Linotype Venezia Initiale is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by German artist Robert Kolben, the font is based on the classic forms of Roman writing in the 1st and 2nd centuries found chiseled on countless buildings and monuments. Linotype Venezia Initiale is a timeless, elegant font particularly well-suited to headlines or as initials in combination with other fonts, working especiall well with sans serif alphabets.

Evagrande, a "Speak Up Your Vibe" Display Font with 150+ Stunning Vibe Alternates. Very suitable for magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - It's OpenType support but you can easily call alternates character using special combination like A.2 R.4 h.3 etc. so you don't need special software. To get results like the preview just type EVAGR.5ANDE

A vintage look layered label font named "Smokers".Typeface includes six styles (including effect styles), for sample look at 4th preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effects layers: - Type your text in Regular. - Copy that and paste at the same position. - Change the style to Shadow or Texture. - Alternates in first letters - just type letter in caps. For alternates in last letters - just use alternates for small letters. Thank you!

Did you ever taste a Butter Cookie that you didn't like? I bet the answer is no. It hasn't happened to me yet. Actually I did have a butter cookie and a cup of coffee while finishing this font - and it was great! :) The font, Butter Cookie, is a playful and whimsical comic font. Like magic, the letters change as you type - but that is really not magic, but the contextual alternates...they automatically cycles through the 3 different versions as you type!

Calm Lovely is Modern Duo, these fonts are of two types serif and script. Display Serif inspired by famous logo and stylish, This typeface has been made carefully to make sure its premium quality and luxury feel. Calm Lovely perfectly for headlines, wedding, social media, logos, posters, packaging, T-shirts,coffee shops, restaurants, magazine’s headers, signs or gift/post cards,cafe’s and weddings or any type of advertising purpose. if you have any questions, don’t hesitate to contact us Ergibi Studio

A fanciful reinterpretation of the elvish type found inside the ring in J. R. Tolkien's "Lord of the Rings". Elfin has a very small x height with large ascenders and descenders. Unlike most scripts, Elfin characters connect from the x height, not the base line. If you're looking for a magical, Disneyesque, fairies-prancing-about type, you need Elfin. Elfin contains upper and lower case letters, old style figures (numbers), punctuation, foreign accents. Indulge the Peter Pan that lurks within!

Linotype Bariton is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designer Alexej Chekoulaev designed his font in one weight to mirror the Zeitgeist of the early 1930s. The characters of this extremely bold font are based on the form of a rectangle though its rounded edges soften its look a bit. Linotype Bariton should be used only in larger point sizes in headlines which should really catch the eye.

Amongst some pages scanned and posted online of old wood type alphabets comes this lovely, ornamental design in a reversed style of white lettering on black rectangular boxes. This classic set of wood type is now available digitally as Wood Fancy Reverse JNL. There is a narrow blank box on the “less than” key for use as an end cap, and a wider blank box on the “greater than” key to use between words as a blank space if so desired.

Grotesca Negra is a charming sans serif with a flirt towards the Jugend era. Still its modern enough not to feel outdated. It is briefly inspired by a local typeface named Grotesca chupada negra, found in a Spanish edition of a type specimen book from the German Bauer type foundry. It has an angle on the horisontal strokes on many of the letters. It is one of many display face derived from book cover designs. Intended to work as a display typeface.

Marli is an adaption of a face designed by F. Schweimanns and issued by the Stempel Foundry from 6 to 48 point, as “Korso”, in 1913. In 1936 the American Intertype issued their version for the line composing machines in 12 and 14 point as “Camera”. It is a very suitable type face for personal stationery, announcements, greeting cards and the like. The font is updated with a full Open Type character set, while also a Cyrillic has been added.

We are introducing Mellar, a Variable display font. Mellar is an obese font with a simple and bold modern look. It consists of 2 styles: round and square, also three widths on each type: Toppo - Medio - and Botto. Mellar is a variable font, officially known as Open-Type Font Variations. You can generate many styles with the three available slider axes. Mellar will add fresh fun vibes to your designs. This font is perfect for clothing, book covers, titles, etc.

