There is no such thing as a talking cat, however, you can often find these in adventures, movies and other stories. At least, now you can have your own font called "Talking Cat", and perhaps even your cat will like it! Mine did! Talking Cat works very well with packaging, toys, posters, postcards or perhaps even flyers - the smoothly rounded edges makes sure your design keeps that handmade look!

Jazz Gothic is a digitization and expansion of an early 1970s film type from Franklin Photolettering called Pinto Flare. This type became an instant titling classic with jazz and soul album designers; then it caught on wildly with film and television designers. Blue Note and Motown would not have been the same without this face. Jazz Gothic is a simple geometric idea, quite likely originally inspired by the heavier display weights of Futura. The resulting product is a versatile message-driver that stands quite strong and cherishes the limelight, yet shows a playful and artistic side within its curvy thick swashes and rebellious unicase forms. In the hands of a good designer, Jazz Gothic eliminates any doubt about the delivery of the message or the attractive purposeful way it is delivered. It is the kind of typeface that loves a design program's bells and whistles. Knock it out of dark or light backgrounds, shade it, mask-alize it, roughen it, stretch it, squeeze it, and the message will still stand larger than life. Jazz Gothic comes in two fonts, a main one with a full character set to accommodate the majority of Latin-based languages, and a second one that contains about 50 alternates and swashed forms. The OpenType version is a single font that has all the alternates and swashes at the disposal of the buttons of OT-savvy program palettes.

Flamingo Plush is something you want to use when you need your statement shouted out! The large, rough and worn letters will do the job for you - all you need to do is write your message! There is a slight difference in upper- and lowercase in a kind of unicase way. Some of the lowercase letters looks a bit more worn, when mixed with uppercase makes the handmade look really stand out! Go for something big, go for Flamingo Plush!

Estimo is an unusual, yet elegant type family of three styles in five weights. Originally developed as upper-case-only family, Estimo was inspired by the works of Bulgarian type and graphic designers in 1980’s. It is characterized by its lack of diagonal strokes (wherever possible), thus experimenting with letterforms without losing legibility. This unique typeface is suitable for all kinds of creative and editorial works, creating impact for headlines of all sizes, as well as readability for text blocks.

The early inspiration designs for Kalpa comes from some old wrist watches dials from an iconic diving watch company. The result is a sharp and sleek design that gives an extremely strong look to the font. Kalpa comes in 4 weights and italics to make it versatile and easy to use on all kinds of media. It is a wise choice for headlines, logos, branding, packaging, publications and websites. The design comes with some alternatives glyphs which enhanced the use of the font and let you customise your letter works. The name comes from a Sanskrit word meaning a relatively long period of time to connect with its early inspirations of wrist watches dials.

Gerolinda has almost 1900 glyphs per weight; with its OpenType features it recreates the feeling of a mid-19th century Italian gentlewoman's handwriting. There are more than 1900 glyphs each weight with 250 variants covering all European accents and a broad choice of numbers: lined, tabular, ordinal, old style, etc. Also ligatures, discretional ligatures, contextual and stylistic alternates, smashes, contestual swashes, stylistic sets and ornaments. (la terminologia la do per buona!) This is a complete font for both editorial and graphic design. Gerolinda font is complemented by Gerolinda Design, dedicated exclusively to upper case letters: around 1,600 glyphs with all the accents. For best results, use of OpenType features is strongly recommend.

I have always been fascinated by the ‘Full English Breakfast’. A Full English usually consists of toast, baked beans, sausages, fried eggs, fried tomatoes, fried mushrooms and sometimes blackpudding (a kind of sausage made from pig’s blood). When I lived in England, my friends were always quite happy to stow away a big full breakfast, but I, on the other hand, could not really set myself to eating one. Full English is a hand made stencil font. If you own a pub and you serve breakfast, you could use it for your signs, but I guess this font looks good on anything that needs a bit of attention. For attention, it will get!

P22 Tuscan Expanded is a digitization of the mid-19th Century Woodtype font "Antique Tuscan Expanded - Wells & Webb 1854". Specimens of this font are rarely, if ever, seen with a lower case. It is noted in the book American Wood Type 1828-1900 by Rob Roy Kelly that the lower case is "missing". This version was digitized from a recently discovered full set including all lower case plus ff ligatures. One unique feature of this design is the heart shape formed in the V, X & Y.

