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  1. Milescut by Tipos Pereira, $14.00
    Milescut is a display typeface inspired by some seminal covers the graphic designer and photographer Reid Miles created for the Blue Note Records between the 1950s and 1960s. Miles made almost 500 covers for Blue Note in this period, including some using the hand-cut technique that consists basically in doing vertical cuts in capital letters and numerals to create a unique style within the universe he created for Blue Note. Milescut is a tribute to this small “cut” 😬 in his trajectory within the greatest record label of all time. This idea came about while I was working on what will become soon a revival of a wood type that I fell in love with when flipping through a Specimen of the MACHINE CUT WOOD TYPE manufactured by The WM. H. Page Wood Type Co. Milescut has two extra sets of alternates that work cyclically when activated in your OpenType menu and lots of ligatures, pretty cool :)
  2. Manga Master Pro BB by Blambot, $10.00
    Manga Master, the classic Blambot font, is now Manga Master Pro! It has been updated with new spacing, kerning, and hinting as well as new autoligs, manga translation glyphs, CAlts, fractions, barred-I correction and more!
  3. Type Toys JNL by Jeff Levine, $29.00
    Type Toys JNL is another collection of letterpress dingbats, embellishments, stock cuts, cartoons and miscellany all re-drawn from vintage source material.
  4. Cardboard by deFUNKT, $35.00
    This font was actually designed by trying to teach my helper-monkey, Philip, to cut Helvetica out of a piece of cardboard.
  5. Chassis by Device, $39.00
    A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.
  6. Haute Couture JNL by Jeff Levine, $29.00
    A style of die-cut cardboard letters and numbers used for signs, displays and show cards was the basis for Haute Couture JNL, an Art-Deco flavored typeface from Jeff Levine. A direct cousin to Signboard JNL, this font shares some similar characteristics in letterforms. Both styles of die-cut lettering were manufactured by a number of companies, and were most popular from the 1940s through the mid-1960s.
  7. PaperCutPeach by PineStreet, $25.00
    PaperCutPeach is unique in that it is a paper cut font but also a SCRIPT FONT. With PaperCutPeach you can create extraordinary lettering that looks effortless, casual and handmade. Each and every glyph is based on a paper letter cut by hand with a pair of scissors by me in my studio. Ideal for packaging for organic products, illustrated goods, book covers, editorial illustrations and other freestyle projects.
  8. Garstang Engraved by Greater Albion Typefounders, $18.00
    Garstang Engraved is the latest in Greater Albion's series of ‘wood type’ inspired fonts. Garstang Engraved is a hand-cut Roman, suggesting the late Victorian era, but the type of thing that continued in use well into the twentieth century. If you want a title face that has versatility and suggests a past history, as well as the art of finely cut wood type, then this is it!
  9. Dellimun by Balevgraph Studio, $14.00
    Dellimun is a sweet, stylish, and delicate script font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. What's Included : - Uppercase, Lowercase, Numerals & Punctuations - Ligature & Alternate - Works on PC & Mac - Simple installations - Multilingual support - (PUA Encoded) Compatible with Silhouette Studio, Cricut Design Space, Scan N Cut, Adobe Illustrator and other cutting and design programs.
  10. Home Room JNL by Jeff Levine, $29.00
    The inspiration for Home Room JNL was a 1950s-era package of die cut cardboard letters and numbers manufactured for educators by the Mutual Aids Company of Los Angeles, California. Pre-cut lettering was popular with teachers who used them in their classrooms for posters, bulletin boards, displays and flash cards. These bold, blocky letters are great for headlines or for recreating the look of school days past.
  11. Kooltura by IKIIKOWRK, $17.00
    Introducing Kooltura Psychadelic Type, created by ikiiko. Is a trippy typeface with unique stylistic in 70s era. This typeface is perfect for an poster, cover album, cult product, hipster stuff, fashion, quotes, or simply as a stylish text overlay to any background image. What's included? Lowercase & Uppercase Number & Punctuation Multilingual Support Format File : TTF & OTF Works on PC & Mac Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com
  12. No Parking JNL by Jeff Levine, $29.00
    No Parking JNL was inspired by a hand-cut stencil of those words painted in an area of a department store's parking lot.
  13. Printers Pictures JNL by Jeff Levine, $29.00
    Printers Pictures JNL is another volume of vintage letterpress stock cuts, cartoons, embellishments and what-nots for those who enjoy these charming illustrations.
