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  1. Hoax by More Etc, $18.00
    Introducing Hoax – a pre-worn sans serif with spirit, personality and distinction. This bold and semi-condensed sans serif is inspired by old copy machines and vintage prints. It is lively and eye-catching, ideal for where and when you want to make a lasting impression. Hoax is a celebration of character, a tribute to curiosity. Use this typeface and let everyone know that you mean business. OPENTYPE FEATURES: This font includes over 40 discretionary ligatures of prepositions and common words in English. These OpenType features can be accessed using OpenType friendly applications that allow the use of discretionary ligatures and stylistic sets. MULTILINGUAL SUPPORT: With over 700 glyphs, it has support for more than 150 languages, including Cyrillic script. List of discretionary ligatures: AND, ARE, AT, BY, FOR, EST, FEAT., FROM, IN, IS, OF, ON, OR, OUR, THAN, THAT, THE, TO, WITH, YOUR, CO. Each word is available in both upright and slanted versions. How to use: Activate the discretionary ligatures as you normally do in your OpenType friendly application. When activated, the words are in upright versions. To access the slanted versions, activate the first stylistic set (“Slanted Ligatures”). Happy typing!
  2. Corrente by d[esign], $17.38
    Corrente, named aptly for its “electric” letter shading (“corrente” is Italian for “current” (electrical)) will add a little spark to your works. Corrente’s “Dagger” glyphs are lightning bolts!
  3. FS Clerkenwell by Fontsmith, $80.00
    A creative context 2003. Fontsmith was sharing a small, cold, whitewashed studio space in Northburgh Street, Clerkenwell. But things were on the up following prestigious custom type commissions for The Post Office and E4. “Slab serifs were on the brink of another revival, we could feel it,” says Jason Smith. “All we wanted to do was have a play with these slabs, go as far as we could within what was acceptable and readable.” “It wasn’t initially clear what was happening,” recalls Phil Garnham. “We were becoming very influenced by our surroundings, outside the studio space. We absorbed the essence and the designer grime of where we were.” Process Jason began by drawing stems on-screen. “The key aspect of the font is the upward bend of the leading shoulder serif, the way it kind of ramps up and then plummets back down the stem. “The regular and light characters are quite narrow – great for text but the bold is quite wide and chunky – better for headlines. I think ‘y’ is quite different for a slab design. We call it the Fontsmith ‘y’.” Promotion Fontsmith were determined to get FS Clerkenwell noticed. To launch the font, Ian Whalley, a designer friend of Fontsmith, captured words heard on the streets of Clerkenwell, set them in the new font and crafted a small book of typographic conversations. It was a first for Fontsmith. “I think that’s part of why this font has been so successful,” says Phil. “It really does embody the spirit of the area, as a special place for design, arts and crafts. And designers love that.” Contemporary twist FS Clerkenwell, based on influences in and around this part of London with a rich tradition of printing and design, mixes tradition with creation. Old-fashioned values meet new-school trends. Its quirky, contemporary character lends an edge to headlines, logotypes and any large-size text.
  4. SK Eliz by Shriftovik, $10.00
    SK Eliz is an eight-bit old-school geometric font based on pixels. Despite the old school, the font looks modern and simple. The font is built on a clear geometric grid, verified to the last pixel. It is ideal for design works in the old style, illustrations and for game design. This font also contains a set of pixel icons for more convenient operation. There are also paired styles of numbers. The font comes in one weight but it has 850 glyphs which supports classical Latin, Cyrillic and most European languages.
  5. Sound Distortion by Ronny Studio, $19.00
    "Sound Distortion" a mixed font inspired by retro collage art and clipping of old newspapers. Feel the old school taste with this block font mixed of sans serif, condensed serif, blackletter, handwriting, and old typewriter style, combined into a chaotic collage style. You can also mix and match the letter by using the alternates characters or switching with the lowercase which gives you a more attractive design. Features : - Lowercase & Uppercase - numbers and punctuation - multilingual - alternates - PUA encoded Please contact us if you have any questions. Enjoy Crafting and thanks for supporting us! :) Thank you
  6. Retroma Vibes by Arterfak Project, $24.00
    Try something different, we proudly present our new exploration named "Retroma Vibes" a mixed font inspired by retro collage art and clipping of old newspapers. Feel the old school taste with this block font mixed of sans serif, condensed serif, blackletter, handwriting, and old typewriter style, combined into a chaotic collage style. You can also mix and match the letter by using the alternates characters or switching with the lowercase which gives you a more attractive design. What you'll get : Uppercase Lowercase Numbers & punctuation Stylistic alternates Multilingual support Hope you enjoy this font!
