font developed within a set grid that creates harmony and form through elegant forms, for use at both text and display sizes. Orka Condensed is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more. Multi-language support.

Westland is a modern blackletter typeface with bend serifs. This font is perfect to use in any alcohol labels, retro style logos, luxury identity, and more. What's included? Uppercase and lowercase Multilingual support Numbers Symbols Punctuation Ligatures I hope you enjoy with this fonts. If you have a question or problem please contact me: kaer.pro@gmail.com Thank you!

Astralys is a linear decorative font, works very well as a type of identity logo, poster and 3d works. It continues the tradition of precedent Xova but with a hard linear impact. Its interesting to note that with it its possible to play with straight corners to create endless couplings geometric styles and beyond. Caps only fonts.

Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.

This font was designed with scholastic visuals in mind. Whether advertising for a school event, or creating handwriting worksheets for young children, this font covers all the basics with Latin alphabet languages. Three fonts with identical spacing to make interchangeable. Spacebar adds a regular space between words/sentences. To connect words with ledger lines, use the underscore (_).

RealBook Pen are handwritten fonts with a unique lefty bounded shape, and can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards, and invitations … or even just for fun! RealBook Pen can be also used for Comics and Casual lettering.

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Introducing Impana: A modern sans-serif font that redefines contemporary design. With its sleek lines and versatile style, Impana brings a fresh perspective to modern aesthetics. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Often in typography, a standout appeal is required – but preferably without compromising on clarity and legibility. Laurel font family by Fenotype is where the best of both worlds meet – an edgy display letter yet easily legible and appropriate for a wide range of use cases. Brand identities, packaging, posters or editorial – choose Laurel for a touch of unique flair.

Jazz Copyist fonts are handwritten fonts with a unique bounded shape, and can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun! Jazz Copyist can be used for Comics and Casual lettering.

Ramston is a humanist sans serif typeface of 20 fonts in total — a normal and a condensed width in 5 weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. Ramston is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation.

Norton is a full character set based on the five letters in the famous Norton Motorcycles logo. K-Type has attempted to remain true to the spirit of the original identity, whilst updating the face, particularly the upper case, to sit more comfortably in contemporary usage. Thanks to Paul Lloyd for the influence of his typeface, Duvall.

Mystical Woods is a script and caps font duo. I went back to the basics for this one -- ink and a brush on paper. I cleaned up the letters enough so that there are no jagged edges, but left enough of the character to keep that inky look -- those are the Rough fonts. Then I went back through again and cleaned the heck out of them, making every line and curve smooth for our cut-crafting friends -- those are the Smooth fonts. Since these two fonts were written together with the same tools and style, you can also mix the script letters in with the caps letters! Each font comes with a full set of standard characters and punctuation, as well as over 300 extended Latin characters for language support. And the script fonts also have 45 double-letter ligatures!

Helixa is a neo-grotesque typeface with a clean & modern design and an enduring appearance. This is a perfect choice for creating logotypes, branding, headlines, corporate identities, and marketing materials for web, digital & print alike. The typeface will be a great option for branding, logo/logotype design projects, marketing graphics, banners, posters, signage, corporate identities and editorial design. Adding extra letter spacing will make this font the perfect choice for minimal headlines and logotypes, as shown in the promo designs attached. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support with Western European, Central European and South Eastern European sets. A total of 300 glyphs are available. Helixa typeface includes 12 fonts in total, with seven upright weights (Thin / Light / Book / Regular / Bold / Heavy) and Italic equivalents of all six weights.