  14. Exablock by Scannerlicker, $22.00
    Exablock is a display typeface based on a 6x6 grid, highly modular and geometric. Diacritics appear as negative space cut into the glyph form.
  15. Butti by RMU, $25.00
    In 1951 Alessandro Butti cut a fontfamily for Nebiolo which he called Fluidum. Both weights, light and bold, were now revived and named Butti.
  16. Cristal by Corradine Fonts, $24.95
    Cristal is a modern typeface inspired in the cuts of a bevel effect. Its lines build each letter as a cutted gem giving an unique elegant aspect. It comes in two weights to be used at different sizes and has positive and negative versions. Also has a solid version that allows compose more legible texts. Cristal Dingbats and Cristal Frames are two essential complements to obtain a great typographic system of 15 fonts.
  17. Nevaeh Scratch by Kufic Studio, $15.00
    Nevaeh Scratch is a stylized version of the font Nevaeh. The design has been inspired by the paper cut effect. Nevaeh Scratch has a unique design with rough and irregular linings yet, a perfect font. The font has a simple and minimalist factor with all main characters, the font is specially made for those who are in the printing and branding fields. Carefully engraved and stenciled to deliver clean cuts and design.
  18. Aestero by Craft Supply Co, $20.00
    Aestero Futuristic Typeface Cutting-Edge Inspiration Aestero Futuristic Typeface, drawing from Gundam and sci-fi aesthetics, embodies a cutting-edge design for a bold display impact. Sleek Sci-Fi Elegance Named Aestero, this font seamlessly blends Gundam inspiration with sci-fi elegance, presenting sleek characters with a futuristic charm. Dynamic and Bold Presence Aestero commands attention with dynamic and bold letterforms, making it an ideal choice for projects seeking a strong visual presence.
  19. Stencil Machine JNL by Jeff Levine, $29.00
    Stencil Machine JNL replicates the lettering of a stencil cutting machine. The stencils produced on such machines were primarily used for carton identification and shipping.
  20. Supporting Cast JNL by Jeff Levine, $29.00
    Supporting Cast JNL is a hybrid of similar designs for hand lettering found on title cards from two morality photoplays from 1936 dealing with drug abuse, "Cocaine Fiends" and "Marihuana" respectively. The films were produced with the hope of educating the public against the dangers of illicit drugs, but they have taken on a cult status because of the dated approach to the problem. Despite all this, it is the Deco-influenced hand lettering which is being celebrated in this font release, not the subject matter of the films.
  21. Insignia by Linotype, $40.99
    Brody’s fonts borrow elements from both Art Deco and non-Western styles. His designs received international recognition for their innovative, computer-oriented style, reaching almost cult status. Four original Brody fonts are available from Linotype Library GmbH: Insignia, Industria-Solid, Industria Inline and Arcadia. For your convenience, we have gathered all four into one package. Insignia has the basic forms of constructed grotesque fonts and was influenced by the New Typography of the Bauhaus during the 1930s. Its image reflects the Zeitgeist of that age, suggesting technology and progress.
  22. Brassmark Stencil JNL by Jeff Levine, $29.00
    An antique hand-cut brass stencil of the phrase "No Hunting on These Premmises" (with the word "premises" misspelled) was the model for Brassmark Stencil JNL.
  23. Dry Goods Stencil JNL by Jeff Levine, $29.00
    An antique Bradley stencil cutting machine’s letters and numbers were the basis for Dry Goods Stencil JNL, which is available in both regular and oblique versions.
  24. Blocksta by AVP, $30.00
    Based on the character shapes of Atria Bold, Blocksta is a bullish rough cut sans with extensive language support. Hopefully it won’t start another cold war.
  25. Bulmer by Bitstream, $29.99
    Morris Fuller Benton’s ATF version of Baskerville’s design cut by William Martin for the British printer and publisher William Bulmer. ATF released the design in 1928.
  26. Grafinc by PosterType, $18.00
    Grafinc is fat, black and robust. It is a geometric-based display typeface that comes in two cuts: ExtraBlack and Rounded. Grafinc can be used for all types of media – print, web, broadcasting or games. Despite its robust appearance and display character, Grafinc is very friendly typeface. It appears to be very legible in smaller sizes, too. The cuts include some very fine ligatures, making its appearance very rhythmic and smooth. Available in OpenType and western languages.
