10,000 search results (0.025 seconds)
  1. Jangly Bounce - Unknown license
  2. Relieftechnik - Unknown license
  3. Cheap Pizza - Unknown license
  4. Texas LED - Unknown license
  5. Warren - Unknown license
  6. Tape Loop - Unknown license
  7. Hebrew Yiddish Std by Samtype, $49.00
    This is a classic early 20th century Yiddish font. This has all the new modern Nikud like: Qamats Katan, ShevaNa, Dagesh Hazak and Holam Chaser.
  8. Capitol Pro by RMU, $30.00
    Like a phoenix from the ashes - here comes Capitol Pro, a complete redesign of Schriftguss' 1931 Capitol font of which just a few letters existed.
  9. Psyche by Haiku Monkey, $10.00
    Psyche is a swash font, hand drawn and tweaked and kerned to within an inch of its life. Perfect for fancy, funky initials and phrases.
  10. Disclaimer JNL by Jeff Levine, $29.00
    Disclaimer JNL is a narrow, ultra-compact sans serif design that's perfect for fine print clauses or anywhere space is limited - but word copy isn't.
  11. Hebrew Yiddish II by Samtype, $59.00
    This is a classic early 20th century Yiddish font. This has all the new modern Nikud like: Qamats Katan, ShevaNa, Dagesh Hazak and Holam Chaser.
  12. Hebrew Yiddish III by Samtype, $39.00
    This is a classic early 20th century Yiddish font. This has all the new modern Nikud like: Qamats Katan, ShevaNa, Dagesh Hazak and Holam Chaser.
  13. Barbed Wire by Monotype, $29.99
    Andrew Smith played with his pencil and scetched an alphabet with several strokes. and as he made come cross strokes it lokes like barbed wire.
  14. Wishtime by Sakha Design, $14.00
    Use it for all of your hand-lettering projects like invitations, greeting cards, promotional materials, websites, and branding that need that hand-brushed lettering vibe.
  15. Take Chances by Seemly Fonts, $12.00
    Take Chances is a simple and natural handwritten font. This font will greatly complement each of the design ideas you wish to bring to life!
  16. Winery by Gleb Guralnyk, $13.00
    Hi! Introducing vintage Winery typeface. Tall condenced font, that is very compact, but has its own style – perfect for label design, or whatever you like :)
  17. Zenith by Glyphobet, $9.99
    Chinese characters have simplifed and more complex, "traditional" variants. Zenith imagines what an un-simplified, traditional version of the Latin alphabet might have looked like.
  18. Sport Shaded JNL by Jeff Levine, $29.00
    Sport Shaded JNL is a classic block font with a cast shadow, perfect for any project for sports teams, college life or high school activities.
  19. Altero by Stefano Giliberti, $15.00
    Altero is a font family for larger-than-life words. It supports 112 languages, features a total of 334 glyphs and includes an italicized version.
  20. ALT Deville by ALT, $-
    DEVILE is a gothic medieval font; its something new for me I never tried to create a font like this before so check it out –
  21. Tasmik by NamelaType, $22.00
    Tasmik literally means thickening, this font is thick like extrabold in wight, impressed firm but flexible, suitable for display text and the center of interest.
  22. Van Dingbats by Vanarchiv, $30.00
    This Dingbat font is designed to work well with the Van Condensed family. The dingbats in it have the same round treatment like the typeface.
  23. Phollick by Typotheticals, $8.00
    A basic handdrawn and scanned text that could be used for scrapbooks and the like. This font is a cross between Italican Oblique and Czaristane.
