Spooky Ghost is a cool, fun, and quirky decorative font. This font is PUA encoded which means you can access all glyphs and swashes with ease! Add it confidently to your favorite Halloween designs and let yourself be amazed by the outcome generated.

Micro Fleurons has small decorative motifs to use in small and soft design projects. Works great when flourish and ornament like assets are needed. Micro Fleurons are a family of 17 fonts (and growing up) with thousands of ornaments to your choice.

Friedhof family is inspired by a tombstone lettering dated from about 1900. Beside the solid, fat style, it contains handtooled and shadowed (Geist + Deko) variations, as well as narrowed & lowercase styles. Note: Very complex, shadowed fonts may not work on slow machines!

BIRSTEIN is a vintage decorative font, Victorian style. Perfect for vintage designs, vintage branding, liquor labels/brands. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Morgow is a decorative Celtic uncial font based on original hand lettering. It is similar to other uncial fonts, but the characters are embellished with traditional Celtic spiral designs. The font is appropriately named after a species of legendary Cornish sea serpent.

DaMane Display combines the decorative design style used in the past and the minimal design used today. Simple lines, sharp and radius corners come together harmoniously in the letters. High contrast letters create an elegant visual perception. It has nearly 400 glyph sets.

Sporting a uniform upward slope in the letterforms, Diagond is a contemporary decorative/display typeface with hints of the seventies and Art-Nouveau. The font contains some alternative lower-case glyphs, as well as ligatures, and East European, Turkish and Baltic languages support.

Spooky Halloween is a cool and scary decorative font. Use it for each of your October designs and notice how they instantly come to life. Spooky Halloween is PUA encoded which means you can access all of the glyphs and swashes with ease!

Dower is a playful decorative geometric sans serif. Inspired by the doodle style and hand-drawn lettering. Dower contained three widths: Condensed, Normal and Expanded, four styles each, including dozens of ligatures.You can use Dower in many types of creative modern concept designs.

Sweet Home is a handemade font with stitching decorative symbols. The typeface follows grandma's way to use the needle. Three different pillows for this beauty: sansserif, serif and these cute little flowers for your backyard. And a key for your new home.

"Valentine Style" is a display font decorated with heart-shaped letters and is very easy to use. This font is equipped with uppercase, lowercase, ligatures, numerals, punctuations and multilingual support. Very suitable for valentines, weddings, stickers, romantic moments, spring, winter and others.

A late nineteenth-century type specimen catalog from Farmer, Little & Co. yielded this droll little typeface, originally called "Arbor". The distinctive decorations of the face suggested a fool's cap, and thus the font got its current name. And don't call me Surely.

"Pimpaw Cat" is a unique and cute display font. This font is decorated with different types of cat shapes. Equipped with uppercase, lowercase, ligatures, punctuations, numerals, and multilingual support Suitable for posters, banners, prints, branding, stickers, magazine titles, film titles, and more.

Hello! Introducing a decorative font — Wetty Penny. It's a smooth shape bold typeface with vector wated drops effect. This font includes lots of multilingual characters (check out a screenshot with available letters and signs). Thank you and wish you a peaceful sky!

The Simple Note font is perfect for your upcoming project. Such as logo branding, editorial design, fashion, adventure stories, stationery design, sports design, blog design, modern advertising design, invitation cards, badges, art quotes, home decor, book titles/covers, special events and many more.

George Bruce's New York foundry had a remarkable number of decorative types, most of which were lost or destroyed when the firm was taken over by the American Type Founders Co. and closed down in 1906. Bruce catalogs are prized among collectors.

Hallo Witch is a cool and spooky decorative font. Add it to each of your Halloween related designs and notice how easily they stand out. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!

FlyHigh is a decorative text face with slab serifs. It comes in eight styles: plain, semibold, bold, extrabold, italic, semibold italic, bold italic, and extrabold italic. Its low x-height makes it more appropriate for uses such as invitations than for book text.

