Are you looking for a robust, contemporary font with strong personality? Sintesi Semi might be exactly what you are looking for. Sintesi Semi is a hybrid font which manages the “synthesis” between Sans and Serif in its own way. Due to its constant stroke the favorite font of the author is closer to a sans serif and scores with its robustness and contemporary style. Its strong serifs though evoke rather a slab serif font. Sintesi Semi builds together with Sintesi (Serif) and Sintesi Sans an extended family. Prove character too, with Sintesi Semi. Download a free trial version of Sintesi Semi with a reduced character set. Check it out!

Comic Mode is a warm, fun and comical sans serif family, "its an alternative for comic sans, with a more formal looks". Availavle of 9 weights from thin to black. with a curved character that is round on thin and increasingly elliptical on black. The unique look of comic Mode is the combination of a technical sans serif and casual handwriting . These 9 diffrent weights also come with oblique style, so there are 18 styles in this family and 1 variable font that are a relatively new font format that allow one font file to contain multiple stylistic variations. Fresh, unique and casual, make this font really worth having.

BRATHERS is a Minimalist Elegant Sans Serif Font. An extraordinary style with minimalist and elegant in sans serif, we analyze what any designer or brand owner needs to make their brand stand out. As our focus that analyzes any typeface that helps to leverage any logo design to look more modern and unique. We prepared this font with any unique characters to help you create unlimited variations for your creative needs. BRATHERS Minimalist Elegant Sans Serif Font ready with: Regular & Bold Ready Better style of characters with a minimalist elegant curve Preview as an inspiration that you can do with BRATHER font All Uppercase characters Wish you enjoy our font. :)

Almatine Script is a classic signature font inspired by classic handwriting that using a flat pen (or signature pen) and written in the low height of letterforms. There is Almatine Sans as the combination, a clean sans serif that you can use the sans serif for sub-headline, tagline, and body text. This font duo has elegant looks and modern that perfect for logotype, display, labels, watermarks, signatures, signage, photography, weddings, advertisements, fashion, food, magazines, and much more! Almatine Script equipped with some OpenType features such as stylistic alternates, stylistic sets, and ligatures that you can mix and match to get the natural handwriting looks!

URW Form by Volker Schnebel is the quintessence of a modern sans. Originally inspired by the timeless classic Futura, URW Form is a mix of classic and modern geometric typefaces, yet still incorporates the fundamental rules of design and looks and functions like a contemporary sans. In addition to its strong identity, URW Form has all the quality characteristics we come to expect from a Schnebel typeface. Available in 80 styles and four widths, there is also a much sought-after semi-condensed extension to broaden its creative spectrum. Weights range from the filigree Thin to the forceful Poster, making it a truly versatile sans serif typeface.

The project aims to represent icons through the city of São Paulo. The image selection method prioritized elements of history culture and daily life. The claim is that the set of graphic symbols help disseminate one of the most important cities of Brazil and the southern hemisphere. See the sights of São Paulo: Edifício Copan, Avenida Paulista, Bairro da Liberdade, Mercado Municipal, Catedral da Sé, Estádio do Pacaembu, Sala São Paulo, Pátio do Colégio, Vale do Anhangabaú, Estação da Luz, Memorial da América Latina, Museu do Ipiranga, Teatro Municipal, Masp, Edifício Banespa, Monumento às Bandeiras, Obelisco do Ibirapuera, Auditório do Ibirapuera, Pinacoteca, Oca – Ibirapuera and Monumento Ayrton Senna.

Machismo is a seductively suave display font with a plump and plush persona. Bubbling with personality, this friendly font has a weighted look that gives a bold and striking feel to it. Ideal for various uses from small bursts of copy in children's books to poster work, logos, and titling. The "titling" variation swaps shortcaps into the lowercase positions, giving the font even more of a macho persona. It's smooth, it's bold, it's friendly, it's the ultimate pickup artist font, luring in onlookers to get a closer look at what you have to say. Say what you've been wanting to say with Machismo Titling.

English Grotesque is based on the proportions of an early 20th century signwriter’s sans, emphasising the characteristic idiosyncrasies of type of the period. Sharing a similar Roman circle-and-square construction as Gill Sans or Johnston Railway, it has a wide T and W, a narrow S, and a long-tailed R. The Roman alphabet did not include a lower-case, and therefore early sans-serifs tended to base theirs on handwritten or cursive models, resulting in more even character widths. English Grotesque, by contrast, carries the more characterful proportions of the capitals through to the lower case. Available in six weights, with optional alternative versions for the Q, &, £ and J.

