Picador Sans is a modern sans serif typeface. Intriguingly condensed. Distinctively eye-catching. Interestingly well-developed. This family covers latin script – every weight has more than 1200 glyphs. The whole family consist of 10 weights and italics, small caps, superscript and subscript letters, oldstyle, tabular figures, ligatures and fractions. Picador Sans is a perfect match for the elegance of serif Praho Pro.

Al Seg 33 is a moderately dense alphanumeric display. The 33 segments are made up of eight outer segments, and twenty-four inside segments, and a center dot. It has five diagonals in each corner.

Agio - a heavy contrast style font with cuts on the top of the some glyphs and spurs on top left corner of every glyphs. Also Agio has some decorative styles for glyphs and decorative elements.

A poster for the 1917 Charlie Chaplin comedy “Easy Street” had Chaplin’s name hand lettered in thick, round cornered block characters. This inspired Silent Comedy JNL, which is available in both regular and oblique versions.

Theatrics JNL gives a rounded corner treatment to Prismatiq JNL; which in turn was modeled from lettering found in an early 1900s French lettering book displayed at an online image sharing site. Limited character set.

Super School - Funny Kids 10 Various Font is a delightful and quirky display font with a school and kids' theme. This font embodies a playful and fun spirit with its rounded and bold letterforms, making it perfect for designs aimed at children and school-related projects. It features 10 alternative font versions, each inspired by various school-related motifs, including dots, stitches, rulers, math symbols, balls, books, graduation caps, paper planes, apples, and pencils. Crafted with a specific focus on the school theme, Super School is the go-to choice for designs revolving around education, kids, and toddlers. Whether you're creating educational materials, posters for school events, or any project targeting young audiences, this font adds a whimsical and child-friendly touch to your work. With its crafty and playful style, Super School helps you infuse a sense of joy and learning into your creative endeavors, making them engaging and delightful.

Behance presentation https://www.behance.net/gallery/51305239/Geometrica Geometrica is a low contrast rounded geometric Sans with a mid 19th/early 20th century simplicity air yet modern and minimalist. The font was inspired by the idea of creating a typeface with uppercase/lowercase characters and small caps having the same proportion. The result is a font with a moderate width, generous x-height, and short ascenders and descenders, giving it a compact and clean look. Geometrica comes in 10 weights plus italics—each variant with 589 glyphs—and contains a number of OpenType features that allow you to create very ‘good looking’ designs. Geometrica provides a wide range of choices for any design project and it is especially recommended for UI/UX and app design, branding and corporate design, in 2017 it was selected as one of the 10 best Sans of the year by FontShop.

In 2002 Matthew Carter was commissioned to create a new design to be cut in wood by the then nascent Hamilton Wood Type Museum. This was significant in that this was the one format for which Carter had not yet designed type. The new design emerged as a two-part chromatic type to be cut specifically in wood. Originally called Carter Latin, the font was renamed Van Lanen after one of the Museum's founders. The first cutting and printing of the type took place in late 2009 and although it has been available through the Museum, contemporary wood-type production is expensive and few have acquired this font in wood. The digital version of the pair of Van Lanen fonts is now available. The design recalls Antique Latin wood type, but with a refined sensibility and intentional quirks (like the sideways ampersand). It is a wonderful addition to Carter's oeuvre, and to the ongoing history of wood type.

URW Geometric Condensed is the matching complement for the URW Geometric. Including 20 additional condensed styles the URW Geometric Condensed is the space-saving alternative in the URW Geometric family. URW Geometric is a sans serif typeface inspired by the German geometric typefaces of the 1920s but designed for modern usability. The character shapes have optimized proportions and an improved balance, the x-height is increased, ascenders and descenders are decreased. Special glyphs, which are often designed afterwards for the original geometric typefaces from the 1920s, are perfectly integrated in the URW Geometric. These design characteristics increase the usability and legibility tremendously. With its 10 weights ranging from Thin to Black, plus 10 additional oblique styles, it has a great versatility in mind. The extreme light styles shine bright in large sizes, the middle weights are perfect for body copy and the bolder variants for the use of emphasis information or bring a strong impact to headlines and information. The optically balanced styles are designed to work in perfect harmony together. URW Geometric is functional, strong, simple and harmonized in form, and at a glance appears as a modern variant of its predecessors. Apart from the basic characters the design has an extra focus on the special glyphs. These are designed for today’s needs. For example: the email glyph looks modern and unique, including a perfectly balanced spacing. The number sign, in modern use called “hashtag”, is space saving and optically balanced for body text. Additionally, various extra and alternate glyphs are designed to provide a friendly usability. Including a wide Latin language support and character sets, URW Geometric is perfectly designed for today’s requirements. Please have a look at the URW Geometric Type Specimen (PDF) for further information.

