The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. •See other members of the Superfamily: Bunken Tech Sans •For further details, view the Specimen PDF. Bunken Tech Sans Wide follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans Wide stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 16 styles with widths ranging from Light to Heavy with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) standard (Std) and Small Caps (SC) edition with a different range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans Wide is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 16 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold -UltraBold -Heavy and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...

Elexis is a chunky, blocky script that will stand out in your next project. It's perfect for branding, social media posts, advertisements, product packaging, and invitations. Multilingual Support: AÀÁÂÃÄÅCÇDÐEÈÉÊËIÌÍÎÏNÑOØÒÓÔÕÖUÙÜÚÛWYÝŸỲŸÆŒßÞþ

Mangkualam Is a Traditional Javanese Style Script Font Mangkualam is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Patternly is a stylish handwritten script font in a monoline style. It’s perfect font for wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

Inscriptional capital titling face drawn for a magazine. Suitable for a variety of media if used at 30 point and above. New Horizon requires subjective display kerning and compensation.

Vasavine is a Blackletter font. Its elegant and cool look makes it the perfect choice for logos, branding, invitations, stationery, wedding designs, social media posts, and so much more.

Sunkist Splash is clean and beauty bouncy script font. It’s the perfect font for branding, wedding invitations, stationery, photography, social media posts, product packaging, greeting cards, and much more!

Chantego is a playful hand drawn display typeface with rough marker shapes. This font suit for apparel, branding, logo, social media posts, advertisements, product packaging, product designs, illustration, etc.

Witcher knight Is a Modern Script Font Witcher knight is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Outline brush script originally designed for embroidery application. Everett was designed for all media and works best at 24 point and above. Everett requires subjective display kerning and compensation.

Metal Gothic Inspired by art nouveau Design Era. Metal Gothic offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Retro Volt Inspired by 70s-80s Design Era. Retro Volt offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

Freshliy is a Modern Handwritten Font. Freshliy is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Support multilingual.

Stay Kind is Modern Retro with Fun and Groovy Style is perfect for branding, logos, shirts, invitation, stickers, master heads, Cricut projects, social media, posters, magazine, prints and more.

Retro Cool , Inspired by 60s - 70s Design Era. Retro Cool offers beautiful typographic harmony for a diversity of design projects, including logos & branding, social media posts, advertisements & product designs.

A playful handwriting of a child Twelve-year old Tobias Düsel designed the characters of this font in 2002 during his family’s furlough in the USA. He drew the alphabet freehand in pencil on a piece of stationery, and clearly had examples of the well-known college and military fonts in mind. The characters in their basic form are geometrically thought out, as well as the construction of the shadows. But remarkably, while drawing, Tobias Düsel did not reach for the obvious aid of a ruler. In fact, the strokes of the letters are not linear, rather are recognizably well-balanced with declining and increasing straights as can be seen in polished classical fonts. Originally this font consists only of upper case letters — all other characters (punctuation marks, figures and similar) have been modified from the components of the capital letters. Complementary to the original Outline-Shadow-Version TobyFont Empty, the variations TobyFont Inside and TobyFont Full are also available. ”Empty“ is, so to speak, the frame of the typeface as “Inside” is the filling, and “Full” is the sum of both. All three versions have the exact same body size so that they can be placed over one another congruently. In this way the effect of a font in two or three colors can be attained. TobyFont is excellently suitable for designing “picturesque” or “hand-carved” contents; large weights are especially charming and striking.

