Exoner is a worthy graffiti font for you to use in your particular project; by using this font, you will attract a lot of attention from the audience since your project’s appearance is neat, charming, unique, and of high quality. All of your projects will be evaluated for their suitability and uniqueness. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Anne's Hand is a custom handwriting font of Anne Hubbard, who tragically lost her battle with anorexia nervosa this past January. Anne loved to write, so her brother Richard designed a custom font of her handwriting as a tribute to her memory. All proceeds from its sale will go to the National Eating Disorders Association to support programs and services like the NEDA Navigators and Loss Support Network, programs that many families count on for support.

Kilkenny is a decorative, Victorian-style font based on the metal type named Nymphic that was designed by Hermann Ihlenberg. Ihlenburg was born in Germany in 1843 where he studied art and worked for several German type foundries. He moved to the USA in 1866 and worked for the L. Johnson & Co. foundry, later MacKellar, Smiths & Jordan. American Type Founders acquired this typeface when they took over the MacKellar, Smiths & Jordan foundry and Nymphic appears in the ATF catalog of 1896. For this digital version, the character set has been expanded to include accented characters, punctuation, and currency symbols—and most everything you would expect to find in a digital font. The original metal font consisted of swash caps, upper case characters, and a “morticed” lower case, which was raised off the baseline. This mortcied form was designed to nestle inside the ornate swash caps as well as to work with the upper case. The five digital versions contained in this set are basically different configurations of these different alphabet sets, they differ as follows: Kilkenny—the original upper case version with a modified lower case that has been enlarged, shifted to align along the baseline, and given taller ascenders to give it a more “regular” appearance. Kilkenny Eureka—true to the original design with the “morticed” or superior lowercase forms. Kilkenny Swash—original swash caps with the modified lower case. Kilkenny Swash Caps—original swash caps with the original caps as the lower case. Kilkenny Swash Eureka—swash caps that have been adjusted to match the weight of the original lower case forms. The OpenType version contains all of the above, plus additional Central European and Cyrillic characters for a total of almost 1000 glyphs.

Brasserie, the font, is a tribute to all brasseries since they are wonderful places to relax and enjoy food, wine and friends. It is also a salute to Parisian neon sign makers who continue in their difficult quest to adapt type, including script, into fragile, gas-filled, electric glass tubes. I tried to capture the spirit of these neon signs and combined it with the loosely styled handwritten menus written on blackboards that are usually placed outside Brasseries. You will find Brasserie to be very useful in many situations where you need clarity with style in a reasonably compact width. It is also creates an unusually even texture in sentences. Brasserie is a fairly upright script with a large x-height, which helps to save on overall width. Like a brasserie, the font is a relaxed and informal script, useful for logo, packaging, menus, editorial, advertising, invitations, etc and is available for Mac and PC in Opentype, Truetype and Postscript versions. In France, a brasserie is a café doubling as a restaurant with a relaxed setting, which serves single dishes and other meals. It can be expected to have professional service and printed menus (unlike a bistro which may have neither), but has more informal eating hours than a full-fledged restaurant. Typically, a brasserie is open every day of the week and the same menu is served all day. The word 'brasserie' is also French for brewery and, by extension, "the brewing business".

It’s cherry season, so I bought 2 kilos of cherries at the local cherry farm. The cherries I bought had been in a cooling cell, so they were quite cold. As I was eating them, the name for this new font popped up! Chilly Cherry is a handmade serif. It’s a little wobbly, a little off-center, but it will surely put a smile on the cherry lips of your customers.

Flicker - Vintage Calligraphy Font We're Introducing the "Flicker" Font we created in 2022. To talk more about the character of this font, please see a preview of how each Glyph in the font will look when applied to a design. This font has a vintage touch and a modern look to each letter, slightly rounded and neat shapes in each curve, plus a Stylistic feature at the end of the letters. We design this font in such a way that it is suitable when used for design projects so that it looks very attractive. And you can also use this font for logos, branding, brochures, names on product packaging and so on. Uppercase & Lowercase, Numeral, Punctuation, Miltilingual, Swash

Brilliant - Lettering Script Font We're Introducing the "Brilliant" Font we created in 2023. To talk more about the character of this font, please see a preview of how each Glyph in the font will look when applied to a design. This font has a vintage touch and a modern look to each letter, slightly rounded and neat shapes in each curve, plus a Stylistic feature at the end of the letters. We design this font in such a way that it is suitable when used for design projects so that it looks very attractive. And you can also use this font for logos, branding, brochures, names on product packaging and so on. Uppercase & Lowercase, Numeral, Punctuation, Miltilingual, Swash

