Zierde is a take on early advertising, small-copy grotesks of the late 19th/early 20th century, and is largely inspired by Miller & Richard’s own range of Grotesques. More importantly, Zierde is accompanied by a large set of ornaments (+200) which hark back to the look-and-feel of the early-modernist arts and crafts movement. The ornaments in, and presentation of, Zierde owe much credit to J.G Schelter & Giesecke’s 1913 type specimen book ‘Die Zierde’. The strong functional uppercase sans-serifs alongside luscious, beautiful patterns in ‘Die Zierde’ make for beautiful combinations. This early-modernist use of grotesk alongside ornament looks bizarre in the eyes of us used to seeing sans-serifs in more formal, sterile settings. The face itself retains some historical flourishes such as the eccentric leaning angle of the italics, the long cross-bar on the ‘G’, the gammy-leg of the ‘R’, a strange ampersand and some irregular terminals across the weights. Zierde is display face meant for headlines, titles, short-copy, labels and logos. It comes in caps and small caps, Latin and Cyrillic.

Core Sans CR family is a rounded version of Core Sans C; a part of the Core Sans Series, such as Core Sans N, Core Sans M, Core Sans E, Core Sans A, Core Sans D, Core Sans G, Core Sans R and Core Sans B. Core Sans CR is inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). It is based on geometric shapes, like near-perfect circle and square. It has a much higher x-height (height of lowercase letters), an effect which promotes readability especially at small print sizes. The Core Sans C Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black) and Italics for each format. Core Sans C supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. Core Sans C is an ideal font family for use in magazines, web pages, screens, displays, and so on.

Isabel SemiCondensed, together with Isabel condensed and Isabel were made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to- read long texts. The purpose of Isabel is to combine all the nice and friendly features of the simple letters that the teachers teach to the pupils at primary school, as they starting to learn to read, together with the normal editorial fonts we read every day. In this way it generates a very joyful serif font, or even friendly font, with some conservative aspects. In other words, Isabel is a font that, despite of being a “classic features” typography, is proud to show its innocent and ingenuous elements, this gives to the font a new point of view. The family is composed of 3 parts: the regular version, the italic version and the unicase version. Each one of them has 5 weights. The italic version has 825 characters; the regular and unicase have 739 and are composed for 220 latin languages, plus cyrilic.

Johnny is the latest addition to the long line of popular psychedelic/hippy/funky art nouveau fonts representing the retro side of the Canada Type library. It is the digitization of a popular 1969 Phil Martin typeface that was known by two different names: Harem and Margit. The film type version had plenty of irregularities and quirks that made it seem like it was done in a hurry. In this digital version the errors have been corrected and the character set expanded to include international characters with built-in alternates, to be on par with what today's layout artists expect from a high quality font. This font saw a lot of use on record sleeves and music posters throughout the pre-disco part of the 1970s, which makes it a veteran of both the psychedelic and funk periods. This makes it the sharper, sturdier art nouveau contemporary personality of Canada Type's Tomato font. This font contains a very expanded character set that includes full support for Central, Eastern and Western European languages, as well as Baltic, Turkish, Esperanto, Greek, Cyrillic and Vietnamese.

Arlonne Sans Pro was conceived by Sacha Rein between 2015 and 2019 with a comfortable reading experience in mind. It's a humanist sans with neoclassical influences. Arlonne is a comprehensive font family with four weights and matching italics. It has a character set of about 1800 glyphs, including extended latin, small capitals, Cyrillic (with Bulgarian, Serbian, Macedonian and Ukrainian) and Greek (with Archaic and Polytonic), math symbols, figure styles and automatic fractions, ligatures, stylistic alternates and many more OpenType features. The goal was to achieve simplicity without sacrificing personality. The generous x-height and the contrast of strokes are increasing as the font gets bolder, resulting in relatively open counters even at the heaviest weight. This makes the font especially suitable for body text, even though the carefully designed characters work well for display purposes. The name Arlonne is derived from the small city of Arlon, a Walloon municipality of Belgium located in and capital of the province of Luxembourg. Spacing and kerning have been taken care of by Igino Marini's amazing iKern service.

