Cilcle TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Cilcle TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Cilcle TwoLetter Thin Cilcle TwoLetter Extralight Cilcle TwoLetter Light Cilcle TwoLetter Regular Cilcle TwoLetter Medium Cilcle TwoLetter Semibold Cilcle TwoLetter Bold Cilcle TwoLetter Extra Bold Cilcle TwoLetter Black Hope you enjoy. Intuisi Creative

A modern neo-grotesque typeface. Having grown up in Sheffield and been completely immersed in the work of The Designers Republic I became very drawn to their treatment of Helvetica, especially the close tracking of the letter space. This visual investigation led me to the study of the font Hass Unica, a so called improvement to Helvetica. In order not to replicate and become a clone of Unica I redrew all the characters from scratch improving optical appearance, developing subtle corrections and reshaping individual letterforms. The result is a remixed neo-grotesque font that has strong general optical balance with great rhythm under close tracking. Details include 10 weights, an extended European character set, true italic, manually edited kerning and Euro symbol.

Pentagram TwoLetter Monogram Logo Font Family with OpenType magic that can adjust to front and back letters, there are 10 frame variations that you can access at numbers 0-9 how to activate it simply by adding a number in front of your initials, typing something (0AB - 9AB) it will automatically compose . you can use it on any Logo project it is perfect to add to your collection. Pentagram TwoLetter font FAMILY – includes 9 weights (Thin, Extra light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Black) : Pentagram TwoLetter Thin Pentagram TwoLetter Extralight Pentagram TwoLetter Light Pentagram TwoLetter Regular Pentagram TwoLetter Medium Pentagram TwoLetter Semibold Pentagram TwoLetter Bold Pentagram TwoLetter Extra Bold Pentagram TwoLetter Black Hope you enjoy. Intuisi Creative

German type designer Verena Gerlach created this display and sans FontFont between 1999 and 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Karbid provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid Display, FF Karbid Slab, and FF Karbid Text.

Elegant, graceful and timeless. Astorica is a versatile font family with timeless classic appeal, has alternatives & ligatures, multilingual support, (And we think this is our best work so far!) Each letter has been hand-drawn and made with great care. Weight variations provide a variety of options that will help you find the best typographic character for your project. All 6 weights are perfect for big screen use and high impact headlines. The binding and style alternatives available offer a number of different options that give your logo or business card a unique look. FEATURE 6 loads of Astorica High contrast 41 ligatures per capital letter weight and 30 Ligatures per lower case weight 10 alternate glyphs per weight Comprehensive language support Stay sweet, Sweetest Thing

Vaccine Sans is a humanist sans-serif font family with soft terminals, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in setting and delicate and soft in appearance. This design peculiarity, together with very low contrast, produces a range of qualities needed for small sizes, low quality print and bad reading conditions. Vaccine Sans has a modern stylish design and takes its rightful place among popular faces. The family consists of 10 members — five weights with the corresponding italics. It can be used in a wide range of applications — magazines, advertising, corporate identity, urban navigation, packaging, children books, etc. Designed by Manvel Shmavonyan with the participation of Alexandra Korolkova and Gayaneh Bagdasaryan.

AS Palmer Script & Sans This pair was inspired by the spirit of the past, when manual labor was common, and technology was just beginning to develop. It was crafted by hand specially for traditional typography lovers and anyone who want to add natural handmade feeling in brand identity. It comes with Regular and Aged versions that expands its posibilities in use. Opentype features Script font has 151 stylistic alternates and 3 variations of end-swashes with about 10 lengths of each style. Stylistic Alternates. The easiest way to get alternate character is to add number for example 2, 3 or 4 after any Uppercase. Each of them has from two up to five alternates. This combination works with activated Standard Ligatures option in Opentype panel (Photoshop / Illustrator). End-swashes. AS Palmer Script has 3 variants of end-swashes and about 10 lengths of each style. It works like Stylistic Alternates with activated Standard Ligatures in Opentype panel. Just add special combination at the end of the word, to get needed swash element and its length. Underscore, double underscore or slash is swash style. Number is length. For example: _3, __5, /6. Just try, it's easy. AS Palmer Sans - different Double letters. This feature work automatically with activated Contextual Alternates in Opentype panel. Note, that this features are not available in Miscrosof Word. Palmer is very good looking in logo, labels, t-shirt prints, product packaging, invitations, advertising and others. I've designed some examples, so you can see how it can be used. Multilingual support (Western European characters). English, Danish, Dutch, Estonian, Faroese, Filipino, Finnish, French, German, Hungarian, Icelandic, Irish, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, Turkish.

