The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate Antiqua, Corporte Sans Serif, and Corporate Egyptian is a design program of classical quality, perfectly in tune with each other. Weidemann says: My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography! Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate Antiqua, Corporte Sans Serif, and Corporate Egyptian is a design program of classical quality, perfectly in tune with each other. Weidemann says: My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography! Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program.

The Corporate ASE typeface trilogy was designed by Prof. Kurt Weidemann, a well-known German designer and typographer, from 1985 until 1990. This superb trilogy consisting of the Corporate Antiqua, Corporte Sans Serif, and Corporate Egyptian is a design program of classical quality, perfectly in tune with each other. Weidemann says: My ASE trilogy, quite like triplets, is in perfect harmony and covers all needs of modern typography! Initially exclusively designed for DaimlerChrysler as a corporate font, the ASE trilogy may be now licensed and used without restriction. URW++ digitized the ASE for DaimlerChrysler and Prof. Weidemann and is the exclusive licencing agent for this outstanding and extremely popular typeface program.

Although the early 1900s through the 1920s seemed to be the "Golden Age" of ridiculously long novelty song titles, it appears that even the decade of the 1940s had its fair share as well. Song Merchant JNL was modeled from the hand lettered [but exhausting] title of the sheet music for "Princess Poo-Poo-Ly Has Plenty Pa-Pa-Ya (and she Loves to Give it Away)". Despite the obvious double-entendre inferences of the title, the square block letters with rounded corners make for a useful headline font (even if the source material it was drawn from is quite forgettable). Available in regular and oblique versions.

Neues Bauen is a Bauhaus inspired font with some interesting glyphs. It is slightly rounded in places, but sharp in others and it will most certainly make your designs stand out. Neues Bauen in other words, like the style that emerged in pre-war Germany, is a statement.

Griselda is a elegant italic slant font, which designed by Hajid Hikmatiyar. It is designed to blend classic delicacy with modern rhythm of glyphs to suit any design works. And, the rhythmic skeletons of italic styles enhance the designer's palette. With its italic glyphs, the control of breathing layout is a privilege that designers can have. Please let me know if you have any problems, suggestions or questions!

Cannoli is a brush lettering style font, designed specially for use in logotypes, advertising and packaging. It is interesting to note the use of free-flowing lettering to perform its own eye-catching. This vintage typeface is a reminiscent of the posters of the 50s, painted with a brush in enamel advertising signs. Cannoli was inspired by the delicacy of the Sicilian pastry, and the robust charm of its landscape.

Say hello to the freshly baked beautiful and neat vintage serif font! Amazing handwritten font Nieves :) The unusual, freshly baked font is perfect for greetings, illustrations, children's books, delicious packaging, labels, logos and much more :) This beautiful neat retro font with imperfect ink edges and slightly sloppy shading is inspired by nature. Eco-friendly fashion takes into account the health of consumers, the health of the planet. The font "Nieves" is perfectly combined with any stylized graphics, watercolors, and also looks great on its own within the framework of a minimalist design. Play with letters to get different effects. Font features: A-Z; character set a-z; 1 language (English); numbers and punctuation marks, symbols. A font containing uppercase and lowercase letters, numbers, and a wide range of punctuation marks. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for checking this out and feel free to write me a message if you have any questions! ~ Anastasia

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Sottoterra is heavy and high-contrast font, and you can see triangles in some letters. This font reminds us of old posters of science fiction movie. It works best for for display or titling.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Club is a condensed font with a funny and retro character. The features of the typeface is in unusual figures of unbalanced characters. Ideal font to all kinds of retro design project.

Prop-a-ganda offers retro-flavored fonts inspired by lettering on retro propaganda posters, retro advertising posters, retro packages all the world over. This is perfect font for your retrospective project. PAG Maria is bold and heavy sans serif font with happy and sweet touch. It is certainly chubby, but in some ways it is also pointed. So PAG Maria is polished and friendly font.

Carlony is a delicate, elegant, and flowing handwritten font. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. Fall in love with its incredibly versatile style and use it to create spectacular designs. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even a long text letter, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Discover the perfect pairing for your culinary creations with the Crust and Crumbs Foodie Font Duo, featuring a harmonious blend of rounded sans-serif and expressive brush fonts. Whether you're a food blogger, restaurant owner, or a passionate home cook, this font duo is designed to add a delectable touch to your food-related designs. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products. ~Redy

CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.

Sassafrassy™ is a fun hand-calligraphy font family that includes 2 font styles (Simple & Swash), Map Things & a Pattern set to help you create beautiful custom designs. Written using a flexible steel nib & ink on paper. The Simple version includes an extensive character set designed for ease of use. The Swash version has all of the swash characters and gives the font a different stylistic feel. The Pro version contains all characters from both of these two fonts, over 1000 glyphs in total. Also included in this family is a fun “Map Things” set so you can create your own hand-drawn maps & a Free Pattern Set (some of which were used to create the above banners). Map Things & Patterns aren't recommended for use in Word. Language support includes your standard characters plus Eastern European & Baltic character sets. Happy creating!

