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  1. Coverack Demo - Unknown license
  2. Stonehouse Demo - Unknown license
  3. Vasilisa Demo - Unknown license
  4. Orlock Demo - Unknown license
  5. Summerisle Demo - Unknown license
  6. Neutron Demo - Unknown license
  7. Bastion Demo - Unknown license
  8. Daresiel Demo - Unknown license
  9. Vergennes Demo - Unknown license
  10. Melcheburn Demo - Unknown license
  11. Smelted Demo - Unknown license
  12. Suchow Demo - Unknown license
  13. Carinthia Demo - Unknown license
  14. Gargantua Demo - Unknown license
  15. Gaiseric Demo - Unknown license
  16. Earthpig Demo - Unknown license
  17. Malagua Demo - Unknown license
  18. Sepultura Demo - Unknown license
  19. Odeon Demo - Unknown license
  20. FLW Demo - Unknown license
  21. Hubbard Demo - Unknown license
  22. Tyrfing Demo - Unknown license
  23. Quetzal Demo - Unknown license
  24. Plakat Demo - Unknown license
  25. Ganelon Demo - Unknown license
  26. Wittenbach Demo - Unknown license
  27. Orphiel Demo - Unknown license
  28. Evadare Demo - Unknown license
  29. Beauvoir Demo - Unknown license
  30. Halloweenies Demo - Unknown license
  31. Plowright Demo - Unknown license
  32. Leco 1988 by CarnokyType, $18.00
    The typeface LECO 1988 is another font family which belongs to LECO set. It is a display typeface, which is inspired by the title written on the bottle of lečo from 1988. Its typical features are embedded diacritics and significant black look with low contrast. Lower case is united with upper case and has several identical glyphs in both forms. Font contains alternative set of glyphs for letter „E“. Tabular numerals, superiors and inferiors and the full set of (glyphs - symbols) for languages using the Latin alphabet are also included in this font. LECO 1988 font family includes six specific styles: Regular, Blind, Gradient, Outline, Shadow and Stencil style. Those styles extend typographic options by mutual combination or overlapping, whilst every style share the identical metrics and kerning. Font format is Open Type with the support of several open type features. This typeface is suitable for creating logotypes, powerful posters or can be used as a headline display typeface.
  33. Gestia Decorative by Struvictory.art, $18.00
    GESTIA is a modern sans serif font with mystical motives. The font is created in classic proportions and decorated with candle inspired elements. GESTIA is represented by sans serif lowercase and ornate uppercase. The font is suitable for the design on the theme of candle design, astrology, mysticism, spirituality, witchcraft, magic, esotericism. GESTIA has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish.
  34. Bipolar Decorative by VersusTwin, $45.00
    A bolder condensed version of the Bipolar family of fonts, Bipolar Decorative has a level of ornamental sophistication and balancing that is surprising for its narrow spiny appearance. It's a neo-blackletter typeface that screams for experimental as well as serious use.
  35. Leco 1983 by CarnokyType, $15.00
    LECO 1983 is a headline display OpenType typeface with its three styles: LECO 1983: regular LECO 1983 Blind: without interiors of signs LECO 1983 Negative: in its inverse form. The inspiration for creating this font came from the label on a 1983 bottle of Lečo. The characteristic feature of this font is an embedded diacritic. The monolinear character of drawings is dominant. This font is drawn as capital letter type for both: upper case and lower case letters. It contains alternatives of some signs (e, f, g, m, n, y) and (& and a glyph No) but it consists several interesting alternatives (ligatures) of pairs as (in, on, of, by) as well. This font is best used on strong posters or as a headline display typeface.
  36. Demos Next by Linotype, $50.99
    The Demos® Next typeface family is a complete renewal and expansion to Dutch type designer Gerard Unger’s classic from 1975. This enhanced typeface design introduces subtle changes to character shapes, proportions and spacing to improve legibility and readability in print and on screen. The new expanded family now has 6 weights of regular and condensed designs, each with a complementary italic for a total of 24 typefaces, and provides a welcome set of OpenType® typographic features.
  37. Meso Deko by Deniart Systems, $15.00
    Contains over 90 characters based on decorative symbols.
  38. Deca Serif by ParaType, $30.00
    Super family Deca consists of ten fonts. Six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif . These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Serif and sans serif fonts were designed in comparable proportions, they are balanced by color and have similar details in basic shapes. These features provide high compatibility and assume collective usage of the fonts in documents.
  39. Moonwild Decorative by Struvictory.art, $14.00
    Moonwild is a modern sans serif font with celestial motives. The typeface is represented by Decorative and Symbol fonts. The font is easy to use in various design programs or without any program. Moonwild is suitable for typographic prints, retro and modern posters, boho art & fashion design. The font works great for craft products branding and packaging. Also use individual letters and symbols to create logos and monograms. The font has extensive language support, it includes English, French, German, Italian, Spanish, Portuguese, Danish, Norwegian, Swedish, Finnish, Estonian, Turkish. Moonwild includes stylistic alternates for symbols: a, c, i, m, o, q, s, t, u, v, w, y, A, C, M, O, Q, S, T, U, V, W, Y. There are also ligatures: ch, ck, la, La, LA, aa, oo, Ca, ca, OO.
  40. Deca Sans by ParaType, $30.00
    Super family Deca consists of ten fonts. Six sans serif styles form the Deca Sans family and four styles of serif family named Deca Serif . These are low contrast fonts of pure design with ovals bent to rectangular shapes. They are nicely readable in small sizes and can be recommended for scientific, legal, official and business documents. Serif and sans serif fonts were designed in comparable proportions, they are balanced by color and have similar details in basic shapes. These features provide high compatibility and assume collective usage of the fonts in documents.
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