ACEISIDA is a font that supports over 100 languages from around the world. Basic and some Extended Cyrillic, Basic, Additional and Extended Latin, Basic Greek, and some newly added characters recently entered into use in everyday life. ACEISIDA is a font that elegantly combines the timelessness of antique design with the modernity of the grotesque. The absence of serifs results in a universally readable and sophisticated format. It was designed to focus on the main text, complementing other design fonts without disrupting them. This font is perfect for those who appreciate minimalism and refinement, and its smooth lines make it suitable for various design projects. It adds understated elegance to any design, making it the ideal choice for those who value simplicity, modernity, and sophistication. The font includes many glyphs for the Kazakh language, catering to the ongoing transition to the Latin script and accommodating various spellings. It also features a basic set of characters and glyphs with accents for the Greek language and an uppercase version of the letter “eszett” for German.

Aeolus Pro is a second attempt at writing a monoline style. Completed after many design transformations. And here (as in KhamaiPro) attempted to provide a different visual design with style as Staccato: (dashed line) Rail: (double line) Tribe: (triple line) and finally a New style Shadow. Also (Bold, BoldItalic) has the advantage of involving between styles… (Rail, RailItalic, Tribe, TribeItalic, Shadow and ShadowItalic) for example: …you have a text frame with some text or one word or one letter with Bold or BoldItalic style with e.g. (color blue), if you duplicate the text frame or duplicate the Layer (as is, without shifting position - text) and you make changes ONLY (the Style* and color of text) in second text frame, would have the effect of filling the gap at the following styles... *(Rail, RailItalic, Tribe, TribeItalic, Shadow and ShadowItalic) you can see the presentation of the photo “Multiplex”. This series of 20 fonts with 624 glyphs each is composed and includes true italics and supports Latin, Greek and Cyrillic.

Rawhide is a fresh digitization and expansion of a very popular (yet uncredited) early 1970s film type called Yippie, which was commonly used in wild west cartoons and comics. Publishers of Lucky Luke, the famous Belgian comic by Morris, used these bouncy letters for the titling on a few of their soft cover editions, and different variations of it were used throughout the 1970s and 1980s by cartoon classic Looney Tunes and a variety of wild west animations and comics. It slowly disappeared without fanfare when desktop publishing became the norm. Here it is again now for the computer age, available as a high quality font with a complete character set that accommodates more than 20 Latin-based languages. In short, Rawhide comes with an impressive track record, and is a must for any funny cowboy design or off the wall wild west layout. This set of fonts contains a very expanded character set that includes full support for Central, Eastern and Western European languages, as well as Baltic, Turkish, Esperanto, Greek, Cyrillic and Vietnamese.

This is a new version of our popular DIN Stencil family designed with a wider cut than the original. This overcomes the diminishing effect of the stencil at smaller sizes where the cuts tend to disappear, whereas it makes a bold statement at display sizes. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. DIN Stencil B manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. It consists of 7 diverse weights from Extra Thin to Black. This version supports Latin, Cyrillic, Eastern European, Turkish and Baltic. DIN Stencil B includes several additions such the recently unicode encoded character of the German uppercase Eszett (ẞ), the Russian currency symbol for Rouble (₽), Ukrainian Hryvnia (₴), Azeri and Kazakh letterforms.

Houschka was named after Georg Houschka, a sadly defunct confectioner’s shop in Salzburg, Austria, which had a wonderful 1930’s frontage and distinctively rounded letterforms in the sign above the door. Houschka Pro is the follow up to the original Houschka type family which first appeared back in 1999. Character shapes have been improved, kerning and spacing refined, and OpenType features include CE, Baltic, Turkish & Cyrillic language support plus small caps, 3 stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka is a clean and legible modern sans serif typeface which shares the humanist qualities of Gill Sans and Johnston but retains a uniquely charming character of its own (particularly in signature glyphs A, G, Q, W, u & w). The monolinear structure, rounded corners and rolling curves give Houschka a soft and friendly appearance. Houschka Alt Pro is a carbon copy of the Houschka Pro family with one key difference: the rounded signature glyphs A & W on the default positions swap places with their straight alternates.

