La Bamba is the work of British designer David Quay and heavily influenced by the style of the 1950s. It comes with complete upper and lowercase alphabets as well as a set of decorated initialling capitals for added variety. La Bamba is a casual design with wedge-shaped serifs and radiates a gay, light-hearted mood.

British type designers David Crow and Ian Wright created this display FontFont in 2002. The family contains 2 weights and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Beadmap provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

Enjoy this one-of-a-kind custom creation from Chuck Davis. Beautiful curves make it a must have.

A unique and hand painted font collection by Cultivated Mind. The Azaelia Family comes with a beautiful font, handmade frames, page dividers, ribbons and fancy flourishes.

Becka Script was designed by David Harris in 1985 and is a wide running typeface with varying stroke contrasts. This font looks as though written with a broad tipped pen and its slight slant to the right makes clear its similarity to callipgraphy fonts. Becka Script is reminiscent of the 1950s and its strong strokes make it best for headlines or shorter texts.

Noted British type designer David Quay designed Blackmoor in 1983. Based on an old English letter style, this textura-style Blackletter evokes a mediaeval character, expertly mixing a gothic lowercase together with Lombardic capitals. Blackmoor's rough, distressed features make it ideal for a variety of applications, from serious historical publications to horror movies, and comics. Featured in: Best Fonts for Tattoos

Based around the Australian boomerang, Greg Bastin’s design originally appeared on private Christmas cards and individual projects. It was formalized into a font in 2002 by David Philpott (JY Circles) and brings a quirky antipodean style to the JY&A Fonts range. This display family is available in Solid and Outline forms, the latter containing patterns that parody those of Aboriginal culture.

A few days ago, my good friend David from Hanoded.com visited me for a few days. We drank a lot of coffee and walked the streets of Copenhagen - we even took a trip up in Rundetårn! :) Well, on one of our walk (of course looking for inspiration for new fonts) we spotted this handmade sign. We agreed to make a font of the 7 letters available, using our own imagination and style! I called my font Mundbind DK and David named his Mundbind NL - of course it is the landcodes of Denmark and Holland. As you can tell, the font is uneven and somewhat unpredictable - following only the "rules" of the person who handprinted that sign ... and not many of the rules of the good old and respected painter who make beautiful signs ... however, this sign had it's beauty in a natural and innocent way.

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

Stan Davis drew this face for VGC in 1967, following the structure of the MICR figures to suggest a ‘computerized’ effect.

David Kowalski’s typeface Maccaroni is based on a logo type and has been designed to a complete typeface in Prof. Veljovic’s Type Design course at HAW Hamburg. Maccaroni breaks the traditional brush scripts and offers a unique design. Each letter is present in triplicate in order to achieve the illusion of a hand-written typeface. The OpenType programming ensures that two identical letters won’t follow each other.

David Berlow and staff drew Apres as part of a series designed originally for the Palm Pre smart phone, for use both on the device and in print marketing. Simple, open letterforms and generous proportions provide a clear, comfortable, and inviting experience for navigation and readability. The plain-spoken geometry is regular and balanced, without being static or mechanical, for a friendly and forthright familiarity; FB 2008

Titling Gothic FB is an immense series of nearly fifty styles inspired by that century-old favorite ATF Railroad Gothic. Led by the Los Angeles Times and Gentleman’s Quarterly, U.S. publications are using David Berlow’s series to unify the structure of headlines from its wide spectrum of options. Titling Gothic FB started as a relative of Berlow’s Rhode family, but took its own direction; FB 2005

David Quay designed Bordeaux to exhibit characteristics common in the typefaces of the Romantic era, the period which produced the novels of Victor Hugo, the music of Berlioz and the fairy tales of Hans Christian Andersen. Bordeaux displays the emotive quality one associates with the times. The font is intended for titles and headlines and combines well with Syntax for the body of the text.

Transylvanian punchcutter Nicholas Kis cut a leading figure in 18th century Amsterdam. Series of his matrices survived at the Ehrhardt typefoundry. From these Chauncey Griffith at Mergenthaler cut the Janson series in 1936. Morison at Monotype followed with Ehrhardt. David Berlow takes full advantage of current techniques to produce these splendid and adventurous display series to complement one of the great oldstyle texts; FB 2007

Generous curves above and below the straight-sided Railroad Gothic parallel those of Figgins’s elephantine Grotesques, lending to both British and American series their monumental qualities. Shrinking the center strokes and counters to emphasize a massive periphery, David Berlow has used this curious similarity to suspend a complete family of sanserifs between the two forms, a manly series of great dignity and presence; FB 1997

