Name says it all! Just a basic character set. Uppercase, lowercase & numbers only.

This one is just for fun. I named it after my cat, Gwendolyn.

Designer Nick Curtis found the inspiration for this typeface on a 1920s poster for a German bookseller, by Berlin poster artist Paul Scheurich. ITC Jeepers retains the spontaneity and playfulness of Scheurich's original lettering and adds a few surprises of its own, one being the somewhat exclamatory ear on the lowercase "g". It was, in fact, the excited look of this particular character that gave rise to the font's name. Not to be outdone, the exclamation point takes on an even more startling demeanor. The monoweight, slab serif design has a friendly personality, perfect for headlines and other display uses.

Poetica font was designed by Robert Slimbach in 1992 with particularly generous characters. The typeface family consists of 21 weights to allow for an unusual variety of design possibilities within one typeface family. Numerous swash letters, ornaments and ligatures remind one of the early Renaissance and its unforgettable masters, for example, Giambattista Palatino, who later gave his name to Hermann Zapf's creation. Slimbach used the Lettera Cancellaresca as a model for his typeface, the cultivated humanistic italic which later served as a point of departure for the development of italics of the Renaissance and thereafter. Lettera Cancellaresca is very legible, extremely harmonic and impressively beautiful. The early forms display two different compositional tendencies, namely the static of the simple vertical capitals and the italic dynamic of the slanted lower case alphabet, as shown in the weight Chancery 4. The capitals later conform to the slant of the lower case, as shown in the weights Chancery 1-3. Poetica font should be set according to the included suggestion in order to see the full benefit of its grace and beauty.

P22 Virginian is an historic script font designed by Ted Staunton for his historic novel centered around a family bible and the handwritten annotation through 7 generations. The Virginian font is strongly influenced by classic “Chancery cursive” script.

Based upon Riedingerschrift, cut by Franz Riedinger for Benj. Krebs Succ. in Frankfurt am Main in 1906, here come Ridinger Std and its extended version, Ridinger Pro. An elegant cursive font which also includes various adorning swash strokes.

Based upon Riedingerschrift, cut by Franz Riedinger for Benj. Krebs Succ. in Frankfurt am Main in 1906, here come Ridinger Std and its extended version, Ridinger Pro. An elegant cursive font which also includes various adorning swash strokes.

A cursive style script based on a writing system devised by J.R.R. Tolkien, also known as the Tengwar of Feanor, used for many languages in Middle-earth. NOTE: this font comes with an interpretation guide in pdf format.

Zanardini it’s a bold serif display font with a high contrast between the stem width and between sharp and curvy terminals and slab / egyptian serifs. All the glyphs was freehand drawn so the curves are strong and they create more interesting shapes in the negative space between the letters. Use it irresponsibly!

The Alexander font family was designed by Adam Roe for Lunchbox design. Alexander was released in 1993.

Straker is named after the beige Nehru-collared commander in Gerry Anderson's masterpiece, UFO.

Zena is an Arabetic typeface design with visually connected glyphs, named for designer’s younger daughter, Zena, for her twelfth birthday. Zena follows the guidelines of the Mutamathil Taqlidi type style with one glyph for every basic Arabic Unicode character or letter, as defined in Unicode Standards, and one additional final form glyph for each Arabic letter that can connect with other letters from both sides in traditional cursive Arabic strings. Zena employs variable x-height values. It includes all required Lam-Alif ligatures and selected marks. Tatweel (or Kashida) glyph is a zero width space. Keying it before any glyph will display that glyph isolated form, if desired. Keying Tatweel before Alif Lam Lam Ha will display the Allah ligature. The Zena typeface family includes both Arabic and Arabic-Indic numerals; all required diacritic marks, in addition to Standard English keyboard punctuations and major currency symbols. Zena is available in regular and italic (slated to the left) styles.

Cinnabar Brush is a font named after a mineral - mercury sulfide to be precise. I quite like the name and the color, so naming a font after it made sense. Cinnabar Brush is a very bold, very outspoken brush font. It is all caps, but upper and lower case glyphs differ and can be mixed. It is a bit on the heavy side, so I wouldn't set a text in it. Use Cinnabar Brush for posters, book covers, T-shirts and the like. Comes with a mother lode of diacritics.

