The robust and contemporary sans-serif typeface Rethink, comes with strong characteristics. The typeface is made for work in text as well as in display. It features nine weights in two styles, including Small Caps, a set of contemporary OpenType functions, multiple figure sets and a rich language support. Rethinks main characteristics are the non-straight stroke endings and a slope that might come in an unexpected direction. It brings a bit of movement to the baseline and some attraction to the shapes in bigger sizes. These details are designed to ‘disappear’ in smaller sizes and to not disturb a reading process. Rethink was designed with the idea to help spreading bold ideas ond strong opinions, to support the work of activists in contemporary movements, to design statements with impact and meaningfulness.

Marylebone is a font duo inspired by its namesake neighborhood, located in central London. Marylebone was designed to compose short text for advertisements, blackboards and shop windows in coffee shops, small bookstores, flower shops and local shops. The set is made up of a hand made brush script, composed of 519 characters including ligatures, initials and terminals; as well as a very clean, geometric unicase sans serif with some alternates and ligatures that can double as monograms, it also includes a hand-drawn floral dingbat set. Marylebone allows you to design beautiful compositions for packaging, advertising, quotes, wall art, branding, photography overlays, magazines, motion graphics, scrapbooking, planners, window art, tags, tote bags and much more, thanks to its irregular appearance that gives a unique personality to your design projects.

This font contains plant icons from the taxonomic category Orchidaceae, inspired by the multiple specimens that can be found in Colombia that has the largest number of orchids in the world, more specifically in the specimens that have been exposed on the José Celestino Mutis botanical garden. These icons are characterized by having an organic outline; representing flowers, roots, leaves, bulbs and different supports or pots. The vast majority of icons have perfect bilateral symmetry because this is one of the differential characteristics of orchids (compared to other flowers), if they are divided by a central-vertical axis, their right and left sides are practically identical. “Aguadija” can be used in projects related to nature or similar topics, some icons (specifically the digits) are intended to form decorative ribbons or borders.

Magnetic Pro is a typeface inspired by typewriter characters with a mechanical aspect. Equipped for professional typography, this font family has many OpenType features such as small caps, case sensitive forms, tabular and old style figures, pro kerning, circled numerals, ligatures, and extra graphics. It comes in 8 weights with corresponding italics and it's suited for multiple purposes including display and editorial use, especially for advertising, long text, packaging and branding. Magnetic Pro has true italics with a 'mechanical script' aspect to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages. Magnetic Pro has also an extra graphics style for those who wants to add catchwords, special titles, arrows and geometric shapes to their creative projects.

Quiza Pro is a geometric display sans with added playfulness created around a single dot. Its peculiar rounded diamond shape has inspired many additional details such as similar cuts in diagonal strokes, or occasional serifs in ascenders and capital letters. Its low x-height together with friendly character makes Quiza Pro an interesting choice for packaging and branding purposes. Additionally, its balanced rhythm allows paragraph typesetting in corporate editorial projects – making it a real workhorse for an identity designer. Quiza Pro comes in 8 weights + matching italics each supporting numerous Latin-based languages as well as major Cyrillic languages. It is packed with OpenType features like ligatures, small caps, 6 sets of digits, 3 stylistic sets, superiors and inferiors, fractions, ordinals, respective punctuation varieties including all-cap punctuation, as well as language-specific alternates.

City Boys is a fashionable contrasted sans-serif that can be used in almost any situation. City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage. The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression. The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–. City Boys consists of 7 weights and their matching Italics for a wide range of usages. Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. City Boys Soft is a softly rounded version of this City Boys.

