Beautiful rain made in the rainy season I made an irregular handwritten font at will with beautiful and attractive results full of love and affection in it, making this font very attractive to use in your photos with two words that go hand in hand or also to connect your own name or partner's name because Having a swash heart that can be connected is very suitable for use on greeting cards, wedding invitations, magazines, logos, clothes, stickers, and many more.

Gloss & Bloom is rough script font made with a brush pen. This font is made from the awesome work of Sean Delloro. Enjoy this natural brush pen script font to create cool logotypes, posters or invitations. The full commercial version comes with a complete set of alternate glyphes and a wide selection of underlining styles and splaters. This font contains: Uppercase & Lowercase font Stylistic Alternates Lowercase and uppercase alternates A set of 14 underlining styles 8 Ligatures 6 splatters OpenType Features

I made this font using my index finger and Chinese ink. I thought the ink would come off easily, but I can tell you: it doesn’t. I have been walking around with a black stained finger for a week now and I do get strange looks from people every so often… Fingerfood, of course, is hand made. It is a rather playful font - all caps, but lower and upper case differ and like to mingle. Comes with a full diacritics palette.

Gandhewa is a font that I made in handwriting style. This font is inspired by my grandfather's writings. I made Gandhewa in a few steps that were long enough to finally become a beautiful font. Starting from rough sketches on paper using a ballpoint pen, I then redrawn and arranged the characters in the font creator. If you are looking for a natural, clean signature font, Gandhewa is perfect for you. Gandhewa is also equipped with 17 ligature and has multi-lingual support.

As the name implies, this font was made with a gritty pencil. Gritty Pencil comes with language support and a set of cool alternates for the lower case letters.

Halfway between graffiti & typeography you find styles like Graffick™. These fonts are derived directly from hand written letters made mechanically perfect to behave more like common digital fonts.

The Manus font family is extended with a new relative: Manus Smooth. Some major and minor adjustments were made, but it still has the look & feel of the original.

Ars Nova is an up-to-date incarnation of the Art Nouveau flair. Suited for striking typographic effects. Suited for some nostalgic pleasure. Specially suited for creative minds. Cheers!

Noodleis a hand made font. It's a fun and whimsical font that would be perfect for greeting cards, toys, picture books or anything that requires a naive sensibility. Enjoy!

Handwritten with care, and made bold and consistent with an art deco flair. If I owned a classy diner, this is how I'd like my chalkboard menus to look.

PT Baroque Borders A is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressive greeting cards, wedding invitations or decorative certificates.

Made with a cute shape, making this font suitable for use in graphic designs related to unique things. This font is available in 2 styles namely bold and black.

I made this cartoon book font in my own handwriting. This type of font is great for writing comic stories, children's games, and is perfect for making cartoon movies.

PT Baroque Borders B is a baroque ornament-font for borders. Especially in combination with Fleischmann Gotisch you can made very impressed greeting cards, wedding-greetings or decorative certificates.

Element M One is a clear and bright typeface with a touch of futurism. Specially made for signing, posters, covers and corporate identities. Also a perfect typeface for headlines.

Rheina font is a font that depicts creative power, this font is made with memories of past disappointments that have been passed, and trying to move on in life.

Inspired by the decayed lettering on the signs at Siesta Key beach painted on weather-worn old wood in Florida, these letters are made to look like peeling paint.

Halfway between graffiti & typeography you find styles like Graffick™. These fonts are derived directly from hand written letters made mechanically perfect to behave more like common digital fonts.

King15 is a beautiful script font based on signatures dated back from hundreds of years. Its asymmetry and ink imperfections give it a strong and a truly unique character.

The classic modernist FS Alvar grew out of a library of pure modular shapes gathered by Fontsmith’s master of the abstract starting point, Mr Phil Garnham. “It was a collection that just had to be explored and brought to life in a typographic voice. “We debated long and hard about this. It was big decision to make a shift away from the typefaces that people knew us for. And we didn’t want to compromise our reputation of well crafted typographic quality”. Modular forms A headline font that’s both graphic and functional, in the modernist tradition, FS Alvar focused Fontsmith’s eyes on the bigger issue of what makes a font show its age. “Looking at those fonts from the 1980s that were supposed to represent the ‘future’,” says Phil, “they looked so dated now. With Alvar, we weren’t concerned with creating future-thinking typography but with exploring form for form’s sake, and how that can evolve to create letterforms. Modular forms with a typographic eye.” Stencilled The concept for Alvar first materialised back in 2001 with some sketches Phil made while still at Middlesex University. Eight years later, something made him dig them out again. “There was something really nice about the proportions of that first design. Working on it again, I thought about it properly, but it still needed something to give it that edge. “Jason stood up in the studio and supplied the missing link: ‘Why don’t we make it stencilled?’ He didn’t mean in an obvious way, but by building a kind of architectural stencil into the form. It worked and the idea of using an architect’s name (Alvar Aalto) to describe the font felt perfect.” Featured in... The three weights of FS Alvar are made for standout headlines in advertising campaigns and magazines. Alvar has had a starring role in campaigns for brands from Nike to Amnesty International, as well as on CD covers, record labels and packaging.

HotRod the Flame Font. Hot Font in 50th Flames Style. Made for all US Custom Cars Fans. The Font comes with many Graphics for Vintage Cars like Dices and Skulls

Used in advertising posters for the Soviet state foreign trade company named 'Soyuzchimexort' in the early 1980s. Digital version was made for ParaType in 2007 with addition of light weight.

Here is something to talk about! Spread the word - spread the gossip! An elegant combination of thin and fragile lines, made with a fine pen. Fine lines, crunchy, sweet curls.

Flixuble is a mess! It was made involving an inky pen and sandpaper! Comes with more than 60 ligatures in order to make the font look more like handmade letters!

The Zigfrid family was made after my visit to Deutschland and impression of old typography on the streets of Berlin. Zigfrid contains 5 different styles with a geometric, “trendlist” feel.

Phoebus is one of Adrian Frutigers first typefaces which he made for the Deberny & Peignot foundry in Paris. The intention was to create a shadowed type with extra ordinary impression.

The family for the official US military fonts/lettering used in U.S. Air Force, U.S. Army, U.S. Navy, U.S. Marine Corps. Made after the existing Military Standards and Technical Manuals.

Say hello to Love Twins font. Made with love and joy. Comic look, so it will make your design more beautiful, cute, fun, and colorful. outline and solid style inside.