  27. Ensenada by Wordshape, $30.00
    Ensenada is a typeface designed based on hand-cut lettering that adorns businesses throughout the city of Ensenada in Baja California in Mexico. - What was the inspiration for designing the font? Looking at the hand-cut lettering in Ensenada, Mexico. Variations on this type of lettering are often used by Mexican pop-techno acts. - What are its main characteristics and features? It is a geometric display face that works in both retro and futuristic settings. - Usage recommendations: Display type
  28. Moderno FB by Font Bureau, $40.00
    In 1995, David Berlow cut Moderno FB for Esquire Gentleman and Reforma from a TrueType pole of Giza. In 1996 he cut new styles with Richard Lipton for El Norte. In 1997, Roger Black ordered new weights for Tages Anzeiger. A redesign of the Baltimore Sun, with Ionic FB as text, required further growth. The whole series was then revised for Louise Vincent, at the Montreal Gazette, with further styles added in 2005 for La Stampa. FB 1994-2008
  29. Kidcut by Malgorzata Bartosik, $29.00
    Kidcut is a typeface created by cutting glyphs out of paper with scissors. The shapes are irregular, giving the impression of being cut out by a child. The typeface contains upper and lower case letters of the Latin alphabet (basic, Eastern, Western and South Western Europe, Vientamese and Pinyin) and three contextual alternates from each glyph, which is very important when there are three identical letters in one word - then we have the impression of handmade, not repetitive.
  30. Larrikin by HeadFirst, $17.99
    The distressed letterforms hark back to early printing process using hand carved wood cut letters. The typeface is available in 6 weight with both Rough & Solid variations.
  31. Printing Press Extras JNL by Jeff Levine, $29.00
    Printing Press Extras JNL is another collection of classic printing embellishments and stock cuts from Jeff Levine, with a few new ones thrown in for good measure.
  32. In Shipment JNL by Jeff Levine, $29.00
    In Shipment JNL is modeled after lettering made from an industrial stencil cutting machine - generally used for marking shipping and inventory information on boxes. Limited character set.
  33. Party Invite JNL by Jeff Levine, $29.00
    Party Invite JNL is a thin, condensed Art Deco sans based on lettering from a letterpress holiday stock cut (the predecessor to clip art) from the 1940s.
  34. Podunk JNL by Jeff Levine, $29.00
    The term "podunk" usually refers to a small, insignificant town. In this case, Podunk JNL refers to a bold and brash font that resembles cut-paper characters.
  35. Oven Plate JNL by Jeff Levine, $29.00
    Oven Plate JNL solidifies the outline lettering of Stove Plate JNL; based on the logo for Red Star Oil Stoves and found on an old letterpress cut.
  36. Sign Stickers JNL by Jeff Levine, $29.00
    In the early 1960s, the Duro Decal Company of Chicago, Illinois added to its line of water-applied decal lettering a retail sign cabinet of die-cut, pressure sensitive vinyl letters and numbers. Four of the six sizes offered for sale were cut from white plastic with a black outline and a secondary gold inline for a tri-color effect. Sign Stickers JNL emulates as closely as possible the look of these nostalgic pieces, complete with the slight shifts in line weight due to hand-cut silk screens and the printing process. For those of you who prefer to make your own multi-colored letters, a three piece fill font set is available for the low price of a single font purchase. Combine the backfill, midfill and frontfill layers for a truly retro look!
  37. Print Shop Sorts JNL by Jeff Levine, $29.00
    Another collection of various stock cuts, cartoons, embellishments, sales helpers, decorations and borders comprise Print Shop Sorts JNL, with all of the images re-drawn from vintage sources.
  38. Container Stencil JNL by Jeff Levine, $29.00
    Shipping stencils cut on an antique machine with its somewhat crude slab serif type design inspired Container Stencil JNL, and is available in both regular and oblique versions.
  39. Printers Playtoys JNL by Jeff Levine, $29.00
    Printers Playtoys JNL is another set of vintage letterpress cuts and embellishments that have been carefully re-drawn and added to the growing collection at Jeff Levine Fonts.
  40. TiedUp by Ingrimayne Type, $9.00
    TiedUp is a distortion of the font Ingone. I no longer remember which font distortion program or procedure I used to get this cut-up or ragged effect.
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