Town is a display collection inspired by art deco and contemporary lettering. The fonts have a classic feel, with contemporary proportions, styling and details. There are eight base weights and nine decorative styles in multiple weights. The variety of styles are designed to create bespoke brand marks, stylish liquor labels, unique restaurant menus, engaging websites and fresh magazine layouts. The fonts are built on the same foundations, so the display and decorative styles can be mixed and matched while maintaining a harmonious look. Several of the styles can also be layered together; add a subtle shadow to your headline or create a full dimensional look with an inline face. The collection is rounded out with two sets of accent fonts, and a set of text weights, with matching italics.

One of the most enduring type styles of the Art Deco era is Huxley Vertical. Its clean lines and stylish appeal have transcended changing times and tastes. Many typefaces have been inspired by the original, including the model used to create this font. The design was found in the book "Lettering and Alphabets", first published in 1946 by J. Albert Cavanagh. By re-drawing it from scratch, the missing numerals, punctuation, special characters and accents were added. Hagemann JNL and its oblique version are named in honor of one of Jeff Levine's friends within the type design community -- Michael Hagemann of Font Mesa.

HS Albasim A is an Arabic display typeface. It is useful for headlines, books covers and other graphic projects. It is a collaborative effort, as "HS Albasim A" first letters were designed and drawn by Basim Salem Al Mahdi from Iraq and then developed and digitalized as a typeface by Hasan AbuAfash from Palestine. The font is based on the simple lines of Fatmic Kufi but was it distinguished by two main ideas: First, it contains a nice serf in the vertical strokes of its letters. The second, some of storks in its letter differ in the thickness instead of being similar, as it is in the Fatmic Kufi style. The font contains only two weights: regular and bold. Both of them support the OpenType features of Arabic, Persian and Urdu.

Beale Charming is an Art Deco font published by SoftMaker.

A late nineteenth-century type specimen catalog from Farmer, Little & Co. yielded this droll little typeface, originally called "Arbor". The distinctive decorations of the face suggested a fool's cap, and thus the font got its current name. And don't call me Surely.

Bullsmith font collection, inspired by old style letterhead print, beer label, certificate, billhead, lithographic design and sign store. This font came with 3 styles, script, decorative and serif. With the combination from 3 fonts this is perfect to create label design, headline, logo types, signage, poster, certificate, all types of merchandise, book cover and many more application. what you get : 130+ Stylistic Alternate Standard & Discretionary Ligatures Uppercase & Lowercase Numerals & Punctuation OTF file

After creating the all-caps version of Supper Club JNL, a conversation between Jeff Levine and fellow font designer Ray Larabie brought forth the idea that one of Ray's freeware fonts had a lower case that would perfectly fit Jeff's design. With Ray's permission, Jeff adapted the lower case to his capital letters and the final version of Supper Club was born. Two separate ideas become one stylish Art Deco type design.

The type family New Hotinok 2D continues Ukrainian tradition and in the same time connects it with Art Deco style. It is good for presentation, literary, arts and foods, especially sweets and coffee. Connection of geometry and ornamental effect can help in logo design. Includes four styles, Latin diacritics for many languages.

A 1935 piece of sheet music entitled “(There’s A) Little Picture Playhouse in My Heart” had its movie-themed title hand lettered in a condensed Art Deco style with a few interesting character variations. The resulting digital type design is Stage Production JNL, which is available in both regular and oblique versions.

Scentogram is a deco font inspired by some 1950-60 ads.

Valet is deco moderne the way it was meant to be: Big, bold, classy, flashy, and clean at the seams. Its message is rich, strong, confident and reliable. Valet tells you that it’s used to thorns being part of every rose, that it can handle sharp objects just fine, and that it'd much prefer buying the tuxedo rather than renting it. This font grew out of an uncredited early 1970s all-cap film type called Expression. An appropriate deco lowercase was added, along with small caps, zippy titling caps, and Pan-European language support. With over 9250 glyphs, we bow our heads with the admission that we kind of got carried away with it.

In January of 2006, Jeff Levine fonts debuted with ten releases. Many of those first fonts were based on vintage lettering stencils, which were the "school years" catalyst for Jeff's interest in lettering and type design. Eight years later, his collection of fonts has become a giant catalog of display type ranging from Wood Type revivals to Art Nouveau, Art Deco to stencil, reinterpretations of old favorites, experimental fonts, dingbat fonts and typefaces reflecting a particular decade's styles of cultural popularity. Designs from old lettering books, type catalogs and advertising have also been fodder for many alphabets not previously available in a digital format. Along the way, many unusual lettering sources were also mined for type ideas. Vintage packaging, hand-lettered signage, sign making kits, rubber stamp type, water applied decals and at times just a singular letter example inspired many of the releases within this collection. It was a source of pride for Jeff Levine Fonts to reach 500 releases and a determined goal to grow the type library as far as possible. With this in mind, February 2014 brings forth many new releases. This one in particular, Ornery Polecat JNL, is the 800th typeface release from Jeff.