The first Century typeface was cut in 1894 by Linn Boyd Benton in conjunction with T L DeVinne for the Century Magazine. It was a blacker, more readable face than the type previously used. Morris Fuller Benton designed the Century Expanded version in 1900 for American Type Founders to meet the Typographical Union Standard of the day. The 'expansion' was in the vertical plane. Century Expanded is a useful font family for text setting in magazines, books, presentations and newsletters.

Linotype Feltpen is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by the Swedish artist Lutz Baar with clear, light forms. The spontaneous, even letters seem to have been written with the felt pen from which the font takes its name. Linotype Feltpen is available in two weights, regular and medium, both suitable for short and middle length texts and medium for headlines as well.

Linotype Matthia is part of the Take Type Library, which features the winners of Linotype’s International Digital Type Design Contest from 1994 to 1997. Dieter Kurz designed Matthia as a slender, flowing brush font. Its characters are in a handwritten style yet stand almost straight, making Matthia a mixture of reserved and lively, of static and dynamic. The font is reminiscent of advertisement typefaces popular in the 1950s and extremely versatile, suitable for short texts in small point size or headlines on posters.

A thin Roman typeface with slab serifs shown in various editions of the American Type Founders’ Specimen Book as either Lining Antique or Lining Central Antique was the model for Specimen Book JNL which is available in both regular and oblique versions. This is the 1700th design released by Jeff Levine Fonts since its inception in January, 2006 and was named Specimen Book JNL to celebrate the era when metal type and letterpress were the modern technology of their time.

Linotype Dummy is a part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. The Canadian artist Tad Biernot based the design of his font on optical illusions like those of M. C. Escher. The reader cannot always exactly decide if a character is twisting toward or away or both. Linotype Dummy is available in black and outline weights and is suited exclusively to short headlines in large point sizes.

When looking for a neutral typeface with no historic reminders, we always end up with notorious designs made about 60 years ago. It’s a part of the whole Trivia type system. To our surprise, there are still people who can’t distinguish three basic latin type categories. The present font family has been created for them. A simple typographic Trivia: three ways to look at printed word, three fonts to design anything from business card to a billboard, three tunes for endless variations.

Scratchman is a serif type font that has been scribbled by hand to present a neat text while still producing a natural and familiar look. thus this font can be an alternative for any designer who wants a different and unique look. This font is very suitable for use in the work of posters, t-shirts, comics, cartoons, doodle art, grafitty, flyers, etc. This font has two styles, regular and italic which are equipped with the open type feature. enjoy your font ...!

Linotype Graphena is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. It is a handwriting font designed by the Italian artist Giancarlo Barison. Consciously irregular and erratic, the letters dance across a page, large and small, tilted and erect. Linotype Graphena could be described as angular, restless, even mischievous. It should be set in point sizes no smaller than 12 and is best used for headlines and displays.

Linotype Inky Script is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun fon was designed by the German artist Thomas Schnaeble as a handwriting font with little stroke contrast. The lower case letters are broad with a low x-height. Texts presented in Inky Script have a light, personal touch. Linotype Inky Script is well-suited to headlines as well as short to middle length texts.

Linotype Balder is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. Designed by Lutz Baar, Balder is reminiscent of advertisement and poster typefaces of the 1950s and 1960s. It is composed of only capital letters, making it perfect for initials and headlines. Balder looks as though it were written with a broad tipped pen. Its light serifs at the tops of the characters and the slant of some of the strokes give Balder a dynamic feel.

