Periódico (newspaper in Spanish), was originally commissioned by the Spanish daily newspaper ABC. Inspired by old Spanish typographic engravings, mostly from the second half of the 18th Century, we picked out the most relevant details of Spanish typography as the source of that inspiration, and instead of making a revival or an interpretation of these models, we started from scratch to create a truly original font family. The goal was to achieve a very distinctive family, functional and versatile at the same time, and reminiscent of old Spanish typography. Although we have borrowed many details from the old Spanish typography, like the nail, which is present in the letters U, G, or J, which we worked and evolved in order to be applied on other letters, we have also left behind several others. One example is the tilde of the ñ engraved by Gerónimo Gil, a very distinctive element of Spanish typography that was intentionally omitted for being too atypical to be used in a contemporary font.  The letters a and g are probably the most distinctive of the Periódico family. The shape of the bowl in the letter a, with the top arch in diagonal position, is very characteristic of old Spanish types. In Periódico, we emphasized this detail by applying it to many other letters (such as g, j, and t) up to a point that it became the leitmotiv of this family. The formal finish of serifs and terminals is something that gives great personality to any typeface, so we came up with plenty of alternatives in order to find the exact shape we wanted: sober, elegant, and contemporary. Even though the serifs are geometric, the upper terminals have a curve with a dynamic very similar to the arch in the a or the notch in the j. The terminals in the capitals follow the same style, but, in this case, the inspiration comes from Pradell’s Missal, which on the other hand has been influenced by the types engraved by Johann Michael Fleischman in the Netherlands. Eighteenth-Century types were mostly used for printing books. Therefore, they had very generous proportions (large ascendents and descendants) and high contrast, but today, these characteristics do not work well in newspapers because of the worldwide demand for more space-saving fonts. The adaptation of the type’s proportions to be used for a newspaper was one of the most interesting parts of the project, specially the time taken to find the perfect balance between the x height\ and legibility. Periódico is presented in 30 different styles, for a total of 30 fonts—10 for text (from Light to Bold) and 20 for display sizes (from Thin to Ultra Black); this family results in an extensive system capable of solving all the needs of a large publication.

Cenzo Flare is a mixture of modern sans serif base with a touch of flare to it. The inspiration is drawn from all kinds of old Americana advertising, Italian posters, old century logos and signs. All that plus the strong trend on retro fonts now displayed on tv series and current music imagery results on Cenzo Flare. A typeface designed for headlines, posters, advertising and corporate identity. With its appealing curvy smooth edges it is sure to catch the eye. Also enjoy multiple styles that work on their own or as overlapping layers with the InLine & Line variants to create colorful designs. This 40 font family consists of four 5-weight subfamilies: Regular, InLine, Line & Condensed. All of them with matching italics. Designed with powerful opentype features, each weight includes alternate characters to play with, extended language support and many more. We’re proud to introduce: Cenzo Flare. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

Inspired by painted letters of Otto Heim, "Tombola" reflects in a charming way the feelings of the Roaring Twenties, especially in advertisement and in the creation of posters.

Interesting script font with lovely crunchy details - comes with multilingual support and contextual alternates with 4 different versions of each letter, and they cycle automatically as you type!

Stencil-like lettering appearing on a 1930s WPA (Works Progress Administration) poster for the Pennsylvania Game Commission saying “Protect Our Birds” is the basis for Fall Fashion JNL.

Hi! Introducing calligraphic font named "Megawatt". It's a script with connected letters, lots of characters including West European languages support and few ligatures. Thank you and have fun!

An interesting hand lettered sans serif type style with a “brush stroke” feel was used for various article headlines in the October, 1938 issue of “Radio Stars” magazine.

Its handmade, playful and super useful for anything that needs a fun and handmade twist! I have added 3 different versions of each letter and multilingual support - enjoy!

The perfect font for coupon clippers has arrived with Sentzoff Coupon JNL by Jeff Levine. The dashed lines form letters in the same way a coupon is bordered.

LHF Ridgecrest is a serious style for serious designs. Narrow letters make it ideal for book and movie titles. Font includes lowercase and several alternates for maximum flexibility.

Madison is a classic slab serif stencil typeface. It is reminiscent of the days before computers when the best way to reproduce letters quickly was to stencil them.