TT Ricordi Marmo useful links: Specimen | Graphic presentation | Customization options TT Ricordi Marmo extends the series of experimental projects within the TT Ricordi fonts collection. The main goal of the TT Ricordi project is to look for gems in old signs and on stone and bringing those inscriptions back to life in the form of contemporary fonts with the umbrella name TT Ricordi. TT Ricordi Marmo is an original experimental project by Eugene Tantsurin inspired by inscriptions at Basilica di Santa Croce in Florence. Working on it, we wanted to create a contemporary typeface that would unite the elements of a Florentine sans-serif mixed with more traditional visual solutions typical for the period's serifs. As a result, we got a bright and somewhat provocative typeface with irregular serif distribution, some unusual contours and a free spirit. In small body size TT Ricordi Marmo makes a neutral impression, but as the size gets bigger, the user is taken on a playful quest to search for interesting moves, graphic peculiarities and unusual solutions. TT Ricordi Marmo is great for poster design, packaging, and setting large and medium-sized inscriptions. Thanks to its idiosyncrasy, the typeface may look nice both at a poster in a grand academic theater and at an acid rave party. You can find a set of icon patterns that can be used in several ways. First, you can substitute letters with these patterns, thus getting an inscription with a visible graphic element. Then you can also construct borders and interval marks, or just use them as icons. All patterns are perfectly adapted to the design of letters in the font. TT Ricordi Marmo consists of 2 styles and one variable font. Each of the styles contains over 630 glyphs and 18 OpenType features. As we have conceived TT Ricordi Marmo as a poster typeface from the very beginning, it features small capitals instead of lowercase characters. In addition, the typeface has a set of interesting ligatures, stylistic alternates, pointers, hands, and pattern icons. TT Ricordi Marmo OpenType features list: AALT, CCMP, LOCL, NUMR, ORDN, TNUM, PNUM, CASE, SS01 (Alternative latin E), SS02 (Alternative Eszett), SS03 (Alternative Cyrillic I), SS04 ( Alternative Amper- sand), SS05 (Romanian Comma Accent), SS06 (Dutch IJ), SS07 (Catalan Ldot), DLIG, CALT, SALT.

Aire is what Sproviero would call a < big display family >. We recommend seeing its user’s guide. After his success with Reina, Sproviero comes out with this big family of 7 members: Each of them loaded with lots of sophisticated ligatures, alternates and the entire cyrillic alphabet. The overall impression that the font gives is lightness and delicateness; that’s the reason the designer chose to call it Aire, or Air, in English. "Aire was somehow having a rest from my fat face Reina [...] It started as a really thin style of Reina, but it rapidly migrated from it and grew up alone. And how it grew..." The inspiration came from his own past creations: “The heavy strokes of Reina were shouting for a more delicate thing. Something more feminine. More fragile. Something which had a lot of elegance and fresh air inside”. Aire responds to this: Sproviero found that many of the typefaces of nowadays which are used for headlines (best known as display fonts) have almost always just one, maybe two weight styles. This was his opportunity to try something new. Aire makes it easier for the user to generate different levels/layers of communication thanks to its variety of styles. With this font you can solve entire decorative pieces of design with just one font, and that was the aim of it. Aire was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results. On March of 2012, Aire was chosen to be part of the most important exhibition of typography in Latinoamerica: Tipos Latinos 2012. TECHNICAL Aire is a family with many members. In total, the user can choose between almost 6,000 (!) glyphs (1,000 per style). Each member has variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted. Every decorative glyph has its weight adjusted to the style it belongs to. Exclusively for decoration, Aire Fleurons Pro is an open-type programmed set of ornaments. And last but not least, remember Aire is delicate. What’s my point? It is not recommended to activate all the alternates at the same time. It is typo-scientifically proved: A maximum of 3 or 4 alternates per word would be more than enough.

Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. The Black and medium weights began as one approach before separating into display and text categories. The four text weights were created through pendulum swings in design direction that experimented with contrast, angles, tangent redirections, and the amount of anomalies allowed. The text weights are vocal when set larger than ten points and subtle at smaller sizes. The tech-heavy Incised display style came last, employing a surprising range of trigonometric functions to make it behave exactly as desired. Its look can result in something distinctive and emotional or completely over-the-top. Most normal typefaces change only in thickness; Rezak changes in intention, highlighting the relationship between dark and light, presence and absence, what’s removed and what remains. Rezak’s Black and Incised display styles are like a shaft of light in reverse and are perfect in situations of impact: websites, headlines and large text, gaming, call-outs, posters, and packaging. The tone works for something from youthful or craft-oriented to organic and natural products. Try these two in logotypes, complex print layering, branding, and words-as-pattern for greater experimentation. The text styles are bold, energetic, well informed, and round out the family with four weights (Regular, Semibold, Bold, Extrabold) and matching italics for a family grand total of ten. These jaunty styles work well in children’s books, call-outs, movie titles, and subheads for myriad subjects such as architecture, coffee, nature, cooking, and other rough-and-tumble purposes. Rezak’s crunchy letters are meant to expose rough, daring, or dramatic text. A further benefit is that this family is not sequestered within one specific genre or script, so it can be easily interpreted for other scripts, such as its current Latin and extended Cyrillic which supports such neglected languages as Abkhaz, Itelmen, and Koryak. Rezak’s push toward creativity and innovation, with an eye on typography’s rich history, reinforces our foundry’s mission to publish invigorating forms at the highest function and widest applicability.