Imagine you've decided to cut letters out of paper thereby creating a modern sans-serif for a broad application range. What result would you get? We already know the answer! Pines is a font family that we've carefully cut out of paper and then added lots of emotions and a few bright natural accidental details. Now you can create any text layouts and contemporary design with special warmth and friendliness that was inspired by paper. Pines font family is great for any ecological design theme. Use if for websites, hand-made items, and eco-friendly products packaging. Our font family is also great for ecological brand identity and navigation. We've named the font family Pines since it perfectly integrates into the natural environment and looks authentic and harmonious as if it came from the pine forest itself.

Golestan is designed by Naghi Naghashian. It is a Font family, in 2 weights, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Golestan supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Golestan design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Golestan’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Golestan was developed for multiple languages and writing conventions. Golestan supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Afsane is a sans-serif headline font family designed by Naghi Naghashian in 3 weights, Light, regular and Bold.This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Afsane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Afsane design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Afsane’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Afsane was developed for multiple languages and writing conventions. Afsane supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography.

Pegah is a sans-serif font family designed by Naghi Naghashian in three weights. Pegah Light, Pegah Regular and Pegah Bold. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Pegah supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Pegah design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. BaBa was developed for multiple languages and writing conventions. BaBa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

BaBa is a sans-serif font family designed by Naghi Naghashian in three weights. BaBa Light, Baba Regular and Baba Bold. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. BaBa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. BaBa design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. BaBa was developed for multiple languages and writing conventions. BaBa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Babak is designed by Naghi Naghashian. It is a Font family, in 3 weights, Light, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Babak supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Babak design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Babak was developed for multiple languages and writing conventions. Babak supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Hafez is a sans-serif font family designed by Naghi Naghashian in three weights. Hafez Light, Hafez Regular and Hafez Bold. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Hafez supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Hafez design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial oblilqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. BaBa was developed for multiple languages and writing conventions. BaBa supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Naghashian is designed by Naghi Naghashian. It is a Font family, in 5 weights, Light, Regular, Bold, Extra Bold and Heavy This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Naghashian supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Naghashian design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Naghashian was developed for multiple languages and writing conventions. Naghashian supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Molde is a super sans serif font family, belonging to the neo-grotesque style. Formally, Molde was inspired by the extreme sobriety of famous post-Bauhaus Swiss Movement of the mid-twentieth Century. The masters of this style are famous for eliminating all the ornaments, as a brilliant mind said “Ornament und Verbrechen”(Ornament and Crime) as a creation law: ending up with only the essential. Thanks to the purity of its shapes, Molde spreads the message as clear as possible and this quality makes it much more versatile than any other typography. Molde can be therefore used in all types of designs, If we consider its personality and its amount of weights and widths. Molde is composed of 6 widths ranging from the tablet to the expanded and in the set of characters includes a Unicase version and a small caps version. The family is composed of 3 parts: the regular version, the italic version and the reverse version. Each one of them has 9 weights. Each weight has 649 characters and it has been thought for 219 latin languages.

Damavand is designed by Naghi Naghashian. It is a Font family, in 5 weights, Light, Regular, DemiBold, Bold and Heavy. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Damavand supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Damavand design fulfills the following needs: A. Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B. Suitability for multiple applications. Gives the widest potential acceptability. C. Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D. An attractive typographic image. Damavand was developed for multiple languages and writing conventions. Damavand supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E. The highest degree of calligraphic grace and the clarity of geometric typography.

Pasargad is a new font family, designed by Naghi Naghashian. It is a Font family in 3 weights, Light, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Pasargad supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Pasargad design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Pasargad’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Pasargad was developed for multiple languages and writing conventions. Pasargad supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Fletcher Typewriter font and extras is an authentic vintage typewriter font, perfect to add an extra retro look to your designs. Use it in long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. What you’ll get: 1 font family with 3 weights (regular, bold, black - each weight drawn individually), 2 styles (regular and jumpy); an extra set of stamps, misprints, underlines and overlines.

