'14 Segment LED Display' is a detailed and extensive reproduction of an 14 segment LED Display which is especially used in electrical devices like automobile radios and hi-fi systems. Even though these electrical devices mostly use capital letters and numbers only, '14 Segment Display' also includes lower case letters, a lot of punctation and special characters and even Greek letters. This font is also available in Bold and Italic.

Linoscript was designed in 1905 by Morris Fuller Benton and displays the strong stroke contrasts of broken letter and the flowing quality of handwriting fonts of the 17th and 18th centuries. The font suggests a school book typeface common at the turn of the 20th century. Linoscript is suited for middle length texts and headlines, while its capitals can also be used as initials mixed with other alphabets.

Petite Fleur is a combination of engraved, flowery embellishments and the Capitals of my redesigned Royal Romain (Romain du Roi), the exclusive font of King Louis XIV. It is best used as initials only, but can be mixed with Royal Romain. On the keys for ≥ and ≤ I designed two filler embellishments and the ciphers 0-9 are embellished as well. Enjoy! Your designer of beautiful fonts, Gert Wiescher

This is a relaunch version of Joost, a milestone of the Type-Ø-Tones catalogue. This revival of Joost Schmidt’s typeface now has a capital set, a new weight and some OpenType features. Not to mention alternate glyphs for M, N, Ñ, and W characters. The inspiration came from the 'bauhaus dessau im gewerbemuseum' basel exhibition poster, designed in 1929 by Franz Ehrlich after a sketch by Joost Schmidt.

Japanese type designer Akira Kobayashi created this serif FontFont between 1998 and 2000. The family has 10 weights, ranging from Regular to Bold (including italics) and is ideally suited for book text, festive occasions as well as editorial and publishing projects. FF Acanthus provides advanced typographical support with features such as ligatures, small capitals, alternate characters, and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

Kantarell is a calligraphic sans-serif typeface rooted in the traditions of Roman square capitals. In all-caps Kantarell has a very grotesque look to it, while in small x-height letters sustains it's ortodox form. The family available in single style and works best in headline and display settings. Typeface supports: Latin characters with diacritical marks; Cyrillic charecters (Ukrainian, Russian); Variety of symbols for use in commerce.

Speedometer is derived from Dimensions font family that is most narrow and black font for titling and logo. This Speedometer is more elegant by its contrast between the thickness of stem and thinness of the arms than Dimensions. This contrast makes more vigorous and speedy impressions too. All 6 weights and italics have upper and lower cases, accented characters and small capital glyphs that can be used with OpenType smcp feature.

Gillies Gothic font was originally designed by William S. Gillies for Bauer'sche Schriftgiesserei. The Extra Bold Weight was designed by Freda Sack at Letraset Design Studio and later the Extra Bold Shaded was designed by Phillip Kelly at Letraset. The extravagant capitals should be used as initials with the more reserved lowercase, and the lowercase should be set closely, overlapping where possible, to reproduce the look of true handwriting.

Introducing The Handwritten Watermark, a versatile signature script that comes loaded with 55 ligatures and dozens of alternative characters. This script typeface was made to stand out. It has large beautifully written capital letters. The ligatures and alternates give you so many combination options. The Handwritten Watermark with its many glyphs, is the perfect signature script to help you personalize a branding project. What's included? Web fonts Western European Characters

In the DR Krapka Rhombus typefamily, the pixel has a rhombus shape. The font supports OpenType features and contains small capitals, ligatures, oldstyle figures, terminal forms, historical forms, stylistic sets. The dingbats, arrows, emoji are also present. For small texts, it is recommended to use DR Krapka Rhombus-FontSize10px in the font size 10 px. DR Krapka Square typefamily supported European languages based on Latin, Cyrillic and Greek scripts.

The Kymer Awon font family includes 5 weights and 20 styles. Whereas traditional Sans Serif typefaces show low contrast, this family has high contrast. And It brings out modern elegance through curved variations of glyphs with diagonal bars. Alternative fonts with Small Caps inherit the vertical stem width of the default capitals. These elegant and contemporary styles have an affinity to fit into any of your design work.

In the MacKellar, Smiths & Jordan type specimen book of 1892 are examples of Lining Gothic Extended, a wide sans serif typeface. A lining font has the numerals aligned with the capital letter height, rather than following the “Old Style” method of smaller figures that could also descend below the baseline. Order Form JNL is the digital version of this design, and is available in both regular and oblique versions.

This typeface is based on Albrecht Dürer’s work “Die Underweysung der Messung” (Institutiones Geometricae, Instruction in Measurement). Please note that this font needs special treatment when typesetting text. If you need black text, you need to type just capital letters separated by spaces. If you need coloured text, type both lower case and upper case (with the lower case character first), and then assign a colour to the lowercase letters only.

Quickly Brown Bold Script Font This font describes about fun, bold, chubby, wide and easy to use. Quickly Brown inspired from Doodle and Junk Food. FEATURES - All Capital Bold - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Quickly Brown works great in any craft, logotype, magazine, quotes, social media and any projects that need all about Bold taste. Enjoy using! Thanks. HIRO.std

Swedish type designer Mårten Thavenius created this script FontFont in 2000. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for advertising and packaging, festive occasions, film and tv, poster and billboards as well as software and gaming. FF Rattlescript provides advanced typographical support with features such as ligatures, small capitals, and case-sensitive forms. It comes with proportional oldstyle and tabular lining figures.

