Fifty Holliwing is a modern classic serif font inspired by a classy eighties magazine with soft curves and a sharp eye for detail that makes it a must for any project that requires high-end. Fifty Holliwing also comes with an italic version that really helps with your designs as well as lots of unique alternatives and ligatures that are really versatile. Include: Regular & Italic Alternates & Ligatures OpenType support Multilingual PUA Encoded.

ITC Stoclet is the work of British designer Phill Grimshaw, an offshoot of the research and experimentation which led to the development of ITC Rennie Mackintosh. It is a condensed, angular typeface, and its sharp angles, swooping curves and long forms are reminiscent of Art Nouveau. The font includes a number of alternative characters which enhance its flexibility. ITC Stoclet is ideal for large, ornamental designs as well as short blocks of text.

Xanakee is a curvacious bubbly fun font, with equal parts pleasant approachableness and a swaggerish strut. Xanakee features large, leisurely curves controlled by the consistency of the monoline stroke. All with a friendly, human voice and confident gait. OpenType versions have a few special features, like some smallcaps and some fanciful swash figures. Purchase it from MyFonts and you'll get TrueType format in your download as well. Also available as web type, too, of course.

Tobias Sergel was the greatest Swedish sculptor and draughtsman of the 18th century. The typeface that carries his name has a sculptural quality, with the white line decorating the stems and curves of the letters. "However," says Bo Berndal, the designer of Sergel, "the general shape of the typeface is timeless". The Sergel fontpack includes four fonts: Regular, Italic, Semibold and Semibold Italic, and is an OpenType typeface for both PC and Mac.

Morthern is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font. With both weights you have two different shapes in terms of uppercase letters that aim to distinguish between title of the letter and the paragraph.

Mango Display is a stylish blend of classic serif fonts with modern serifs with bold curves giving it a traditional groovy vibe, luxury and versatility. Mango Display is made with a high level of legibility and is perfect for nostalgic moodboard projects, vintage logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery and any project. Mango Display Features: Multilanguange PUA Encoded OpenType features Stylistic alternates, ligatures

Britania Vintage is a mix of retro and modern serif font styles, with these tight curves giving traditional groovy, luxury and versatility. Britania Vintage is made with a high degree of legibility and is perfect for nostalgic projects, vintage logos, wedding designs, social media posts, advertisements, product packaging, product designs, labels, photography, watermarks, invitations, stationery and more. Features · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Thank you, Max.co Studio

Qafidut Groovy is a psychedelic-inspired retro typeface with a bold and playful character. It’s ideal for branding, product packaging, or even just to add a little flair to your editorial work. This elegant typography has a simple and contemporary look but with a touch of beautiful simplicity to give a modern feel to every curve of the letter. what are you waiting for start using this font to create your own special project now!

Both fonts of the Remus family are complete redesigns of turn-of-the-century fonts. The regular style is based upon an inhouse design of Schelter & Giesecke in 1889, called Romanisch. This font was adopted by other German foundries and slightly modified and a bold version was added. Due to their proportions, these fonts fit perfectly into narrow columns, and still they are very legible. In January 2023, an Italic style was added. Here too it is recommended to use both ligature features Standard and Discretionary.

We're excited to present to you our new font, "Chelsie Hilton"! A great thing about this font is that it is both chic and legible at the same time. You can confidently use it on such machines as Cricut since its edges are smooth enough and this font will fit just right. When creating this signature font, we took care to make it as crisp and modern as possible. "Chelsie Hilton" is perfect for logos, wedding designs, quotes, cards, stationery, signature, display text, and many more.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Pilot Point is based on an older font found in Dan X. Solo’s book on Circus Type; the designation fits perfectly. The font gets its name from a small town in Northeast Texas, where several scenes from Arthur Penn’s Bonnie and Clyde were filmed. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

"Halloween Plaque" is a Halloween-themed display font with a texture resembling wood. Fonts like this are often used to create an effect that fits the Halloween atmosphere, especially if you want to give your design a vintage or mysterious look. Typically, fonts like these are suitable for creating Halloween signs, decorations, invitations, or other projects that aim to highlight the Halloween ambiance with a unique touch. If you need more information about this font or have specific questions, please feel free to ask!