Movere is a modern serif family with vintage charm, fashionable appearance with a touch of retro Quick access - using the built-in OPEN TYPE functions. Just add "-" or "_" to the letter and instantly get an alternative. This feature works in most applications Font is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Flowy is a romantic and delicate type, made up of four sub-families. Brush, Script, and Condensed imitate freehand writing using different tools. In these families, you can choose the original version which embodies freehand styles, the Clean option which offers a clean-cut edge and is more suitable for corporate assignments, or Rust which changes the texture. Meanwhile, two options, Clean and Ink, come with the Sans type. The complete family has 29 individual typefaces that serve your projects every purpose.

Patron is a sans serif influenced by two dissimilar type designers, Günther Gerhard Lange and Roger Excoffon. Patron is a sans serif influenced by two dissimilar type designers, Günther Gerhard Lange and Roger Excoffon. Patron unites their contradictory approaches to create an expressive, yet versatile grotesk. As a result, Patron is characterised by a generous x-height, flared stroke endings and an unconventional shift in balance, inspired by Excoffon and a rigorously precise, modern interpretation for which Lange was most famous.

Introducing Moressans - Luxurious Type, created by ikiiko. Moressans is a sans serif type with a thin and rounded shape. A simple font, with a thin size, adds to the impression of elegance and also fashionable too. This typeface is perfect for an elegant logo, branding, fashion brand, luxury brand, layout magazine, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates Multilingual Support Works on PC & Mac

American designer Frank Marciuliano created the Linotype Abstract display font in 1997. Abstract's letters are made up of collaged elements: a single letter can contain several different textures. Instead of an upper and lowercase, Linotype Abstract offers two different uppercase alphabets, each with different patterns. Text set in Linotype Abstract takes on the appearance of a cubist painting, making it the perfect font for all of your funky type needs. Linotype Abstract is included in the Take Type 4 collection from Linotype GmbH."

Estimo is an unusual, yet elegant type family of three styles in five weights. Originally developed as upper-case-only family, Estimo was inspired by the works of Bulgarian type and graphic designers in 1980’s. It is characterized by its lack of diagonal strokes (wherever possible), thus experimenting with letterforms without losing legibility. This unique typeface is suitable for all kinds of creative and editorial works, creating impact for headlines of all sizes, as well as readability for text blocks.

Wairel is a modern serif family with vintage charm, fashionable appearance with a touch of retro Quick access - using the built-in OPEN TYPE functions. Just add "-" or "_" to the letter and instantly get an alternative. This feature works in most applications Font is an open type with clean shapes and precise kerning. It includes ligatures encoded by the PUA. Language support: All European languages Don't forget to subscribe so you don't miss out on the new awesome fonts Dima

Italian type designer Maurizio Osti and American type designer Jane Patterson created this display FontFont in 2003. The family contains 4 weights and is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Folk provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates.The font was based on the original alphabet created by Ben Shahn in 1940. It comes with proportional lining and tabular lining figures.

Linotype Cethubala is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by the Portuguese artist Patricia Carvalho, it is a playful and unusual font. Its roots lie in the characters of runes and old alphabets and the font is, in the words of the designer, ’an attempt to interpret and carry the knowledge of the magic world.’ Linotype Cethubala is intended exclusively for headlines in large point sizes.

Launched Chinta, new serif type modern fonts wrapped in a soft classic touch combined with crooked and crooked alternative fonts, will make it one of the conveniences to explore various types of designs. With a soft touch but does not leave an elegant impression, this font is suitable for using logos, food design, weddings, branding needs, posters, emblems, advertising and much more. so what are you waiting for? FEATURES CHINTA ONE CHINTA TWO So what are you waiting for? immediately purchase this font.

Talbot Type Keymer Radius is related to Talbot Type Keymer ; where Keymer is square-edged, Keymer Radius is subtly rounded for a softer look. Keymer Radius mixes geometric and humanist traits to achieve a modern, clean, elegant appearance. It is a legible and versatile text and display face available in six weights. Keymer Radius features an extended character set to include old style numerals, accented characters for Central European languages and bespoke characters in the italic for a more flowing look.

