Although wood types are found throughout the world, most of the decorative one originated in the United States. This one would work well on theatrical playbills, and advertising for tourist railroads, wild west shows and concerts in the park.

Miscellany JNL collects numerous images of various genres into one dingbat font. There are vintage stencil patterns, old-time ad cuts and decorations, line spacers [number keys 1 through 7], conversation balloons, parking lot symbols and other assorted goodies.

Gaultier is the result of over 5 years of work on a typeface inspired by my favourite creators in European typography – Claude Garamond, Robert Granjon and Eric Gill. The main idea of the project was to create a sans-serif antiqua with all features reserved for serif typefaces. In addition to the rich set of characters, Neuropa includes: Small Caps, Superscript, Subscript, Ligatures, Discretionary Ligatures, Contextual Alternates, Swash Variants and 5 different styles of digits. Upright styles with delicate contrast corresponds with the expressive form of italics inspired by Granjon italic construction. Gaultier will work wherever we want to emphasize modernity without forgetting tradition. The sharp character of the whole family is perfect for longer texts, visual communications and branding purposes.

Funky Vibes font is a retro psychedelic font style with rounded touch. Equipped with all complete characters ranging from uppercase letters, lowercase letters, numbers, punctuation marks and multi-lingual support, this font is ready to be used in any project. Enjoy!

Third Floor is a handwritten narrow uppercase font for grungy or funny children's design. Great for bullet journal headlines, for book and planner covers. This typeface includes latin and cyrillic characters, numbers, punctuation and diacritical marks - 258 glyphs in total.

Camp Wendigo is a textured, hand-painted brush display font inspired by national parks, and camping in the great outdoors. Explore your logo designs, school displays, posters, signs, inspirational quotes, merch and packaging with these fun, woodsy letters! Caps Only Fonts.

It is not simple sennit. You know that such Russian lapti? It is footwear plaited of stripes a bark of a linden. My font too all is made from stripes. From the first up to last letter. Funny isn't it?

Based on sketches of an alphabet from examples of South Western cattle brand marks. I always liked the idea of these brands for a font. A few years later a basic font - just the capitals - was used for some logo designs.

Garagin Rock was developed from the studies for the title of a publication called Garagin in 1999. Its use is indicated for the titles on posters and stuff like that, but feel free to dare. Anyway, it really was not made ​​for small sizes and is not a WebFont obviously, but again, feel free to dare. May you notice something odd in the baseline position, this is to keep leading with a defined size. But of course you can change it in any editing program. Being a heavy typeface, use in moderation... or not! Garagin Rock Lite is a version with a limited set of characters.

Monolina is a contemporary monolinear script that is based on the contrast between classical (beautiful) calligraphy and quickly jotted manuscript (sketches). As all styles are based on the single stroke of a round nib pen, the letter is rounded. The typeface features two sets of capital and curly uppercase letters, swash characters and alternative lowercase letters, which combine well in three styles. The font also features swash figures and decimal figures for writing years and summer sales. Accent marks for all languages using Latin letters, currency symbols and punctuation marks are included. The typeface comes across as fresh as is particularly effective at headline point sizes.

Introducing Warsuck, a hand-drawn font inspired by the underground culture, and a blackletter font. Warsuck emphasizes the usage of uppercase letters as the main display but still includes lowercase letters. Strong, vintage, and aesthetic blackletter with extra alternates characters. This font is combining several styles in blackletter fonts such as Bastarda, Rotunda, and Old English to produce an experimental font. Great for displays, especially dark and vintage themes. You can use this font on t-shirts, tote bags, stickers, labels, logos, badges, banners, quotes, and short text. Thank you for your visits!

Aircrew is a neutral, humanist sans-serif family optimized for signage applications in display sizes. Its large x-height enhances readability and its letterforms help distinguish characters from each other, increasing legibility. Aircrew has vertical terminals, low contrast, and short ascenders and descenders. The weight variations between uppercase and lowercase characters provide the perfect balance and its slightly condensed proportions allow more words to fit in less space. There are two different versions of Aircrew, positive and negative. This avoids optical effects that cause uneven thickness and unsteady readability in either light or dark backgrounds.

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Lyonette is a fanciful type, gentle and precocious. It seems aloof at times but isn�t really. The frivolity and quirkiness of the narrow width is offset by the fey, finger-like horizontals, vaguely reminiscent of strange encounters and dark closets. It�s great for fashion advertising with literary pretensions. Or maybe a kinder, gentler sci-fi movie.

