Lumios is a freehand casual marker script that was created using Pilot Sign Pen. It has both extended Latin and basic Cyrillic support that is enhanced with oodles of ligatures (latin as well as cyrillic) and alternates. As a compliment to the script I also created Lumios Design Elements font that can be useful in brand design, greeting cards design etc. Both fonts were carefully traced by hand and have clean edges, hence they are safe to use in all graphic design software (including but not limited to Adobe Suite, Silhouette and Cricut Design, Affinity Designer etc) as well as on websites. The script is fully unicode mapped. To use it in Silhouette and similar applications that do not support OpenType features (yet), you may need to use your default Mac/Windows software such as Font Book or Character Map to select alternates you need. Lumios Marker is a perfect companion to Lumios Typewriter, sharing the same soft curves and clean letter edges.

🍃Introducing Mailton typeface🍃 The Mailton Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Mailton Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Mailton typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mailton typeface contains 750 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese, In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

hello creatives. Introducing the latest fonts. Pictures Signature are designed to be inspired by a photo wall with signature-like inscriptions, giving a personal and exclusive impression. This typeface is characterized by steep, curved strokes, with some letters appearing to connect to each other as in handwriting. and is suitable for use in various media such as brand names, name logos, magazines, posters and other digital media. FEATURES Uppercase, lowercase. Support Foreign, Numbers and Punctuation. Alternative, Ligatures, Swash. Input Otf, ttf & Woff Files. Works on PC. Simple installation. Accessible in Adobe Illustrator, Adobe Photoshop. Adobe InDesign, it even works in Microsoft Word. Fully accessible without additional design software. Pictures Signatures are encoded with Unicode PUA, which allows full access to all additional characters without having to design any special software. Mac users can use the Font book, and Windows users can use the Character map to view and copy any extra characters to paste into your favorite text editor/app. thank you for visiting ;)

Angel Koziupa was drawing letters for labels since forty years ago, now he meets SudTipos and his beautiful works could be used around the world. Murga is a dance, it’s Latin, it’s carnival....

Milan-based Leftloft studio has produced a third leg to its hit Etica font family: LFT Etica Mono. Meant to be a coder’s go-to font for everyday use as much as a designer’s way to invoke a certain genre, it is part of a broader and more versatile family that already contains almost 80 sans and serif fonts. LFT Etica Mono’s ten weights carry the same modern, recognisable DNA of the Etica family while hewing to the defined requirements of a coding typeface: space, density, distinct forms, and clarity. It uses the same instroke on the ‘c’ and open form of the ‘a’ for which the Etica family is famous, but adds something new in the form of an additional italic style. Monospaced fonts usually incorporate slanted letters as italics, as does LFT Etica Mono, but its default italics have warmer, cursive shapes while the alternate italics are simply slanted. The default ‘a’ is a simplified bowl and stem instead of a two storey shape; the ‘d, f, i, l, t, y’ and others gain an outstroke tail; the ‘e’ is one smooth stroke; and the default ‘k’ is looped. These characters have basic, slanted alternates if the cursive look isn’t desired, and includes a set of arrows and geometric shapes. The monospaced design, by nature, makes the typeface useful in coding and in low readability situations. And how does LFT Etica Mono work from the designer’s perspective? The starting point was the need for a monospaced Etica companion intended for technical applications: captions in graphic layouts, small text, confined or predefined space, and overall tone. Flat terminals and counters maintain the colour and versatility of the original typeface, but choosing between the organic cursive or blunt slanted alphabet will give every layout its own character. Of particular aesthetic interest may be the & and % symbols. Designed to be applied to the common visual environment, the new LFT Etica Mono font family completes a more complex system. One benefit is to give an expressive tone — less serious and more friendly — to something inherently technical, to bytes and bots, to encode the beautiful life.

The Ayres Mono font is a clear and geometric mono-spaced font. It is easily legible and has Regular and Bold variants. It has keyboard friendly characters for drawing curved boxes and tables from the 'curly brackets' characters. These can be laid out in the text with the even spacing. It also features easy to use simple maths and music symbols. Some punctuation marks are made half-spaced along with a half-space key for more layout options. It supports many languages including English, French, Spanish, Italian, Portuguese, German, Dutch, Norwegian, Icelandic, Welsh, Finnish, Polish, Danish, Swedish, Hungarian, and Mauri. It includes symbols such as a tick, card suits and smiley face. The geometric layout is ideal for guitar tablature and text art.

Supria Sans™ and Supria Sans Condensed is an extended family of 36 fonts designed by Hannes von Döhren. It contains two widths, six weights and three styles, including the curvy, feminine Italic as well as the more conventional Oblique. Although it is inspired by the utilitarian clarity of Swiss type design, subtle curves and fine detailing impart a more playful character to the whole Supria Sans family. Supria Sans™ is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages. Supria Sans™ received the “Certificate of Excellence in Type Design” at the TDC2 (2011).