Garcia is a modern take on a Serif-style typeface. I created a serif style but with added contrast and make a contemporary and memorable font. Sharp points mix with smooth curves creating unique glyphs that are perfect for interesting wordmarks and typographic posters.

Hickory is the revival of an old unnamed font dating back to 1852 and was sold through a few different type foundries including Bruce, MacKellar Smiths & Jordan and James Conner's Sons. By the year 1900 this font disappeared from the major type foundries, now with the digital age of type we're proud to revive this old classic font that hasn't been used in over one hundred years. The original font was only available as an uppercase with punctuation and an ampersand. Today the character set has been updated to include a new lowercase, numbers and accented characters for Eastern, Central and Western European countries. Three fill fonts have been created for the Hickory font making it easier for you to add different colors, textures and patterns to the letters. You will need an application that works in layers such as Adobe Photoshop or Illustrator in order to use the fill fonts, some fill fonts may look good as a stand alone font, the Hickory fill fonts however do not look good used apart from the Hickory main font. I hope you enjoy this old font as much as I did making it.

"Welcome to the world of one-of-a-kind typography!" Bhuyin is a display typeface with a totally unique sense of design. Bhuyin is the ideal choice if you need a bold and distinct style for a wide range of visual design tasks. What distinguishes Bhuyin from others? Its attributes are fantastic. With ligatures and alternatives available, Bhuyin allows you to express yourself in an infinite number of ways. You can quickly construct one-of-a-kind letter combinations to lend a particular, personalized touch to any project. Because we understand the value of interacting with a worldwide audience, Bhuyin supports several languages. Your message will be clearly and successfully delivered to individuals all around the world. Are you ready to take your design to the next level? Bhuyin is ready to take your projects to the next level. Get this font now and see how Bhuyin turns every design into an unforgettable work of art.

Mylierka is a Serif Font Family with a modern style. The soft curves are combined with high-contrast glyphs, conveying both feminine and masculine qualities. This font consists of 10 Fonts and 1 Variable Font, with unique ligatures and alternatives. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, and invitations. What do you get: Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even working in Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support. Images used : All photos/images/vectors used in the preview are excluded, for illustration purposes only. Feel free to follow, like and share. Thank you very much for checking my store!

With its solid slab form, mixed with subtle curved terminals, Arbour is a unique font with the versatility to work in many different scenarios, from branding to digital applications. It comes in 7 weights, from a delicate extra-light to a solid, strong black, with matching italics for each upright. Arbour may have a serious look to it but it also has a playful side. The light weights are great for calling out text and the heavy weights are perfect for that new brand you are working on.

Ink Gothic is a contemporary slab serif with a split personality - a mix of heavy industrial with light typographic twists. Unique letterforms evolve the typeface into a class all its own. The Ink Gothic Alt styles add italic letter-styling and cursive loop appeal to the lowercase characters, taking the more refined stylings and giving them an elegant twist adding versatility and beauty. Stylistic Alternates are available for the b & k characters. The Ink Gothic Complete package bundles all of the versatile and elegant styles of the Ink Gothic, Ink Gothic Alt, Ink Gothic 3D, and Ink Gothic Inked typefaces into one powerhouse of a collection.

Hey, friends! I’m here for you with my new colored font Paint Splashes Color Font. All the letters in this font are colored brightly and vividly with colors overlay. Multicolor icon with glow and gradients. Perfect for positive art, children design, vibrant advertising, juice packaging, colorful identity. *You can use color fonts in PS since CC 2017, AI since CC 2018, ID since CC 2019, QuarkXPress since 2018, Pixelmator, Sketch, Affinity Designer Since macOS 10.14 Mojave, Paint.NET Windows only.* *Please note that the Canva doesn't support color fonts!* What's included? * 3 Colored and B&W styles * Numbers * Symbols * Punctuation If you have any questions or issues, please contact me: kaer.pro@gmail.com Best, Roman.

Galak Pro is a modern geometric sans serif family characterized by its simplicity and extensive functionality.consisting of 9 weights ranging from Hairline to Heavy with matching italics. It supports Extended Latin, Cyrillic and Greek. This blend produce a typeface of modern, clean and contemporary appearance that has implicit on its core a classic vibe, nourishing the text with a timeless elegance.In use, the form and function balance of its design allow it freely travel through a diverse range of fields and possibilities like short text settings, brands, headlines or signage systems with grace and naturality. Galak Pro is available in variable font format and in 18 different individual styles (9 weights), with a set of supports over 200 latin languages and including an extensive repertoire of opentype features like small caps, ligatures, stylistic alternates, proportional and tabular figures,and many other resources to please your typographic urges.