Blooming Elegant Script Font is a hand-lettered modern calligraphy script with a playful yet elegant nature. It comes in 3 variants : Regular, Mono-line, and Mono-line Bold. The script fonts include Opentype Stylistic Alternates for all lowercase letters, and a selection of Ligatures to add some authenticity to your designs. Included alongside the script fonts, are two companion sans fonts : a neat and sturdy uppercase sans font for more formal-natured designs, and a jaunty, playful uppercase handwritten sans for more casual designs. Also included is a handy set of over 120 lovingly-drawn doodles is also included as 2 separate dingbat fonts.

Morality is a Modern Elegant Sans Serif Font that perfect for branding, logotyp, poster design, etc A new San Serif Font that we created special for Headline, Title and more stand out typography needs. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Morality Modern Elegant Sans Serif Font ready with: Any options to get creative variations Preview as a inspirations that you can do with Morality font Ready with All characters Wish you enjoy our font. :)

Introducing Monday Vacation Font. Monday Vacation is a brush font and combines with a sans font (Solid +outline). Made with a natural brush. The texture from the brush font will make your design more beautiful and powerful. This font is suitable for any design like branding, quotes, t-shirt printing and etc. Included: Monday Vacation Regular Monday Vacation Italic Monday Vacation Sans Solid Monday Vacation Sans Outline Monday Vacation Extra Features: Accents (Multilingual characters) 39 Alternates 52 Extra Swashes PUA encoded Numerals and Punctuations (OpenType Standard) Customer support I hope you enjoy it !! Thanks for visiting and purchasing my font! Best Regards Donis M

Altman Grotesk was initially planned as an internal studio typeface for the graphic design studio Ateljé Altmann based in Stockholm, Sweden. After thoroughly researching both classic and contemporary sans serif typefaces, the aim for Altmann Grotesk was set at joining unobtrusiveness yet distinctiveness in one look. As a result, the sans serif successfully embraces a polarizing image of minimalism and uniqueness. During the design process of Altmann Grotesk, it soon became clear that it had the potential to be more than a studio typeface—which ultimately led to a sans serif font family with five distinctive weights that are perfected to fit every possible typography use case.

Alejandro Paul’s Brownstone Slab is based on his own popular, award-winning, Brownstone Sans typeface.  Like the original Sans, Brownstone Slab is a 21st-century design, influenced by the Victorian decorative motifs of the ironwork and carved decorations of New York City row houses. Brownstone Slab’s sturdy serifs make it slightly more masculine and solid than its predecessor. As with Brownstone Sans, Brownstone Slab includes character sets for Latin-based languages, including Western and Eastern European, Baltic, Turkish, Maltese, Celtic and Welsh. It includes over 1500 glyphs, including small capitals, swash characters, alternates, and ligatures, in both Light and Thin weights. Ornamental frames are provided in all weights.

Nofela is a Handwritten Brush Script font. This another collection of script is perfect for your next personal branding project, excellent for your business. Nofela have a smooth edges, so this font gives an authentic handcrafted feel style. Nofela is perfect choice for people looking for clean, modern, minimalist, elegant, beauty design styles. Suitable for almost any graphic designs such as logo, branding materials, business cards, gift cards, t-shirt, cover, thumbnail, print, poster, photography, quotes .etc sans-serif, legible, geometric, clean, sans, modern, display, grotesque, corporate, branding, magazine, contemporary, text, headline, elegant, sans serif, grotesk, advertising, classic, swiss, poster, logo, editorial, technical, logotype

Tall, condensed and square in shape... Slim James JNL balances well against bolder Deco-style sans or novelty type faces.

New Ways is a modern sans font family designed to ensure readability and clearness suiting branding, editorial and advertising projects.

Sophisticated modern, our fluid Modern Sans Serif font family enhances your designs. Elevate with captivating headlines and branding. Experience elegance.

Generica Condensed is based on mid-20th century geometric sans designs, but is less formal, with a touch of playfullness.

Caseta Slab (Regular and Bold with Italics) completing a family of 3 font families with Caseta Regular and Caseta Sans.

What's Updock, you say? This script style has a slightly playful look. Because it has virtually no slant to it.