The decorative title typeface was designed at Polygraphmash type design bureau in 1967 by Iraida Chepil. It is a decorative variant ('open', or 'engraved') of classical serif typefaces. For use in magazine headlines, title and display typography. The revised and completed digital version was designed for ParaType in 2005 by Victor Kharyk.

The source of inspiration for Vice Monogram is an Art Deco letterset (capitals only) from a 1915 publication by Cartier-Bresson of Paris containing classic and modern monogram patterns for embroidery. This Art Deco monogram style has been redrawn, balanced, and brought into the digital age for your type-setting use and enjoyment. Vice Monogram can create one-, two-, or three-letter monograms as well as basic headline and titling settings. By default, Vice Monogram types in a horizontal format, but by utilizing Opentype Contextual Alternates, you can typeset in a three smallcap or smallcap-Capital-smallcap diagonal format as well! It is a refined vintage look that is perfect for a wide array of classic personalization settings. Download and view the MFC Vice Monogram Guidebook if you would like to learn a little more.

Linotype Supatropic is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. This fun font from German designer Isabell Laxa is generously decorated with delicate flower silhouettes which are reminiscent of Asian flower chains and subtropical flora. Linotype Supatropic is meant exclusively for headlines in point sizes of 18 or larger.

Shabwa is An Arabic typeface for Print And screen. this font family is from Kufi style and contains 3 weights: Regular, Medium and bold. Shabwa is simple and a little detailed font and its three weights are fully harmonized, one letter with one length on the line, and words with a uniform length on the line, gives a comfortable reading look.

Introducing Rowit, a premium Arabic style font. The display brings luxury and prestige to your designs. This innovative typeface comes to give you the flexibility to create the look and feel you need for any occasion. Crafted with meticulous attention to detail, and containing hundreds of glyphs, this font collection is the best choice for bringing harmony to your designs.

Tarim is an active contemporary variable font, complete with a flexible range of cases tailored to responsive layouts designed by Sultan Maqtari. Tarim is serif style typeface for desktop applications, websites and digital apps. The font family contains 4 weights: regular , medium, bold and black.and includes a design that supports Latin & Arabic languages. Tarim typeface comes with many OpenType features.

Indentia is a very interesting font, which has been inspired by Art Deco art. It is formed from very careful lines with stylistic sets and ligature features. Indentia has 200+ glyphs consisting of two styles: Indentia Regular and Indentia Black. Suitable for any graphic design projects, prints, logos, posters, t-shirts, packaging and applicable for some types of graphic design. Indentia is compatible with any software without any pain.

Suitable for headlines, subheads and short copy blocks, this decidedly Deco number is based on Willard T. Sniffin’s Hollywood, designed for American Type Founders in 1932. A few of the fussier details have been modified from the original to render a clean, streamlined and sophisticated face. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

This stencil display decorative slab-serif typeface, contain reverse contrast which remind the old western style. Invertida St font family contain Latin and Cyrillic encoding characters and also italic versions are available too. Open type features can provide more options (stylistic alternates, ligatures, swash, figures).

We took a distressed-looking Victorian type called Cabinet and redesigned it with clean lines to make it more suitable for today's decorative work. Quite readable in all sizes.

"Devil Scream" is a very unique horror font, as it is equipped with ghost decorations and a witch's hat on each letter. This font is very easy to use because the letters and decorations will automatically appear when typing letters. "Devil Scream" is a display font with a horror theme that will add a horror atmosphere to your Halloween party celebration. In addition, this font can also help your work. This font can be used as logos, branding, banners, posters, prints, stickers, horror movie titles, book titles, comics, or others.

Frederic W. Goudy (1865-1947) created over 100 typefaces during his lifetime. Like most type designers, he is known principally to most people only through his eponymously titled faces such as Goudy Modern, Goudy Old Style etc. This set includes one of Goudy's rarest Arts & Crafts styled faces, a font known as Aries. The font was originally created by Goudy for a private press in Eden, New York in 1926. Also included in this set are two decorative fonts: one font of 52 decorative Ornaments & one font that contains 52 Ampersands.

a naive interpretation of the F. H. Ernst Schneidler's art deco font...

Diode is a sleek and simple font with mild art deco tendencies.