Saitama is a new calligraphy handwritten typeface, elegant and vintage feel character set. Saitama includes a full set capital and lowercase letters, as well as multi-lingual support, currency figures, numerals, punctuation & some extra glyphs. Thank you for checking and i hope you enjoy it. Always put your heart into it and don’t worry to try. I hope you have as much fun using it as i did making it. Khurasan

Hagalind is a beautiful new script with a natural flow from Swedish type designer Bo Berndal and the T4 font foundry. Hagalind is elegant and friendly with ligature style capital letters, inspired by 18th century writing. The name comes from Swedish national poet Carl Michael Bellman and his songs about the Haga castle in Stockholm and its beautiful surroundings. It is an OpenType creation, for both PC and Mac.

QUIPO is a typeface based on my recent survey (Freeflow) on hand drawn logotypes used by American and English pop groups in the 60-70s. We thought it an interesting project and a free flow exercise to design this particular font just in capitals and well... yes it’s rather ‘bulky’. Needless to say it comes with numbers and the normal punctuations ! Concept/Art Direction/Design: André Toet © 2017

Brollo is a chunky display face full of the spirit of the 60s and 70s. Its bold character makes it ideal for poster work, and for anywhere that the point really needs to be driven home. The letter forms have been designed to work well either used conventionally or exclusively in capitals. We recommend use in combination with strong patterns, psychedelic colours and anything else outrageous you can think of.

Good for typography, good for close paragraphs, good for titles logo, markers, use with numbers, Capitals and Cases. use Special symbols as design elements. One can be used for others. Good for closed groups. Limbos, good to go with Serif, Sans serif or old english. use it with variety and any design light or heavy. the weight is black, so it wont matter. hope you enjoy the font and use it.

The typeface Ruano was inspired from “Lettera cancelleresca formata” by the Vatican calligrapher Ferdinando Ruano, carved and cast in 1926 by Nebiolo of Turin on the advice of Raffaello Bertieri who designed the capital letters and numbers, missing in the original. The difficulty of the design of this chancery font lies in its original vertical layout, bending the calligraphic harmonies to the Gothic style, thus distinguishing it from contemporary cursive alphabets.

Quiche Flare is a high-contrast, flared serif typeface featuring foxtail ball terminals, swash capitals, and geometric proportions. With weights ranging from Thin to Black with matching italics, it’s useful for a variety of display applications across products, packaging, labels, invitations, stationery, fashion, etc. The design exhibits both elegance and a touch of whimsy with the foxtail terminals and the flared serifs add more interest, beauty, and movement to the characters.

Miraversa is a display font inspired by calligraphic capitals. It's a typeface with characters of remarkable width, delicate serifs, and beautiful contrast. Most of the letterforms are round, with generous curves. It works as charming drop caps, beautiful titles, and nostalgic compositions. You can use this font on book/cover title designs, product labels, logos, posters and stationery. Features: Basic Alphabet All Uppercase and Punctuation Numbers and Symbols Language Support

Graffick is a mechanical style created by merging a little traditional type design & typography with a little basic graffiti lettering theory. Extra ascenders and descenders have been added to many of the capital letters to add a more varied & specialized appearance. This layered type system provides for the easy creation of outline/fill effects with regular, italic, wide and outline styles as well as baseline & caps-height alignment options.

Based on a fifteenth century Textura Blackletter typeface, Octoberfest has a companion with Lombardic style capitals, Octoberfest Alternate. Both Octoberfest and Octoberfest Alternate use the OpenType ligature feature to automatically substitute a subtly unique pair of distressed characters when any lower case character is keyed twice in a row. The Pro versions of Octoberfest and Octoberfest Alternate extend the character set to support Eastern European and Baltic languages.

Fonts based on handwritten forms enjoyed a revival in popularity in the 1930s. Diskus was designed by Martin Wilke in 1938 and exhibits many traits of modern script and brush typefaces. The informal and energetic Diskus is a script and brush font for daily use and the capitals can be used as initials mixed with other fonts. Diskus is particularly good for titles or texts in middle to larger point sizes.

The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. Bunken Tech Sans follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 10 styles with widths ranging from Light to ExtraBold with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 12 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...

Operina is based on a 16th-century lettering model of the scribe Ludovico degli Arrighi (Vicentino Ludovico degli Arrighi) used in his 1522 instructional lettering book, "La Operina da Imparare di scrivere littera Cancellarescha." This book contains what is considered to be the earliest printed examples of Chancery Cursive. Rather than try to reproduce a perfect, smooth, type-like version of Ludovico's hand, which has been attempted in the past, the designer opted to leave in some rough edges and, thereby, create a look that mimics the endearing artifacts of quill and ink lettering on parchment. When reviving an old style, a designer is faced with many challenging decisions, such as whether to aim for ultimate authenticity or to modify the alphabet for modern use. The decision here was to create a font that resembles the 16th-century Italian hand-lettering master's, but is also useful to the contemporary user. Because the letters U u W w J j and our modern Arabic numerals were not in use during the advent of these original letterforms, these had to be interpolated. To make a complete and useable font set, we also had to fashion many of the extra and diacritical characters to match the look of the alphabet. There are three fonts in this set: Romano(simple), Corsivo(more complex), and Fiore(swash). Romano is the most subdued, it contains Roman looking caps and has lining figures. Corsivo is more elaborate, it has more decorative capital letters and an alternate version of the lowercase with longer ascenders and descenders, and old style figures. Fiore, the swash font, is the most elaborate with the longest ascenders and descenders. You may not wish to use the Fiore version on its own, especially as all caps; it is meant to enhance the other two alphabets because it contains the most elaborate capitals and has many extra ligatures. P22 Operina Pro is an OpenType version that contains over 1200 characters. It features Small Caps, Old Style Figures, full European, Cyrillic and Greek character sets and a new OpenType first with automatic Roman Numerals. Just type any number and with the feature, it will convert to Roman Numerals!