Introducing Soft Whisperings Calligraphic - A beautifully flowing modern calligraphy font. This delicate, modern script font is full of romance and elegance. It’s perfect for wedding stationery, Save The Date and special occasion cards. Soft Whisperings has a lovely handwritten feel to it so it’s also great for logos, signatures, taglines and calligraphic projects. There are plenty of alternate glyphs and ligatures! International Language Support Soft Whisperings Calligraphic supports 219 latin based languages, which are spoken in different 212 countries. Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Azerbaijani, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Delaware, Dholuo, Drehu,  Dutch, English, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kaingang, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Kurdish (Latin), Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese,  Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog,Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan,Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni. --------------------------------------------------------------------------------------------------------------------- The fonts are PUA encoded which means that you don’t need any special software to be able to use the alternates and Ligatures.  Well, that’s about it!  Enjoy! Jo

Ace Sans is a modern and minimalist sans serif font family. The combination of minimal and geometric elements renders a modern design. Ace Sans family includes 8 fonts, clean and modern caps, thereby creating more variability. This is irreproachable sans serif to diversify your headlines, branding visual identity, poster, logo, magazines and etc. 8 Weights (Thin, Extralight, Light, Regular, Medium, Bold, Extrabold, Black) Oblique font is available Numbers & Punctuation Extensive Language Support Thanks for looking, and I hope you enjoy it.

HS Dream is based on some modern lines of Kufi calligraphy which supports Arabic, Persian. The typeface has been optimized for corporate identity work and modern projects when a contemporary and simple look is requested. It is an Opent type Arabic font and features four stylistic sets. This font consists of four weights (light, regular, medium and bold) which can constitute a striking addition to the library of Arabic fonts models that meet the purposes of various designs for all taste.

Racoti is a sans serif font with four weights: Light, Regular, Medium, and Bold. It has a simple, calm, and elegant aesthetic. This font is ideal for a wide range of projects, including quotes, websites, logos, greeting cards, branding materials, and more! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Spacerace is here to infuse a touch of the future into your projects. It is a modern, clean, multi-weight typeface heavily inspired by Science Fiction. It brings a sleek aesthetic to various design projects and conveys a sense of competition and progress. The geometric elements give the impression of space and exploration. Most glyphs have 'sliced through' alternatives for you to mix and match with the standard style. Available in Light, Regular, Medium, Semibold and Bold weights, all with matching oblique versions.

Byte 205 is a modular font, resulting from experiments in creating a practical, legible font from a minimum set of geometric components on a uniform grid. It has full upper and lower case character sets and includes all accented characters for Western and Central European languages. It's available in three styles – 105, 205 and 305. Each style has different corners, 105 is square, 205 is bevelled and 305 is round. Each style is available in three weights, Light, Medium and Bold.

Marseille is an Art Deco-inspired typeface which is based on Louise Fili’s iconic cover design for the hauntingly beautiful Marguerite Duras novel, The Lover. The font is available in six irresistible weights: thin, light, regular, medium, semibold, and bold. Each weight features both caps and lower case, and supports over 200 languages. Marseille will satisfy all your typographic needs, from book jackets to monograms to packaging, logos, and even wedding invitations—timelessly elegant, with a distinctive flair that exudes La Belle France.

Barranco is a 3d layered fontfamily of 3 weights (thin, medium, black), plus shadows and one inline effect layer. It’s inspired by the caps neo-humanist typefaces of the 80’s with a mix of new trends such as the new layered typefaces and super heavy font families. Each font also comes with a set of Stylistic Alternatives for letters A I K W Q, and extensive language support. Barranco is really nice for magazines design, trademarks, logos and posters.

Qotho is a clean, geometric sans serif font, available in five weights. Qotho Dark, Qotho Medium, Qotho Light and Qotho Thin also come in two widths, regular and Cond. Clear and versatile, Qotho is designed for magazine pages, newspapers etc. Its large x-height and simple lines make it extremely legible. The font contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

HS Alnada is a modern OpenType Arabic Typeface. It is a modern Kufi / Naskh hybrid and keeps the balance between its construction and calligraphic angular cuts. This typeface supports Arabic, Persian, Urdu and Kurdish variants and it is available in five weights: light, regular, medium, bold and black. They are refined with enhanced legibility and are ideally suited to advertising, extended texts in magazines, newspapers, book and publishing, and creative industries, meeting the purposes of various designs for all tastes.