Font with detailed letters that work great as logos or intricate, attention grabbing titles. Mobius Infinity is a special font for your logo & branding

The Orbi type system is a low contrast antiqua of elegant design with a well developed set of members. It consists of 10 roman and italic faces of different proportions and weights and 3 decorative calligraphic fonts. It also contains 3 additional fonts with various decorated initials. The roman includes small capitals. Thanks to its variety of styles the font is suitable for a wide range of applications - the basic styles are good for books and periodicals; the narrow styles work well in the columns and tables of business papers; the decorative styles are ideal for ceremonial typography where swashes, calligraphy and initials are usual. The fonts were designed by Natalia Vasilyeva. Released by ParaType in 2010.

Afronaut PRO (New version of typeface published in 2019) was inspired by vernacular Latin & Arabic typography in St. Louis (on Senegal-Mauretania Border, Africa). Geometric forms working well and contrasting with smooth, round elements. After reading "Afronautics – from Zambia to the Moon" by Bartek Sabela (about Zambian conquest of space) a breif was set to create typeface that looks like mix between: vernacular Arabic script, futuristic typography and some special lettering that I found in Africa during my travels to Guinée, Bissau, Gambia, Senegal, Mauritania and West Sahara. Afronaut has seven weights, also many letters have 3 different forms. Afronaut PRO can work as regular version of my Yalla Typeface.

HS Hadeel is a versatile display typeface designed for use in titles and graphic projects that require both Arabic, Persian and English characters. It draws inspiration from the modern kufi style and boasts a unique blend of sharp and curved lines that lend a beautiful and geometric structure to each character. The sharp endings at the bottom of each character add an additional aesthetic touch. With five weights available, ranging from Light to Black, HS Hadeel offers a diverse range of options for designers seeking to elevate their Arabic typography. Overall, HS Hadeel is a great choice for those seeking a visually striking and flexible typeface for their projects.

HS Hadeel Serif is a versatile display typeface designed for use in titles and graphic projects that support Arabic, Persian and English. It draws inspiration from the modern kufi style and features a unique blend of sharp and curved lines that lend a beautiful and geometric structure to each character. Based on the original HS Hadeel typeface, HS Hadeel Serif includes a serif on some of its characters to provide a more traditional look. Two weights are available for this typeface: Regular and Bold. HS Hadeel Serif represents a valuable addition to Arabic typography, offering designers a visually striking and flexible option for their projects.

The 1934 French publication L'Art du Tracé Rationnel de la Lettre is a vintage guide book on lettering chock full of interesting alphabets that have been an ongoing source of digital type revivals from the designs found within its pages. Monthly Statement JNL is a squared slab serif design with some Art Deco flair; available in both regular and oblique versions. This style of type evokes images of billheads, bank statements and other important documents of the era.

This is a digital reinterpretation of Walter Huxley's 1935 evergreen "Huxley Vertical", which was originally cast for American Type Founders. A timeless classic which has been in use since the Art Deco era, this version is known as Hotel Suite JNL. As in the original metal type, alternates for A,K,M,R,W and Y are available and can be found on their respective lower case keys. Hotel Suite JNL is available in both regular and oblique versions.

Searching the internet for interesting type ideas leads one to many unusual items for sale online. An antique, hand-cut metal stencil from France with the word “Bagagens” [luggage] provided a condensed Art Deco design in a semi-stencil format (some solid letters, others with traditional ‘breaks’ within the characters). The digital version of the type style has a more traditional stencil character set. Garment Bag Stencil JNL is available in both regular and oblique versions.

Most folks might picture wood type lettering as the fancy styles of the 1880s which so perfectly evoked images of the Old West. Occasionally there is an exception to that rule, as an online image of some vintage wood letters with an Art Deco influence inspired a revival as a digital type face. Wood Lined JNL features a bold alphabet with an engraved line throughout the characters, and is available in both regular and oblique versions.

Another one of those faces that caught my eye in one of my art deco type books, and I wanted it. After I finished the face, I noticed that there is a more clean-cut version of this face in digital format, but my version retains more of the funkiness of the original drawings.

The pen lettered opening credits for the 1937 film “The Awful Truth” inspired Date Book JNL, which is available in both regular and oblique versions. A hybrid of both Art Nouveau and Art Deco influences, this casual type design is perfect for any project that wants to convey its message in a pleasant, informal manner.

A 1930s travel poster from American Airlines had the airline’s name in a classic thick-and-thin Art Deco design of hand lettering. With the addition of angular spurs, some of the characters become semi-serif in nature. This type style is now available as Travel Plans JNL, in both regular and oblique versions.