Art deco The inspiration for FS Blake’s elegant, lightly geometric forms can be traced back to design of the 1930s; designer Emanuela Conidi was influenced by the typography of cool, European, art deco posters. FS Blake bears traits of the art deco style, from its thin weights to its heavy weights, giving a set of faces each with their own distinct character, but still with a strong family resemblance. Mechanical type Mechanical and organic shapes combine in FS Blake to create a harmonious whole of generous curves and cursive spikes. A strong, punchy contender in display sizes, it’s also got a gentle touch with small text in lighter weights. Lively, versatile and with plenty of character contrast between weights, the FS Blake family offers impact in whatever task it’s given.faces each with their own distinct character, but still with a strong family resemblance. Sketch book Great fonts still emerge from a combination of hand, paper and pencil. After filling her sketch book with ideas, Emanuela and Jason extracted the elements that both felt could work in a font. The process yielded a whole crop of starting points for future designs as well as a focus for FS Blake as a striking, characterful, almost industrial font.

It could be such frustrating work to find an attractive display font in accordance with your design project. Moreover, a wrong display font will only result in the failure of your design leaving your customers uninterested. However, you should feel no worry as we have the best answer to your problems. Blessed Dreams is a visually attractive display font with soft, gentle nuances caused by the swinging end of the wipes and curves. Each of the letters is interconnected as in the cursive font and the proportions are relatively similar for a legibility reason. Furthermore, you can apply this font, which also provides you with a clipart as a bonus, for big text sizes to be legible. In addition, you may make use of the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Blessed Dreams fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Gaillard is a beautiful display font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. Gaillard come with alternative Rough Variations. Uppercase & Lowercase International Language & Symbols Support Punctuation & Number PUA Unicode Range Standard Stylistic Alternates Stylistic Set Character Variant Contextual.

Letterforms from the 30s, inspired by Bauhaus Bold, combine with super 70s styling to create this disco-era delight. The bold characters, rendered by prismatic multilines, create striking headlines with a strong architectural feel. Both versions of this Pro Series font contain the complete Unicode Latin A character complement, along with extended ligatures and fractions.

The logotype lettering of a 1927 issue of Motion Picture magazine provided the inspiration for this playful romp through the alphabet. Named after an expression of the same time whose origin and meaning are shrouded in mystery. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Lettering on a package of Gibson guitar strings from the 1950s provided the inspiration for this font-on-the-go. If you want to set headlines on a bias, you can rotate the text 20° for best effect. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

This Albert Auspurg offering from 1915 for the German foundry Schelter & Giesecke was originally called Kolibri, or Hummingbird. The design combines formal elegance with a carefree, wide stance, making it a perfect choice for inviting headlines. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Jacob Graffiti is a font inspired by graffiti. In order to reflect the feeling of spray paint, the beginning or the end of the characters show a sense of stroke. When designing this font, to add some fun, a pictorial ligature was specially designed: jacob. And it's on the smile face Unicode block too.

This is a font to build an hebrew Bible (Tanach) or any Hebrew prayer book. Hebrew Classic Tanach has all unicode hebrew marks and others like, ShevaNa, Dagesh Chazak, Qamats Katan and Cholam Chaser. You can even hide marks You don't want to use. This font has a complex and exclusive programmation of opentype features.

Break out the love beads and fire up the lava lamp! Here’s a fresh take on the Artone alphabet, designed by Seymour Chwast in the 1960s. Beefy, bodacious and bottom-heavy, this typeface keeps on truckin' along. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Hoy is a decorative font whose name derives from one of the Orkney Islands. Inspired by the wonderful encounter between the Celtic and Norse cultures in this specific geographic location, the font has adapted some of the features of the Insular half-uncial. It is playful and relaxed, and easily recognizable by its roundness.

»XPress« is a very distinct, expressive, typical new Sans. »XPress« is my new Sans-Serif that impresses – especially in small sizes – with its outstanding readability. Seven precisely calibrated weights from »Thin« to »Heavy« and its corresponding italics make this font-family universally usable. »XPress« got its bearings from the fabulous American »Gothic« fonts of the twenties of last century. Modern, present day elements, high lowercase letters and infinitesimal elegant slight curves in start- and end strokes make the font family not only great for body copy, but also very useful in advertising. »XPress« ist eine individuelle, expressive, typische neue Sans. »XPress« ist meine neue Serifenlose die – speziell in kleinen Schriftgraden – durch aussergewöhnliche Lesbarkeit auffällt. Sieben präzise aufeinander abgestimmte Schnitte von »Thin« bis »Heavy« und dazu passende Kursive machen die Schriftfamilie vielseitig einsatzfähig. »XPress« orientiert sich bewusst an den grossen amerikanischen Groteskschriften der zwanziger Jahre des letzten Jahrhunderts. Durch moderne Formelemente, große Mittellängen und unendlich leichte, elegante An- und Abstriche ist die Schrift jedoch nicht nur als Textschrift, sondern auch im gesamten Bereich der Werbung vielseitig einsetzbar.

Moonlight Shadow is a weird, but surprisingly versatile font. It is curly, messy - yet elegant and comes with all the accents.