  24. Afire Love by Twinletter, $11.00
    Introducing our newest Afire Love Font. This font is created with original hand drawn strokes for a relaxed, beautiful and elegant impression. This font also offers beautiful abstract typographic harmony for a wide variety of design projects, including natural handwriting in digital form for designs, quote designs, for social media business designs, advertisements, trademarks, promotional banners, posts, posters, signatures, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. In this font purchase package you will also get a special bonus package from us, namely: 1. 10 vector landing page design packages 2. cute monsters cartoon kit with vector format 3. Premium banner ad template with ppt format 4. cartoon animal ice cream pack with vector format 5. EDITABLE ESPORT logo design This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. we hope you enjoy this font. Feel free to send whatever message you want to convey. thank you Regards Twinletter
  25. Honeycomb by Mans Greback, $59.00
    Honeycomb Script is a delightfully charming handwriting font, boasting a cute and quirky aesthetic. With its naive and endearing style, it's perfect for adding a touch of craft-inspired charm to your creative projects. The birth of Honeycomb Script was sparked by blooming wildflowers and bustling honeybees. The harmonious dance of the bees in their natural habitat inspired the unique and playful letterforms of Honeycomb Script, capturing the magical essence of the natural world's sweetest architect. Use one or multiple underscores _ anywhere in a word to add a decorative underline. Example: Sweet_____Honey Try using # before or after any word to make lovely swashes. Example: #beehive# The font offers six high-quality styles: Thin, Regular, Bold, and their italic versions, giving you the flexibility to adapt to any design context. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.
  26. Nippon Note by Hanoded, $15.00
    I just returned from a short holiday in Japan. I stayed in hostels and small guesthouses and noticed a peculiar thing they all had in common: they love little notes, telling you where to go, what to do, how to use the microwave oven and when to check out. These notes were sometimes printed, but more often they were handwritten. I found that the Japanese way of writing roman characters is a little, well, unusual. The letters are correct, but they have that typical ‘Japanese look’ - most notably the a and A the b, d and g, the p and P and the t and T. I can’t really tell you what makes them look different, maybe it’s the proportions, but I do know that a Nippon Note is highly recognisable. So, here is Nippon Note, a highly recognisable, handmade font. You don’t really have to be in Japan to use it, but it will give your designs that extra cachet. And don’t forget Nippon Note Kawaii - the cute doodle font which is free if you download the Nippon Note family! Comes with extensive language support, but unfortunately not Japanese…
  27. Satero Serif by Linotype, $29.99
    Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it. The Satero Type System offers a high degree of legibility due to its dynamic and forms. The individual characters have been based on classical concepts. They are clearly made, and leave all unnecessary elements behind. The type works to create an environment of extreme legibility. Essential parts of the a, c, e, s, and r are to be found at the x-height line, which is the most important area of a line of text in determining legibility. The Satero Type System includes two members whose basic forms are the same. The Sans Serif members are more horizontally differentiated than common grotesques, which aides their legibility. The Serif design employs asymmetrical serifs, avoiding elephant feet" altogether. Their dynamic is progressive. The condensed nature of the seriffed counterparts is optimal for newspaper and magazine applications, where space is at a premium and paper must be saved. All fonts in the Satero Type System include a number of alternate glyphs, as well as ligatures and proportional lining figures; all weights except the Heavy and Heavy Italic fonts are also equipped with small caps, small cap figures, and oldstyle figures as OpenType features. "
  28. Satero Sans by Linotype, $29.99
    Satero was designed by Prof. Werner Schneider in 2007. Never before have we had so much written material to consume; this is the age of mass-communication. Unfortunately, the decision of which typeface to use is too often made lightly. The typeface is one of the most elementary means of language, and it can play a major role in a text's legibility and the amount of time the reader needs for it. The Satero Type System offers a high degree of legibility due to its dynamic and forms. The individual characters have been based on classical concepts. They are clearly made, and leave all unnecessary elements behind. The type works to create an environment of extreme legibility. Essential parts of the a, c, e, s, and r are to be found at the x-height line, which is the most important area of a line of text in determining legibility. The Satero Type System includes two members whose basic forms are the same. The Sans Serif members are more horizontally differentiated than common grotesques, which aides their legibility. The Serif design employs asymmetrical serifs, avoiding elephant feet" altogether. Their dynamic is progressive. The condensed nature of the seriffed counterparts is optimal for newspaper and magazine applications, where space is at a premium and paper must be saved. All fonts in the Satero Type System include a number of alternate glyphs, as well as ligatures and proportional lining figures; all weights except the Heavy and Heavy Italic fonts are also equipped with small caps, small cap figures, and oldstyle figures as OpenType features. "
  29. Komikandy - Unknown license
  30. 1979 - Unknown license
  31. Kanigara by MaxnorType, $15.00
    Kanigara is a handwritten like monoline typeface. Its signature style is perfect for adding a natural touch to your logos, branding, invitations, covers, and much more!
