A 1940s edition of the Speedball® Lettering Pen instruction book yielded the design that Brushmark JNL is based on. This lettering also lends itself to projects with tropical or jungle themes.

Gettins is a Natural handwriting modern calligraphy font. full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes. 80 ligatures giving realistic hand-lettered style.

Roundpoint Pen JNL is based on instructional lettering found in an old Speedball® Pen textbook. The effect of a round nib pen letter evokes the charm of the 1920s or 1930s.

New to the Great Lakes Lettering library is Mon Voir. Mon Voir is the signature lettering style from Jenna Rainey a talented calligrapher and illustrator and the artist behind Mon Voir studio.

The simple, chamfered lettering of Bike Tag JNL was based on a 1950s-era metal bicycle tag with self-adhesive letters that kids could customize with their name or any short words.

The Bentele-Unziale letters are transcribed from letters drawn by Prof. Ernst Bentele which are displayed in Hoffmanns Schriftatlas (1952). The size of the original is matched when set at 84 pt.

Solidarius is a chubby, friendly typeface which captures the innate legibility of well done felt-tip marker lettering. It's ideal for any poster needing that 'hand-lettered' look combined with optimum legibility.

Pacific Script is a font inspired by an alphabet created by Howard Trafton in the 1930s. However, I felt it needed some changes to bring it to the cutting edge of 21st century font design. Though designed as a display font, it works very successfully in longer passages of text, however, it should not be used in font sizes less than about 15 point. Small x height in contrast to extravagant caps gives the font a very dramatic feel. Though it has cursive qualities, the characters in this font do not connect, making it slightly more legible and less like handwriting. The inclusion of 26 alternate upper case characters give the user the freedom to create a hand crafted design. Language support includes all European character sets.

Gyst is a neo-humanist sans-serif typeface that artfully blends the principles of Grotesque and Antiqua. With its classic uprights and the serifs in its true italics, Gyst spans the arc from a modern humanistic sans serif to a captivating calligraphic serif. Contrasting strokes and luscious, on the other hand razor-edged terminals reflect a sense of grace, thriving at the intersection of geometric precision and flourishing sophistication. Made for body text as well a s display use. In any situation, you will find the autonomous cursive posture to be a perfect playmate for the upright. Gyst Variable is a TTF Variable Font with a weight axis and a whole lot Alternates and Ligatures. Gyst is also available in four static upright and italic weights.

Futuristic, modular, blocked, squarish and modernist KayKhosrow font has got 12 versatile styles! The very first non-cursive Arabic/Persian font which also supports Latin characters as well! You're gonna love how all those different styles are gonna work with each other! For your cover designs, posters, logotypes and any typographic projects, you can count on KayKhosrow fonts! There are 12 of them! Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

The French publication “La Lettre Dans le Decor et La Publicite Modernes” (“The Letter in the Modern Décor and Advertising”) was a 24-page booklet showcasing the then-current trends of the time (circa late 1930s-early 1940s). On one page was found a squared, extra bold sans serif alphabet set with strong Art Nouveau influences, yet it was ahead of its time by taking on the look and feel of 1980s techno typography. They say “everything old is new again”, and Nouveau Techno JNL is now available digitally in both regular and oblique versions.

The 1940s-era hand-lettered title on vintage sheet music for the song hit "Donkey Serenade" had an interpretation of the classic typeface "Broadway" used in a Mexican/Southwest motif with wavy lines cutting through the letters. Adapting Playwright JNL (itself, a hand-lettered interpretation of "Broadway") to this style, the festive design is now a digital typeface called Southwest Serenade JNL.

FeggoliteKeyed has letters on rounded rectangles with shadows. The letter shapes are from a decorative, monospaced font called FeggoliteMono. The typeface contains characters that will add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero-width. A file in the gallery explains the ways that this can be done.

Created for Jim Lee's Wildstorm books, WildWords has proved to be one of our most popular fonts and has been featured in TIME magazine and the LEGO catalog, as well as used to letter thousands of Manga pages. Comicraft fonts are created BY comic book letterers FOR lettering comic books. Accept no substitutes! See this family related to WildWords: Wild Words Lower

Samsheriff is a large sans-serif family with a touch of quirkiness. It contains an eclectic mix of letter styles but is very legible. The origin of this typeface was in the caps-only letters used for the novelty font Coffinated. Adding lower-case letters, additional widths, additional weights, and italics resulted in the 30 styles that make up the Samsheriff family.