In the 1889 Franklin Type Foundry specimen book is a type face called “Armenian”. With lighter weight horizontal slab serifs than more traditional Western fonts, it could be pictured as being used as copy on wanted posters or town notices. This is now available as TV Western JNL in both regular and oblique versions.

The Nov. 26, 1921 issue of “The Moving Picture World” carried an ad for the dramatic film “For Your Daughter’s Sake” (originally tilted “The Common Sin” and produced in 1920). Hand lettered in an Art Nouveau sans serif style, the ad copy inspired Movie Drama JNL, which is available in both regular and oblique versions.

Sernes was inspired by the letterforms in the film series "stranger things" with condensed letters.comes with 18 weights which includes display, alternate and italic. Also supported PUA encoded. Simply copy and paste the alternate characters using the Character Map (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Sanzibar Script is a classically styled, single weight typeface, complete with alternate style settings. A multi-functional all-rounder, ideal for both body copy and headline use. The third offering in the Sanzibar range following the earlier standard & Schreef sets, the Script variant adds warmth and further versatility to the ever expanding ArtyType collection.

Bit Player JNL is the extra-condensed companion font to Cast and Crew JNL, and features an additional oblique version. Useful wherever a large block of copy text needs to fit into a constrained space, Bit Player JNL can be applied to movie title credits, disclaimers, warranty information, end user license agreements and similar projects.

Glamure Serif is inspired by the Myriad font which has often been used by technology companies and governments since the 1990s. Glamure Serif is a clean, sleek and versatile font, using geomatrices to make this font more modern and elegant. Glamure Serif can function as a title, logo, body copy, subtitle, headline and others.

Based on a Roman character set, Gideon is a traditional typeface with classic forms. Perfect for uses from invitations, greeting cards and menus, to display advertising. The upper case letters have a tradition calligraphic feel that adds warmth and sophistication to text while the legibility allows for larger blocks of copy to be easily read.

Versals is based on Lombardic style letters which are sufficiently broad to allow for decorated piercing and flourishes. They may also form the basis of illuminated capitals. The face is presented as capitals with reduced copies in the lower case locations. It is a full latin set with, uniquely, a set of roman numerals.

Budrick BB is a slick, clean body copy font family that's just a bit rounded. It is available in four weights: Regular, Italic, Bold, and Bold Italic. (And those Italics have some slightly different letter forms than the plain versions!) To top it all off, Budrick BB has a hefty collection of European characters.

Neues Haus is a typeface with legible characters for maximum readability and legibility — perfect for a modern and stylish contemporary design, characterized by more generous oval proportions and slightly more open terminals. This font family can be used as a headline or as a body copy typeface, and also includes a useful icon set.

Glamure was inspired by the Myriad font which has been frequently used by technology companies and governments since the 1990s. Glamure is a clean, sleek and versatile font, by applying geomattric shapes to create a fantastic, modern and humanistic font. Glamure can function as a title, logo, body copy, subtitle, headline and so on.

Briery is a unique san serif family, crafted for both display & body copy use — Available in 5x weights. It is a blend of original & functional, with a range of alternative characters created to inspire your design imagination. Designed by Morice Kastoun this typeface incapsulates his commitment, craft and expertise in typeface design for over 20years.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web. The original Malabar was designed by Dan Reynolds.