Mellow Serif is a soft and friendly typeface. It looks compelling in large point sizes due to the rounded terminals and calligraphic details. Mellow Serif also works well in body text with a small leading size as it has even proportions and a large x-height. Mellow Serif includes ten styles—five upright and five italic, ranging from Light to Extra Bold. The typeface supports extended Latin, extended Cyrillic, and Greek. The character set also includes old style figures, small caps in the Light, Regular, and Medium upright styles as well as stylistic alternate sets that slightly change the way Mellow Serif looks in large point sizes. The Regular style also has alternative letterforms with swashes. Mellow Serif is great for book printing (from fiction and children’s books to science literature), headings, and large texts on the web as well as for toys and confectionary packaging. It also works perfectly with a rounded sans serif Mellow Sans. Mellow Serif was created by Natalya Vasilyeva, an expert in designing text and calligraphic typefaces, and released by Paratype in 2023.

Merlo Neue Round is the younger brother of Merlo Round and cousin of Merlo Neue. This new family received a refreshed, rounded style and a new shape of many glyphs. New Merlo consist of a wide range of instances' seven new weights with italics, from Hairline to Bold allows to use the family in a complex way, depending on the users' needs. The font has a glyph set for latin and cyrylic script, small caps and old-style figures. Merlo Neue Round would be a great choice for display use as well as for the longer texts. This family is inspired by a "You And Me Monthly" published by National Magazines Publisher RSW "Prasa" from May 1960 till December 1973 in Poland.

Proudly present our new font. It is named Hollgates - Elegant Signature Font. Hollgates is script handwritten style with a natural charm. This font which is a modern signature and unique style handmade comes with very beautiful character changes. To keep the maximum real hand-lettered effect, there were created 240 ligatures (you can see them among the presentation pictures). When creating the font, we should take into consideration that each letter should be able to be connected with other letters. For example, the letter "a" should be well connected as well as with "l" and "n" and with any other letters. This limits us: we have to start letter from exact one point and finish at exact second point. So here come ligatures. Hollgates font contains following ligatures: ab ad af ah ai ak al am an ao ap as at az az bh bl bk bt bx br cb cl ch ck cc cr cs ct co cx cz dd db dh dl dk dt dr ds dx dz eb ef eh ek el et ett er em en es ex ez ff fh fl fk fi fo fs ft fr fz fx gg gh gr gb gf gl gk gt go gs gz hf ho hs ht hz ib if ih ik il it itt ii in im ip is ir iz ix jo kl kk kh ko ks kr kt kx kz lo li ls lu lr lx ly lz mm mf mi mh ml mk mo mp ms mt mz mx nb ni nf nh nl nk no ns nr np nt nx nz ob of oh oi oj ok ol om on op os ot ott ou ox oz ph ppl pp ps pt pu pi pr po px pz rs rr st sh sl sk sb si sm sn so sp su sx sy sz oll all ell ill ull th tl tk ti ts tr to tu tx tz ty ub ul uh uk ul ut utt un um up us ux uz vh vl wh wl wo zz ee ll ff oo rr ss tt dd ff It’s the perfect fit for all luxury projects, such as wedding invitation, signatures, luxury logos, printed quotes, grettings cards, social media headers, product packaging and many more! It includes a full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. It is PUA encoded which means you can access all of the glyphs and swashes with ease! Fall in love with its incredibly versatile style and use it to create spectacular designs! Use this font for any crafting project that requires a personalized look! What’s Included : – Works on PC & Mac – Easy to use ( Installations ) – Easy Convert to webfont – Compabilty Windows, Apple, Linux, Cricut, Silhouette and Other cutting machines Thanks for downloading, and I hope you enjoy it!