Say hello to Gothica. It’s a display geometric sans designed with Stencil-like elements and letter cutouts specifically created for visual impact—ideal for logo, branding and advertising purposes. The font includes capitals and capital alternatives in the lower case keystroke positions—it’s like having 2 display fonts in one. In addition, Gothica includes various opentype features that allow graphic designers to tailor the type for custom needs. The development of Gothica started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. An experimental design, Gothica is specifically introduced as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Gothica—check out similar gothic alternates like Decrypt 01, Decrypt 02, Decrypt H1 and all of Type Innovations fonts from Alex Kaczun.

Imagine a slender serif font that effortlessly combines classic elegance with modern sophistication. This font features delicate, fine lines that evoke a sense of refinement and grace. Its letters are meticulously crafted, and it comes with a range of ligatures and alternate characters that add a unique touch to your design projects. These ligatures and alternates seamlessly blend together, creating a harmonious and seamless flow of text. Whether you're working on a vintage-inspired poster or a contemporary wedding invitation, this font's ligatures and alternates will allow you to infuse a touch of artistic flair into your designs, making it the perfect choice for those seeking a balance of tradition and innovation. Included : Uppercase & Lowercase Numeral & Punctuation Ligatures & Alternates Multilingual Support PUA Encode Thank you for visiting our shop and happy designing.

yLab is geometric typeface compose of 10 fonts (5 weights and oblique declination) Perfect for titles and text, yLab supports many languages (Latin pro..). 11 OpenType Features (Alternative; Fraction; Numerator; Denominator; Superior; Inferior; Tabular figure; Ordinals; Discretionary Ligature; Stylistic Set; Case Sensitive Forms). • Ordinal feature includes the Latin alphabet (Uppercase & Lowercase). • Five Stylistic set for “a”, “g”, "i" and "l", includes accents. • Discretionary Ligature includes “AE”, “IJ”, “OE”, available in lowercase. • Contextual Alternate includes ligatures for arrows : <- -> ^| v| <-> v^| Add parentheses around period, numbers or arrows, add n or d for numerator, denominator. Add n, d or +, for numerator, denominator or case arrows. All Case sensitive characters become after the uppercase and number.

Ride my bike Serif is a new version of successful handmade typeface Ride My Bike designed by Coto Mendoza. Inspired by street style and the new culture that moves pedaling around the city. Perfect for use in headlines, brands and fashion photography compose alternative, thanks to its leading characters, terminals, alternate characters and ligatures that you can find in the Pro version. This time with serif. The ‘Ornaments’ font in this family has 121 dingbats, very fun to compliment and accentuate the handmade design. If you do not want to ride so fast, you can find a version without OpenType features - Essential. Come! Get on it and let’s go ride my bike! Photography by Nico Alari.

It is up to you how big and voluptuous statement you will be making with this font, as Hinzatis is about old Hollywood glamour and attitude. With lots of options encoded in handy open type files you can easily fine-tune your text for best visual effect. Looks perfect when placed as: titles, headers, labels, names, business cards, just to name a few. Open-type Pro version features 1200 + characters including initial and terminal letters, numerous caps styles, ligatures and alternates. Other versions feature over 1000+ characters and focus mostly on foreign languages with accented letters (incl. Vietnamese); So depending on option you choose you can create realistic and multilingual hand-calligraphy on all of your creations!

Chevin is a contemporary rounded type family in 6 weights which was designed with functionality and legibility in mind. With its open counters and slightly condensed style Chevin can be used for text and is particularly suited to signage. Erik Spiekermann is a fan, noting that Chevin “is charming without being cute, and very legible even in small sizes because of its restrained shapes and simple construction.” Chevin is named after a hill on the outskirts of Otley in West Yorkshire. Since 2007 the type family has been highly prominent in the UK as Royal Mail’s corporate font and the typeface that adorns every Post Office in the country. The Chevin Pro set includes additional Greek and Cyrillic layouts.