Linotype Bariton is part of the Take Type Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. Designer Alexei Chekulayev designed his font in one weight to mirror the Zeitgeist of the early 1930s. The characters of this extremely bold font are based on the form of a rectangle though its rounded edges soften its look a bit. Linotype Bariton should be used only in larger point sizes in headlines which should really catch the eye.

Prime Century is an organic hand drawn font duo consist of a script paired with a sans serif with a touch of classic look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Humanist 531 is the Bitstream version of Syntax (Stempel, 1968) by Hans Eduard Meier. A humanist sans serif typeface with an optically even thickness of the line which interprets a humanist old style type of the Renaissance. Its vertical strokes are inclined to the right by one degree. Serves well in text and display typography. Cyrillic version was developed at ParaType in 1999 by Isay Slutsker and Manvel Shmavonyan and was awarded Diplomae at Kirillitsa'99 and "bukva:raz!" type design contests.

Kartell type family was designed by Oleg Karpinsky for ParaType in 2006. Design features: lower contrast between strokes and slim serifs. It consists of three weight styles with corresponding Italics. The Open Type version contains a lot of alternate characters and additional ligatures. Italic styles contain some alternate letterforms and lots of swash characters. Kartell is recommended for long text passages at magazines, books and booklets, as well as for headlines, logos, billboards, visit cards, newspaper adds and so on.

Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights. What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the second and third decade of the last century (Cocomat is also referred as Coco 1920 in the Coco Gothic Family) all give Cocomat a slight vintage feeling, making it a perfect choice every time you need to add a period vibe or an historical flair to your design, like in food or luxury branding. The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as Cocomat PRO to include eight extra weights (thin, medium, black and heavy in both roman and italic form), extra open type features (including alternate forms, positional numerals), and extra glyphs making Cocomat cover over two hundred languages using latin, cyrillic and greek alphabets.

Leipziger Ornamente is another font inspired by the architecture of my home city. I draw inspiration from various buildings of the 1920s to the 1950s. The majority of motives in this font is adapted from sgraffitto ornaments found on residental buildings in the northern borough of Gohlis. The Leipsic Ornaments offer a delicate range of both floral and geometric embellishment pieces, to create fresh and lively designs from. You can use this font for smart and cool borders, frames and textures as well as for sparkling headpieces or vibrant eye-catchers in magazines, brochures, leaflets or personal stationary. If you’re interested in more ornaments, see also my classical Andron Ornamente, the splendid Art nouveau Behrens Ornaments and the exciting Art Deco Arthur Ornaments.

Joane mixes the elegancy of French didones, calligraphic endings and glyphic serifs, thus its features convey a warm unique style. Moreover, its curves have been beautifully designed, and it also comes with both and engraved and deco versions, which add more versatility to the way it can be used. Joanes is perfectly suited for magazines, branding, advertising, labels, web and packaging. Joane is my first typeface to be published worldwide. To achieve this goal, I received essential help from W team and friends. I personally want to say thanks to Diego Aravena for the patience, good will and learning; for the friendship and support to Franco Jonas and Raúl Meza. Because of their help I could find the treasures at the end of the process. Ale Navarro

Robust, towering, and geometrically refined, Skyward is a surefire classic cocktail of equal parts utility and elegance. This typeface carries a set of over 300 glyphs across 8 distinct faces. With Deco-era sensibilities and a touch of modern refinement + an all new alternative set of characters, Skyward is exceedingly effective in a diverse spectrum of situations. Skyward is the perfect selection for modern, chic, luxury products and packaging as well as bold ad campaigns, window signage, magazine headlines or the classic branding project. Skyward works best as display text. 12 styles Sans-Serif, Serif, and Rounded styles Select Stylistic alternates Upper & lowercase Numerals & punctuation   330+ glyphs per style Supports 75+ Latin based languages OTF files Designed by Jason Carne