  7. LHF Ambrosia by Letterhead Fonts, $39.00
    An old turn-of-the-century style commonly used on billheads, letterheads, certificates, etc.
  8. FG Lova by YOFF, $14.95
    FG Lova is a small connected script font that looks like old letter writing.
  9. CalligraPhillip by JOEBOB graphics, $19.00
    This font was written with a calligraphic pen, loosely based on old-school calligraphy.
  10. Hoyts German Cologne by Coffee Bin Fonts, $20.00
    This font was inspired by lettering found on old tradecards from the 19th century.
  11. Castiana by Sebastian Cabaj, $29.00
    Castiana is an elegant font inspired by old books, medieval typography, and rustic art.
  12. RePublic by Suitcase Type Foundry, $75.00
    In 1955 the Czech State Department of Culture, which was then in charge of all the publishing houses, organised a competition amongst printing houses and generally all book businesses for the design of a newspaper typeface. The motivation for this contest was obvious: the situation in the printing presses was appalling, with very little quality fonts existing and financial resources being too scarce to permit the purchase of type abroad. The conditions to be met by the typeface were strictly defined, and far more constrained than the ones applied to regular typefaces designed for books. A number of parameters needed to be considered, including the pressure of the printing presses and the quality of the thin newspaper ink that would have smothered any delicate strokes. Rough drafts of type designs for the competition were submitted by Vratislav Hejzl, Stanislav Marso, Frantisek Novak, Frantisek Panek, Jiri Petr, Jindrich Posekany, and the team of Stanislav Duda, Karel Misek and Josef Tyfa. The committee published its comments and corrections of the designs, and asked the designers to draw the final drafts. The winner was unambiguous — the members of the committee unanimously agreed to award Stanislav Marso’s design the first prize. His typeface was cast by Grafotechna (a state-owned enterprise) for setting with line-composing machines and also in larger sizes for hand-setting. Regular, bold, and bold condensed cuts were produced, and the face was named Public. In 2003 we decided to digitise the typeface. Drawings of the regular and italic cuts at the size of approximatively 3,5 cicero (43 pt) were used as templates for scanning. Those originals covered the complete set of caps except for the U, the lowercase, numerals, and sloped ampersand. The bold and condensed bold cuts were found in an original specimen book of the Rude Pravo newspaper printing press. These specimens included a dot, acute, colon, semicolon, hyphens, exclamation and question marks, asterisk, parentheses, square brackets, cross, section sign, and ampersand. After the regular cut was drafted, we began to modify it. All the uppercase letters were fine-tuned, the crossbar of the A was raised, E, F, and H were narrowed, L and R were significantly broadened, and the angle of the leg and arm of the K were adjusted. The vertex of the M now rests on the baseline, making the glyph broader. The apex of the N is narrower, resulting in a more regular glyph. The tail of Q was made more decorative; the uppercase S lost its implied serifs. The lowercase ascenders and descenders were slightly extended. Corrections on the lower case a were more significant, its waist being lowered in order to improve its colour and light. The top of the f was redrawn, the loop of lowercase g now has a squarer character. The diagonals of the lowercase k were harmonised with the uppercase K. The t has a more open and longer terminal, and the tail of the y matches its overall construction. Numerals are generally better proportioned. Italics have been thoroughly redrawn, and in general their slope is lessened by approximatively 2–3 degrees. The italic upper case is more consistent with the regular cut. Unlike the original, the tail of the K is not curved, and the Z is not calligraphic. The italic lower case is even further removed from the original. This concerns specifically the bottom finials of the c and e, the top of the f, the descender of the j, the serif of the k, a heavier ear on the r, a more open t, a broader v and w, a different x, and, again, a non-calligraphic z. Originally the bold cut conformed even more to the superellipse shape than the regular one, since all the glyphs had to be fitted to the same width. We have redrawn the bold cut to provide a better match with the regular. This means its shapes have become generally broader, also noticeably darker. Medium and Semibold weights were also interpolated, with a colour similar to the original bold cut. The condensed variants’ width is 85 percent of the original. The design of the Bold Condensed weights was optimised for the setting of headlines, while the lighter ones are suited for normal condensed settings. All the OpenType fonts include small caps, numerals, fractions, ligatures, and expert glyphs, conforming to the Suitcase Standard set. Over half a century of consistent quality ensures perfect legibility even in adverse printing conditions and on poor quality paper. RePublic is an exquisite newspaper and magazine type, which is equally well suited as a contemporary book face.
