In his book Victorian Display Alphabets, Dan X. Solo called this specimen "Marquette". This unicase version features a complete character set, and is named after a favorite watering hole in Texas on the Guadeloupe River. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Sone is designed to be bold with stripped off nonessential details making it uncomplicated, simple in expression, yet appealing and easy to decipher, even from a distance. Serene and gentle in quality by low contrast, slow ductus and large x-height reducing the up down motion, plus enhance the legibility. It works beautifully in both, display and body copy.

This elegant face with a few semi-script flourishes is based on Morris Fuller Benton’s Announcement Roman, designed for American Type Founders in 1917. It’s perfect for invitations, programs and all kinds of formal ballyhoo. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

A collision between fine, fat caps developed by legendary letterer Alf Becker, and a squirrely, curly, uncredited lowercase uncovered by artist Leslie Cabarga produced this merry romp through the alphabet. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Americana Bakery font with a Modern Script perfect for any creative design. This handmade font will make your design has a beautiful natural touch for each details. This font is PUA encoded which means you can access all of the magical glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

This casual, carefree face is based on a showcard alphabet presented by Cecil Wade in his Manual of Lettering. Its extrabold weight, sketchy styling and playful letterforms make it perfect for attention-getting headlines. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

A clean modern sans serif typeface. The balanced proportions of each character demonstrate great legibility at both small and large scale. The distinctively open apertures further improves visibility when used across the web and hand held devices. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.

Bitstream developed Ang Thong for the Microsoft Windows operating system. The font is encoded with a Microsoft defined Thai character set, Thai Code Page 874. The font includes Thai glyphs and Latin glyphs from Dutch 801. Ang Thong (basin of gold) is a province in central Thailand which consists mostly of flat agricultural land used for growing rice.

The geometric G-Slab family is characterized by distinct large serifs and variance of line width from hairline to bold. It is suitable for titles in different sizes as well as for text blocks. The family includes seven weights and two widths. The extended character set supports Northern, Western, Southern and Central European as well as Eastern European languages.

The 1900 specimen book of the Leipzig foundry Schelter & Giesecke featured this curious hybrid of blackletter and Art Nouveau, under the name Petrarka. Its narrow footprint and large x-height make it an ideal choice for headlines which harken both forward and back. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Enhance your creative projects with the captivating charm of the Little Angel Handwriting Font. This exquisite handwriting font offers a harmonious blend of elegance and playfulness, making it an ideal choice for a wide range of design ventures. Crafted with meticulous attention to detail, the font includes both uppercase and lowercase characters, ensuring versatility in your typography.

Flower Garden is a handwritten font that has a detailed texture, so it is perfect for your designs that want to look natural and attractive, this font also has alternatives and ligatures. Flower Garden is suitable for screen printing, business cards, brand projects, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm etc.

A 1947 timetable for—who’d a-thunk it?—Arizona Airways provided the pattern for this unusual, yet endearing, face. Its Art-Deco-meets-Apache vibe ensures that your headlines will be warmly received. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

This charming, disarming, roly-poly typeface is based on handlettering discovered on a Sabena Airlines travel brochure of the 1930s. Include it in your next project, and a good time will be had by all. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

A beautiful new addition to our We Love Nature flower font collection. We Love Nature Blooms consists of 52 highly detailed drawings of buds and blooms which can be used on their own or in combination with the other illustrations in the ‘We Love Nature’ font collection. All illustrations are drawn by hand and of the highest quality.

This elegant titling face is based on an American Type Founders release from the 1920s named Sterling. Hairline serifs and graceful curves give this typeface a certain grace and charm that will brighten up any project. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

“Drawing letters is my passion,” says Erik Faulhaber, the designer of the Xenois typeface family. Pronounced “zeeno-is,” the design distills character shapes into what Faulhaber believes are their purest forms. “I studied many typefaces, carefully examining their structure, before I began drawing Xenois. Then I actually wrote out a detailed design brief establishing the goals for my design.”

“Drawing letters is my passion,” says Erik Faulhaber, the designer of the Xenois typeface family. Pronounced “zeeno-is,” the design distills character shapes into what Faulhaber believes are their purest forms. “I studied many typefaces, carefully examining their structure, before I began drawing Xenois. Then I actually wrote out a detailed design brief establishing the goals for my design.”

Norma was my second sans serif. You can find a few details in common with Dialog, but the graphic impression of Norma is totally different.Every typeface has some characters that are the favourites. In Norma I simply love the lowercase roman a. Don't you, too, think that it is perfection itself? Norma was released in 1994.

A precise rounded typeface with a clean and linear appearance. The simple compact nature of the design allows for great economy of space across layouts. Also deliberate consideration has been paid to inner corners to ensure no dark areas are produced within texts. Details include 6 weights, an extended European character set, manually edited kerning and Euro symbol.

DINosaur is the typographical mise en scène of a calligraphic standard for technical writing, found in a 1967 manual. Although its base is a regular grid and its main reference is the DIN norm, it is full of a multitude of small original features. The microtypographic details refer to the tools originally used for its reproduction.