About this font family Squaripeg is a funky square typeface with geometric shapes to create impactful headlines and web banners. This typeface was designed so that it takes up less horizontal space but still has a lot of prominence on the page. Some letters have been combined into one unit to save further space. Features 8 weights (from thin to black) Multi language Ligatures To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. Designed and published by Andy Peat. Released April 2022

Introducing MAGENTO MAGENTO is a stylish font It has both modern and retro look - clear, modern and fun. Helps to create layout design in 60s or 70s design projects. This MAGENTO Family has 9 weights from thin to black, and Italic version on it What's you get? Magento TTF, OTF, WOFF Magento Italic TTF, OTF, and WOFF Unique letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word even work on Canva! Fully accessible without additional design software. For MORE FREEBIES : just like these and more, as well as Font Deals and discounts , visit https://wecreatype.com

The Remaid Typeface font is an elegant serif typeface with subtle details. This neat font can add modern and fashionable brand appeal. This versatile display typeface has enough character for logos and branding, as well as headlines, apparel, bridal and more. Keep it classic, or decorate it with ornate alternatives to uppercase and lowercase glyphs! Important information: To access the alternatives, you must have access to an older version of Photoshop to copy/paste the glyphs from the included PSD, OR the Glyphs Panel, which can be found in Photoshop CC or any Version of Adobe Illustrator.

I grew up with the ‘Save The Whales’ slogan: I remember watching the news and seeing little Greenpeace dinghies taking on huge Japanese whalers, and activists clinging on for dear life. I haven’t heard that slogan for a while: maybe because whaling is soooo 1890’s, but also maybe because the world has other problems to address. Out of respect for the ‘Save The Whale’ activists, I named this fattish font Whale Song. Whale Song is a robust comic font. It was especially created for book covers, product packaging and posters and, of course, it comes with a whale of diacritics.

The Fast Hand set was inspired by casual, neat hand lettering. They are casual and informal and ideal for use in conveying these qualities. They are excellent for casual text and at large sizes an effective casual display font. Both fonts have the same uppercase alphabet, numbers, punctuation, accented characters, symbols, and miscellaneous characters. As their names imply Fast Hand Lower Case has a lowercase alphabet while Fast Hand Small Caps has small caps in place of the lowercase alphabet. Fast Hand Lower Case and Fast Hand Small Caps are sold as a set priced at $20.

Created in 1983 by British artist Alan Birch, this dramatic design conveys all the immediacy, impact, and effect of a stencil or rubber-stamp on paper. With a corroded, rough-around-the-edges feeling, Rubber Stamp gives an impression similar to the old, beat-up looking typewriter fonts that were popular among designers during the 1990s. Rubber Stamp is an all caps font, and is primarily suited for many headline and display applications that use larger point sizes. Try out Rubber Stamp in magazines, newsletters, and any other work that would be enhanced by a stencil, branding, or rubber stamp effect.

If you are looking for a neat vintage font, Speed Line is a very appropriate choice. It can be applied for various purposes. This font is perfect for logotype, headline, apparels, quotes, posters, labels with vintage and exclusive feels. What's included? 1. Uppercase and lowercase characters 2. Supports international languages 3. Features: Uppercase, Lowercase, numeral & punctuation, multilanguage, initials, ligatures, and trails 4. Accessible in the Adobe Illustrator Glyphs panel, or under Stylistic Alternates in the Adobe Photoshop OpenType menu, Adobe InDesign, Corel Draw, even work on Microsoft Word. 5. PUA Encoded Characters - Fully accessible without additional design software. Thanks You

The Brave love font is an elegant serif typeface with subtle details. This neat font can add modern and fashionable brand appeal. This versatile display typeface has enough character for logos and branding, as well as headlines, apparel, bridal and more. Keep it classic, or decorate it with ornate alternatives to uppercase and lowercase glyphs! Important information: To access the alternatives, you must have access to an older version of Photoshop to copy/paste the glyphs from the included PSD, OR the Glyphs Panel, which can be found in Photoshop CC or any Version of Adobe Illustrator.