  13. Radja Lover by Alit Design, $18.00
    IntroducingRadja Lover Script Font 🖤The Radja Lover Script Font 🖤 is valentines day inspired font made for romance theme. The Radja Lover Script Font adheres to a simple and elegant modern script style, besides that this font has a unique swash in the shape of a heart that can be used for unique love designs. Very suitable for use in making greeting card designs, Instagram posts, logo designs, wedding texts, romance quotes and so on, the first is about love. Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).
  14. Birama by Haksen, $13.00
    a Hand-lettered with beauty style, Birama is a must have for all your design needs. Perfect for greeting cards, branding, stationery design, social media, packaging, magazine layouts, prints and more! Utilize lowercase for a completely alternate style and also ligatures, for creative designs. This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC. You can access the alternates from the 'Glyphs Panel' in these programs. Birama has a variety of unique, coded features to create compelling, handmade outcomes: stylistic alternates and standard ligatures. Multilingual support is included for Western European languages. PUA Encoded. Have a great day! :) Haksen
  15. Danish Script Initials JNL by Jeff Levine, $29.00
    A set of transfer patterns for sewing decorative monogram initials on clothing was manufactured by Women's Day magazine circa the 1940s. Designed by renowned Copenhagen-born industrial artist and letterer Gustav Boerge Jensen [April 8, 1898 - June 27, 1954], these initials have been redrawn into a digital font entitled Danish Script Initials JNL. Large initials are on the uppercase A-Z keys, while smaller initials are on the lower case a-z keys and are centered to the larger cap height. An ornament is provided on the asterisk key, and can be placed between the small initials and the larger initial for decorative effect.
  16. Cradley by CastleType, $59.00
    Cradley™, a CastleType original, was inspired by the work of William Caslon, considered by some to be the finest type designer of the Baroque era. With its classic proportions, beautifully bracketed serifs, and high contrast, Cradley is a contemporary design with a Baroque spirit. The family of three beautifully crafted fonts support most European languages, including modern Greek and many languages that use the Cyrillic alphabet. Includes over 30 "flowers" (as Caslon called them), useful for creating borders or adding an accent. Спасибо / thanks to Alexei Elfimov for his suggestions for improving the Cyrillic, and to Max Fernandes for his helpful feedback and overall enthusiasm for this design.
  17. F2F Poison Flowers by Linotype, $29.99
    The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Poison Flowers is a psychedelic trip back in time to the era of peace and love. Who would have ever thought that grunge or techno could be so groovy?
  18. Fifa Cup by Rezastudio, $10.00
    Fifa Cup is a stylish modern calligraphy font with casual chic flair. It is perfect for branding, wedding invites and cards, and maybe for red wine label. Fifa Cup includes full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation. All lowercase letters include beginning and ending swashes, giving realistic hand-lettered style. What you get, darling? In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files: Thanks and have a wonderful day.