The hand lettering on a World War I recruitment poster for the French Air Service inspired French Nouveau JNL, which is available in both regular and oblique versions.

Fun bunting style lettering. Best when used with multiple layers to create a stacked, dimensional look. Use () {} [] to create end pieces and _ (underscore) to connect the end pieces.

Petra is a classic fantasy kingdom font that has bold and consistent lines in every letter, this font symbolizes strength and screams from the bottom of the heart.

All Over Again is a messy, scratchy script that looks like someone wrote a lengthy letter, realized he had screwed up and had to start all over again.

The hand lettering found throughout the movie trailer for 1942's "Mr. and Mrs. North" inspired Criminal Intent JNL, which is available in both regular and oblique versions.

Clarence pro, is a version with many alternatives such as ligatures and alternatives in letters, it also contains the Greek and Cyrillic alphabet, especially for children and teenagers!

Kombuca font is handwritten with a casual impression, supported by the ss01 feature which adds diversity to the anatomy of letters, suitable for use in casual themed designs.

A slightly wild brush script suitable for posters! Comes with contextual alternates - meaning the font has 5 different versions of each letter, which automatically cycles as you type!

Adrian Frutiger’s distinguished and successful 1966 design for the European Computer Manufacturers’ Association improving readability of letters for both machines and humans. OCR-B is replacing OCR-A.

Kids Activities JNL is based on the hand lettering found on the covers of some 1955 Cub Scouts activity books. It's available in both regular and oblique versions.

The Arts And Crafts-GS font is loosely inspired by the lettering of Charles Rennie Mackintosh (1868 - 1928) of the Glasgow School, from which Jessie receive her training.

Syndication JNL was derived from Outline Sans JNL. By removing the outer letters, a thinner character set remained. This typeface is available in both regular and oblique versions.

Corrente, named aptly for its “electric” letter shading (“corrente” is Italian for “current” (electrical)) will add a little spark to your works. Corrente’s “Dagger” glyphs are lightning bolts!

Mondiale is a three-flavor unicase family with a tasty hand drawn feel. It contains uppercase letters and uses the lowercase as variations, providing flexibility for your designs.

Diamante Robusto Font is my new font, where all the letters came out of this strange shape created without intention of being the inspiration for this new font.

Generous is painted with a somewhat dry brush. That's why it looks so authentic! Comes with contextual alternates (7 different versions of each letter!) and multiple language support!

SG - TAKIMON is a display typeface with variable weight. SG Takimon has uppercase and lowercase letters. It’s fun, pop, and playful! Stay pop and inspiring! Regards, Studio Gulden.

Classic & clean tag style lettering that's easy to read & flexible. Mad Props includes 2 full alphabets, full numbers, punctuation & other symbols. This style works well with outlines & effects.

Aliman is a simple and neat lettered handwritten font. Add this font to your creative ideas and notice how it will make them stand out! All Caps fonts.

Qasiru is a messy handwriting font with a theme of fun and love, it has bold and irregular lines, but fits perfectly in the whole lettering. Thank you

A sort of latin inspired and hand scribbled font. Comes with ligatures for double letters. You will need to use OpenType supporting applications to use the auto-ligatures.

Balkerious is a modern elegant font. Font with a touch of classy elements. Perfect for logos, headlines, cards, invites, paragraphs, cover photos, web design, lettering, and other designs.

Don’t go for the fonts with all that fancy flare. You want something classy and timeless. A font that tips the hat to the old school hand letterers.

Tooned Out JNL gives a serif treatment to the cartoon-inspired lettering of Toon-In JNL. Both fonts are great for any casual or fun messages or themes.

A super-fun handwritten display font for titles. Intended to be used as all capital letters together, all lowercase together, or a mix for a super playful look.

Window Sign JNL is a solidified re-working of Sign Stencil JNL; originally modeled from some vintage lettering stencils that were part of a store sign making kit.

Inspired by early 1900s engraved stationary lettering, Varet Gothic Soft is a grotesque with a subtle texture, ideal for display typography, advertising, logos, invitations, stationary, posters, and banners.

Inspired by ancient carved writings, Vexilla is born from the XXXIV Chant of the Dante's Inferno. A full-caps typeface suitable for various projects, display lettering and posters.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.