Say hello to Decrypt H1—a geometric typeface that features highly stylized capitals with sharp corners, circular forms and generous proportions. Specifically created for visual impact—use Decrypt H1 when you want your words to stand out from the rest of the crowd. The concept is modern, futuristic and non-traditional. Perfect for display text, logos and headings. The development of Decrypt H1 started in 1997, inspired by Alex Kaczun’s best selling grotesque font family called Contax Pro. Decrypt H1 is specifically introduced here as a bold weight, but Alex plans to expand the design to include many weights, styles and alternative design treatments. Stay tuned! If you like Decrypt H1—check out it’s alternate twins Decrypt 01, Decrypt 02 and all of Type Innovations fonts at: http://www.myfonts.com/person/Alex_Kaczun/

Introducing MosKovi Script, an enchanting and audacious typeface that seamlessly melds the captivating essence of vintage Soviet design with modern-day allure. This font exudes an air of mystery, evoking the clandestine charm of the Cold War era while breathing new life into the world of typography. Each stroke reflects the precision and strength of Soviet engineering, transporting you to a time when secrets were whispered in dimly lit alleys, and espionage thrived beneath the iron curtain. MosKovi Script's elegant curves and sharp edges intertwine like spies engaged in a delicate dance, daring you to uncover its hidden messages. Embark on a journey through history with MosKovi Script, a typographic marvel that captures the courage and resilience of a bygone era while captivating the hearts of modern design enthusiasts worldwide.

Bleek started its life as a logo for a rock band with the same name. This makes sense as it has distinct roots in classic rock logo design. Any rock band name set in VLNL Bleek looks instantly cool – profi logo quality! Of coarse Bleek will serve an awesome purpose as a headline font as well. Or gig flyers and posters. Or band backdrops. Just turn it up to 11! DBXL expanded the original logo into the full Heavy weight and added Light and Medium cuts. VLNL Bleek is an all caps font with uppercase and lowercase variations for maximum effect. It has a number of Open type features, like and alternate F, mirrored A and O and a TT ligature to spice up your designs. VetteLetters says: Rock on!

Say hello to Wonderful Melanesia. A fancy font combination, minimalist signature, and elegant serif. These fonts are carefully designed with attention to every detail of the letterforms, which makes the perfect font combination that you can apply for your design that needs an elegant touch, classy looks, and minimalist. The serif font is designed with a few spacing so that it provides more clarity when reading it, and the signature font designed with dynamic strokes that give it the more natural handwriting. Wonderful Melanesia has equipped with many OpenType features. There are beautiful ligatures, Stylistic alternates, and swashes which you can use it to get your design more softly. Fonts featured : Uppercase Lowercase Numbers Punctuation & symbols Stylistic alternates Ligatures Swashes Accented characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÐÑÒÓÔÕÖØÙÚÛÜÝÞßàáâãäåæçèéêëìíîïñòóôõöøùúûüýþÿıŁłŒœŠšŸŽž Thank you for watching and have a wonderful day!

Say hello to Grenoble, the sans-serif font that combines the best of modern design with the elegance of vintage feels. With its monoline strokes and clean lines, Grenoble is both simple and sophisticated. Choose between the regular and slant styles to give your designs the perfect balance of classic and contemporary style. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

I really like creating script fonts. Why, I hear you say? Well, creating script fonts lets me be me. I am not trying to create classy, connected fonts for you to write love letters with: there are already too many of those available and quite frankly, I just don't like them. I prefer the messy script fonts - uneven, no real baseline and with a bit of splatter or rough edges for good measure. Daft script is one of these messy script fonts: it was handmade and it comes with two alternates for the lower case glyphs that cycle as you type. This is an all-caps font, so that means you have 4 options per letter! I also love languages (I speak 6), so Daft Script comes with fantastic language support, including Vietnamese and Sami.