A vintage hand lettered sign for a carnival game was the basis for Sign Display Casual JNL, a classic example of the "one stroke" casual text lettering that sets sign painters apart from sign manufacturers.

Introducing new typeface! Hoogy- A modern sans serif with beautiful swash. It has unic construction for the future style. Hoogy Font look clean, luxury, unic, elegant but still has funny taste. Perfectly used for product presentation, elegant logo design, packaging or invitation cards or heading text. Features Two style/ Numbers & Punctuation / Extensive Language Support/ligature and alternate

I have completely redone the spacing in this font, making the sidebearings more conventional. And after replacing the kerning with fresh pairs working together with the new spacing the font looks like a real gem. I love it! The inline version has a wider spacing after the letters CEK = no connecting words. Otherwise just as lovely and retro! Nick Curtis says: "Here’s a strange hybrid: I took the lower case from the formal script font Stuyvesant, straightened out its rather extreme 22° slant, and combined them with caps from the font Bellevue, again making them upright, and adding an inline effect. The result is a font that flows very nicely, with a nice balance between clean lowercase characters and swashy caps. Thanks to Deb Dunbar for naming this font. Fontleroy Brown is the solid version, produced at the request of the King of Ding, Jeff Levine." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Here’s a typeface with a stance as big as Texas. It’s based on Vincent Pacella’s 1960s oeuvre for Photo-Lettering, Inc. called Pacella Vega Extended 10, and named for a county in Central Texas, home of Possum Kingdom Lake. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Asteria is Retro Display Font. This typeface is perfect for various purposes such as Magazine Title, Poster, Logo, T-Shirt, Sub Title, Business cards, Magazines, Book Covers, Wedding Invitations,Templates Instagram Story Post, Greeting Cards, Quotes, etc. Asteria Features: • Uppercase & Lowercase • Alternates • Numerals & Punctuation • Accented characters • Multilingual Support • Unicode PUA Encoded Thanks and have a wonderful day .

Mangal™ is an OpenType font for the Indic script Devanagari. Mangal can be used to write Hindi, Sanskrit, Marathi, Nepali, Punjabi and other Indic scripts. Mangal is based on Unicode, contains TrueType outlines and was designed by Raghunath Joshi for use as a UI font. Copyright ™ 2001 Microsoft Corporation. All rights reserved. Character Set: Latin-1, Devanagari.

Arcuata is a serif font family inspired by 1400 classic roman typeface with soft characteristics. It's featured with some uncial letterforms as alternates, for example in 'a' and 'd' letter, it also has a set of decorative capital letters alternates and ligatures. Arcuata complete family contains 10 styles, consisting of 5 weights from Light to ExtraBold with matching italics.

One in the series of fonts called Whiz-Bang Wood Type, intended to be set large and tight. Gullywasher is distinguished by its unusual letterforms and “pineapple” serifs. The font takes its name from a Texas term for a heavy rain. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Here's another gem from Samuel Welo's perennial classic, The Studio Handbook, originally called Goddard Classic. Welo's inimitable penwork manages to be both worldly and whimsical, and remains as fresh today as when it was first introduced in the 1920s. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

Coverack was inspired by some hand lettering spotted by Dave Nalle on a pub menu blackboard during a recent trip to England. It's in the tradition of Celtic uncial lettering, but is extra bold and has some fantastical embellishments. The name comes from a lovely little town on the Cornish coast where the designer stayed during the trip.

Blushring is a beautiful modern calligraphy font. It comes with some alternates that make the font look beautiful and elegant. It’s perfect for logos, product packaging, wedding invitations, branding, headlines, signage, labels, signature, book covers, posters, quotes and more. And this Font has given PUA Unicode (specially coded fonts). so that all the alternate characters can easily be accessed.

This is a font to build an hebrew Bible (Tanach) or any Hebrew prayer book. Hebrew Esther Tanach has all unicode hebrew marks and others like, ShevaNa, Dagesh Chazak, Qamats Katan and Cholam Chaser. This font has a complex and exclusive programmation of opentype features. This font is very good to read even in small texts

IngyArrows is a set of three fonts with three sets of arrows, with one of them a blend of the other two, where normally there are standard numbers, letters, and punctuation marks. The revision of 2011 added many of the arrows that exist in several places in the unicode codings and that cannot be accessed by normal keystrokes.

Introducing Balicot Sweet! A natural, Handwritten brush font that is written quickly like a signature . Balicot sweet is also very attractive with a fresh look; provide stylish scripts that are guaranteed to add traction to your logo designs, brand image, handwritten quotes, product packaging, merchandise & social media posts. Including alternative characters. Coded with Unicode PUA Thanks for viewing :)

A 1947 timetable for—who’d a-thunk it?—Arizona Airways provided the pattern for this unusual, yet endearing, face. Its Art-Deco-meets-Apache vibe ensures that your headlines will be warmly received. Both versions include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets, as well as localization for Lithuanian, Moldovan and Romanian.