  19. Bodicx by Gatra Std, $15.00
    Introducing a cute handwriting "Bodicx" Simple Fun Display Font! If you are needing a touch of casual modern San-Serif for your designs, this font was created for you! What's Included: Uppercase and Lowercase Number and Punctuation Support Language This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CC and CS, or Adobe Photoshop CC and CS also CorelDraw More Questions? Here are some (potential) answers! Do not to resell this font in any way. Multilingual Support is included for Western European Languages If You interest this font for commercial use please contact me at : wahyuputrabangsa127@gmail.com Have a Wonderful Day, Gatra Std
  20. Modum by The Northern Block, $-
    A contemporary serif font family. The design takes influence from traditional serif forms to develop a precise, highly functional text face with a low contrast. Smooth radius details are blended with carefully drawn angles that give a crisp, distinctive aesthetic when used across body copy. Modum is a stylish modern day serif with great charm, harmony and practicality that is best suited for complex hierarchical projects, such as editorials, newspapers and text based books. Details include 8 weights and true italics, over 800 characters with alternative lowercase a, e, g and y. 7 variations of numerals, true small caps with accents, ligatures, manually edited kerning and Opentype features.
  21. F2F Madame Butterfly by Linotype, $29.99
    The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. F2F Madame Butterfly is a font with a heavy, or dark, appearance. The darkness is brought about by the overlapping bits of glyph forms that make up each letter in the typeface.
  22. Garlic by Java Pep, $15.00
    The proudly present an elegant font that always outstanding in every your project design. Garlic font is a versatile typeface that perfect for designing a headline, title, wedding invitations, logotype, quotes, advertisements, and more. Garlic font offered 4 styles set such as regular, italic, outline regular, and outline italic so you can be combining to make a more elegant and beautiful design. What's included Garlic regular and italic (otf, ttf, and web font) Garlic Outline regular and italic (otf, ttf, and web font) Multilingual, support 17 languages If you have any questions don't hesitate to drop me a message. Stay safe, healthy, and have a nice day
  23. Hanisha Lovely by Cooldesignlab, $15.00
    Hanisha Lovely - a modern calligraphy font designed with skill and care with strokes of love. Perfect for greeting cards, branding materials, business cards, shirt mockups, quotes, posters, and more! Hanisha Lovely includes a complete set of international uppercase letters, numbers, punctuation, and binders. All lowercase letters including the start and end of the attack. The script is coded with Unicode PUA, which allows full access to all additional characters without any special design software. Mac users can use Letter Book, and Windows users can use Character Map to view and copy additional characters to include in your favorite text editor / application. Thank you and have a nice day. CooldesignLab,
  24. Lovely Heart by Skinny Type, $15.00
    Lovely Heart Font Duo is a sweet and elegant font. It has an authentic feeling and a lovely touch. It is perfect for any design project, such as wedding invitations, valentine's day, logos, branding, social media, stickers and so on. Lovely Heart includes 2 script and sans fonts. Features: + Can be used in any software, such as Adobe Photoshop, Illustrator, SIlhouette Studio, even Microsoft Word, PowerPoint and others. + Multilingual glyphs. HOW TO ADD EXTRA GLYPHS: PC: Uses a character map. It's easier to use the UWP Character Map (Free Download from Microsoft store) https://www.youtube.com/watch?v=uXqN6UY8ZMg Mac: Using Font Book https://www.youtube.com/watch?v=Rs85wbS59T8 Greetings Skinny Type
  25. Boster by Rhd Studio, $20.00
    Boster is a stylish modern calligraphy font with a chic casual style. It's perfect for branding, wedding invitations and cards, and maybe for red wine labels. The booster includes a beautiful full set of upper and lower case letters, numbers, assorted punctuation marks. All lowercase letters include start and end strokes, providing a realistic handwriting style. What did you get, honey? To use beautiful strokes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional font swash file: Thank you and have a nice day, Gulya
  26. Royale by Resistenza, $39.00
    With Royale, Resistenza reinvents the bifurcated Tuscan genre in a contemporary, warm and playful form. Royale Basic doesn't include ligatures or alternates. Rounded terminals, fabulous fancy fun spurs with elegant and extravagant flourishing - Royale comes in 8 weights and 4 widths which can also be layered to create polychromatic effects in another nod to the Victorian era these styles were popularised. While inspired by days gone past this Royale is far from a revival as unlike the classic Tuscans which inspired its structure Royale is monoline and sophisticated in its simplicity. Perfect for display and emphasis, Royale will command attention and leave a memorable impression wherever it is used.