Titling Gothic FB is an immense series of nearly fifty styles inspired by that century-old favorite ATF Railroad Gothic. Led by the Los Angeles Times and Gentleman’s Quarterly, U.S. publications are using David Berlow’s series to unify the structure of headlines from its wide spectrum of options. Titling Gothic FB started as a relative of Berlow’s Rhode family, but took its own direction; FB 2005

Looking for adventurous, bold, and expressive. font? You want to carve out a mark in this world, and you’re not shy to do that. Make a statement! Morely - A Sans Serif Font Morely is one of the most elegant, exquisite yet strong font design with modern vibe. This is a timeless font, will never go wrong for your audience, clients, guests or anyone around you. A real head-turner for your presentation, designs, website illustrations, and much more. Our font always feat Multilingual Option to make your brand globally acceptable Features: Ligatures Alternates Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

First of all, I don’t have an uncle called Edward, nor do I know anyone by that name. When I had finished this font, it had a strong ‘Uncle Edward’ feeling to it, so the name stuck. Uncle Edward is a handmade script font. I used a Japanese brush pen and some rough paper to create that ‘vintage’ look. Use Uncle Edward for your book covers, your invitations or your product packaging. Create labels for your vintage record collection with it, or print a guest list for your Christmas dinner party. Uncle Edward gives you his blessing. Comes with ligatures for double letters and a whole bunch of accents.

Looking for a font that’ll make your branding sparkle? A versatile, modern, and happy font? Here we are. Milltown-A Blackletter Font Milltown modern blackletter font, This font is made with references to various letters that we combine and design with our style. This font is great and useful for product logo, poster title, headline, packaging, badge, wedding card logo, clothing brand logo, Vintage design and much more Our font always includes Multilingual Support to make your branding reach a global audience. Inspire your audience, clients, or guests with this beautiful, statement font. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Get ready to transcend to a world of magic, laughter, and butterflies. Your branding will spark delight and engage everyone who sees it! Glitzier-A Calligraphy Font A beautifully handcrafted calligraphy font that’ll make your guests sing and elevate your projects! Every swash, stroke, and curve was created to entice happiness and elegance. The ideal font for social media banners; posts, and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Swashes Ligatures Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading from Natha Studio

Wanna make your branding radiate elegance? Something that’s versatile, original, stylish, and eternal? Get ready to explore to a world of magic, laughter, and butterflies. Your branding will make everyone happy! Balloon Midair-A Handwritten Font A beautifully handcrafted font that’ll make your guests sing and elevate your projects! Every stroke and curve was created to spread happiness and elegance. Use it to create standout headings, promote your online sales, Instagram quotes, and even printed materials like business cards, t-shirts, or invitations. Balloon Midair includes Multilingual Options to make your branding globally acceptable. Features: Ligatures Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

The Section Bold Condensed font is patterned with lines dividing each letter into small sections. Section Bold Condensed is a headline face with uses ranging from book titles on technological subjects to embroidery books.

Berlin Sans is based on a brilliant alphabet from the late ’20s, originally released by Bauer with the name Negro, the very first sans that Lucian Bernhard ever designed. Assisted by Matthew Butterick, David Berlow expanded this single font into a series of four weights, all complete with expert character sets, plus a dingbat font. Imaginative & little-known, it promises enticing opportunities to the adventurous typographer; FB 1994

Meyer Two captures the early Hollywood flavor and nostalgia of silent-film intertitles. From 1922 through 1928, Mergenthaler Linotype cut five fonts to Louis B. Meyer’s personal specifications. Meyer Two, drawn in 1926, curiously combines Cleland’s ATF Della Robbia capitals of 1902 with lowercase and figures from ATF Post Monotone No. 2, also from the same period. Meyer Two was revived, with a Condensed added, by David Berlow; FB 1994

Vonnes was designed by David Berlow working closely with Neville Brody on corporate redesign for Jim Von Ehre at Macromedia. Core weights are loosely based on Bauer’s Venus, 1907–1910. Berlow expanded the ideas behind the series to 56 fonts, the heart of the redesign. The Macromedia program was hailed as one of the most successful models of modern total design for innovative cutting edge companies; FB 2007

Inspired by the work of Hendrik van den Keere, Tobias Frere-Jones and David Berlow designed a family of typefaces focused on the challenges of newsprint publishing. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

The sixteen styles of Giza bring back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’ specimen of 1845, the triumphant introduction of this thunderous style. The truly unforgettable “Nine” weights were designed for ultimate emphasis in posters, and do their most effective work in the very largest of sizes.