This font is about fleeting vision, touch of moments. some letters may be illegible, but their shapes arouses emotions. sometimes in design emotions are more important. our brain can uncode the letter shapes.It includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. The font has bold texture. Thanks and have a great day, Haksen Studio

Bastion is an ultra-bold text-style font derived from some turn of the century hand lettered signage. It is characteristic of the very bold lettering used in a lot of advertising and product packaging in the early 1900s, a style of lettering which was also the inspiration for the Cooper font, though we think Bastion has a much more attractive overall look.

Tropical temptation with Okelani script. Cute hand lettered font inspired by Hawaii islands’ natural beauty and zest. Stylistic alternates gives an additional handmade mood. Your quotes, wedding items would look sooo cute with this font. Also is perfect for social media texts, blogs and much more. Font is Latin multilingual and have uppercase letters, lowercase letters, numbers and basic punctuations.

This font is about fleeting vision, touch of moments. some letters may be illegible, but their shapes arouses emotions. sometimes in design emotions are more important. our brain can uncode the letter shapes.It includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. The font has bold texture. Thanks and have a great day, Haksen Studio

"Hola Easter" is a special Easter display font. This font is very unique with the rabbit ears character on the letters. Equipped with uppercase letters, lowercase letters, uppercase rabbit ears characters, lowercase rabbit ears characters, numerals, punctuations, multilingual support. This font has been specially designed, making it easy to use. The procedure for using fonts is found in the 6th preview.

Xtencil is a typeface inspired by the shapes of the drawing templates letters, based on the letter forms from my teacher Milton Glaser who at the same time was influenced by the modernism of Paul Renner. Xtencil is a round letter to create funny signs, ideal for posters and headlines. Xtencil not come as a drawing template, but as OpenType typography.

The Redikut Letter Company of Hawthorne, California specialized in die-cut cardboard display letters used by sign makers to achieve a three-dimensional effect on show card and display work. A set of these letters purchased by Jeff Levine brought back memories of classic movie houses with their fancy display and lobby cards, and thus was created "Aisle Seats JNL".

Mr. Mixter designed to blend everything with everything. Mix Latin letters with Cyrillic letters, add numbers as letters — just have fun with the mixing process. As a result, you might get a funny and cute Christmas card. Attention! Work only by hand, using the Glyphs menu in Illustrator or InDesign. Look carefully and you will find a lot of fun.

“Mix Dimly” is a modern handwritten font with contextual alternates featur. It is perfect for branding, wedding invites and cards. “Mix Dimly” includes full set of uppercase and lowercase letters, numerals, a large range of punctuation and ligatures. All lowercase letters include ending swashes, that makes the font look fabulous! Also there are lots of stylistic alternatives, making each letter different.

The lettering style of Show Biz JNL is a classic sanserif with Art Deco influences. Slight variations in some letter shapes set it off from similar releases. The basic inspiration for this font was a set of ceramic letters and numbers used for home movie titling, but a few touches were added to give the font its own style and flavor.

A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book. The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s. Fancy Show Card JNL is available in both regular and oblique versions.

Horror/Metal/Punk upper case only font with varied double letters (open type feature). Open type Latin Pro with alternate upper case using the lower case, and varied double letters for an even more genuine handwritten look. (Open type feature.) Ink on paper, carefully and meticulously touched up digitally so that all letters will look good printed in bigger sizes.

Way back in 1996, three student letterers went into the forest looking for the mysterious fonts used to letter Spawn: Blood & Shadows. They never returned. A year later, these fonts were found. And now, over 20 years later, we've updated Wiccan with separate Regular & Bold Special weights, Central Europe & Cyrillic characters, automatically cycling alternate letters and fan-favorite Crossbar I Technology!

Serif is a modern serif font packaged in a modern and classy style, complete with access to your feature to access a large selection of alternative letters and ligatures, the choice of letters you like from various uppercase and lowercase letters for a luxurious impression and elegant appearance. this is equipped with full uppercase, lowercase, numbers and punctuation + Multi-language support

Originally I planned to call this font “pegefinger” which is index finger in danish. Due to the obvious reason that I drew the letters using my “pegefinger” :) Most letters mimic a loose (perhaps even childish) handwriting, but the legibility is never out of hand. I’ve added 5 different versions of each lowercase letter, and they automatically changes as you type!

Xtencil is a typeface inspired by the shapes of the drawing templates letters, based on the letter forms from my teacher Milton Glaser who at the same time was influenced by the modernism of Paul Renner. Xtencil is a round letter to create funny signs, ideal for posters and headlines. Xtencil not come as a drawing template, but as OpenType typography.