Galak Pro is a modern geometric sans serif family characterized by its simplicity and extensive functionality.consisting of 9 weights ranging from Hairline to Heavy with matching italics. It supports Extended Latin, Cyrillic and Greek. This blend produce a typeface of modern, clean and contemporary appearance that has implicit on its core a classic vibe, nourishing the text with a timeless elegance.In use, the form and function balance of its design allow it freely travel through a diverse range of fields and possibilities like short text settings, brands, headlines or signage systems with grace and naturality. Galak Pro is available in variable font format and in 18 different individual styles (9 weights), with a set of supports over 200 latin languages and including an extensive repertoire of opentype features like small caps, ligatures, stylistic alternates, proportional and tabular figures,and many other resources to please your typographic urges.

Breuer Text is a simple geometric sans with relaxed curves and slightly condensed proportions suitable for moderate lengths of body copy. The italics are optically adjusted obliques with a selection of augmented lowercase glyphs for a warmer read. Breuer Text offers the distinct aura of technical precision in a personable tone, ideal for instructional copy or safety warnings. Its basic structure and conservative letterforms maintain a level voice without turning robotic or sterile. Pair with the two-font Breuer Headline family for a simple and complete editorial type system. Breuer Text includes Small Caps, Old Style Figures and Tabular Figures.

Artscript was Sol Hess's "attempt to convert into rigid metal the graceful penmanship of the ancient scribe". This type of script is more common in digital from but when originally released in 1948, it required special handling to avoid breakage. Extensive alternates were added based on original Hess drawings and additional sources. Both versions are combined into the Opentype version along with an expanded Central European character set as well as ligatures, Swash/Alternates, fractions, superior/inferior numerals and ornaments.

Based on the handwriting of the eminent Dutch typographer Alexander Verberne, Julius de Goede's Xander typeface manages to be both sophisticated and whimsical. This monoline connecting script dances across the page with the grace of a ballerina. An accomplished graphic designer and writer of more than 20 books on calligraphy, de Goede's lettering skills are evident in this careful translation of casual handwriting into a lighthearted, affable typeface family. Like a warm breeze on a spring day, Xander is fresh and welcome.

Beatrice Script is a modern script, full of personality and curves. This font was designed to give natural handwritten look in a digital world. Perfect for any awesome project that need hand writing taste. And good for pairing with Sans or Serif This is suitable for quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, branding, advertisement, album covers, business cards, clothing, magazines, posters, and more! Also support multilingual. As usual ,the font comes with many opentype features such as Alternates,Ligature and underline. Also support multilingual. You can access all those alternate characters by using Opentype or Glyph program such as Adobe Illustrator cs,Adobe Photosop cc, Adobe InDesign, etc. Thanks for checking out this font. I hope you enjoy it! AminMario

Pure and not-so-simple Maybe it’s the air of purity, openness and transparency that they transmit, but geometric typefaces are more popular than ever among leading brands. Based on near-perfect circles, triangles and squares, geometric letterforms look uncomplicated, even though making them readable is anything but – something the designers of the first wave of geometric fonts discovered nearly a century ago. Many of the world’s most recognisable brands in technology, retail, travel, food, manufacturing and other industries continue to be drawn to the straightforward, honest character that geometric fonts convey. Fontsmith set out in 2015 to develop a typeface in the same tradition, but optimised for the demands of modern brands – online and offline usage, readability and accessibility. And, of course, with the all-important Fontsmith x-factor built in. FS Lucas is the bold and deceptively simple result. Handle with care The letterforms of FS Lucas are round and generous, along the lines of Trajan Column lettering stripped of its serifs. But beware their thorns. Their designer, Stuart de Rozario, who also crafted the award-winning FS Millbank, wanted a contrast between spiky and soft, giving sharp apexes to the more angular letterforms, such as A, M, N, v, w and z. Among his inspirations were the colourful, geometric compositions of Frank Stella, the 1920s art deco poster designs of AM Cassandre, and the triangular cosmic element symbol, which led him to tackle the capital A first, instead of the usual H. The proportions and angles of the triangular form would set the template for many of the other characters. It was this form, and the light-scattering effects of triangular prisms, that lit the path to a name for the typeface: Lucas is derived from lux, the Latin word for light. Recommended reading Early geometric typefaces were accused of putting mathematical integrity before readability. FS Lucas achieves the trick of appearing geometric, while taking the edge off elements that make reading difficult. Perfectly circlular shapes don’t read well. The way around that is to slightly thicken the vertical strokes, and pull out the curves at the corners to compensate; the O and o of FS Lucas are optical illusions. Pointed apexes aren’t as sharp as they look; the flattened tips are an essential design feature. And distinctive details such as the open terminals of the c, e, f, g, j, r and s, and the x-height bar on the i and j, aid legibility, especially on-screen. These and many other features, the product of sketching the letterforms in the first instance by hand rather than mapping them out mechanically by computer, give FS Lucas the built-in humanity and character that make it a better, easier read all-round. Marks of distinction Unlike some of its more buttoned-up geometric bedfellows, FS Lucas can’t contain its natural personality and quirks: the flick of the foot of the l, for example, and the flattish tail on the g and j. The unusual bar on the J improves character recognition, and the G is circular, without a straight stem. There’s a touch of Fontsmith about the t, too, with the curve across the left cross section in the lighter weights, and the ampersand is one of a kind. There’s a lot to like about Lucas. With its 9 weights, perfect proportions and soft but spiky take on the classic geometric font, it’s a typeface that could light up any brand.