A modern journalistic style typeface. The subtle condensed characters create great economy of space best suited to brochure, editorial and magazine layouts. Also using the contrasting weights you can add great dimension across headline and body copy. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.

The Generic Typeface Collection is a series of sans-serif typefaces inspired by the craftsmanship of graphic design, typesetting, and printing in the analogue era – before Adobe, Macintosh computers and desktop publishing – when dinosaurs ruled the earth. With the use of various typesetting apparatuses or dry transfer type, photo copiers, and shooting layouts and paste-ups to film, the printed results was not as exact, precise and predictable as it is today. When examining old prints, it is difficult not to like the way that characters in over- or underexposed film have a special type of vibe to them that is often sadly lost in today’s pursuit of total perfection. Encouraged by this, I saw a need for a collection of typefaces that are non-clinical and non-conformist, and some that are coarse, rough and distorted – errors that might come from poor exposure when put on film, enlargements from small point texts, or maybe quality loss from successive generations of photocopies. Or all of the above. This is an attempt to incorporate spirit and personality into a set of typefaces without losing distinction. You might call it a homage to non-perfection. I call it human. The Generic Typeface Collection consists of 11 fonts divided into four series. The three standard series – the Formal Release series, the Coarse Copy series, and the Rough Display series – all contain three fonts each. The Extra Splendor series contains a couple of shadow fonts for that little extra sparkle. Formal Release – Handcrafted & Clean The Formal Release series features sans-serif typefaces for everyday use. They are handcrafted and clean, human and uncomplicated. The Formal Release series contains three typefaces that add tons of personality to any text. G10 FR ‘Slim’ – a slightly under-exposed and clean typeface in a regular weight (228 glyphs - 1 alternate) G20 FR ‘Classic’ – a properly exposed clean typeface in a bold weight (228 glyphs - 1 alternate) G30 FR ‘Bulky’ – a heavily over-exposed clean typeface in an ultra weight (228 glyphs - 1 alternate) Coarse Copy – Dirty & Rough The Coarse Copy series features non-conformist typefaces that are worn and rough, maybe after going through that bad copier a few times too much. The Coarse Copy series contains three sans-serif typefaces that add tons of spirit to any text without compromising too much on legibility. Try them on in poster-sizes and everyone will know that you mean business. G40 CC ‘Slender’ – an under-exposed coarse typeface in a regular weight (228 glyphs - 1 alternate) G50 CC ‘Typic’ – a properly exposed coarse typeface in a bold weight (228 glyphs - 1 alternate) G60 CC ‘Huge’ – a heavily over-exposed coarse typeface in an ultra weight (228 glyphs - 1 alternate) Rough Display – Faded & Decorative The Rough Display series features attention-seeking decorative typefaces in three feature-packed fonts. Faded and gritty like the image distortion and degradation from successive generations of photocopies, they are eye-catching typefaces intended to stand out in bigger point sizes. Use these typefaces for signage, headlines and similar situations were a strong typographic statement is desired. We have packed no less than 1,334 alternate characters and 212 discretionary ligatures into this series for a greater chance of not having characters that look exactly the same more than once. G70 RD ‘Slinky’ – an under-exposed rough and decorative typeface in a regular weight (741 glyphs – 448 alternates – 66 discretionary ligatures) G80 RD ‘Standard’ – a properly-exposed rough and decorative typeface in a bold weight (748 glyphs – 448 alternates – 73 discretionary ligatures) G90 RD ‘Swollen’ – a heavily over-exposed rough and decorative typeface in an ultra weight (748 glyphs – 448 alternates – 73 discretionary ligatures) Extra Splendor – Sparkling & Extraordinary The Extra Splendor series features two shadow typefaces for that little extra sparkle. One clean shadow to be used with G20 FR ‘Classic’, and one rough shadow to be used with G80 RD ‘Standard’. Having the shadows separate from the main typeface adds another layer of expressiveness in that you can try out color combinations for that extra splendor. Tips for matching (applies to both the base font and the shadow font): Set the kerning to Metric, not optical. Increase tracking to accommodate for the shadows extra width. G25 ES ‘Classic Shadow’ – a clean shadow to be used with G20 FR ‘Classic’ (228 glyphs – 1 alternate) G85 ES ‘Standard Shadow’ – a rough shadow to be used with 80 RD ‘Standard’ (227 glyphs) OpenType features – alternate characters and discretionary ligatures – can be accessed by using OpenType friendly professional design applications, such as Adobe Illustrator, Adobe InDesign, and Adobe Photoshop.