"The Enchanted Garden" is a dark, vintage-style font designed with simplicity and readability in mind, ensuring effortless legibility for all your creative ventures. From wedding stationery and Instagram quotes to contemporary logos, packaging, and websites, this versatile font complements a wide range of projects. "The Enchanted Garden" font is a valuable asset for those who cherish the art of handwritten expression. Its meticulously hand-drawn characters exude a timeless charm, infusing your headlines and titles with vibrant life. Moreover, it offers three alternative lowercase glyphs, expanding the horizons of your design possibilities.

Diorite is modern face built on classical letterforms -- but left with a bit of residual roughness. Some might call Diorite forthright, others brutal. (It reminded the designer of the dark, hard igneous rock of the same name, treasured by the ancient Egyptians for statuary.) The typeface has a relatively chunky, four-style family; the italics are true cancellaresca corsiva, also writ heavy. "The cancellaresca is of course a Gothic design," notes the designer. "Just use a broader pen, and you'll see!" Has four styles: regular, bold, cursive, and cursive bold.

Deco Slaughter is a unique typeface that blends the elegant Art Deco style with the visceral and broken aesthetic of horror typography. Each letter is meticulously crafted to evoke a sense of intrigue and mystery. The sophisticated and geometric lines of Art Deco intertwine with shattered and bleeding details, creating a striking contrast. This typeface is perfect for projects that aim to break conventions and stand out with a provocative aesthetic. Deco Slaughter captures the essence of classic style with a dark and disturbing twist, providing your designs with a distinctive and memorable character.

Chunkie is a simple serif experiment going for minimal width and maximum height. I made it into my display version of OpenType Pro, but mainly it was a vehicle for me to try out some more extreme serif ideas and glyph shapes. The solutions for the lowercase a and e are unique, for example. The double g ligature is a fun solution. I like the solution for the @, but I’m not sure how it will be received. That being said, it turned into a useful dark display face with a small x-height.

CHARACTERISTICS The dark and sharp character of the typeface is a very unique atmosphere. The letter-forms can with broken trees, rotten and old and branches are associated. The partially pointed edges remind thorns (bushes) a rose. APPLICATION AREA The edgy, contrasty horror and fantasy font »Viktors Littl Creepy Horror« would look good at display size for headlines in magazines or websites, movie posters, music covers or webbanner. TECHNICAL SPECIFICATIONS Headline Font / Display Font / Fancy Font »Viktors Littl Creepy Horror« OpenType Font with 354 glyphs - alternative letters and ligatures (with accents & €) & 1 style (regular)

Dacttelyons is a blackletter typeface inspired by gothic era, and this typeface perfect for people looking for vintage with dark feel. Dacttelyons suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, packaging .etc ADDITIONAL INFORMATION For upgrading license please contact me. Upgraded licenses are required for apps, books, television, commercial exhibition, film, gaming, print on demand products, etc. simply email me to : hastohst@gmail.com We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Cheers 🍻

Page No. 508 was designed by William Hamilton Page in 1887 as one of a series of designs for die-cut wood types for the firm of Page & Setchell of Norwich, Connecticut. Page & Setchell was the successor to The William H. Page Wood Type Company and was sold to the Hamilton Manufacturing Company of Two Rivers, Wisconsin in 1891. 508 is a heavy all-caps font designed for headline work. It has a strong presence that reverses out well (light-colored type on a dark background). Great for retro style posters.

Bronzion is a blackletter typeface rooted in medieval aesthetics. With its dark ages inspiration, Bronzion is a captivating blend of calligraphy and heavy metal undertones. The typeface captures the ornamental beauty of middle ages manuscripts while catering to modern design needs. Its heavy, intricate design makes it perfect for projects that require a touch of medieval grandeur. Use characters 🌲🌳🎠🐂🐅🐆🐈🐉🐎🐕🐦🐯🐲🐺👑👸🗡🤴🦁🦅🦇🦌🦎🦓🦖 to create heraldry-like logos and symbols. Example: Magic🐉Empire

Looking for a way to make your brand look dark, mysterious, and even gothic? look no further, HAYEN Blackletter! This font is perfect for creating labels, retro designs, stamping, badges, and packaging. Use it for your next retro Oktoberfest poster or for your next tattoo. It’s also a great choice for a barber shop or whiskey brand. Plus, it’s available in a variety of different styles and weights, so you can find the perfect one for your needs. So why wait? Add this Blackletter font to your next project today!