Chorles Serif Font is a classy display serif font with unique look that is perfect for multipurpose projects. I made Chorles Serif Font inspired by the concept of romantic vibes and made it into a modern yet luxury style. This font is also looks elegant and will fit well in any design and very recommended for logo, crafts, posters, books, branding, quotes, print templates, packaging, invitations, product labels, advertising, wedding project and more. This typeface comes in uppercase, lowercase, with punctuation, symbols, numerals, ligature and stylistic alternates.

'Sandstone' is a signature font. This font deserves to be used as a signature font collection because a natural type signature like this one is very unique and is perfect for modern branding. Perfectly used on website logos, electronic signatures, portfolios and prints for clothes, crafts and other media. The constant, flat strokes of the letters symbolized assertiveness, plus an 'end-swash' to add a sense of absolute and confident judgment. This font is equipped with ligatures to add a natural feel and supports multiple languages

It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there. Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds. Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff. Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well. This is one quill script that no large bird had to die for. A few technical notes The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on. Awards During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.

Kamigoya is a classy font with visual elegance, and smooth curves, making your work look true and attractive. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Gobble gobble gobble! The Gobbler font was drawn with a leaky pen on a napkin at the Modern Cafe in Northeast Minneapolis while the designer, Mister Chank Diesel, was waiting for some pot roast. “Apple cobbler drippings on the napkin add more character to the strokes of each letter,” says Chank. This font was originally named Modern Napkin, a free font released in 1997. Chank completed the character set, fixed some curves, and cleaned up some of the apple cobbler to make a more elegant font in 1999. Gobbler works great for either text or display purposes.

Elvogane is a classy chic font that is both stylish and unique with smooth curves. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Hardly is a delicate and elegant script font with a modern and sophisticated appearance. Its thin letterforms feature fluid strokes and subtle curves, creating a graceful and refined feel. The font is perfect for designs that require a sense of elegance and sophistication, such as wedding invitations, branding, or editorial design. Hardly is a versatile script font that can be used for both body text and headlines, and its delicate yet readable style makes it perfect for a variety of design projects. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

Inspired by the medieval print design, the look of the sans serif typeface is strong and beautiful. It brings charming curves and satisfying patterns to traditional thick fonts. I like to use this font for printed material and titles - the height attracts attention and creates a visually attractive modern medieval feel. Graphemic fonts include two fonts - Regular and Light. Graphemic offers broad language support, upper and lower case letters, extended numbers and punctuation. Specifically suitable for: Posters, Blockbusters, films, trailers, headlines, titles, logos, branding, scripts, display & bold 'goods'. Thank you for viewing! (and more thanks for the purchase)

In every glyph, Genia is lovely and charming. It has a strong, uncompromising style with regulated letterforms and a contemporary edge. Each typeface in the family can stand alone, be lively, and forceful in its own right, and there’s a balance between harsh lines and gentle curves. This typeface also comes with 16 different families to help you create outstanding projects. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Gottera is a condensed font with visual elegance, smooth curves make your work look more attractive. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Couturier font is all about haute couture: classy ready-to-use characters for each project, perfectly drawn curved shapes and well-balanced counterforms. Elegantly embroidered ligatures, alternative glyphs and beautiful swashes give the font an extremely elegant look. Couturier comes in 4 weights, ranging from Regular to Black, with matching italics, resulting in a total of 8 fonts that help you achieve a strong composition in your publishing projects. Its true italics with a humanist feel give each design a chic personality. The font contains a set of more than 1,200 characters that support over 200 languages.

**Delokia** is a condensed font with visual elegance, and smooth curves make your work look true and attractive. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans, or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Introducing **Dafilea** font, a lightweight elegance in romantic curves with a glitchy and fluid aesthetic. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with the script, sans, or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Chofines is a serif font with a retro style that is suitable for a variety of design purposes. Has a very soft curve, looks elegant and attractive when applied to the design. Equipped with opentype features such as Stylistic Alternate and rich Standard Ligature. It can be used in various countries because it supports Multilingual, adding to the maximum power of this font. You will get including: This font includes 2 styles, regular & oblique. It is very profitable to buy the Chofines font. Get it Now ! I hope you enjoy it and thank you. Viaction Type

SmoothSoul is a display sans-serif font with a smooth shape and a retro style characterized by its lack of decorative lines, which gives it a clean and modern-retro appearance. The smooth curves of this font create a sense of fluidity and ease, while the lack of serifs makes it feel relaxed and informal. The retro style of this font is evocative of the 1960s and 70s, with a nod to the playful and carefree design sensibilities of that era. Overall, this font is perfect for conveying a sense of fun and approachability, while still maintaining a sense of professionalism and modernity.