An old set of brass stencils spotted for sale on eBay were the inspiration for this font from Jeff Levine. Redrawn completely from scratch, Jeff retained the narrow "M" and angled corners found in the original.

Hoxton Samuels is your perfect allround font companion. Four weights will help you find your match whichever purpose you are font hunting for. Soft inner and outer corners will help blend your message into any background.

An elegant monoline typeface with smooth corner detailing. The simple linear design is best suited to identity, editorial and on screen uses. Details include 7 weights, a complete character set, manually edited kerning and Euro symbol.

North Block is a true sports branding classic. It's timeless shapes and features will give you an instant athletic feel to your project. North Block Regular got chamfered corners for that powerful and edgy visual performance and North Block Soft has rounded corners for a softer, more subtle approach. These fonts are perfect for sports logos, branding, posters, apparel design, magazine headlines, labels and so much more. North Block features a character set with support for most western languages including: Afrikaants, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish.

Steak and Cheese - a Savoury Font Collection Packed with flavour, Steak and Cheese includes following: • Brush - Two weights of a connected Brush Script with Contextual, Swash, Titling and Stylistic Alternates • Pen - Three weights of a connected monoline Script with Contextual, Swash, Titling and Stylistic Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners • Condensed - A bold and tight condensed Sans Serif with rounded corners. Steak and Cheese fonts are designed to work together - in pairs or more. Steak and Cheese is great for branding, posters or any display use. All fonts are PUA encoded and have a wide language support.

Merhat is a modern and experimental font, distinguished by its geometric and condensed structure with slightly rounded corners. Optimally simplified with distinctive accents. The font is expressive and unusual. perfect for graphic designs with an intriguing style.

A simple little typeface for all things technical. A faux monospaced, semi-serif with rounded corners that you will never forget. The name comes from a British slang word that means "tech-savy person". Or simply "nerd".

The best things in life begin with a B. Bikes, Burgers, Beers, Babes. The B Complex font is a picture font by illustrator Adam Turman that shows his drawings of some of the things he draws best.

A robust rectangular sans with round corners and subtle rounded stroke terminals, Kallisto weds a rational, machine-made aesthetic with a certain warmth that derives from more familiar letter shapes found on diestamped or embossed boilerplate signs.

With this nice, rounded-corner handwriting font that is like comic, slab style; sweet and radiant logos, texts and every kind of graphics, editions and printings like magazines, brochures can be created. Text printouts look pretty smart.

Ergam is a text font that goes even further than the average language support. Designed with great attention to detail and without cutting corners, it should serve you as a robust workhorse with a touch of elegance.

Wood Type Catalogs of the 19th century often offered tools and accessories alongside alphabets of wood type. Probably the most closely related was wood type borders and ornaments. Decorative Borders were often sold by the foot and accompanied by corner pieces that matched the designs. These borders could be assembled in almost any size dimensions as needed. The digital version uses the same principals of modular assembly to create the exact size border that is needed. Along with the borders, included in this font are a selection of "streamers". These banners would have been made to order with the font designs reversed out along a horizontal banner with decorative end caps. The digital version allows for a modular assembly by selecting choice of end caps and then typing the = as many times as needed to achieve the desired length. 10 styles of 9 piece borders can be created in any size variations as well as 8 styles of streamers in any desired length. Some of the designs can be mixed and matched for unusual contemporary design interpretations of these historic styles. It is recommended that the line height (leading) is set to the same size as the point size setting, this will visually lock all elements together.

Rothorn™ is a modern, minimalist geometric sans with its own personality derived for subtle design details, such as cut diagonal corners, pointed t, very small contrast and closed aperture. The letterforms give the typeface a lot of charisma, keeping a very minimal, clear and well balanced look at the same time. Its powerful and sharp shapes together with the variety of weights from Hairline to Black make it a perfect choice for headlines and branding. Generous x-height, careful spacing and distribution of weights give it a color and legibility great for long paragraphs of text. Rothorn is a geometric member of a large type system including such families as Montreux Grotesk (Swiss-style grotesk), Lütschine (narrow headline family) and Conthey (narrow headline unicase family). The Rothorn family consists of 10 weights with corresponding italic styles, giving a total of 20 styles. Italic styles were hand drawn to get sharp and fine letter shapes. It includes a 2-axis variable font letting you adjust the weight and italic slant to your exact needs. The family has extended latin language support, as well as broad number of OpenType features, such as, case sensitive forms, ligatures, contextual alternates, lining, oldstyle, tabular and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Expanse is a retro futuristic typeface. The font has a bold and big vibe and mixes sharp and round corners, kind of like the very old sci-fi movie titles. Expanse includes uppercase multilingual letters, numbers and punctuation.