Made in La Chaux-de-Fonds (Switzerland), HyperTurfu was born during the shooting of “The Return of Hyperturfu Xpress 2”. A GoPro on a lego electric train, meters and meters of rails, an empty industrial space, loads of puppets, paper, cardboard, pizza boxes, lights, hot glue and a bunch of friends preparing a one shot scene for a month. The title of the movie was made out of lego pieces, painted with golden spray and hanged over the rails. It was the first inspiration for this awsome superbold font. HyperTurfu is thought from ground up to give a strong impact. It’s gothic retro science fiction 80’s style makes it best suitable for metal music albums or posters. As the “Banco” font it works perfectly with short texts for advertisement, bar, cofee shops concert places or even fancy hairdresser. Just hang it over a pet shop and see what cool animals will come in.

Shred is the result of staring at so-called three-dimensional shapes for days on end, then capping the meditation by eating the white light at the end of the tunnel and sweating it out a blade a second. Bliss is overrated. Sharpness is where it's at. Get slicin'.

A playful, informal typeface, very suitable to make your design still neat and stylish. Carefully designed for body text or body copy on your office project. The letters made with solid strokes to keep it minimalist. Also, you can access the features to make an elegant playfully lettering with over than 390 glyphs inside. PUA Encoded. You need some application to access the OpenType features such as Adobe Illustrator CS, Adobe Indesign, CorelDraw X6 and etc. You can also simply access with 'character map' or 'font book' on Mac. Available in OTF format.

Supporting Cast JNL is a hybrid of similar designs for hand lettering found on title cards from two morality photoplays from 1936 dealing with drug abuse, "Cocaine Fiends" and "Marihuana" respectively. The films were produced with the hope of educating the public against the dangers of illicit drugs, but they have taken on a cult status because of the dated approach to the problem. Despite all this, it is the Deco-influenced hand lettering which is being celebrated in this font release, not the subject matter of the films.

So y'think youse gonna whack me, huh? Y'think that font o' yours is packin' enough heat to finish me off? Huh? Is that what youse is thinkin'? Well go ahead, but if y'whack me then every two bit hood in Alphabet City is gonna hunt youse down and kern youse like the rat you are! So go ahead, show them you're the Big Boss, the Kingpin of Crime, the Godfather... but you won't see me beggin' for my life, 'cause I got pride, see? I got --RATATATATATATTATATATATTATAT... Ahhh... fuggedaboutit!!

Phat Chance is a funky, in-your-face font that has strong overtones of modern rap and hip-hop culture. Its broad, fluid line evokes the beat of modern music, the rhythm of contemporary dance, and the power of videogame computer graphics. It is essential for marketing companies targeting: ⁃ the music scene: CD covers, posters, music videos, presentations ⁃ the movie scene: posters, ads, promotion material, copy, movie titles ⁃ the theatre scene: posters, programs, ads, promotions ⁃ the fashion scene: hangtags, posters, brochures, signage, ads ⁃ the fast food market: packaging, promotions, menus, signage ⁃ general packaging ⁃ general advertising

Step Right Up, Step Right Up, the Font Circus is in town and ready to reveal our stupendous new tent-pole feature! Step inside for the best seat in the house. Ringmaster Roshell Beauregard dons his Big Top Hat especially for this occasion and promises us that Clowntime ain't over until the Bearded Lady takes a custard pie in the face. Our Big Top Bonanza performance begins with sideshow attractions and distractions, high-wire acrobats and low-cost rubber band guns. Can you smell the greasepaint and hear the roar of the crowd already...?

American Copper Family is a vintage font inspired by an old American motorcycle logo. The logo looks very manly and strong, just like the motorbike. American Copper Script is the dominant one that turns the logo into a font. Whereas the Sans and Block family is a complement to the Script. But all three are a very good unit to be juxtaposed together. American Copper is a font made for you (designers) who love automotives: old cars and motorbikes. Anything related to automotive. Besides these two objects, this font is also very cool for music-themed design needs; rock n roll, metal, rockabilly, and others. Oh yes, Custom Culture is another very interesting thing to be depicted with this font. Workshop logo for example. It will look very unique with Interlock on American Copper Script. Pair it with American Copper Block. And, BOOM! The logo will look very manly. If you are curious, you can download the American Copper Script Demo version to try. Happy Designing. Cheers

Fishwrapper is a three-member font family (Regular, Bold, and Italic) designed to replicate the look of authentic vintage newspaper typography. The fonts are rough and are meant to be used at newspaper sizes. All three fonts have a complete alternate alphabet built in: using the contextual alternates feature will automatically substitute alternate versions of most glyphs, so that identical characters do not appear side by side, thus helping to create the look of metal type. Fishwrapper Regular has a complete set of small caps built in. Each font features assorted rule lines and other decorative material, many accessible through the discretionary ligature OpenType feature (three em dashes in a row, for example, will become a rule line), as well as fractions and a full international character set. Used in conjunction with some of E-phemera's vintage headline fonts, the Fishwrapper family is intended as a complete vintage newspaper and job-printing type solution.