Antara script is a calligraphy font that comes with very beautiful changing characters, a type of classic decorative copper script with a modern touch, designed with high detail to present an elegant style. Antara Script is attractive because the typeface is smooth, clean, feminine, sensual, glamorous, simple, and very easy to read because there are many luxurious letter connections.

A typewriter style slab serif typeface. The design is influenced by the font Rockwell and uses a combination of precise geometry with subtle elliptical curves. The harmony of these elements creates a distinctive and functional typeface suitable for a variety of graphic design applications. Details include 4 weights, a complete character set, manually edited kerning and Euro symbol.

Ayrton Pight is a calligraphic font that comes with beautiful characters, a type of modern hand-rubbed calligraphy script, designed with high detail to bring stylish elegance. Ayrton Pight is attractive as a type of font that is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because there are many fancy font connections.

Lettering on a 1928 poster for the Delftsh Studenten Corp provided the inspiration for this campy—and camp-like—typeface. Use it anytime you want to capture a nostalgic, outdoorsy vibe. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.

HOLBORN Aptly named after ‘High Holborn’, a high-street in London where the Central School of Art & Design was based. A font, just in capitals, based on the original design and the earlier sketches (1976) by André Toet. The strong optical illusion in this alphabet makes it an outstanding typeface. Concept/Art Direction/Design: André Toet © 2017

Regonia is a high-contrast display serif typeface inspired by neoclassical Didot style typography. Thin hairlines and many unique details make Regonia an elegant and contemporary typeface. Regonia has a large x-height and works perfectly in headlines or bigger sizes. It is also equipped with many ligatures and alternative glyphs, which will make your projects more unique.

This is a supercharged font, with natural brush, quick strokes and sharp details. Contains ALL CAPS, numbers, some punctuation and ligature. Perfect for challenging jobs, titles, movie,logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and a typographic unique style. Thanks for checking out this font. I hope you enjoy it!

This snappy little number was inspired by a PLINC typeface by Murray Fuchs called Erwin, which has been redrawn and improved for the digital age. Use Contextual Alternates to "bounce" the text, and Discretionary Ligatures to enable some interlocking letter combinations. Both versions of this font include the complete Latin 1252 and Central European 1250 character sets.

The Twicker font comes in playful sketch, textured, and grunge-shaded styles. Detail glyph appears with bubble shape. With its unique hand-drawn look, it's very appealing. A variety of alternate glyphs and ligatures give you lots of options to fit your project. This is perfect for any branding project or packaging that needs a playful feel.

CA Fourty Open is another take on the idea of a double-line font. It reminds us of neon-sings, but lifts the 50s aesthetics to a contemporary level. Although it’s an all-caps font, upper and lower cases differ a little bit. The upper cases are more open. CA Forty Open has a full Central European letterset.

Mokalatte - Stylish Script font with a natural handwritten feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. This font is PUA encoded which means you can access all of alternate glyphs and ligatures.

This charming type family comes in four widths: Regular, Semi Condensed, Condensed and Extra Condensed – bringing flexibility and diversity to your drawing table. Crisp details convey confidence without losing fineness. Arnika is your ally for all things classy. Although it is a match made in heaven for beauty products and fashion magazines, we leave its usage to your imagination.

Strobos was designed by Vince Whitlock, who used the Corinthian typeface as a model. It is a dramatic, high-tech alphabet which is most effective in large display sizes. Strobos is a sans serif typeface whose characters are surrounded with details which make each letter look as though it is shaking, spinning, or otherwise constantly moving.

A modern geometric typeface influenced by the work of Dutch designer Wim Crouwel . The angular nature of the design lends itself strongly towards large display applications but because each character is formed from a consistent grid, stylish body copy can also be achieved. Details include 6 weights, a complete character set, manually edited kerning and Euro symbol.

La Rose is Display Sans, designed to look modern & minimal in any setting. Designed for optimal readability, its clean geometric look is perfect for things like fashion, magazine, logo, branding, headers, titles, corporate brochure designs. Typeface also supports Latin-based languages. Other details include 4 font weights, 290 characters, manually edited kerning and an Opentype alternative feature.

A fine, fat Deco face named Ludlow Stygian provided the basis for this delightful typeface. Although generally formal in character, the font shows a hint of playfulness in the distinctive “humpback” h and n characters. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

The Heraut is a typical art nouveau advertising display typeface. The design is based on the work of Hermann Hoffmann from 1901. OpenType features: over 580 Glyphs Central European Glyphs Small Capitals Contextual Alternates The ornaments typeface uses several common OpenType features to switch easily between the elements. Have a look into the Heraut specimen PDF.

A sign at the 81st Street (Museum of Natural History) New York subway stop provided the pattern for this mosaic tile face. The font features a full-tile background at the bar position (shift-backslash) and left-and-right pointing fists at the brace positions as well as complete Latin 1252 and Central European 1250 character sets.

This little gem is based on a typeface discovered in a Boston Type Foundry catalog from the late 1800s, originally called "Mikado". This font gets its name from one of the more memorable characters in Gilbert and Sullivan’s operetta. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.