Marcopolo is an Elegant Caligraphy Font whose work is long enough, The design of the letters is quite beautiful, suitable for those of you who like the Classic & Elegant style, matching classic copper scripts with a modern touch, designed with high detail to open stylish elegance. Marcopolo is interesting as a type of font that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy letter connections. I also provide a reasonable alternative value for many letters. The classic style is very suitable to be applied in formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting / wedding cards, packaging, labels or various types of advertising purposes. Marcopolo has 650+ Glyphs that are very charming and diverse in style

Jet is an assertive italic sans that anticipates the return of the simpler, optimistic times when progress was considered positive and forward seemed to be the only way to go. It may have felt right at home in the mid-1970s, the time of Sc-Fi, synthetics and disco, yet it unmistakably belongs to the present. Its dynamic sturdy forms and angular tapering of some horizontal forms convey movement and edgy impatience for change, with a few re-imagined details, like the reversed slant on top of the lowercase t and the atypical round counter of the lowercase a, showing a new hope for the bygone optimism. Available in five weights in Latin and Cyrillic, supporting many languages, with stylistic alternates and two sets of figures. Designed by Gayaneh Bagdasaryan and Vyacheslav Kirilenko, 2020

Longa Iberica is a serif typeface inspired by ancient scripts (Visisigothic, Proto-Gothic, Gothic). It has a long ascender and descender, small x-height and low-profile lining figures. Include automatic ligature creation, stylistic alternates and historical letterforms, lining and oldstyle numerals, fractions, Roman numerals adjusted to figure height (lining and oldstyle) and ordinal letters. Character set contains the complete Unicode Latin 1252 (Western European; ANSI), 1250 Latin 2 (Central European), 1254 Turkish, 1257 Baltic. Supported OpenType features: Acces All Alternates, Alternative Fractions, Capital Spacing, Case-Sensitive Forms, Contextual Alternates, Contextual Swash, Fractions, Historical Forms, Kerning, Lining Figures, Localized Forms, Oldstyle Figures, Ordinals, Proportional Figures, Slashed Zero, Stylistic Alternates, Stylistic Set (1-20), Superscript, Swash, Tabular Figures. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Hello Everyone, Introduce our new collection Almond Pancake is a Unique Bold Display Font, Inspired from Modern logos of brands that have very strong characteristics, very suitable for posters,card to kids cute,and guaranteed to add a sweet touch to your next design,packaging, branding, logotype and more. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. That is Almond Pancake has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel design more interesting. Almond Pancake is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.

Gitan is a flared sans serif, reminiscent of engraving and stone carving. Sturdy and informal, the design features a moderate contrast that provides durability for text setting. Crisp design details like cuneiform head serifs and deeply cut wedge terminals give Gitan a sculptural appeal – a quality desired for all things display. Gitan’s expressiveness evokes the nuances of forms crafted directly in raw materials. The human touch provides vitality so often absent from purely mechanical designs. Pairing a rhythmic pattern with classic construction makes Gitan shine in text. Its natural look reflects a tangibility that thrives in wooden and rock-solid materials. Gitan’s habitat is at the crossroads of editorial and packaging work, grounded by a feeling of substance, but finished by an artisan’s handicraft. By nature, Gitan is flexible and willing to take risks.

To see more technical details download PDF specimen document: https://peggofonts.com/pdf/PGF-Elyss-Sans_%28Specimen-2023%29.pdf PGF Elyss Sans is based on its previous family relative PGF Elyss Roman. With clean and modern lines, but preserving the original Roman style, created to be in labels, invitation, website design, digital graphics, book headlines & titles, brochures, newspaper and magazines design, logotypes, branding and corporate design and much more. In seven weights with more than 900 glyphs each, and ready for more than 200 languages. Including: Standard and Discretionary Ligatures Contextual Alternates Scientific and fractional forms Lining, OldStyle and Tabular figures (Numerals, Mathematical operators and Currency Symbols) SmallCaps (alphabet, numerals and symbols) Social Network & Letter alike symbols Localized language customization (for Azeri, Crimean Tatar, Tatar, Kazakh German, Dutch, Polish, Catalan, Romanian, Moldavian and Turkish)

Parca is a straightforward new take on the classic tradition of Grotesk sans, setting a new standard in the category. The letterforms are crafted with a gentle and careful drawing process that features small details like subtle tappering on the stems and optical corrections avoiding excessive geometry artefacts. Parca is indicated for design projects and branding when you are in the need of a neutral yet warm feeling allowing the content to be the focus and letting the forms to support it. A careful kerning and spacing features have been develop for the font, allowing it to be used either for small text or huge headlines. Parca is presented in a robust family of five weights plus matching italics and it supports most of the latin-based European languages.

