Thin strokes, an Art Deco feel and useful in both text and display work... that's Stylor JNL by Jeff Levine. Inspired by various designs of the past, this is Jeff's personal take on a classy form of Deco lettering. Stylor Demi JNL is a bolder weight version of this popular monoline font.

Wreckout is a gorgeous display font that feels bold. It will turn any design project into an eye-catcher! Its trendy and delicate makes Wreckout look gorgeous in wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and much more. It also includes stunning alternates, ligatures and multiple language support.

It can be a tough challenge to find a perfect font for your aesthetic projects to create an everlasting nuance. Handwriting fonts have prominent displays and nuances, but they often rely on old-fashioned script fonts. Therefore, Staylucky is here to give you the best. Staylucky is a script font created to be a visually attractive handwriting which is perfect to express modern, elegant nuances with personalized designs to amaze readers and to protrude your messages. It is made in cursive styles in which the letters are interconnected. Details on each letter show high contrast and curvy wipes on each edge. Its complicated forms made it more suitable to apply for big, short texts. You can also enjoy the available features here as well. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Staylucky fits best for various design projects, such as brandings, invitations, greeting cards, name cards, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Nereida is a delicate, luminous and dainty typeface endowed with an expressive and versatile personality. Its high-contrast design positions it as the preferred choice for elegant and creative typographic compositions. Nereida stands out for a generous x-height structure, thus ensuring an exceptional readability in paragraphs of moderate length. It distinguishes itself with delicately crafted terminals and a set of attractive ligatures and initial letters that expand their ranges of use. Nereida is a distinctive typographic experience for magazines, headlines, logos, packaging and beauty products. It offers the unique possibility of transmitting messages with subtlety in short words and with force in longer text compositions. Each stroke and curve of Nereida contributes to creating a unique visual experience, adding a touch of elegance and creativity to any project.

Squickt was the first script I designed. The name is an atrocity, I don't remember what was on my mind, when I decided on that name, but after 25 years it is to late to change, so I have to stick with it. I have recently gone over the script and changed a little stroke here, a curve there and I added Small-Caps. The font is very useful for all kinds of signs, that have to look spontaneous. You can even condense or extend it without me going berserk; Squickt is very robust. Your scribe Gert Wiescher

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though; in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultralight to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic.

Madeleine is an open script face with influence from early 50s scripts. The stroke doesn't have much variation, and the characters are wide and flowing. The script also features OpenType end swashes and discretionary ligatures to extend the twirling and fluid nature of the script. This mischievous script is useful for informal invitations, scrap booking or whenever you need a retro look.

Meet Ollie, a casual signage script whose friendly, bouncy exterior belies a heart of sophisticated OpenType programming. This font is designed to make the most of OpenType savvy applications, and as such is recommended for professional design use. Or to put it another way: Make sure that contextual alternates and ligatures are always turned on! Ollie includes about 900 glyphs, many of which are automagical substitutions to keep the text flowing smoothly, and to pseudo-randomly pick different glyphs to avoid repetition. With contextual alternates turned on (as they should be by default), most lowercase letters will alternate between at least two different forms. The powerful OpenType programming makes the font itself ‘look back’ (up to eight characters) on previously used letters; typing “banana” will give you three different a’s and two different n’s (the last a is a special ‘end form’ character). The calt feature controls many other ‘special effects’ which all add together to give a smooth-flowing, hand-lettered look. These effects include start and end forms (and indeed, ‘loner’ forms) of many letters, which are automatically substituted in at beginnings or ends of words, or when the previous or next letter doesn't connect. Another special feature tests to see if there is room for the crossbar of t (or tt ligature) to extend further over the previous or next letter, or both, as is often the case. The last main effect of the calt feature is to substitute certain letters typed before any ‘e’ character, to make for a more natural connection (see the pe combination in ‘Eclectotype’ in the first poster). Ligatures should be on by default, for a much nicer looking tt combination, and a few others besides. The swash feature should be used sparingly (one glyph at a time, really) to apply a more extravagant look to g,j and y in the lower case, and quite a few of the upper case too. Oldstyle figures are included, as well as the lining defaults. Now to delve into the stylistic alternates... These are all included in the salt feature, or for uses of applications that support them, separated into stylistic sets thus: ss01 - (with swash feature on) L and G swashes get even swashier. ss02 - standard s changes to a connected script s form. ss03 - r takes on a script form. ss04 - z also gets a scriptier look. [the previous three sets also change any versions of s, r or z with diacritics] ss05 - a useful underline function. When enabled, typing two or more underscores will extend a cool underline under the previous letters. More underscores = longer underline. ss06 - the Polish script lslash changes to its more standard form. ss07 - E, S and B change to a more top-heavy alternate form. ss08 - An alternate form for A characters. ss09 - Alterative rounder forms of M and N. ss10 - An alternate ampersand. That about wraps up the features. Now all that’s left is for you to license the font and get experimenting!