Pure and not-so-simple Maybe it’s the air of purity, openness and transparency that they transmit, but geometric typefaces are more popular than ever among leading brands. Based on near-perfect circles, triangles and squares, geometric letterforms look uncomplicated, even though making them readable is anything but – something the designers of the first wave of geometric fonts discovered nearly a century ago. Many of the world’s most recognisable brands in technology, retail, travel, food, manufacturing and other industries continue to be drawn to the straightforward, honest character that geometric fonts convey. Fontsmith set out in 2015 to develop a typeface in the same tradition, but optimised for the demands of modern brands – online and offline usage, readability and accessibility. And, of course, with the all-important Fontsmith x-factor built in. FS Lucas is the bold and deceptively simple result. Handle with care The letterforms of FS Lucas are round and generous, along the lines of Trajan Column lettering stripped of its serifs. But beware their thorns. Their designer, Stuart de Rozario, who also crafted the award-winning FS Millbank, wanted a contrast between spiky and soft, giving sharp apexes to the more angular letterforms, such as A, M, N, v, w and z. Among his inspirations were the colourful, geometric compositions of Frank Stella, the 1920s art deco poster designs of AM Cassandre, and the triangular cosmic element symbol, which led him to tackle the capital A first, instead of the usual H. The proportions and angles of the triangular form would set the template for many of the other characters. It was this form, and the light-scattering effects of triangular prisms, that lit the path to a name for the typeface: Lucas is derived from lux, the Latin word for light. Recommended reading Early geometric typefaces were accused of putting mathematical integrity before readability. FS Lucas achieves the trick of appearing geometric, while taking the edge off elements that make reading difficult. Perfectly circlular shapes don’t read well. The way around that is to slightly thicken the vertical strokes, and pull out the curves at the corners to compensate; the O and o of FS Lucas are optical illusions. Pointed apexes aren’t as sharp as they look; the flattened tips are an essential design feature. And distinctive details such as the open terminals of the c, e, f, g, j, r and s, and the x-height bar on the i and j, aid legibility, especially on-screen. These and many other features, the product of sketching the letterforms in the first instance by hand rather than mapping them out mechanically by computer, give FS Lucas the built-in humanity and character that make it a better, easier read all-round. Marks of distinction Unlike some of its more buttoned-up geometric bedfellows, FS Lucas can’t contain its natural personality and quirks: the flick of the foot of the l, for example, and the flattish tail on the g and j. The unusual bar on the J improves character recognition, and the G is circular, without a straight stem. There’s a touch of Fontsmith about the t, too, with the curve across the left cross section in the lighter weights, and the ampersand is one of a kind. There’s a lot to like about Lucas. With its 9 weights, perfect proportions and soft but spiky take on the classic geometric font, it’s a typeface that could light up any brand.

Introducing Astogria Bejha! Astogria Bejha is modern hand-drawn brush font that combines attractive curves with a fresh urban edge; delivering a stylish brush font that is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise, social media post, or website font. Features: Uppercase and Lowercase Number and Punctuation Ligature Stylistic Alternate Swash Versatile for branding, headline, or printing product Detailed dry brush markers I hope you enjoy this font. If you have questions, don't hesitate to give me a message Thank You!