  27. Maternal by Sohel Studio, $15.00
    Maternal is Modern Display Font. This typeface is perfect for an headlines, classy editorial design, magazine, fashion brand , cosmetic brand, fashion promotion , modern advertising design, invitation card, art quote, home decoration , book/cover titles, special events, and much more. Maternal Features: · Uppercase & Lowercase · Alternates & Ligatures · Numerals & Punctuation · Accented characters · Multilingual Support · Unicode PUA Encoded If you want the SVG version please contact me. While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day .
  28. Qatana by Ixipcalli, $20.00
    La tipografía Qátana es una tipografía inspirada en el estilo románico serif y sans serif. Su estilo elegante y de fácil lectura ha logrado ser una tipografía esencial para redacciones de documentos, textos o libros. Cuenta con tres pesos bien marcados que dan un juego visual de resaltados y tenues. Además de las formas itálicas. The Qátana typeface is a typeface inspired by the Romanesque serif and sans serif style. Its elegant and easy-to-read style has become an essential typeface for writing documents, texts, or books. It features three well-marked weights that give a visual play of highlights and lows. In addition to the italic forms.
  29. MTT Roma by MTT Type Firm, $39.99
    MTT Roma is designed to re-create the atmosphere of the city of Rome of the 21st century. The studio for the letterform evolved from the Trajan Column alphabet. Suitable for both display and body-text usage, stylistically MTT Roma aims to distance itself from the proliferation of geometric sans-serif families of its time. The result is a sharp, subtly humanist typeface inspired by modern day Rome, the city of contrasts and eternal beauty. Featuring an extended character set to support Central and Eastern European as well as Western European languages, the typeface comes with six weights – from thin to black — with matching italics.
  30. Adoret Loves by Say Studio, $12.00
    About the Product Adoret Loves is a beautiful a Fabulous hybrid font from modern serif with elegant script . come with 2 versions regular & italic. Adoret Loves is made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design, modern logos, websites, social media quotes, wedding branding, modern and vintage design. What you get: - Adoret Loves Regular - Adoret Loves Italic - Accessible in the Adobe Illustrator, Adobe Photoshop, Coreldraw, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. - Fonts include multilingual support. Thanks, Have a wonderful Day Say Studio
  31. Cutthroat by Comicraft, $49.00
    Shiver me Timbers and Splice me Mainbrace! There's strange goings on in Smugglers' Cove... A gathering of thieves, brigands, piratefolk and back-stabbing blackguards the likes of which have not been seen since the days of Redbeard! Someone'll be swinging from the yardarm or walking the plank if the map identifying the location of the fonts created for Grim Todd McFarlane's SPAWN: THE DARK AGES doesn't turn up soon! With full European language support, automatic alternates, Manga characters and Crossbar I Technology™, Cutthroat is the perfect font to embody a voice with authority and a biting edge.⁠ See the family related to Cutthroat: Cutthroat Lower
  32. Candara Beauty by Jinan Studio, $15.00
    Candara Beauty is a stylish font duo that includes both a classic serif and an elegant script version. It's perfect for weddings, Valentine's Day, branding, packaging, and any project that needs a loving touch. This font supports multiple languages and offers alternates, swash, and ligatures in the script version for added customization. With its modern charm, Candara Beauty adds sophistication and beauty to any project. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates, ligatures, and swashes (script version) Type j_1 until j_10 to features swash, ligatures will automatically replace the standard letter pairs whenever available, when using any OpenType capable software.
  33. Charlies BarBQ JNL by Jeff Levine, $29.00
    If one were to be visiting Dania Beach in South Florida, they would find on the West side of US 1 just North of Sheridan Street a Bar-B-Q joint located smack dab between a McDonald’s and an all-you-can-eat buffet that took over a closed down Pizza Hut. Charlie’s BarBQ JNL is Jeff Levine’s homage to some great Texas Bar-B-Q - cooked by a Cuban immigrant - served in South Florida... A true American success story, but with a sad ending. Charlie's closed because the landlord wanted the property. for his own use. Charlie now resides in Leon, Nicaragua and runs some successful business ventures there.