This set of four fonts, organized as a font family, consists of toy train cars with letters on them. Upper and lower cases have different typefaces on them, so there are eight different type styles available. Some of the letters on the cars are from Salloon, TiredOfCourier, Glitzy, Qwatick, and PhederFrack. To add variety using more cars without letters, use the XLaserTrain font.

This font is inspired by graffiti calligraphy, it's only block letters in a modern style and more readable. The name "Marins Perdus" is from a novel by Jean-Claude Izzo "Les Marins Perdus", set in Marseille. The letters of "Marins Perdus" have a light inclination to the left, slim letters in a cool style, perfect for a title or a street event.

Type books and lettering manuals of the 1900s were resplendent with examples of chamfered type faces, as this was a popular and simple style of lettering that was easy to reproduce with little effort. Poster Chamfer JNL is one such example taken from one of these turn-of-the-century publications that exemplifies the style as a condensed version of the letters.

Brillig is a loose and informal handwriting font. It comes in four flavors, each of which has a very different feel. Brillig Gimble: more formal in that the characters are interconnected as in cursive script. To further enhance this effect, the characters have been created with a slightly "blobby" pen which provides a suggestion of precision. Brillig Earth: is bold and strong. It is more "down-to-earth" than the other styles, however, the boldness is tempered with quite wispy ends (terminuses) to the characters. It conveys a suggestion of speed and strength. Brillig Aire: is the most delicate and ethereal of the styles. Think of fairies, dandelions and dragonflies and you have an idea of what Brillig Aire conveys. Not only are the characters very light in weight, but they terminate in a wispy, delicate end. In spite of all this, Brillig Aire is very readable and can be used in a variety of contexts. Brillig Brave: is quite like Gimble in its feel with one important difference -- the characters are not connected as in cursive script. Each character stands alone. Brillig Line: is a clean, lightweight style using a mono width line for an informal, handwritten feel. There is a collection of the above four styles that is attractively priced and gives you the ability to use these four fonts in a variety of ways within the same document. The font is particularly useable for the promotion of products aimed at designers of: wedding invitations, party invitations, young clothing ranges, magazines, cosmetic packaging. It has been carefully letterspaced and kerned. All upper and lower case characters, punctuation, numerals and accented characters are present.

Introducing a new vintage font called “Hostel Vintage“. Inspired from vintage typography and lettering in the 70’s and 80’s combine with bold typography style. With a total of 534 glyphs with 359 alternate, you can make letter combinations for lettering with a lot of options. Come with open type feature ( a lot of alternates and end swash), its help you to make great lettering. Hostel Vintage best uses for Logotype, heading,cover, poster, logos, quotes, product packaging, header, merchandise, social media & greeting cards and many more. This font is also support multi language.

ITC Mudville was Christopher Wolff's entry in the 1998 U&lc Type Design Competition, for which he won an Honorable Mention (Display). Mudville evolved from variations on hand-lettering that Wolff had done on a variety of projects over the years. The underlying shapes of the letters are formal roman letterforms, but the actual strokes retain the look of letters sketched casually on a layout. Mudville straddles the line between inline and outline type designs. It recalls some of the styles of popular lettering used in display advertising in the '20s.

The 1914 sign lettering instruction book “Art Alphabets and Lettering” by J. M. Bergling showcased many hand lettered alphabets as an inspiration to both up-and-coming and established sign painters. One page in particular featured a classic free-form Art Nouveau style with rounded shapes. This style of lettering was emulated in the 1960s by designers of rock concert posters, so the style is reminiscent of the Art Nouveau period as well as the 1960s. Old Time Nouveau JNL is available in both regular and oblique versions.

By the late 1920s, lettering and design had already begun to feel the influences of what would become the Art Deco Movement. The sheet music for the 1927 song "Without You Sweetheart" had its title hand lettered in a block style letter with rounded corners – with the exception of the 'S' and 'R' in "Sweetheart"; reflecting design elements of both styles. For consistency, those letters were changed to fit the rest of the design, and the result is the digital font College Nouveau JNL, available in both regular and oblique versions.

Checker is an all-cap ‘three-D’ font which automatically alternates white letters on black tiles with black letters on white tiles, by means of the Contextual Alternates feature. Checker is an attention grabber suitable for logos, titles and short headings. With its tiled construction, it's a natural for colorful interpretation. The letters are properly italicized and back-slanted, and adjusted for maximum readability within the constraints of the font’s concept. The letter style is bold grotesque, so Checker will mix smoothly with any other fonts in a layout.