Hand drawn shadow entities from the dark corners of Dawnland. Lilith X is ideal for: Initial characters - give your text a unparalleled facelift! Headlines - create a unique look for your posters, event graphics, book covers & music/media/game packaging. Preamble - reanimate the introduction... The main focus and usage of Lilith X are initial characters or headlines for posters, event graphics and music/media/game packaging. The bread text on the gallery images is written in Aeterna . Lilith X contain uppercase and small caps letters A-Z + swedish characters Å Ä Ö.

Larch is a clear and crisp high quality script typeface. It consists of five weights: White, Bright, Shaded, Dark & Black. Each style is working great separately, but they make the perfect combination together. Larch is designed by Måns Grebäck in 2016. The font supports hundreds of languages. It contains contextual and stylistic alternates, swashes and ligatures. Write # after any lowercase letter to make swashes! You can also write % after the following letters to make left swashes: b d f h i j k l t Example: Black% Lar#ch

Grims Acid is a spine-chilling, liquid-inspired Halloween display font that oozes with eerie vibes. With its twisted, dripping letters and macabre aesthetics, this font is the perfect choice for adding a touch of horror and dark whimsy to your Halloween-themed designs. Whether you’re creating spooky party invitations, haunted house posters, or eerie social media graphics, Grims Acid will give your text a hauntingly memorable twist that sends shivers down the spine. Embrace the supernatural and let Grims Acid infuse your designs with a ghoulishly delightful atmosphere.

It's not everyday that you want to have dark chocolate with your favorite latté. But sometimes, as out of the ordinary as it is, it can be just the ticket. Cafelatte's design offers a somewhat unpolished calligraphic concept, reminiscent of wooden type, but done with the unique brush of Angel Koziupa and Bezier wizardry of Alejandro Paul. The discerning packaging designer will certainly find it refreshing to be able to put a darker, unconventional touch on his or her design. And who says primal instincts can't express themselves elegantly?

Bolda Display is a a-z lowercase display font in two styles; regular and outline. Lowercase is regular and uppercase is outline. Inspired by the 1970’s tennis, dart and ping pong fashion. Perfect for headlines, logos and everything above the body.

Starland is a cute handwritten font. Perfect for stellar quotes, handwritten notes, sweet greeting cards, and of course stand-out branding. Font includes a full set of gorgeous uppercase and lowercase letters, numbers, a large selection of punctuation marks and multilingual support.

Kaweah is a sharp, condensed, serif typeface with wide language support and strong historical roots. The original inspiration for this typeface comes from text in the museum collection of Kings Canyon National Park. It is designed to be used in titles and subheads.

The brand marking on a vintage wooden shipping case for bottles of Mission Naturally Good Orange Soda inspired Beverage Stencil JNL, which is available in both regular and oblique versions. Mission was a popular soda in California from about 1929 through 1970.

Here's another Disco-era darling, based on Wolf Magin's contemporary offering, originally called Black Line. It's a natural choice for sassy headlines with a cool Retro vibe. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

A vintage French metal marking stencil for Comandon and Company was the inspiration for the 1400th type design from Jeff Levine Fonts. Dijon Stencil JNL is a condensed serif design with thin stroke weights and is available in both regular and oblique versions.

Stenciling Cards JNL is the digital equivalent of the individual letter and number stencils used to paint markings on walls, crates, boxes, etc. Use this type design when you want a reversed stencil look. Kern it super tight for a continous word stencil.

Inspired by a trip to Sequoia National Park, this bold, all cap font is reminiscent of the great west and wide open spaces. Upper case letters are solid while lower case letters feature shadow lines. Great for titles, branding and logo work.

Cartwheel, a super bold and playful display font designed by Tom Censani was inspired by the imperfect beauty of hand-lettered signs at theme parks and the bouncy cadence of text inside comic book bubbles. Cartwheel is a fun attention-grabbing font.

Built on a square grid, Blok's variable axis conforms to your canvas. With pre-defined weights ranging from 2x1, through to 1x16, Blok is as flexible as it is structured. Character Set: A-Z, Period & Exclamation Mark Weights: 6 Normal & 6 Rounded

Accia Forte is a strong serif typeface with high contrast, large x-height and prominent serifs. Its loud contemporary feel will be ideal for titles as well as posters and web appearance. The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals. Accia Forte is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.