Camelia is an demi–slab display type family with reversed strokes to achieve an unexpected look and rythm. Was designed and optimized for use in large sizes. It is inspired by the geometric typefaces of the 1920s and the egyptiennes of the 1930s. An emphasis on circular and rectangular shape give it the identity.

Delve into the world of timelessness with Montaigne. With its blend of classic elements and contemporary design, this serif family offers a comprehensive selection of eight styles and their corresponding italics. Explore Montaigne's OpenType features, including Small Caps, OldStyle numerals, and a delightful array of Swash initials and Discretionary ligatures in the Italic styles.

A spunky slim typeface inspired by a 1958 Dell Comic, The Captain and the Kids featuring the Katzenjammer Kids as a spinoff from the original comic which was in turn inspired by the famous children's story from the 1860's, Max and Moritz. Fun, informal, and retro spunky, all balled up in a single typeface.

Advertising and Marketing often calls for the use of neutral typestyles; conveying a quiet but clear message with little stress and an even color on the page. Admarks' roman weights have simple slab serifs contrasting with generously rounded features. Italics provide a sharp emphasis, still keeping the delicate use of stress combined with contrast.

Doblo is a colorful and slightly retro layered type family designed by Joël Carrouché. Consisting of one master character, 8 different layers and a collection of extra ornaments, this fancy family allows several creative combinations and produces unique results. The fonts are delivered in OpenType format and include diacritics for most western & central European languages.

Misty Gold is a delicate, elegant and flowing signature font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs.Misty Gold features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Add it to your most creative ideas and notice how it makes them come alive!

Le Mango, a Modern Ligature Serif with Elegant Style. Le Mango is a high contrast typeface so delicate, legible and lend themselves to high end branding, logo designs, product packaging, invitation & masterhead designs. Language Support: All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian.

Karara Shadow, a complete font set and additional font style of Karara. The word Karara means patience & steady. The style is achieved by practicing and studying the modern techniques to deliver high-end professional font. This specific font had a tint of wall chalking & texture. Carefully engraved and stenciled to delivery clean cuts and design.

Sniplash is a lively font inspired by cartoons and comics of the 1960s and '70s. Casual and organic, this font features curly lines and irregular weights in Regular, Light and Bold styles. This design defies serious analysis and offers a fun attitude for lighthearted design. Excellent for parties, retro packaging or any number of uses.

Bervina is an elegant and delicate serif font. It looks beautiful on a variety of designs requiring a personalized style, such as wedding invitations, thank you cards, weddings, greeting cards, logos and so on. Bring your projects to the highest levels! Features: Multilingual Ligatures Alternates PUA encoded Files Included: Bervina Regular ttf Bervina Italic ttf

A handsome font, perhaps a little classical. Regularly-connected script, so it’s legible but also memorable font. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Pedantic it's a classic, delightful and charming, sounds like a perfect melody, flows like water,working with her is a pleasure. This font duo includes a monumental serif and a calligraphy script. The Serif font is contracting and elegant, will emphasize your taste and impress with its sophistication and simplicity. The calligraphic Script is elegant, beautiful and carefully assembled, he includes many alternates for uppercase and lowercase as well as swashes. Script and Serif looks great both separately and together and they will be a wonderful addition to your font library.This font is easy to use has OpenType features and all characters in this font have PUA encoding. Includes: Full alphabet with Uppercase and Lowercase A-z for Script Full Capital alphabet A-Z for Serif Numbers, fractions for Script and Serif Punctuation and symbols for Script and Serif Alternates for Serif "Q, K, R, ampersand" Alternates uppercase for Script Alternates lowercase for Script Ligatures for Script "ff, oh, ol, ok, or, os" Swashes for Script

Silverline Script & Sans Silverline Script is a hand drawn signature style script. Silverline is fast and expressive -it’s great for contemporary branding and advertising. Silverline Script is equipped with Contextual Alternates and Standard Ligatures that keep the script eloquent and connections smooth. Contextual Alternates and Standard Ligatures are automatically on. In addition Silverline Script has Swash Alternates for A-Z and a-z that can be used for extra flair. From Discretionary Ligatures you’ll find specially designed ligatures for “and”, “for”, “the”, “at” and “in”. Silverline Script is PUA encoded so you can access extra glyphs in any graphic design software. Another half of the Silverline family is Silverline Sans -a three weight ultra-condensed sans serif that works great with the Script. Silverline Sans is great for making sturdy text word blocks - a great type for any display use from magazine covers to packaging. Try combining Silverline Script with Silver Script -they make a nice contrast together.