Silentgraph is a script font made from handwriting in lovely designs to make your designs prominent. Every stroke expresses beauty and cursive styles of which letters are interconnected. Details of each letter show curvy wipes and high contrasts on its edges. Use this font for big-sized texts to be legible. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Silentgraph fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

This font is the result of merging my architecture background and my love for typography, which inspired me to create a system of fonts based on interior architecture design, furniture design and, especially, the love I feel for my home. The system comes with a monolinear style in sans and script versions, each including 5 weights, that share similar proportions, weight interpolation and details. Hogar is basically a sans with script gestures and a script with sans shapes. In order to make the system more complete, I included an italic version, also in 5 weights, which represents a transition between both main styles. Additionally, I developed a set of monolinear dingbats including some furniture designs by well-known architects.. The family supports more than 200 Latin derived languages.

Kobely is a reproduction of a local broadcaster's real handwriting. My daughter thought her boss's handwriting was so neat and uniform, it would make a great font and asked if I would be willing to create it. I agreed. She had him write out all the basic characters, which he gladly did with both a standard ink pen and a Sharpie¨ marker. I then turned it into a three weight family, perfect for use on post-it notes, shopping and to-do lists - anywhere you need the natural feel of real handwriting. I created it in various weights to spare you from adding a stroke to make it bolder. Adding a stroke can often compromise the small details of a font. Kobely is designed to be readable in even the boldest weight!

Thinpaw is a serif handwritten font perfect for usage in a really big sizes (50 pt+). The stem width is about 0.5 mm (0.019") in 100 pt size. The font comes with central european character set and a set of various glyphs and icons (see preview images). Opentype features: - Standard ligatures - fi, fl, ff - Discretionary Ligatures - ft, fb, fh, fk, fj - Contextual Alternates - a, e, f, g - Stylistic set 01: A Stylistic set 01 changes every dot into the heart shape symbol. It turns every writing into a nice looking love letter! Thinpaw is perfect for wedding proposals, wedding invitations, happy birthday cards or anything personal. For usage on the computer screen, the stem width is about 1 pixel for 50 pt size, and 2 pixel for 100 pt size.

Baldufa is a charming typeface with strong personality, which looks very comfortable in text. There is a search to obtain complicated curves and detailed features, which gives the typeface a touch of beauty and elegance. However, this is also a self-conscious design that claims through the rounded serifs and irregular vertical stems appreciation for quirkiness and human imperfection. The letterforms are inspired by the slight distortions and idiosyncrasies that came with old printing methods. It has distinct, features such as rounded serifs, irregular vertical streams, ink traps and extremely thin junctions. In the Italic, serifs have been removed to enhance movement and expressivity. These experiments in form have not come at the cost of legibility: The typeface remains suitable for both small and display text. Baldufa Cyrillic Latin contains Cyrillic Extended and Latin.

Xmas Wishes Font - A collection of 55 calligraphic Christmas greetings and 10 Christmas dingbats. All handwritten with different tools like broad nib pen, pointed pen and brush pen which allowed us to create diverse styles. The letterings are written in different languages; English, French, Spanish and Italian. Add the beauty of calligraphy to your layout and create unique gadgets for this Holiday Season like posters, greeting cards, wrapping paper, tags, and much more! You can also use the designs as photo overlays for your blog or social media content. Open the images to see all the details AWESOME FEATURES 'Font in .otf .ttf' '55 Handlettering Xmas words' '10 Hand-drawn Xmas dingbats' 'Languages in use English, French, Spanish and Italian' 'We highly recommend Turquoise Font to combine with the letterings.'

