Silqa is distinctive display family inspired with art deco style. Unique family that combines cutoff letter shapes, swashes, geometry and jumpy ascender value is ideal for titles, headlines and product names – in every usage where originality is desirable.

Based on an example of [circa] 1950 Finnish embroidery lettering, Evening Out JNL is a classic Art Deco design with contrasting thick and thin lines. This elegant and stylish typeface is available in both regular and oblique versions.

Part of the first typeface release package from ITC in 1970, Busorama melds Art Deco and 70s flower-power into a delightful sans serif design. Designed by Tom Carnase, this three-weight sans serif family still turns heads.

Take a bit of Brooklyn attitude, add a dash of hand-lettered appeal and mix in a slightly Art Deco flair... Your result is Canarsie JNL; a bold sans serif face that would make any New Yorker proud!

Add a little flair to the holiday season with Fontazia Christmas Tree featuring 62 elegantly simple tree illustrations inspired by the art deco movement. These stylish tree motifs are sure to add pizzazz to all your holiday designs.

Graigway is an art deco styled display font face in sans and serif. It has small caps and ‘halfcap’ alternatives included. There is an outline version with separate fillings for multilayering and color fonts with the layer-combination.

Robeaugo is pronounced as “ro-bo-go”. The name is originated out of the 3 words: robo, beau (French) and go. It’s a mix of Art Deco with round shapes and is best used in headings and logos.

A World War II training film had its opening title card “First Aid” hand lettered in a casual, Art Deco sans serif design. This is now available digitally as Film Title JNL, in both regular and oblique versions.

Sign Letterer JNL is the serif version of the Art Deco hand-lettering of Sign Painter JNL—and inspired by original pen lettering found on an old decal catalog sheet from the late 1940s to the early 1950s.

The opening title card for 1940's "Two Girls on Broadway" was the basis for Ticket Booth JNL. A typical Art Deco typeface, its features include a squared letter shape with rounded corners and a thin character weight.

An unusual take on Art Deco "streamlined" alphabets is found in Farragut JNL from Jeff Levine. Over-extended serifs on some letters and elongated horizontal strokes on others make for a new approach to a traditional lettering style.

From the backlots of Hollywood to a computer near you! Quiet on the set... Huntington JNL is a bold sans serif font inspired by titles preceeding the opening of the film classic "Casablanca". Art Deco meets Film Noir...

Metalworker JNL is Jeff Levine's take on a perennial favorite originally known as Eagle, but available under different names over the years. This bold, clean Art Deco font was the basis for Jeff's star-studded National Spirit JNL.

Table Fortu JNL is a revival of an Art Deco font that has all the classic nuances of the period. Re-drawn from scratch by Jeff Levine, it contains additional characters and accents not found in the original.

Based on a few examples of an Art Nouveau-inspired wood type, Nouveau Sans JNL has an interesting mix of angles, curves and general letter shapes that are reminiscent of the period preceding the Art Deco streamline movement.

Willoughby JNL by Jeff Levine is a typeface whose lettering was inspired by a 1950s package of toothpaste. Slightly Deco, it also fits well into 1950s-retro projects. This type design is best used at large point sizes.

Westbrook JNL is a simple monoline all-caps font with a strong Art Deco feel. It's light, delicate appearance is great for announcements, ads and retro materials that wish to evoke the elegance of the 1930s and 1940s.

Jeff Levine Fonts offers its interpretation of Tea Chest, an Art Deco serif stencil font originally designed in 1939 by Robert Harling for the Stephenson-Blake type foundry. Pekoe JNL is available in both regular and oblique versions.

Formal yet light-hearted, Loure is an ideal font for the best of times. Modest Art Deco influences imbue a century of history behind Loure's fresh 2022 gaze, while a few unexpected swoops deliver intrigue alongside clean legibility.

Graduating Class JNL was inspired by the hand lettered titles found on a 1934 high school yearbook from Richmond Hill, NY called "The Senior Dome". This Art Deco era type design is available in both regular and oblique versions.

A WPA (Works Progress Administration) sponsored Water Carnival taking place in Central Park in the 1930s had "Department of Parks, City of New York" in the thin Art Deco hand lettering which is now available as Parks Department JNL.

Nyack is a built-from-scratch sans serif font with both inline and solid versions. There's a touch of Art Deco to its design for a touch of past elegance, but its use is not limited to retro projects.

Yasashii is an art deco font based on Japanese designs for cosmetic packaging and posters used from the end of the 19th century to the early 20th. When you prefer more geometric letter form, please try our Diamond Ring.

Retorica, by Enric Jardí. With its simple geometry, Retorica stands out as our Art Déco typeface. Retorica has two styles: one solid version and one hollowed. In addition, each one has a Small Caps set, available by OT features.

A whimsical array of pointers designed with semi-traditional Greek fret pattern (up/down/left/right) - great for adding directions or pointers to documents, maps, posters, greetings, or simply used as decorative elements. See also 4Point Deco and 4Point Florals.

The opening title card for 1931's pre-code movie drama "Other Men's Women" (with Mary Astor, Regis Toomey, James Cagney and Joan Blondell amongst the cast members) is the basis for the Art Deco type face Date Night JNL.

Sign and Poster JNL is modeled after a popular style of die-cut letters and numbers that was used for making signage and show cards. A strong Deco influence is seen in these letterforms and blends well into most design projects.

Inspired by building signage for the old CBS broadcasting facility in Los Angeles, Aircheck JNL is a bold, wide sans serif - reminiscent of Art Deco lettering of the 1940's, and perfectly suited for headlines and titles that get attention.

Charles Rennie Mackintosh's artwork has an art deco feel that has been reproduced on fabrics, jewellery and all sorts of household items. Now, with this font, you can add Mackintosh icons and letter tiles with just the touch of a key.

On page 34 of the 1930 Samuel Welo publication “Lettering - Practical and Foreign” is a simple, basic Art Deco monoline design. This hand lettered type style is now digitally available as Basic Monoline JNL in both regular and oblique versions.

Frisco Bay JNL is an entirely original design from Jeff Levine with strong Art Deco influences. A medium weight letter form, this design finds itself at home in any application where a touch of elegance from the past is needed.

Hardwood is a reworked foundry typeface from the 1930's, providing an interpretation of the Art Deco graphic style. It harkens back to the golden era of poster design and Hollywood movie marquees, while retaining superb legibility at virtually any size.

An image of the wide, Art Deco influenced lettering of a sign over a coffee bar inside a Jacksonville, Florida Lovett’s Supermarket (a predecessor to Winn-Dixie) inspired the namesake font Coffee Bar JNL – available in both regular and oblique versions.

Cover Art JNL was inspired by the hand-lettered sans serif title of an Art Deco era Portuguese magazine called Ilustraçáo. The mix of conventional and non-conventional letter forms made it a perfect candidate to turn into a digital font.

Misty - a two weight wild west style serif with numerous alternatives, swashes and irregular alternatives for numerous characters in SC style. Interchanging regular characters with alternatives and vice versa, it allow you to do slightly strange inscriptions. Plus deco style.

Lecture Hall JNL is a reworking of Dance Hall JNL. By removing the Art Deco flairs and realigning the horizontal strokes in order to create a more traditional design, the font now takes on the look of a classic headline face.

Originally designed by Morris Fuller Benton for ATF in 1927, Sol Hess added a lower case in 1929. Hess also drew Broadway Engraved in 1928 for Lanston Monotype. Broadway has become somewhat of a classic icon as an "Art Deco" typeface.