Chikita greets you with big, happy eyes, and all the energy in the world. She wants to skip the talking and get to the dance floor, where she owns the beat and sways like a tongue of fire. She doesn't settle for anything less than everyone in the room fixating on her, and every pair of eyes is indeed happy to oblige. Being both the noumenon and phenomenon of the party, she remains in your mind long after closing time. And you just know the next time you see her your heart will skip a beat and a welcome wave of contentedness will wash over you. The Chikita design is rooted in the work of 1930s Dutch lettering artist Martin Meÿer, whose little-known work concerned itself with the beauty of letters mostly as individual forms, rather than part of a flowing alphabet. Chikita was reconceptualized to strike a great balance between singular and flowing beauties, resulting in a cheerful and very memorable expression. Chikita is available in all popular font formats, and the character sets cover a wide range of codepages, including Central and Eastern European languages, Esperanto, Turkish, Baltic, Celtic/Welsh and Vietnamese.

Say hello to Odds - a versatile, chunky casual sans with lots of personality! It’s fresh, friendly and easy to read. It is also a great mix of boldness and cuteness, so it definitely captures attention. The Odds family comes in five distinct fonts styles : - Odds - an artistic handwritten-style sans - Odds Sans - a typical neat and clean sans (caps and small caps which you can mix & match) - Odds Narrow - a cute handwritten narrow sans (uppercase and lowercase), and two awesome sets of goodies: - Odds Extras - borders, arrows, speech bubbles, etc. - Odds Symbols - palm leaves, plants, fruits and other useful objects. Odds works great on a variety of mediums from web to print, but you can find it particularly useful if you're designing food packaging (actually any packaging) and clothes. Other awesome usages include posters, signage, ads, printed and personalized cards, t-shirts, sale banners, everything kids related - merchandise, toys, you name it. Its quirky character and fat letters make up for bold and friendly presentation while the slender letters of the Odds Sans and Odds Narrow are perfect for plain text. And yes, all fonts have Cyrillic! They also have some neat ligatures and alternates to spice up your designs and create more interest!

The letters and numbers of a home movie titling kit from circa the 1950s or 1960s called the Magna Tech Titler Number 312 were die-cut from cardboard with a magnetic backing and were styled after Futura Bold. The user of this set composed the desired title or phrase onto a metalized board and the result was photographed with their 8 or 16mm camera. Because the dies of the characters were handmade, very slight variations in the shape and stroke width of the lettering would occasionally occur. These variations were incorporated into the design of the digital type face. Intermediate JNL is available in both regular and oblique versions.

Homenko was the only Ukrainian typeface for metal type casting developed in the last century. It has already become a 'classic'. Vasyl Homenko worked on it from 1964 to 1967. The typeface successfully combines the qualities of lineal humanist typefaces with the Ukrainian tradition of asymmetrical slab serif. The works on its digitization and further development has been in progress since 2000. The present version contains Latin Extended characters, Cyrillic with stressed alternates and several ornaments based on Vasyl Homenko's works. It works perfectly for books for children and is ideal for publications related to culture, history, literature and traditional art of Ukraine and other nations of Eastern Europe.

Up until the advent of modern packing and shipping methods, the common way to mark merchandise or other items to be transported was through the use of a brass stencil. These marking devices were hand stamped (or punched) using metal dies that were struck against sheets of brass to create the letters, numbers and other symbols [unlike the steel rule die cutting method used for manufacturing paper stencils]. One such example of an antique marking stencil had letters and numbers approximately one quarter of an inch in height, and Stamped Brass Stencil JNL recreates the design complete with the unusual variations of character shapes and widths.

Camelot was the first of over 100 typefaces designed by Frederic Goudy. The upper case characters were drawn in 1896 for the Dickinson Type Foundry. Goudy was so encouraged by his check for $10 (double what he asked for the drawings), that he spent the next 50 years designing type. The lower case was added by the Dickinson foundry. This Lanston digital release includes a Text version based on the smaller point sizes of the metal type and a Display version based on the larger sizes. The two appear different in size but share the exact same line weight when at the same point size.