  32. Agrafie by Linotype, $29.99
    This typeface was developed by Roland John Goulsbra in 1995. Almost like the printing of a child, the irregular forms of Agrafie make a unique impression.
  33. Mosca by Hanoded, $15.00
    Mosca means 'fly' in Spanish - the flying type, not the one in your jeans…). The font is quite lively, loose and elegant at the same time.
  34. LD Funky Scribble by Illustration Ink, $3.00
    Use LD Funky Scribble wherever you'd like to lighten the mood. It's handwritten look is so great for journaling, newsletters, etc. Have fun with Funky Scribble!
  35. Orthotopes by Megami Studios, $7.50
    Orthotopes is reminiscent of that ever-familiar 70s style sci-fi font whose name I cannot recall and probably doesn't look a thing like this anyway.
  36. TXT HunkaSpunk by Illustration Ink, $3.00
    The name says it all. HunkaSpunk is whimsical, eye-catching, and fun. Download and use this cool TrueType font for lively scrapbook journaling and paper crafting.
  37. Bodoni Classic Free Style by Wiescher Design, $39.50
    Bodoni Classic Free Style is my really fat, high contrast free flowing, liberated designed, script-like non-script extension to my ever expanding Bodoni Classic family.
  38. Enixe by Foyezes, $15.00
    This font has the same uppercase and lowercase letters with some modifications on the uppercase letters. I included the modified letters to use however you like.
  39. Breadley Sans by Ardyanatypes, $14.00
    Introducing Breadley Sans, a modern, elegant tagline sans serif type look. This font equipped with 5 levels of thickness, from thin to black suits your needs. Pairs well with modern san serifs and scripts as pictured, or stands strongly on its own as a heading and brand representative for an elegant look. This Breadley Sans overcome with the professional modern characteristic font which could bring elegant and appealing identity to your company for business utilities use like business card, name tag, uniform as brand elevation Advertising usage? sure! This modern Breadley Sans Serif typeface obviously fit to embossed as a letter signboard or even splash it along your office with an elegant look cutting sticker. The type shape of this elegant Breadley Sans, also stunning for books cover or magazine writing You can view all of the available characters in the screenshots above, and you can try out the modern & elegant of Breadley Sans now for any design matter Breadley Sans is also equipped with many languages, so it is easy to use for any country and language usage, and also equipped with Ligatures and alternative stylistic to make your design more attractive. A guide to accessing all alternatives Adobe Photoshop go to Window – glyphs Adobe Illustrator go to Type – glyphs Thank you and have a nice day
  40. Studio Neon by LLW Studio, $22.00
    Studio Neon is an all-caps display font constructed with three rounded-end strokes; the lowercase set is included as a repeat of the uppercase to make setting type just that little bit easier. It’s a modern rendition of neon sign lettering, with a decidedly art deco pedigree, and is intended for use in larger sizes of type, upwards of 36 pt. It’s perfect for a design that wants to imitate neon — use Photoshop layer effects to light it up! I originally started this font with only a few letters, since I could not find a neon-style font made with 3 strokes that looked modern. (Once I started, I found out why. It's a LOT of work!) Most traditional neon fonts include a “bent tube” element in the design; however, not all modern neon signage is constructed with the tubes bent. I also wanted to design a fun font that would have more life than just as an imitation of signage — something to inspire designers who love the geometry of art-deco type. So I made all the corners consistent, with no references to bent tubes. Use this font for any application that needs a bold and decorative look. Studio Neon should work well for sign production and even vinyl cut applications at larger sizes.
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