The Belucian series offers a distinguished text design supported by dynamic headline structure. In need of a distinctive display style, Smart magazine asked Font Bureau in 1990 to revise the work of Lucian Bernhard from 1925. David Berlow prepared Belucian Demi, now accompanied by Kelly Ehrgott-Milligan’s 1994 Demi Italic, added Book and Book Italic for text, and designed Ultra for dynamic impact in headlines; FB 1990–94

The eight-part Belizio series updates the first Font Bureau typeface. David Berlow’s family is based on Aldo Novarese’s Egizio, designed in 1955 for Nebiolo. It was first prompted by the popularity of Haas Clarendon, designed by Hoffmann and Eidenbenz, an impeccably Swiss revival of the traditional English letterform. Aldo Novarese was among the first to investigate a true italic designed in the Clarendon style; FB 1987–98

David Berlow drew Romeo Medium Condensed during winter of 1990, basing the design on the Estrecha Fina weight of Electra, a spectacular art deco sanserif with an unusually fine condensed series. Carlos Winkow designed it circa 1940 for the Nacional typefoundry of Madrid, the leading typefoundry in Spain. Jill Pichotta drew the ultra-light Skinny Condensed, a digital tour de force released with Medium Condensed; FB 1990–91

Framealot is a frame or border or page divider construction kit. By choosing and mixing various elements, a wide variety of different geometric borders or frames or dividers are possible. The largest set is on the upper-case keys. There are two other sets on the lower case keys (plus the comma and period.) The characters above the number keys (the whole top row with shift, plus {}| keys are another set. And there are a couple of other small sets. Not all the sets allow vertical dividers. Outlined versions are available on the outline style, and the filled style either inverts the pattern or removes white interior sections for the outline version (and has some other differences compared to the other two versions). Use a character map to find all the parts of a set, type them out on your document, and then copy and paste to construct your border or frame. Have fun with it!

Looking for a beautiful font to captivate your audience, clients, or party guests? If you need to create invitations, have a t-shirt branding company, or whatever it is - then this is the perfect font for you. Stealing Hearts-A Handwritten Script Font Stealing Hearts is a elegant script typeface. Designed primarily as a captivating handcrafted with style. Every swash, stroke, and curve was created to entice happiness and elegance. Ideal to create amazing headings, invitations, logos, and social media graphics. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Want to enchant your audiences clients, or guests? If you have a dream to create an awesome branding for your business, work on a poster for an event, or whatever your project is-then we've got what you want. Smile Peonia-A Handwritten Font Smile Peonia is a handwritten font designed with curvy style to add fun style. This font is also support multi languages to make your branding globally acceptable. Smile Peonia can be used for various purposes such as headings, signatures, logos, quotes, wedding invitations, t-shirts, letterheads, signage, labels, posters, badges etc. Features: Ligatures Stylistic Sets PUA Encoded Numerals and Punctuation Thank you for purchasing premium fonts from Natha Studio. Happy Designing!

The grandeur of what was Miami Beach had its golden years peak in the 1940s. One of the grande dame hotels that stood at Collins Avenue and 23rd Street was the Roney Plaza; built in the 1920s and demolished around 1969. An online auction offered a pair of gummed labels provided by the hotel to be used by their guests for shipping souvenir packages back home, thus also giving the hotel a promotional plug. Jeff Levine not only created two typefaces from this hand-lettered label - Old Miami Beach JNL and Old Miami Beach Nights JNL (a solid black version), but painstakingly recreated the look of the label for the promotional flag and banner for the fonts.

Looking for the perfect font to use on invitations or branding? Hoping to travel your audience to a world of gorgeous, elegant, versatile, yet modern? Then, you go to the right path. Introducing Dettreon Smith - A Signature Font Dettreon Smith is a modern and elegant handcrafted signature font to embrace your audiences or guests. Every stroke and curve was created to capture the essence of elegance and style. Perfect for social media posts and ads, printed quotes, t-shirt designs, packaging, or even as a modern text overlay to any background image. Dettreon Smith includes Multilingual Options to make your branding globally acceptable. Features: Ligatures Swash Multilingual Support PUA Encoded Numerals and Punctuation

Inspired by the 18th - 19th century of Penmanship specimens archive from Europe and America, carefully crafted with precise mood, technique, and visual touch to bring back your design works into that specific era. It comes with a collection of 3 fonts that match well with each other. Also a set of wide features such as Ligatures and alternative swashes. Lasttown will be a great choice for your classy and formal visual looks such as certificate design, vintage label, commercial lettering works, sign painting, glass gilding, logo type projects, liquor store branding, wine packaging, anytime you need a classic visual touch, please, be our guest. What you get : Standard & Discretionary Ligatures Stylistic set Numerals & Punctuation