The opening title card for 1940's "Two Girls on Broadway" was the basis for Ticket Booth JNL. A typical Art Deco typeface, its features include a squared letter shape with rounded corners and a thin character weight.

The opening title card for “Grand Central Murder” (1942) is hand lettered in a stylized, condensed serif type style with strong but elegant appeal. This is now available as Mystery Story JNL in both regular and oblique versions.

Metalform Gothic JNL is based on examples of stamped metal numbers used for house identification and similar purposes. The lettering is square in shape with rounded corners, perfect for text that needs to emit authoritarian messages or instructions.

BD Barbeaux is a condensed typeface, chic and fashionable with a touch of Art Nouveau. BD Barbeaux Numérique version features rounded corners. The BD Barbeaux fonts are great for fashion and lifestyle related headlines in blogs and magazines.

It's tall, legible and handmade - and on top of that, charming as heck! Each letter has rounded corners, which leaves a pleasant and smooth look. Juicebash is legible, even at very small sizes and it has multilingual support

Houschka Alt Pro is a carbon copy of the Houschka Pro family with one key difference: the rounded signature glyphs A & W on the default positions swap places with their straight alternates. Houschka was named after Georg Houschka, a sadly defunct confectioner’s shop in Salzburg, Austria, which had a wonderful 1930s frontage and distinctively rounded letterforms in the sign above the door. Houschka Pro is the follow up to the original Houschka type family which first appeared back in 1999. Character shapes have been improved, kerning and spacing refined, and OpenType features include CE, Baltic, Turkish & Cyrillic language support plus small caps, 3 stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka is a clean and legible modern sans serif typeface which shares the humanist qualities of Gill Sans and Johnston but retains a uniquely charming character of its own (particularly in signature glyphs A, G, Q, W, u & w). The monolinear structure, rounded corners and rolling curves give Houschka a soft and friendly appearance.

The Kairos™ Sans family melds 19th century wood type design traits from fonts called Grecians with current-as-today sans serif letterforms. The distinctive octagonal corners of the original design are still there, but Kairos Sans has been streamlined through the sensitive shaving of its serifs. Drawn by Terrance Weinzierl to complement his Kairos family, Kairos Sans provides a natural counterpoint sans serif design and stands on its own as a powerful communication tool for everything from two-foot high display copy to the smallest sizes of text content. Kairos Sans is available in 48 styles; 8 weights in three widths, all with matching italics. In addition to a full Latin character set that support most Eastern and Western European languages, it also has the necessary characters to support Greek and Cyrillic scripts. Kairos Variables are font files which are featuring two axis and have a preset instance from Thin to Black and Condensed to Extended.

Seductive Height has been realised Seductive Height is sans serif font. It is unic font. all Character have hight stem. That make this font look simple but elegant. Seductive Family has 10 font style with different wieght. you also will get lowercase, uppercase, number, function, multilingual, and some alternate. Suitable for many project (formal or informal). Features Lowercase/Uppercase/ Numbers & Punctuation / Extensive Language Support/Alternate

Project Soft is the more playful version of our 2017 release, Project Sans. The font features the same 10 weights and matching italics but while the Sans version was more structured, the Soft version shows a cheeky side that creates a vast array of potential. The font still features substantial language support as well as specifically designed italics that feature a unique look for certain characters.

Qanelas is a modern sans serif with a geometric touch. It comes in 20 weights, 10 uprights and its matching italics. Designed with powerful opentype features in mind. Each weight includes alternate characters, fractions, extended language support (+ Cyrillic), arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Monique Sans features an unconventional thick/thin stroke weight pattern, that creates a fresh, unique appearance throughout. Aside from being a superb choice for a diverse variety of applications in headline and display, Monique Sans is remarkably legible and distinctive in short passages of mid-range text (10 pt to 14 pt). Wherever your design project requires a stylish, sophisticated look, Monique Sans is sure to shine!

This modern script font based from brush lettering with unique flow that make outstanding. Adhipati come with 139 alternate glyphs and 10 swash glyphs. Active opentype features and try Stylistic set, ligature, swash to custom your design, with PUA included. This fonts are perfect to design such us logotype, quote, apparel design, Poster design, greeting card, invitation design and other design that you need.