Braga Huis typeface is a font family that is inspired by the famous street in Bandung that was made to embodies the atmosphere and the environment of Netherland-Indie city at its golden time, whereby all the elements were designed to give the impression of structural, artistic, and advance. Braga Huis typeface has a strong Art Deco character, where the impression is depicted from the strong lines, curvy passion so it is very appropriate to describing the future atmosphere from the perspective of the 19th century. Braga Huis typeface has 3 font styles consisting of uppercase, lowercase and various alternative options that can be customize to your taste, poster is one of the media form of presentation that we believe is very appropriate for this type of font. But whatever the medium is, honestly we say; using Braga Huis typeface will make your artwork will never be cracked by time.

Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. This original version is the one that saw the light as a monospaced font student project and which would eventually grow into Vette Letters’ largest font family (see VLNL Neue Sardines). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!

Tondu is a straightforward display typeface inspired by film posters of the early 1900s. Strong upright forms combined with smooth curved details create a clear and bold font ideal for apparel, billboards, books and posters. Tondu is now available as version 2.0 (2021); the remastered version meets higher technical standards that modern-day users demand. Included in the font are over 490 characters, in one heavyweight style. Opentype features consist of digital numerals, lining figures, fractions and language support covering Western, South and Central Europe.

Sobek, the Egyptian crocodile god, comes to life in this font as a striking and impressive set of characters. Somewhat alien and dangerous, Sobek uses sharp corners, excessive lines and geometrically circular curves to create a font that looks both organic and crafted at the same time. Use Sobek when you want your words to stand out from the crowd, and convey the feeling of something Other. Sobek even has support for numerous languages, so you can create interesting forms in many different dialects.

Qiproko is a typeface with semi-modular and geometric shapes. The squared curves remind the shape of the cathode ray tube monitor, giving a retro feel to the characters. It’s unusual stencil version makes a direct reference to the electronic circuit, which gives a very technological aspect. Each font includes OpenType Features such as Tabular Figures and Capital alignement. The fonts have an extended characters set to support Central, Eastern and Western European languages. Qiproko is perfectly suitable for headlines or epigraphs, but works in text too.

Channe is a display serif font. a blend of straight and curved shapes that look contrasting and elegant. Channe has a unique shape on the capital letters "A, B, F, H, P, Q, and several other letters. It also has several ligatures with a unique blend. Channe font is very suitable for use on labels of cosmetics, fashion, jewelry products, and several other products. Also suitable for posters, magazine covers, book covers, business cards, invitations, and several other things that demand a formal and elegant impression.

DrivEddie was an attempt to create a rough, hand-drawn typeface that was quirky but easily readable. It has a few serifs so it is almost but not quite san serif. All vertical stems are curved. For almost 25 years DrivEddie was a one-font family and one-font families often have limited applications. In 2020 I returned to this typeface to increase its possible uses by adding five new styles: italic, semibold, semibold-italic, bold, and bold-italic. I also corrected mistakes and added characters.

Byker is a geometric sans serif font that blends technology with handcrafted skill. The letterforms are constructed digitally from a technical grid and overlaid with handmade curves. The combination of this process creates a strong, organic font that is precise with subtle movement and personality without being too clinical. Details include seven carefully chosen weights with true cursive italics, over 800 characters, alternative lowercase a, e, g and y. Seven variations of numerals, true small caps with accents, ligatures, manually edited kerning and Opentype features.

Semi-condensed sans-serif with expressive curves on the outside and closed on the inside, with diagonal stems to convey modernity and a unique personality. Perfect for titles and headers in graphic and editorial design projects, as well as standing out in digital applications.

Jambo ('hello' in Swahili) is a cute and bouncy typeface. I guess you can say that it is didone-ish in nature, but comic would also be an apt description. Jambo has generous curves, swirls and curls and comes with a jumbo amount of diacritics.

This is an unusual family of 3D designs that will add impact to your design. Due to the modular nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 100 pt and above).

Bertolessi is a Roman face made fun, with a healthy dose of filigree curves thrown into the mix. It's an ideal compliment to our extensive Bertoni family, but can be used anywhere a bit of humour and flair is required. Get with the curls!

Based loosely on a square, this hair line design works best at 24pt and above. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).