Just in time for your Halloween projects hopefully :) Say hello to Folklore! A font that's all about spooky, ghoulish fun! With its charming all caps style and built-in speckly texture, Folklore brings a touch of whimsy to your creative projects. Plus, we've included an Outline version of the font as a little bonus. What's Included? Folklore Main File Regular and Outline version Instructions (Access special characters, even in Cricut Design) Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Multilingual Supports: (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Thank you, Dharmas Studio

A classic serif font with a twist. WBP Emperio has an interesting shape. She has rounded corners and a slightly 'curvy' look. The little indent makes her stand out above the rest. A sensation in the making. Emperio has two styles. The Regular: Great for designing friendly corporate identities. And there's the Hand Drawn style: Great for design posters of prints with a handmade feel. Combine the two and you can go infinite. WBP Emperio was a sketch I designed when I started my company. So you can say it's been five years in the making XD. When I was invited to add two pages to the Typodarium 2022, I speeded up the process and added the hand-drawn style. The end result is awesome. A classic serif font, with a crazy extra style.

Introducing: Whistle - Signature casual handwritten font with personal charm. With an elegant sweep that is perfect for branding your product needs and brand name. PUA ENCODING SUPPORT Whistle contains upper & lower case letters, numbers and various complete marks while Whistle Alt has an alternative character set with lowercase letters that are completely new. Ligatures available for several lowercase letters (more natural double letters). This can only be accessed through software with different devices or machine panels, eg Photoshop / Illustrator. There he is! I really hope you enjoy it - comments & likes are always welcome and accepted. More importantly, don't hesitate to send a message if you have a problem or question. Now just read this, go there and make it happen. Come and say hello on Instagram! https://www.instagram.com/aseprendii.otf/?hl=en

Meccanica is pretty unique and difficult to describe, suffice to say that it’s a geometric sans typeface with some hexagonal DNA. Meccanica’s defining features include soft, chamfered edges, angular bowls and shoulders, angled/hexagonal terminals, and semi-hexagonal ink traps (in a nutshell). View the microsite for full info: http://meccanica.info Meccanica was inspired by the mechanics of engineering – the humble nut and bolt in particular – it is a versatile typeface that will give your own typography a distinctive voice. Initially designed as a display typeface (for headlines, logotype, branding and short runs of text), Meccanica also reads well as body copy – particularly at smaller point sizes. Key features: • 9 weights in Roman and Oblique • Small Caps and Alternates • Full European character set (Latin) • 640+ glyphs per font.

Kris is a powerful typeface based on humanistic minuscule with a touch of Uncial script. An alphabet with an unusual appearance. It is based on the paradigm of classical handwriting. Kris is handwritten with a broad nib pen and ordinary black ink. The somewhat fanciful shapes are created by lifting the pen randomly left and right. This causes unpredictable frayed edges that make the typeface exciting. It bursts with character and is very versatile. Kris is written by the Dutch calligraphy artist Corrie Smetsers. Corrie threw all basic characters in a plastic bag and René Verkaart built the typeface and created all remaining characters. “Most special about this project was collaborating with Corrie. She's an expert in handwriting and has developed writing systems for the educational sector for decades”, René says.

Loft is a typeface family of extremes: from the extra compressed Hairline to the extra wide Mammoth. Paris-based designer Julien Janiszewski’s aim was to create a type family based on a strict hierarchy — a suite that would provide graphic designers with a tool to create systematic solutions. Its design was inspired by 19th-century wood type as well as the sign saying “DÉFENSE D'AFFICHER” (Post No Bills) that is ubiquitous in France. Loft comes in seven weights with matching italics. Interestingly, counter widths remain the same across all weights. As weights increase, the characters extend by building stroke thickness outside the counter. Loft is space-efficient in lighter weights while making an increasingly stronger statement as the designs become heavier. The Loft typeface family is distinctive, versatile, and always intriguing.