Introducing The Brother Hoops! The Brother Hoops is strong hand-drawn brush font that combines attractive curves with a fresh urban edge; delivering a stylish brush font that is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise, social media post, or website font. Features: Uppercase and Lowercase Number and Punctuation Ligature Extra Swash Versatile for branding, headline, or printing product Detailed dry brush markers I hope you enjoy this font. If you have questions, don't hesitate to give me a message

Mirielle is curvy yet angular at the same time. Whimsical yet orderly. As with all Typadelic fonts, this script typeface is unique and original, with a playful twist.

Bikra Plain and Bikra Stencil are tough and curve-less fonts.

Geometric stencil font completely based on curved lines. Soft techno style.

Intuitive freestyle handwriting font, with unique emphasizes on curves and rhythm.

Texas Chili is a modified version of our Philadelphian font family. With Texas Chili we've squared the curved inside brackets from the Philadelphian font which helps open up the inside of some letters for a sharper appearance. The Texas Chili font family also includes a Unicase i that's balanced to the weight of the uppercase. You need an application such as Adobe Creative Suite or any other Opentype aware program to access the alternate Unicase i in the Chili font family.

Kayto Script is the second collaboration of Erwin Indrawan as the calligrapher and Dexsar Harry Anugrah of Majestype as the typeface designer. Today the resurgence of calligraphy has reached the summit, with social media as the vehicle, we are now familiar with many styles of calligraphy. One of the popular styles is brush lettering, especially the pointed brush calligraphy. Kayto Script is an exploration in pointed brush calligraphy. It’s an interpretation of modern brush calligraphy that combines cursive writing with the East Asian calligraphy flair. Kayto is made with a real brush and held perpendicular to the paper so the brush can twist and turn freely to follow the movement of the hand. This technique gives a natural gesture and energetic look to the strokes. Kayto has a unique rhythm of brush pressure to generate the thick-and-thin strokes... the beating heart of brush calligraphy. Instead of the mechanical thick-and-thin strokes like the regular calligraphy, Kayto is written with a lot of variety of pressure that is somewhat melodic but still conform with the discipline. The result is a script that feels personal and characterized with lively energy. And just like handwriting, every letter in Kayto script is crafted with many varieties of glyphs and ligatures to make an unlimited combination of personalized lettering. Because of its natural letterforms, Kayto Script is best suited to complement anything that is earthy or has nature as the ground. Erwin, the calligrapher, has used Kayto in many of his watercolor illustrations. Another ideas are wedding names on invitations or place cards, logo for any natural products, inspirational quotes, business cards and the list goes on... but in the end, if you wish for something personal and truly one of a kind then Kayto script the one you want. Also, Kayto offer a free version called "Kayto Doodles" designed by Adiet Pramudya.

Ready to elevate your design? For a dramatic design result, you can take it up a notch with our lovely font, Rivage. It is an elegant sans serif font. This font is quite enigmatic, in that its geometric but also has an open curves. The result is a font that looks friendly and professional at the same time. Also, Rivage is versatile enough to be used on tittle or body text. Features: Stylistic Sets Ligatures Alternates Multilingual Supports Numerals and Punctuation It can be used for branding, logos, social media quotes, stickers, posters, vintage designs, wall art, merchandise, social media, and many more. Get more inspiration by seeing the preview. Thank you for purchasing our premium fonts! Happy Designing!

Do you want to create the vintage mood for your design? Blacklunar is set to captivate. Truly a style statement script font for your vintage vibes that will make heads turn. It's easy to read and works equally good as well in header and body text. The curvy and unique strokes at some particular characters give this font the sense of vintage. Even more, this font has fascinating features that helps you maximize your design. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuation It is perfect to be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Biens dailymo is elegant serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Burnt anchor is clean serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. A font that is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Merino Equil is classic serif fonts with visual elegance, smooth curves, and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logos, branding, magazine, photography, card, product packaging, mugs, quotes, poster, labels, signatures, and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Arniek is beautiful fonts with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.

Boniar is vintage font with visual elegance, smooth curves and beautiful ligatures clear, making your work look true and attractive. A very versatile font that works in both large and small sizes. This font is suitable for a wide variety of projects such as invitations, logo, branding, magazine, photography, card, product packaging, mugs, quotes, poster, label, signature and more. Font which is perfect for all business sectors including personal projects, studio, corporate, creative agency, industrial, company, etc.