Parfumerie Script is a sophisticated calligraphic font defined by its smooth curves, clean lines and the finest of fine strokes. Graceful and refined in its most basic script form, a range of Swash and Decorative alternates (including a unique local style called Filete Porteño, an ornamental form native to Buenos Aires) allows users to elevate their designs to higher levels of aesthetic beauty and elegance. Parfumerie Script Pro contains over 2500 glyphs, among which are swashes, ornaments and decorative alternates. Some alternatives are offered separately too. Use professional software that widely support Open Type features. Otherwise, you may not have access to some glyphs. For further information about features and alternates, see the User Guide

Wola™, by Franciszek Otto, is not for the typographically timid. It creates vibrant digital headings, banners and navigational links, in addition to commanding print headlines and subheads – but it is not shy, reserved or demure. The design blends the stroke weight stress of Bodoni with the urgency of handwritten letterforms, conveying the energy and immediacy of a design that’s bigger than life – and outside the fence. OpenType® Pro fonts of Wola provide for the automatic insertion of ligatures and alternate characters. These are in addition to a character set supporting most Central European and many Eastern European languages, including Cyrillic and Greek. All this makes Wola a comfortable – if boisterous – world traveler.

Mind Boggle was made during the renovation of our fixer upper farm house. We had to demolish an old annexe (because it was unsafe) and it caused us some stress, as one wrong movement of the excavator would mean at least a partial collapse of our home… Luckily the driver was a pro and it was mind boggling to see what he could do with a huge machine like that. Mind Boggling? Ah! Check! Mind Boggle is a handmade, all caps, headline font. It is a bit wobbly in places, but it comes with loads of character. The dotty style comes with thousands of hand made dots. They’re not perfect, they’re not even round, but they are unique!

yLab is geometric typeface compose of 10 fonts (5 weights and oblique declination) Perfect for titles and text, yLab supports many languages (Latin pro..). 11 OpenType Features (Alternative; Fraction; Numerator; Denominator; Superior; Inferior; Tabular figure; Ordinals; Discretionary Ligature; Stylistic Set; Case Sensitive Forms). • Ordinal feature includes the Latin alphabet (Uppercase & Lowercase). • Five Stylistic set for “a”, “g”, "i" and "l", includes accents. • Discretionary Ligature includes “AE”, “IJ”, “OE”, available in lowercase. • Contextual Alternate includes ligatures for arrows : <- -> ^| v| <-> v^| Add parentheses around period, numbers or arrows, add n or d for numerator, denominator. Add n, d or +, for numerator, denominator or case arrows. All Case sensitive characters become after the uppercase and number.

Chunkie is a simple serif experiment going for minimal width and maximum height. I made it into my display version of OpenType Pro, but mainly it was a vehicle for me to try out some more extreme serif ideas and glyph shapes. The solutions for the lowercase a and e are unique, for example. The double g ligature is a fun solution. I like the solution for the @, but I’m not sure how it will be received. That being said, it turned into a useful dark display face with a small x-height.

Alathena was inspired by the French art decade between art nouveau to art deco, comes with 2 style, Alternative swash and Modern deco, with some modified ligatures. Available with 6 Weights, Thin, Extra Light, Light, Regular, Bold, Extra Bold with support 75+ language (Latin Pro), and contains OpenType features. - Matching small caps for all weights. - Old Style Figure. - Full "f" Ligature set. - 20+ Optional (discretionary) ligatures. - Over 400+ Swash Characters. - Automatic Fractions. - Automatic Ordinals. - Extended language support for most Latin-based Western and Central European languages, including all the swash and alternate characters.

CamingoDos SemiCondensed fills the gap between CamingoDos and CamingoDos Condensed and combines them to a homogeneous and versatile type family. The flexibility of the semi-condensed version makes it a typographic all-rounder. On the one hand CamingoDos SemiCondensed is perfectly suited for compact headline settings. On the other hand, it works well as an ergonomic, space-saving typeface for large texts. CamingoDos SemiCondensed comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

CamingoDos is characterised by tight shapes, elliptical curves, subtle contrast and a strong, humanistic appearance: attributes that were all applied with particular care and attention for legibility. It comes in a wide range of seven weights from ExtraLight to Black which makes it perfectly suitable for editorial and corporate design. Furthermore it now has two additional related families: CamingoDos SemiCondensed and CamingoDos Condensed. CamingoDos comes with a Pro version that offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.

Carlton is based on a typeface designed by Prof. F. H. Ehmcke. In 1908, Ehmcke released his Ehmcke-Antiqua design through the Flinsch typefoundry in Germany. Ehmcke-Antiqua was later distributed by the Bauer typefoundry in Frankfurt am Main. The Caslon Letter Foundry in England discovered the design and released their own typeface based upon the model, which they named Carlton. Carlton entered the Stephenson Blake program after they acquired the Caslon Letter Foundry in the late 1930s. As hot and cold metal typesetting became outdated technologies, Carlton and Ehmcke-Antiqua fell out of general use. In the 1990s, Letraset revived this classic design, distributing it under its English name, Carlton. Carlton's clean and generous capitals, as well as its understated yet detailed lower case, have found popularity again in recent years. The elegance of Carlton is best used for displays with large letter and word spacing. Carlton shows all of the hallmarks of a delicate serif typeface design; its forms capture a distinct moment that was common within Central European type design during the first third of the 20th Century. Carlton is similar to several other expressive typefaces from the early 1900s, including Bernhard Modern, Koch Antiqua, Locarno, and Nicolas Cochin."