Say hello to Marshmallow Hot Chocolate Brush - A super-casual, super-versatile all caps brush font. Great at both Small and large sizes : Fine texture details on its edges make it pop at larger sizes, and at smaller sizes its stays crisp, neatly balanced and nicely legible. Perfect for making a statement - use it in quotes, punchy headers, posters, flyer design, packaging, in your illustrations that need legible handwritten captions - and so much more. Although Marshmallow Hot Chocolate is an all caps font, you will find uppercase and lowercase keystrokes have alternate characters. Opentype Ligatures are included to make it look more naturally handwritten in your designs. Four extra swashes are included in the glyphs set - open your glyphs panel to access them. Play with the letter spacing to get different looks and effects.

Scriptissimo is, as the name says, very much of a script! It is in the best American tradition. A script that could have served for writing the Constitution with, if only they would have had computers at that time. Scriptissimo consists of three different scripts that are meant to be used together. One is the script with the more or less plain characters. Two is the version for characters to start a word with. Three is the cut that has the characters for the end of a word. Ligatures is used for, well, ligatures and some glyphs like Ltd., GmbH, and so on. Scriptissimo is a very elegant and versatile script. It can be used for chocolate bars as well as stock certificates. I really enjoyed designing it. Yours scriptissimo, Gert Wiescher

Say Hello to Lovers Stars!! My new a set of two fabulous fonts - Lovers Stars!! Lovers Stars is a set of two amazing fonts!! This font is made from my original font - Lovers Clouds. This font is perfect for all your designs, lettering, drawings, signage, stickers, retro designs, shirts and more! Font Features: A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia

ITC Ironwork is the work of Serge Pichii, who was inspired by a piece of decorative lettering done by Jan Tschichold in the early 1920s. Tschichold had interlocked a series of rough sans serif letters and embellished them with scattered decorative elements. The original was of only capital letters, touching and overlapping like an ironwork gate made of letters. Pichii completed the typeface with lowercase forms and smoothed the edges. The scrolls of the capitals were extended to the lowercase and Pichii based them on iron scrollwork he found in Vienna and Prague. A lot of attention was paid to the elements of the typeface in order to 'smooth out' and balance proportional relations between the elements," says Pichii. ITC Ironwork is great for signage and display but also works well in short texts."

Terrance Weinzierl's Terry Junior typeface is a perfectly imperfect design – one that retains the marks of the brush used to create it and harks back to the craft required to hand make letterforms. Originally drawn during a Monotype Font Marathon, Weinzierl later refined the typeface digitally – adding an Inline version and designing alternates that replicate the irregularity of real-life brush scripts. “It has a natural, cheery and bold appearance,” says designer Terrance Weinzierl. “It's young, but not wild. Painted, but not sloppy. A sign painter's apprentice, perhaps.” Terry Junior is an obvious choice for designers and brands communicating with younger audiences, but would also work well on book covers, packaging, and in digital environments that need a little bit of extra playfulness. The family includes five fonts, including an Inline version.

This year we attended the Bologna Children’s Book Fair in Italy. In our days off, we went to Piazza Maggiore to see what the city had to offer and luckily for us we saw an incredible store sign saying CAMPORA. We took some pictures of the typed font and later back in the studio we discovered that it was Dynamo. Immediately our minds were blown away by its beauty and thus we decided to design a new font inspired by its sharp and geometric design adding new weights and OpenType features. In the process we realized that both Dynamo and one of our favorite fonts Avant Garde, share a similar structure, so we made a type mashup between these beauties, including the sharpness of Dynamo and the revolutionary ligatures of Avant Garde.

Fresh is best! Say hello to this playful and bouncing font designed by Resistenza. This all-caps have been specially created to add a lively mood to your graphics. You’ll be able to create catchy quotes combining these all-caps fonts or you can use them individually. Including 2 sets of letters on each font (uppercase & lowercase), so you can choose an alternate for each glyph just using your keyboard or the opentype glyphs panel on Indesign, illustrator and other apps with opentype features. Have fun with this friendly font family and give a whimsical touch to your projects. Perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging, fashion supplies, food products, artisanal goods, and an endless array of options.