The hand-lettered title, cast and crew credits for 1943's "Presenting Lily Mars" (starring Judy Garland and Van Heflin) inspired Pocatello JNL, but the name of this typeface has another Judy Garland connection. In the 1954 remake of "A Star is Born", Judy sings of being born in a trunk in a theater located in Pocatello, Idaho. The name of this Midwest town had such a great sound to it, so it was the perfect choice for the font's name. Available in regular, oblique, bold and bold oblique versions.

Gulyesa script font is a handwriting typeface. It offers stylish alternatives at the first and last letters of the words. In addition to that the font contains a great number of alternates as stylistic, titling, contextual alternates... Also it contains Swashes, Oldstyle Figures and Ornaments. Gulyesa script font is a stylish handwriting font that can be used in everywhere the designers choose and admire. The name of Gulyesa Script Font consists two words; gul means Rose and yesa means a praised person. The name comes from my dear daughter's name.

Ragnar can be called a typeface for compact typography. It is loosely related to the Saga typeface in many ways, even including its name. During discussing on what Saga should be called, the name "Ragnarök" (Twilight of the Gods) was humorously suggested. "Ragnarök" would of course have been unsuitable, since it uses a letter with a diacritic sign, and in many computer systems, that is a deadly sin. But the shorter form, Ragnar, was kept in mind, and later used for this typeface. Additionally, Ragnar is a common male Scandinavian name.

Rooted Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce. Britishness FS Elliot came out of a desire to create something squarely in the British modernist tradition, drawing on influences such as Design Research Unit’s portfolio of type for famous British brands and products, and Margaret Calvert and Jock Kinneir’s work on the British road sign system. Nick Job took the openness and simplicity of that style and injected warmth and wide appeal, coming up with a highly practical, multi-purpose family of faces. Enduring appeal “The great thing about having an eye on the future,” says designer Nick Job, “is that most of it is unknown. It’s what encourages us to take risks. And it leaves an uncertainty which, I believe, gives the best work its enduring appeal.” FS Elliot is available in a Pro version with full language support and a full range of Roman, Cyrillic and Greek weights.

Rooted Rooted in 1960s Brit modernism and infused with a fresh, contemporary spirit, FS Elliot is a future-proof, workhorse sans serif, well-suited to any assignment. Open and harmonious, its clear, fluid shapes lend words a distinctive and optimistic bounce. Britishness FS Elliot came out of a desire to create something squarely in the British modernist tradition, drawing on influences such as Design Research Unit’s portfolio of type for famous British brands and products, and Margaret Calvert and Jock Kinneir’s work on the British road sign system. Nick Job took the openness and simplicity of that style and injected warmth and wide appeal, coming up with a highly practical, multi-purpose family of faces. Enduring appeal “The great thing about having an eye on the future,” says designer Nick Job, “is that most of it is unknown. It’s what encourages us to take risks. And it leaves an uncertainty which, I believe, gives the best work its enduring appeal.” FS Elliot is available in a Pro version with full language support and a full range of Roman, Cyrillic and Greek weights.

ARTIST HAND is a bold, informal script inspired by artistic handwriting. The font radiates confidence, is largely cursive, and contains glyphs that are friendly, familiar and highly legible. Artist Hand contains a full complement of Latin Extended-A characters.

Boomtown is a bold, slightly cursive font for advertising, headlines, packaging design, signposts or posters. Although it is highly constructed, it has some handwriting attributes, too. An italic font is in my planning and maybe a light style, too.

Write is a handwriting font, more like neat print than a flowing cursive script, which renders it highly readable and almost like a formal font, but still retaining the informality of handwriting. Also there are some "special effects" varieties.

Amsterdam Belmonteria is a delicate and cursive handwritten font. This gentle font will look gorgeous on a variety of design ideas. This font is PUA encoded which means you can access all of the glyphs and swashes with ease!