Town is a display collection inspired by art deco and contemporary lettering. The fonts have a classic feel, with contemporary proportions, styling and details. There are eight base weights and nine decorative styles in multiple weights. The variety of styles are designed to create bespoke brand marks, stylish liquor labels, unique restaurant menus, engaging websites and fresh magazine layouts. The fonts are built on the same foundations, so the display and decorative styles can be mixed and matched while maintaining a harmonious look. Several of the styles can also be layered together; add a subtle shadow to your headline or create a full dimensional look with an inline face. The collection is rounded out with two sets of accent fonts, and a set of text weights, with matching italics.

Golden Night Cyrillic is a handwritten script font that will be perfect for branding, logos, social media, labels, packaging design and blog headlines. Golden Night Cyrillic script contains a full set of uppercase and lowercase letters and 32 ligatures - which works automatically to create a more natural handwritten look. The Cyrillic part of the font also contains 18 ligatures for a more natural handwritten look of the typography in your designs. Extensive language support is included. Western European, Central, and South East European too. Multilingual Support for 27 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu And Cyrillic glyphs support for Russian, Belorussian, Bulgarian and Ukrainian languages.

Marlon Pro is a soft sans serif font family characterized by its contemporary aspect and its warm touch. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled gures, pro kerning...It comes with a complete range of gure set options – oldstyle and lining gures, each in tabular and proportional widths. It comes in 9 weights with corresponding italics and it's suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Marlon Pro Sans has true italics to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages.

Grange Text is optimised for smaller text sizes, having more open character shapes and spacing. Use the non-text version of Grange for larger sizes and headlines, which has tighter spacing and detailing. Grange is the Device interpretation of the classic “Grot” thick/thin sans style. Unlike the traditional models on which it is based, Grange takes a rational, consistent approach across wide range of weights and widths for contemporary use. The font includes alternative curved and straighter versions of key characters, most obviously the lower-case ‘g' and capital ‘R', allowing the font to take on either a sharper or warmer, more playful appearance. These can be toggled on or off using the ‘Alts' feature in Illustrator, or ‘Stylistc Sets’ in Indesign. Contains proportional, lining and tabular numerals.

Kotomi Display is a high contrast all-caps serif font with an elegant calligraphic touch. Inspired by didones, it features thin bracketed serifs, sleek lines, proportioned curves, angled axis...all, with a sense of fashion. Designed for high end branding, Kotomi Display is intended for large titles and big headers where its sharp and refined finish is particularly appreciated. The font is equipped with beautiful alternates and countless ligature variations that flows in harmoniously to achieve a well balanced combination and a legible composition. With a set of 1414 glyphs, Kotomi Display can serve a wide range of projects from editorial to branding, logos, posters, magazines, blog titles, packaging, wedding invitations, social media and more. Included case sensitive punctuation, numerals, symbols and multilingual support for western, central and south east European languages. Caps Only Fonts.

Typewriter DirtY is related to the Typewriter BasiX and Typewriter Revo fonts. While Revo has a very clean and simple outline, BasiX is a bit washed out and looks worn. DirtY goes a step further and has a very dirty, worn, fuzzy, grungy vintage look – even more so than BasiX. Typewriter DirtY is especially suitable for headlines, logos, covers, slogans and much more. BasiX and Revo are recommended for longer texts. Although Typewriter DirtY looks good even in small font size, it is a bit more complex to render because of its detailed outlines. Typewriter Revo, BasiX and Dirty are monospaced typewriter fonts, which are matched to each other. They have the same dimensions and generally somewhat similar contours. Therefore, they can be perfectly mixed and matched with each other.

City Boys Soft is a fashionable contrasted sans-serif that can be used in almost any situation. City Boys has basic, natural and neutral letterforms and skeletons for a wide range of usage. The glyphs are somewhat humanist yet they have vertical stress for modern and sophisticated impression. The ratio of the contrast was carefully designed for modern usage –websites, digital, printings and merchandises–. City Boys consists of 7 weights and their matching Italics for a wide range of usages. Farther, City Boys is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. City Boys is a normal corner version of this City Boys Soft.