Aniyah Script - Beautiful Calligraphy. Made with naturally handwritten and modern style. it's bring beautiful and modern typeface. Aniyah Script best use for wedding, branding, logotype and quotes. Included : Aniyah Script Regular version Aniyah Script Italic version Features : Beautiful ligatures PUA encoded Multilingual Support Numbering & amp; Punctuation Swash and alternates

Rashi script or Sephardic script based on 15th-century Sephardic semi cursive handwriting.

Boardley Script is a script-style display font in two layers, Boardley Script was the result of an exploration of mid-century American and European bold script lettering for advertising. is an attractive contemporary typeface drawn from scratch with brand-new, more vigorous detailing — and layerable variations for chromatic use.

Lovelica is a magical handwritten font carefully created with a touch of elegance. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more! Uppercase Lowercase Numeral Punctuation Ligatures Multilingual characters support Thank you and have a nice day ! Dedi T A

Bagerich is font designed by Reza Rasenda & Riska Candra Dewi, with design choices inspired by the Art Nouveau era. Bagerich comes with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Bagerich for any graphics that require a sleek look with a elegant flair.

Frosted is a font based on a naive, illustrated handwriting that can be used on a daily basis. It is a delicate, handwritten font with a somewhat masculine feel which mimics the natural stroke of pointed pen calligraphy. Paired with structured flourishes and wreaths, Frosted embodies a folksy feel that brings true character to any design.

The family comes in five weights from Thin to Black, all with true italics; and a variable file in weight and slant. Concasse is multi-purpose and reads well in body copy, the open shapes ensure excellent legibility in even the smallest text sizes, while the lightest and boldest weights deliver impact to headlines and other display uses.

Since I live in a hamlet without any facilities whatsoever, I order a lot online. Most deliveries are done during daytime, but some companies prefer to deliver my stuff at night. When I was drawing out the glyphs for this font (using my Chinese ink and a broken paint stirrer), the door bell rang. It was a Night Delivery…

MGN Burro by Morgana Studio is a slab serif font offering 7 styles: Thin, Light, Regular, Medium, Semibold, Bold, and Extra Bold. Combining classic and modern elements, it caters to diverse designs, ensuring readability and impact. From delicate Thin to bold Extra Bold, each weight caters to various preferences, making MGN Burro a versatile toolkit for designers.

As glamorous as its name would suggest, Vow Neue is the new fashion model on the typeface scene. Vow Neue loves excess without losing style, containing itself in strict forms that belie a boundless desire. Sharp edges lead into enticing curves in all the right places, making this a font that draws the eye and keeps up interest.

Oxford was designed by Arthur Baker for Agfa Compugraphic in 1989. A calligraphic typeface with a slight incline, fine lines, and delicate serifs, Oxford is easily identified by its quirky lowercase b. Oxford is a functional display type for headings, announcements, and brochures that also works for setting small amounts of text, such as ad copy.

Hello Paris Sans, a Modern Sans with Elegant Style. Hello Paris Sans is a high contrast typeface so delicate, legible and lend themselves to high end branding, logo designs, product packaging, invitation & masterhead designs. Language Support: All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian.

Geomee is a modern and square type family which works for headlines as well as for copies. It is influenced by modern pixel typography but the typeface still relies on the basic rules. Very special are three basic cuts which are set up on the same upper case character set but differ in the x-height.

Loistave is a two faced classy and modern, elegant and delicate with modest and symmetrical serif. It is defined by smooth curves and is perfect for fashion branding or editorial designs. Add it confidently to your projects, and you will love the results. What's Loistave included? Uppercase Characters + Alternates Lowercase Characters + Alternates Small Ligatures Numerals Punctuation Multilingual support

Gigranche font Family is Modern Expanded Grotesque sans serif style and which is where this font is very strong and bold for digital manufacture/ printing industry. This font is inspired by streetwear (Urbanstreet) which relies on courage, art, and strength. The Gigranche font also comes with several symbols, fractional numbers and additional glyps from various languages (Multilingual Support).

Frunchy Sage, a Modern Stylish Serif Family with Elegant Style. Frunchy Sage is a high contrast typeface so delicate, legible and lend themselves to high end branding, logo designs, product packaging, invitation & masterhead designs. Language Support: All fonts support English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Turkish, Slovenian.

A full-on go to font for logotype with modern minimalist treatment in design. This is the only font you need for all your branding needs, from text to display, we got it. Designed for clarity and simplicity, MBF Logonarium can deliver wide range of design style. This typeface also comes with plenty of ligatures and multilingual coverage