Rajjah Familia - Blackletter font family Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 until the 17th century. Blackletter is currently widely used in modern creative design trends ranging from tattoo lettering, calligraphy, clothing brands, music, sports, labels and much more. Rajjah Familia looks gothic but easy to read, neat and beautiful. Comes with light, regular, medium and bold version. Rajjah is the right choice for your next projects!

Byte 105 is a modular font, resulting from experiments in creating a practical, legible font from a minimum set of geometric components on a uniform grid. It has full upper and lower case character sets and includes all accented characters for Western and Central European languages. It's available in three styles – 105, 205 and 305. Each style has different corners, 105 is square, 205 is bevelled and 305 is round. Each style is available in three weights, Light, Medium and Bold.

Filler is a display typeface that allows you to change the width of font characters from extra narrow to extremely wide shapes. The typeface includes complete Latin language support with contrasting drawing of accents and punctuation. The character set includes special symbols, such as a set of emoticons or arrows that support OpenType features. In addition to the five styles – Compressed, Condensed, Medium, Extended, Expanded, Filler also offers Filler Variable font. The font is intended primarily for strong display use in large proportions.

Rasmi font It is a font for print and the web. Especially for coordinating university and school books, scientific research, exams, government and corporate correspondence, and coordinating financial, judicial, and diplomatic documents. The Rasmi font family includes four weights: thick for headlines, bold for subheadings, medium for body text, and thin for footnotes and explanations. The font supports Arabic, Latin, Persian, Urdu, and Kurdish languages. The graphic designer can use Rasmi variable font to reach wider options in working with the text.

Little Pea is a cute and fun handwritten font, comes with four family weights: light, regular, medium and bold. the idea in making this font is the wishful thinking of childhood memory, where everything looks so cheerful, colorful and fun. Little Pea font will make your design look modern but still fun. Easy to read and perfect for any design that need a colorful and fun concept like children comic or picture books, greeting cards, toys, posters, song lyrics, website, and much more.

Introducing "Cringe": a captivating typeface that draws inspiration from the mesmerizing world of psychedelic pop culture and combining it with a uncial letter form and calligraphy approach. Each character exudes a sense of whimsy and free-spiritedness. Cringe Font Family contains 5 style regular, medium, semi bold, bold, & Expanded. It comes with Stylistic set & ligatures. Ayr Cringe Font Family is best used for headings, logotype, quotes, apparel design, invitation, poster, flyers, greeting cards, packaging, book cover, printed quotes, cover album, movie, & etc

Belfort is a modern sans serif family font with a neo-Grotesk touch, it is a sans serif typeface that tends to be easily accepted by readers, has wide usage possibilities, and shows a simple, bold, and strong personality. The Belfort font contains 2 basic shapes: upright and round. Each has 10 different weights (Thin, Extra Light, Light, Regular, Medium, Semibold, Thick, Extrabold, Black, and Heavy). with ligatures and alternating in several letters. and is equipped with a multilingual accent.

Casthago is a transitional, humanist serif typeface family, comes with some contrast in the stroke and medium curve braketed serif that creates a very classic and traditional feel. Casthago designed for body text, creating a steady and readable rhythm, made for immersive reading. Some Character comes with alternate style 'a,h,m,n' that inspirated by Carolingian manuscript that was popular in medieval European period. Casthago consists of 16 styles from Extralight to black including italic styles and 2 variable fonts addition.

Byte 305 is a modular font, resulting from experiments in creating a practical, legible font from a minimum set of geometric components on a uniform grid. It has full upper and lower case character sets and includes all accented characters for Western and Central European languages. It's available in three styles – 105, 205 and 305. Each style has different corners, 105 is square, 205 is bevelled and 305 is round. Each style is available in three weights, Light, Medium and Bold.

Introducing Montheim, a vintage script font with medium weight. Inspired by modern retro movement and brush calligraphy, Montheim has many variations of alternates characters that you can mix and match, also with custom swashes (ligature) in the middle text and end swashes. Montheim complete with stylistic set gives more options to the layout. Montheim looks good in layout, vertical or horizontal and is the perfect choice for posters, logos, logotypes, insignia, storefronts, t-shirt designs, labels, flags, magazines, and other vintage design needs.