Meet Vendura, an elegant serif-family with a modern touch. While being a homage to the beloved high-contrast didone typefaces from the 18th and 19th century, Vendura comes up with some unique design details, giving this family a modern twist. It adds a lot of personality to any Editorial Design, Branding Project or User Interface. The seven weights of Vendura have lots of crisp sharp edges, while its matching italics create a slightly softer and warmer look. Vendura has an extensive character set to offer, covering more than 200 languages. Plus, there are ligatures, stylistic alternates, numerical variations, automatic arrows and so much more to find, making sure it can catch up with all your typographic demands. Offering 625 glyphs per font, Vendura is a truly versatile companion for your next design project.

The multi award-winning Seria (1996) is Martin Majoor’s second comprehensive typeface family and the successor to his popular text letter Scala. Seria explores the proportions of classical text typefaces. Its degree of sophistication is perfect to be used for poetry and other refined literature, its eye-catching details however makes Seria also suitable as a display typeface. The first sketches for Seria emerged in the summer of 1996 on the train from Berlin to Warsaw, to be precise, on July 25 – the date Majoor noted on the napkins of the train’s on-board restaurant, which he used for lack of suitable drawing paper. The italics are almost upright which contributes much to Seria’s delicately proportioned appearance. The Seria family consists of Seria Serif and Seria Sans. Combining the two creates countless possibilities of expression.

Tusker Grotesk is a headline typeface designed for robust and high-impact use. The initial inspiration for Tusker came from postwar typefaces like Haettenschweiler, Impact and Helvetica Inserat which use very high x-heights. Other influences in the condensed end of the Tusker family are old grotesques like Folio Extra Condensed and Stephenson Blake Elongated Sans No.1 with their flat terminals and closed-up apertures. Then as the widths in Tusker grow, the lettering takes some more inspiration from gothic style sans such as Inland Type's Title Gothic No.8, while maintaining the optical weight established in the narrow end of the family. Each width set is duplexed, stackable and is ideal for headlines, logos and bold attention-grabbing editorial design. Tusker has extended latin coverage ideal for western, central and eastern European languages.

Driver Gothic is based on the typeface used for Ontario license plates. Although unique among Canadian provincial license plates, this face is very similar to, if not outright identical with, the face used on car plates in 22 American states: Arizona, Connecticut, Florida, Illinois, Iowa, Kentucky, Louisiana, Maine, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Mexico, Ohio, Oklahoma, Vermont, Washington, and West Virginia. Driver Gothic is available in all popular font formats, and is comprised of a very extended character set (over 750 characters) covering a wide range of languages, including Central and Eastern European languages, Greek, Cyrillic, Esperanto, Turkish, Baltic and Celtic/Welsh. Driver Gothic Pro, the OpenType version, contains class-based kerning and push-button stylistic alternates for use with apps that support advanced typography. Buckle up!

Point™ Soft is more than the rounded edges version of Point™, it is a reinterpretation of what a geometric soft font should look like. Clean, simple, and above all: huggable. Point™ Soft conveys that warm and soft feeling. With 20 styles it gives you a lot of versatility (From Hairline to Black), plus it comes with two FREE styles for you to play with before commit yourself to buy it. It has Extended Latin and Cyrillic support, old style, lining and tabular figures and much more. It has a wide range of use possibilities. Since it is a very readable font in small font sizes and the details really pop out in display sizes. Be it on small or large font sizes, Point will make its point.

Patmos Serif is a hand drawn serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and it is delivered in Opentype and Truetype format. It supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Serif has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures and it is fully unicode-mapped (PUA encoded). The standard ligatures of the font are 4 decorative ornaments, that you may add at the end of a word and they match perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application and then type "d" and a number from 1 to 4.