Avimode is bold, sharp, and futuristic. An original CubicType design with a design inspired by the holes and tracks on printed circuit boards. Text set in Avimode fills almost all the space available to it, and has small details. CubicType therefore recommends using this type at large sizes and with processes that are faithful to its fine details. It would look great cut 2 metres high on the side of your galactic spaceship. Please be aware that some of the lettershapes have sharp pointy corners: HANDLE WITH CARE!

Skapa is all about creation (translation from Old Norse: "to create"). It's simply the font I always needed and wanted. A well balanced, modern with delicate round corners sans serif, comprised of 5 weights with matching italics. Great for varied graphic design projects and perfect for logos and headlines, print art, billboards etc. Extended support for Central, Eastern and Western European languages. OpenType layout features: Fractions, oldstyle figures, ligatures, slashed zero, superscript, subscript, numerator, denominator and combining diacriticals (Mark Positioning) plus tabular figures for standard figures ,oldstyle figures & currency symbols. Think. Design. Create.

Candlebright is a gothic calligraphy font with 345 glyphs, including stylistic alternates, swashes, ligatures, and a set of matching ornaments. Candlebright's smooth lines and round corners make it warmer than the average blackletter font, and it can be used for both vintage-inspired and modern designs. Candlebright works particularly well in logotype designs, or as a display font in editorial or website designs. The set of matching ornaments is perfect to add a touch of elegance to any design, and you can use it to achieve eye-catching social media and promotional designs.

The tale of Okiku Of The Nine Plates is an old Japanese story full of lust, deceit, murder and revenge. It tells of Okiku, a beautiful servant whose master lusts after her. After she refuses his amorous advances, he accuses her of stealing a costly plate and has her thrown down a well, where she dies. She then turns into an Onryō (a vengeful spirit). Okiku font is a thin, all caps, scratched typeface. Upper and lower case differ and can be interchanged. Okiku comes with an afterlife of diacritics.

Derived from the world famous Rennie Mackintosh Font, the Venezia version gives a very modern look to this classic font, especially when filled with a gradient fill in a graphics package such as Photoshop or CorelDraw - although it even looks great "out of the box". The Venezia name comes from the native name of the city of Venice - one of several Italian cities Mackintosh visited on a sketching tour of Italy early in his architectural career. Venice was also one of the venues of an exhibition of Mackintosh's work on a European tour.

A 1930s hand-lettered poster for the play "The Cradle Will Rock", put on by the WPA (Works Progress Administration) Federal Theater Project is the source material for Talent Show JNL; available in both regular and oblique versions. Originally, the "R" and "L" had fish hook bends, but those two letters were revised to be more traditional in structure. The obvious Art Deco influence, along with what sign painters refer to as "stovepipe lettering" (straight lines with curved [bent] corners) is a simple, clean approach to retro-influenced titling.

The Atoxina family is designed especially for the burgeoning market of starships and other space cruisers. The fonts are ideal for internal and external use (including zero-g and occasional bursts of cosmic rays), and with their simplified forms are expected to survive well in non-linear galaxies. With their unusual diagonal half-pixels the fonts are striking as abstract designs at astronomical sizes, where small text may be placed within the black holes formed inside the letters. The typeface is available in two different styles: Atoxina (regular) and Btoxina (italic).