Goudy Trajan Pro is based on the drawings by F.W. Goudy of his rendition of the capital letters inscribed on the Trajan column in Rome, rather than on his subsequent metal type, Trajan (Title), released in 1930. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small(er) caps, dozens of fleurons, and much more. Supports Latin, Cyrillic and modern Greek scripts. Many thanks to Krassen Krestev, Sergiy Tkachenko, and Adam Twardoch for their suggestions for improving the Cyrillic glyphs; and to Alex Sheldon for his suggestions for swash caps and improved OpenType features.

Arthur Baker's display script Sassafras, designed in 1995, is based on the natural inline effect created when writing with a split-metal nibbed pen. Black and white are nicely balanced, giving this calligraphic face a remarkably smooth appearance. The regular and italic versions of Sassafras include two alternate faces: one with long, tall ascenders and regular-length descenders, and one with shortened ascenders and descenders that allow it to fit where its companion might not. In both, the ascenders increase in width as they move upward, while the descenders taper to a fine point. This variety of form makes Sassafras a very flexible choice for display work.

Günther Zainer, (or Zeyner or Zeiner), was the first printer to operate in the city of Augsburg. He was active from 1468 to his death in 1478. In that single decade he was responsible for printing 80 works. Most of these editions were for the clergy but he also printed the first Calendar and large-scale illustrated book intended for the wider public. This font is based on one of his more interesting and peculiar fonts. And it has been enlarged to include over a 1,000 defined glyphs for modern use and also for historical purposes many glyphs recommended by the Medieval Unicode Font Initiative organization have also been included.

Meet Boronia, Studioways' latest typeface release! This six weight family was developed with the single idea of redefining the simple sans serif to pair with any style of font family. It is meant to blend with a variety of media, from editorial to bridal and fashion. The Boronia family weights range from an ultra sexy thin to a voluptuous bold, each with a companion italic, making it the 'perfect type' for all tastes. Each font supports the standard Western European character set. So scoop up this great sans serif font, BORONIA, and start making your work shine! Buy them individually or get a great deal on the family pack!

Sidney Hayden is a brand new modern script font that comes with a neat and dynamic looks. Sidney Hayden is perfect use for a logotype, typography design, product packaging, quotes, t-shirt design, label poster, headings, letterhead, cutting sticker, hot stamping, signage,and anything that need modern taste. This font is very easy to use, you can even mix and pair it with other fonts to provide a fresh and authentic looks to your design projects. Feature : - A lot of Alternates ( With a Total of 540+ Glyphs ) - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Syracuse is a font inspired by the typefaces of the "Arts & Crafts" designers of the early 20th Century. As such, it has a distinct "hand" look. In "Syracuse" you will find hints of Dard Hunter's work at the Roycrofters in East Aurora, New York, a little of the Art Nouveau style of 1900 Vienna, even a touch of Charles Rennie Mackintosh's design ideas in Glasgow, Scotland. The font was named for the city in New York where Gustav Stickley produced his Craftsman furniture. Syracuse owes a debt to all of these sources yet is original and different from any other "Arts & Crafts" font available.

Melyndra Script is a modern calligraphy font, including regular, italic and extras featuring a sleek and neat glyph. This font has a beautiful and balanced character, making it suitable for various purposes. such as written posters, wedding invitations, logos, product packaging, branding, titles, signs, labels, mugs, book covers, quotes, and others. Melyndra Script features alternative OpenType styles, ligatures, and Various International for most Western languages. To enable the alternative OpenType Stylistic, you support programs that support OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later. This font is PUA encoded which means you can access all glyphs and swashes with ease! Happy designing!

Starve for tasty bold font? Say hello to Frunch! A delicious bold script font with a vintage vibe. Frunch comes to you with several alternate letters for you to play with and the complete set of lowercase-letter swashes that make your words look delicious and stand out. It's especially created for food & beverages branding as well as product packaging typography (e.g.: snack, honey, breakfast meal, milk, bread and cake). It's also perfect for poster, business cards, headline, restaurant menus, and much more. Have fun with Frunch!

Pronto is a fast and breezy calligraphic handwriting font that moves to a timeless beat. Its catchy rhythm and casually artful forms make it a choice font not only for packaging, but also for signs and café bistro boards and menus. Alternative forms for almost every letter are provided within the font. Pronto is a single feature-rich font that includes extra alternate characters, as well as a wide range of Latin-based languages, including Turkish and the languages of Central and Eastern Europe and the Baltic region. To take advantage of all the OpenType features included in the font, please use within programs that support such advanced typography. Designed by Koziupa and digitized by Ale Paul.