Matchbox Font Collections Inspired by a vintage book, old style design, a classic casual vintage look fonts. Minimal decoration on the fonts made it more casual look. The fonts are very versatile, even it works also on modern design but still keep the classic look. Created 6 Fonts that can be combined each other. Like on the Preview images, I've been created from the victorian style to the minimalist badges. It's still blend to each other. What's inside : Matchbox Linea - Bold, Sharp, Standout with inline cut. Matchbox Lettre - Popular Vintage Sign Style. Matchbox Deco - As it names, Art Deco Style. Matchbox Scriptura - Casual Script Fonts, Good for Pair or on a small details. Matchbox Ornato - The Only fonts with a touch of vintage decorations. Matchbox Graso - Little touch of a Fat, Fun and Casual.

Fabrikat Mono is a type family designed by Christoph Koeberlin. The monospaced Sans Serif family is published by HVD Fonts and consists of seven weights plus matching italics. It is an addition to the popular Fabrikat type family that emphasises its engineering roots. Compared to Fabrikat, the Mono version evens out not only the characters’ variable widths but also its more subtle characteristics: Letters like B and R are counterbalanced, the height difference between caps, ascenders and even “t” are eliminated, while characters like the percent sign together with the stressed punctuation give a nod to typewriter typefaces. The type family is equipped for complex, professional typography with OpenType Features like alternate letters, arrows and an extended character set to support Central and Eastern European as well as Western European Languages.

Brim Combined packs all of the character of the popular layered typeface, Brim Narrow, into three eye-catching font styles. Inspired by antique wood type from the 1800s, Brim is warm and tactile. Its innovative styles produce both striking headlines and sophisticated titles, making it perfect for posters, packaging and logotypes. Brim Combined makes it even easier to achieve punchy headlines on the web. This flattened version of Brim does not require professional design software to use and is compatible with Microsoft Word. • Combined 1 features Brim’s elegant, handmade line work • Combined 2 includes a drop shade with an outline • Combined 3 has an offset shade and a reversed-out face Brim is an all-caps typeface with Western European, Central European and South Eastern European language support.

Bonna and Bonna Bold is a casual calligraphy family Font with an original textured appearance that will allow you to create an effect even more authentic. It’s an exclusively Open Type release with 815 glyphs, 93 ornaments to combine with letters and decorate your text. There are plenty of options to create something unique and special with lots of possibility an infinity of combinations: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords, tails that can be added to the beginning or end of each letter, and much more. These ravishing fonts have already an extended character set to support Central and Eastern as well as Western European languages. Bonna was designed to help your projects look more creative, wonderful and fascinating! Have fun with it!

Jiho Soft Family is a modern & soft sans-serif typeface that is clean, simple and highly readable. It is the rounded version of Jiho Family. Letters in this type family are designed with minimal & modern shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Jiho Soft is versatile type family of 18 fonts. Jiho Soft family consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black) with their corresponding italics. The Open Type fonts contain complete Latin 1252, Cyrillic, Central European 1250, Turkish 1254 character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions, old style-figures and case features. We highly recommend it for use in signage, books, web pages, screen displays, and so on.

Rhodes is a modern geometric sans serif consisting of 5 weights ranging from Extra Light to Bold with matching true italics. Its variety of weights provide a range of choices that will help you find the best typographic color for your project. Lighter weights are well-suited for body text while heavier ones are ideal for high impact headlines. Rhodes has been designed purposely to enable brands to appeal more emotionally to modern consumers. The balanced characteristic of Rhodes with unique details, such as the geometric form and the prominent x-height makes it perfect for strong headlines and outstanding logos, but also suitable for long text. Rhodes includes a set of ornaments in regular and italic to be able to combine it with the glyphs and thus, to give your designs more exclusivity.

Telemark is a monolinear slab serif influenced by the wide serif typefaces of the 19th century. The name refers to the vintage form of skiing which was introduced in Norway at the same period of time and allowed more fluid turns. After the Telemark style was replaced by newer techniques in the Alpine countries it has experienced a rise in popularity in recent years. The Telemark type family features the three weights in an additional label style which allows an uncomplicated creation of editable pointers, banners and cartouches. Different combinations of end pieces result in a great variety of designs. Telemark is suitable for headlines and logotypes and complements script typefaces as well as any neutral grotesque. Details include 207 characters in three weights, a total of six styles and manually edited kerning.