  34. Redcurrant by Hanoded, $15.00
    My family and I recently moved to a ‘fixer upper’ farm from the 1930’s. It came with a slightly run down barn, 4000 square metres of land and a LOT of redcurrant bushes. I can’t really say that I am overly fond of them. I find them a bit too tart. As a kid, I used to smother them in sugar, but I can’t do that any longer, since I am a responsible dad… ;-) Redcurrant is a slightly wonky, slightly crazy handmade font. It can be used for book covers or post cards, but feel free to use it for whatever. Comes with cute little swashes as well.
  35. F2F Tagliatelle Sugo by Linotype, $29.99
    The techno sound of the 1990s, a personal computer, font creation software, and some inspiration all came together to inspire the F2F (Face2Face) font series. Alessio Leonardi and his friends had the demand to create new unusual typefaces, which would be used in the leading German techno magazine of the day, Frontpage. Even typeset as small as 6-points, in nearly undecipherable layouts, it was a pleasure for the kids to read and try to decrypt the messages. Bubbly black letterforms dancing across the line: this is F2F Tagliatelle Sugo, a funky font from Alessio Leonardi. Try it out in a big headline today!
  36. Tunesmith JNL by Jeff Levine, $29.00
    A "tunesmith" is one so nicknamed because the person or persons craft (compose) a song from scratch. When the area of Broadway known as Tin Pan Alley was in its heyday, every music publisher's office would have sounds emanating from the various cubicles of men and women trying for the next big hit. Sheet music was the main source of songwriter's royalties during those days, and to please the general public with a song destined to be a popular piece was a lofty goal. It's then only fitting that the lettering inspired by a 1920s-era piece of sheet music for a song called "Jerry" would be named Tunesmith JNL.
  37. Katherina Signature by Scratch Design, $10.00
    Introducing, Katherina its a handwriting with signature style and brush texture. This font will look outstanding in any occasion design concept, whether it’s being used on colorful backgrounds or as a stand as a headline in the minimalist background! Katherina has alternative uppercase and lowercase letters that you can change by selecting the letter you want to change, and automatically there is an option to change the letters under the letter you selected. Katherina has multi-language support, swashes, and ligature dan you can apply in OpenType mode at adobe photoshop or adobe illustrator. Please enjoy the Katherina font and makes some stunning designs.
  38. Peepz AF by Andrew Foster, $29.00
    Peepz AF features 100 different faces and has been designed to raise much needed money for Keech Hospice Care, a UK charity that runs two hospice services - one for adults and one for children. Their aim is to help patients enjoy the highest quality of life, while providing vital support for their family and friends throughout their loved one's illness and in their bereavement. All of the charity's services are offered free of charge, every single day of the year. This is all made possible because of the generous support of people like you. Profits from the sale of this font will be donated to Keech Hospice Care.
  39. Hocus Pocus by Anastasia Kuznetsova, $14.00
    I present my funny font with "Hocus Pocus"cutouts This is a playful font in the style of a cut-out "all capital letters". Lowercase letters are filled with letters (A, O, B, etc.), and uppercase keys have ordinary black letters. :) Great for sweet greeting cards and invitations, for playful branding and quotes, for unusual packaging and much more! This font is unique and simple:) Font Features • character set A-Z, A-Z; • 1 languages (English); • numbers It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡ Thank you for stopping by, and I wish you a creative day!
  40. Printout by Hanoded, $15.00
    Font naming is not all that difficult. Take Printout for example. I was busy working on this font, when my niece came over with a poem she needed to have printed. One of her classmates had the same request (they’re writing poems for our national Remembrance Day). As I was printing out these poems, I thought the name Printout would be perfect for the font I was working on. See? It’s not rocket science! Printout is a totally awesome, completely handmade font. I used an almost dried out Japanese brush pen to get the eroded effect. Maybe I should name my next font ‘Dried Out Brush Pen’? I’ll let you know.
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