ITC Cyberkugel is the work of British designer Timothy Donaldson, who occasionally likes to write with an extra-fine ballpoint pen. I like the spindly scrawny forms that it gives me when I follow all the usual 'italic' writing conventions", he says. And there lie the origins of ITC Cyberkugel, although the creative process was moved from pen and paper to software and a Wacom tablet. "I like the fact that people will be buying it to give them a 'human', 'organic', 'non-digital' look, and yet no ink has soiled paper. Although the movements of the hand are still the essence, the whole thing was created in cyberspace." The name comes from combining cyberspace and Kugelschreiber, the German word for ballpoint pen. ITC Cyberkugel is a fresh interpretation of traditional calligraphy."

Say hello to new serif font, Moonic! Monic is a Luxury serif font. Create luxury, gorgeous headlines and elegant designs with a vintage flair. George's contrasting lines and curved terminals give a sleek, elegant look to logos, holiday cards, wedding invitations, quotes, advertisements, and more. Moonic has full set of modern uppercase and lowercase letters, numerals, punctuation, also multilingual symbols. It included opentype features like ligature, alternate and many others. Here's what you get: Moonic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Thank you!

A grungy, blocky, sans-serif font, Soto has one goal: get the message across. Saying it plain and simple, in a way that no-one can misunderstand, Soto’s very slight angles and thick style carry a weight and impact that make it stand out. With the textured finish it even jumps out from the backgrounds it’s placed on, so you can make use of the contrast to draw people in. Soto is best used in headlines and announcements that want to get their message across in an interesting and quick way. Stand out from the crowd and make people want to read what you’re writing by using a font like Soho to shout it out. If you like Soto but you're not feeling the grunge texture, then check out Ebisu.

Say hello to Glary Tropic, the top choice for stunning, tropical-inspired designs. With boldness and strength imbued in every accent, this font brings a bold touch that immediately steals the show. Glary Tropic's bold style brings strong and eye-catching design elements. Filled with a fun tropical feel, each letter creates a fresh, vibrant atmosphere, perfect for projects that require exceptional visual appeal. This font is designed to provide maximum clarity and impact. With a strong tropical theme, Glary Tropic will be the perfect choice for posters, announcements, branding designs, or other creative projects that require a fresh and dynamic touch. Enhance your creativity and create unforgettable designs with Glary Tropic. With strength and uniqueness in every accent, this font will be an undeniable choice to take your design projects to the next level.

The Pergamon series is a creation of Alfons Schneider (1890–1946) and was issued by the foundry of Ludwig Wagner in Leipzig in 1937/1940, though the website of the Klingspor-Museum says that several of the faces were probably produced after the death of Schneider. This digital version is extended with the necessary OT characters and signs, while also the “символы кириллицы” are added. Also, in addition to the members of the family designed by Schneider, regular, italic, bold and bold italic extended versions were produced. The specimens of Ludwig Wagner stated emphatically: “In allen Graden werden beide K K geliefert”, so these two forms are in all the faces, while the two condensed members also have k k, as the specimens said that this alternative character was also in these two faces.

Australian designer and art director Wayne Thompson has loved typography “ever since I received a battered second-hand Letraset catalog at the age of 10.” He based ITC Django on the handwriting of an acquaintance -- “a fellow I know who writes and illustrates children's books and is also a commercial artist” -- who called himself Django, after the jazz guitarist Django Reinhardt. “I felt that that name Django suited the funky, lively feel of the face,” says Thompson. But he adds, “Django has a split personality: it appears loose and easy at first, but after looking at it for some time I felt an edginess come through that was slightly psychotic.” The looseness of the lowercase contrasts with the spikiness of the capitals. The “edginess” is especially apparent in words in all caps.