Sortland is single weight font inspired with vintage serif typography. By it’s design, Sortland is condensed, contrasted and typeface with tall x-height. It radiates with distinctive charm and warmness as soft lines and rounded corners make friendly impression on words made with Sortland. Sortland recommends itself for package design, posters, outdoor and indoor graphics, logo and websites either for headlines or paragraphs. In terms of markets, it’s ideal for beverage, food and cosmetics, but also for movies, magazines and books. Comes with Small Caps and standard Ligatures.

The sheet music for the 1939 tune "Chico's Love Song (Ma-La-Ja Fa-La Pas-Ka Lah-Ta) [Cuban Double Talk]" may have had an odd title, but the main portion of it was hand lettered in an interesting style. Condensed letters with rounded corners complemented by sharp lines and angles give the characters an almost futuristic look, despite the fact that they were designed during the Art Deco era. This became the basis for Song Composer JNL, which is available in both regular and oblique versions.

The minimal character of this typeface with its direct reference to Bauhaus, manages to keep the balance between strict geometric structure and elegance. It strays from monotonous repetitions and works equally well with Latin and Greek, while it really hits home with Cyrillic. Now, in its 3rd major upgrade comes equipped with all that’s needed for an international career. In total 602 characters offer support for all European languages in six different variations. Finally, five special OpenType features offer typographic solutions which includes a stylistic alternate set for Greek and Cyrillic.

Angel Koziupa's familiar brush goes upright and narrow with Pinguino. Koziupa's approach to condensed brush fonts makes use of the same elements that have always distinguished his calligraphy from any other. With Pinguino, however, we see him softening his corners and adding a distinctly feminine touch to his exotic brush. Pinguino would feel at home on sobering coffee packaging just as it would on a bouncy mixed-fruit juice bottle. Try Pinguino for your next packaging project, and tell your client an Angel told you to use it.

Introducing a bold and uncompromising sans-serif font that refuses to bend or sway. Its angular curves and sharp corners give it an air of authority and strength, while its bold weight demands attention and respect. This font is perfect for designs that require an unyielding, no-nonsense attitude. With its right angles and minimal curves, it embodies a stark and severe aesthetic that leaves no room for ambiguity or indecision. Its austere personality is sure to make a lasting impression, making it the perfect choice for projects that demand an authoritative and uncompromising presence.

Perhaps you’re looking for a lovely and approachable font. That is why I presented my new typeface! Gijsuy, please introduce yourself. The idea of spreading spilled ink and filling the shape of letters inspired this playful handwritten bold typeface. The rounded corners are pleasing to the eye and give the impression of friendliness to the viewer. Greeting cards, children’s books, quotes, posters, invitations, business cards, movie title banners, and more can all benefit from this design. of course, your various design projects will be perfect and extraordinary. Start using our fonts for your extraordinary projects.

Aront is a font with a modern and simple style. Having round and triangular geometric shapes adds a simple and stable impression to this font, plus a slight curve at each corner so that this font doesn't look stiff. The Aront font is perfect for logos, branding, film titles, games, and other techno-themed projects. Not only limited to techno themes, this font is also suitable for use in other themes that seem clean and simple. Aront font has multilingual support, alternate, and several ligatures as a plus.

Ever think that supermarkets are becoming less personal and more clinical and cold? What will cost you less than a trip to the supermarket and put a smile on your face? Smiley was inspired by the hand-brush lettered signage at country grocery stores. There's something about the feeling you get when you visit a small town and stroll on over to the corner market. Everyone is pleasant, courteous, and they all have a smile on their face. You can have that local small town grocery store charm for yourself when you buy Smiley today.

Atrium, designed by Alex Jacque, is a strong, linear, geometric sans-serif display typeface based off century-old pen art by W.E. Dennis. Atrium's stubbornly geometric letterforms are set off with a few softening flourishes on a few glyphs. It's sharp corners, straight verticals and horizontals make Atrium pack some punch when used in headlines, pull quotes, and logotypes. Atrium was released in 2012 in OpenType format and comes in three different weights: light, regular, and bold, with a regular and oblique version of each for a total of 6 styles in the family.