«Abelina» is a typeface that can be used in display sizes for titles where part of the central premise is to emulate certain features of gestural handwriting.  Concepts like spontaneity, speed and fluidity, associated with the use of certain calligraphic tools – in this case the pointed brush – led to a typographic result based on the pattern-like structure coming from the chancery and italic calligraphic models. «Abelina» - initially designed by Yanina Arabena (Calligrapher, Graphic Designer and Typographer) - is reborn to make way for “Abelina Pro” through the solid work of Guillermo Vizzari working together with Ale Paul from Sudtipos. Throughout its use, “Abelina Pro” maintains the structure of a firm style, integrating a dynamic rhythm in the composition of short texts and offering personality to each of the words it builds. It has over a thousand glyphs, including several alternates, ligatures combination, initials and miscellaneous to reinforce the idea of the author of merging a calligraphic project in the typographic world; allowing new ways to capture this great universe of italic faces. «Abelina» project was initially born as a typographic project developed by Yanina Arabena – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.

Carbonara. Nope, it's not the pasta sauce, but a nice, grungy typewriter font, made using a pre-war typewriter, some oil and a stack of old-fashioned carbon paper sheets. You can use it to give your designs some oomph. Comes with a whole bunch of contextual and stylistic alternates.

Creepy...crumbly...spooky... that's Terror JNL. Originally an experimental outline font made in the early days of Jeff Levine's typographic work, it's been revised and properly spaced for the design professional. The font is based on Ray Larabie's 1990's freeware release Foo - and a hand-traced, weathered-look was applied to the letter shapes. There's no kerning and a limited character set - but Terror JNL is still perfect for any headline that depicts "things that go bump in the night"...

We don't mean to gloat, but we have to say that it gives us immense, malicious pleasure and joy to supplant other popular germanesque letterforms with this, remarkably superior font. This successful addition to our DEAD cool POOL of ACHTUNG BABY alphabets will, no doubt, make you feel that your own library of teutonic fonts is now severely lacking. We're that mercenary, we're Mercs with Mouths, you might say. Wait, did we say that we DON'T mean to gloat? Actually, we do.

Violety Dreams is a serene and elegant serif font that will transport your designs to a realm of beauty and sophistication. With its timeless letterforms and delicate swinging strokes on select letters, this typeface evokes a sense of tranquility and grace. This serif uniqueness in its graceful swinging strokes, which adorn certain letters, adding a touch of whimsy and charm. These elegant extensions create a sense of movement and fluidity, capturing the essence of grace and elegance. Inspired by the ethereal nature of dreams and the delicate beauty of violet flowers, Violety Dreams embodies a sense of tranquility and enchantment. The serif letterforms are meticulously crafted to exude elegance and sophistication, while the swinging strokes add a unique touch of whimsicality. This font strikes a perfect balance between classic charm and imaginative flair. The letterforms are designed with precision and clarity, ensuring legibility and readability. Each letter retains its distinctive shape, while the swinging strokes create a visual interest and draw the eye. You can use it in big text sizes to be greatly legible and enjoy the available features here. Features: Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Violety Dreams is well-suited for headings, titles, invitations, wedding stationery, luxury branding, editorial layouts, branding materials, and any design project that calls for an elegant and dreamy typography. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing

The Artimas family is the new book design font family developed out of Aramus. These new serif typefaces are readable and graceful — part of my development of a series of book families. Aramus was very popular for a single font release of a text font. This new book font family retains the looseness of the original with radically different font metrics and many shape “corrections”. In fact, Artimas continues a genuine new path for this foundry This new font family for book design continues a turn toward more “traditional” x-heights of around a third of the point size.The Artimas print production font family is six new OpenType Pro fonts with Caps, lowercase, small caps, & figures to go with each of those character sets. There are many ligatures, a few swashes, fractions, numerators, denominators, and ordinals to infinity. This family of fonts is a joy to read and easy to use for text or display.

About the font family Cumhuriyet is an Arabic concept that means "the form of government in which the nation holds the sovereignty and uses it through the deputies elected for certain periods". The reason why I gave this name to the font is that 2023 is the centennial anniversary of the Republic of Turkey, which was founded by Atatürk. This typeface, which is sans serif, consists of three families: ▪ Cumhuriyet: Font family with Latin letters ▪ Cumhuriyet Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Cumhuriyet World: Font family including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets Cumhuriyet is a family of multi-purpose typefaces designed in a geometric style. This font is an extremely useful font for media and digital media as well as for printed products. In this respect, the Cumhuriyet font can be used as a text and title font in publishing and printing areas, magazines, newspapers, books, banner and poster designs, and websites.