Corton was inspired by the traditional lettering on a gravestone in an English village. While that might sound a rather solemn beginning, Corton has wonderfully lively air, with distinctive lively serifs and beautifully swashed downstrokes. Eight faces are offered: regular and titular each in three weights plus regular condensed. Between them they are ideal signage and display faces, merging 'olde-worlde' charm and fun character, but remaining clear and legible.

The Sideshadow family has 4 weights, Regular, Bold, Light and Half Light (which is intermediate between Regular and Light). The distinguishing feature of the font (you don't actually need me to explain this, do you?) is the partial shadow to the side of the main character, giving it a distinct and eye-grabbing look. The zip files contain both OTF and TTF versions of the font - install one version only.

Smart Cookie is a happy and handmade font, ideal for packaging, posters or books (especially children's books!) It's highly legible and comes int 3 versions: Regular, Shine and Layer. Mix the Regular and Shine layer (using different colours) to make a cool shiny effect, or use the Shine version where the colours rely on the fore- and background colours...also a nice way of making your text stand out!

Broaek is a display typeface with a modern impression. This font consists of 3 types of styles, namely regular, thin, and outline. This font is perfect for use in headlines, posters, branding, titles, and other graphic designs. What you get dear, you will get : 1. Broaek- A clean San serif font including Upper & Lowercase characters(Regular,thin,Outline) 2. Numbers and Pointing 3. Supports Multi linguage (Latin Western Europe)

Lunar - Retro Serif Font Introducing Lunar, a charismatic font that seamlessly fuses playfulness with a touch of nostalgia. This unique typeface falls under the playful retro serif display category, offering not just one, but two distinctive personalities in its regular and outline versions. Features : - Regular & Outline - Ligatures & Alternates - Letters, numbers, symbols, and punctuation - No special software is required to use this typeface even work in Canva - Multilingual Support

Introducing Mixottally Serif Display Font – a perfect fusion of vintage and classic themes, available in both regular and stamp styles. The regular style exudes timeless elegance, ideal for branding and logo design. Meanwhile, the stamp style adds a touch of vintage authenticity, perfect for a weathered, classic look. Elevate your creative projects with this versatile font, designed for a range of applications from modern branding to nostalgic designs.

Embrace the nostalgic charm of pixelated games with its versatile 6 Styles: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic. Whether you're crafting captivating logos, designing captivating posters, NANO PIX is your ultimate toolkit. Features: Nano Pix Main File Has 6 Variable: Regular, Italic, Outline, Extrude, Outline Italic, and Extrude Italic Multilingual Support Instructions (Access special characters, even in Cricut Design) Simple Installations Enjoy Designing! Dharmas Studio

Introducing the CA Superpilot Sans & Script family pairing - the ultimate package designed specifically for creatives and designers. The CA Superpilot Sans font family, with its contemporary take on Futura, is the perfect choice for those seeking a sleek and modern typeface. With five weights and italics, this font is flexible enough to be used in any project. In addition, it includes an extensive Central European character set and alternate characters, ensuring that your designs will stand out in any language. On the other hand, the CA Superpilot Script font family is a monoline script font that takes inspiration from vintage camera equipment logos and type designations from the 1950s. The result is a unique and retro-inspired typeface that adds personality and charm to any project. With regular and italic styles, you have plenty of options to work with. Despite being a script typeface, its bold strokes and clean lines make it ideal for captivating and impactful headlines in uppercase. Using these two fonts together gives you unmatched flexibility for any project, whether it's branding, website design, or print design. Don't miss out on this essential font pairing - get it today!

A Nostalgic Elegant Serif font that we created special for elegant branding needs, with unique shape will be ready to add value of your brand. It so nice to leverage designer or product owner that need solutions to make their design look more stylish and modern. And specially for Almost font, We prepared any characters to help you create unlimited variations for your creative needs. Almost Nostalgic Serif font ready with: Ready with Regular and Italic version Preview as a inspirations that you can do with Almost font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)