Tanker Stencil JNL is a sans serif design based on a vintage hand-punched brass marking stencil for oil barrels.

Caseta Regular (Regular and Bold with Italics) completing a family of 3 font families with Caseta Slab and Caseta Sans .

A square san serif font family for short texts and headlines. Inspired by old hand-painted signs in Tel Aviv.

Warka typeface is based on sans serif. This display family includes 5 font styles. Combinations may give you impressive effects.

Deriva was created taking as inspiration the manuscripts of a homeless person live in the city of São Paulo, Brazil.

HK Nova is a geometric sans inspired by the Century Gothic and Futura. It formalizes Century Gothic and softens Futura.

Herron is a monoline Sans face with all rounded ends in Condensed and Italic, Regular and Italic, Expanded and Italic.

Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numbers. Culled from a myriad of sources – clock faces, tickets, watches house numbers – it is an eclectic and wide-ranging set. Each font contains only numerals and related punctuation – no letters. A new book has been designed by Hughes to show the collection, and includes sample settings, complete character sets, source material and an introduction. This is available print-to-order on Blurb in paperback and hardback: http://www.blurb.com/b/5539073-112-hours-hardback http://www.blurb.com/b/5539045-112-hours-paperback From the introduction: The idea for this, the fifteenth Device Fonts collection, began when I came across an online auction site dedicated to antique clocks. I was mesmerized by the inventive and bizarre numerals on their faces. Shorn of the need to extend the internal logic of a typeface through the entire alphabet, the designers of these treasures were free to explore interesting forms and shapes that would otherwise be denied them. Given this horological starting point, I decided to produce 12 fonts, each featuring just the numbers from 1 to 12 and, where appropriate, a small set of supporting characters — in most cases, the international currency symbols, a colon, full stop, hyphen, slash and the number sign. 10, 11 and 12 I opted to place in the capital A, B and C slots. Each font is shown in its entirety here. I soon passed 12, so the next logical finish line was 24. Like a typographic Jack Bauer, I soon passed that too -— the more I researched, the more I came across interesting and unique examples that insisted on digitization, or that inspired me to explore some new design direction. The sources broadened to include tickets, numbering machines, ecclesiastical brass plates and more. Though not derived from clock faces, I opted to keep the 1-12 conceit for consistency, which allowed me to design what are effectively numerical ligatures. I finally concluded one hundred fonts over my original estimate at 112. Even though it’s not strictly divisible by 12, the number has a certain symmetry, I reasoned, and was as good a place as any to round off the project. An overview reveals a broad range that nonetheless fall into several loose categories. There are fairly faithful revivals, only diverging from their source material to even out inconsistencies and regularize weighting or shape to make them more functional in a modern context; designs taken directly from the source material, preserving all the inky grit and character of the original; designs that are loosely based on a couple of numbers from the source material but diverge dramatically for reasons of improved aesthetics or mere whim; and entirely new designs with no historical precedent. As projects like this evolve (and, to be frank, get out of hand), they can take you in directions and to places you didn’t envisage when you first set out. Along the way, I corresponded with experts in railway livery, and now know about the history of cab side and smokebox plates; I travelled to the Musée de l’imprimerie in Nantes, France, to examine their numbering machines; I photographed house numbers in Paris, Florence, Venice, Amsterdam and here in the UK; I delved into my collection of tickets, passes and printed ephemera; I visited the Science Museum in London, the Royal Signals Museum in Dorset, and the Museum of London to source early adding machines, war-time telegraphs and post-war ration books. I photographed watches at Worthing Museum, weighing scales large enough to stand on in a Brick Lane pub, and digital station clocks at Baker Street tube station. I went to the London Under-ground archive at Acton Depot, where you can see all manner of vintage enamel signs and woodblock type; I photographed grocer’s stalls in East End street markets; I dug out old clocks I recalled from childhood at my parents’ place, examined old manual typewriters and cash tills, and crouched down with a torch to look at my electricity meter. I found out that Jane Fonda kicked a policeman, and unusually for someone with a lifelong aversion to sport, picked up some horse-racing jargon. I share some of that research here. In many cases I have not been slavish about staying close to the source material if I didn’t think it warranted it, so a close comparison will reveal differences. These changes could be made for aesthetic reasons, functional reasons (the originals didn’t need to be set in any combination, for example), or just reasons of personal taste. Where reference for the additional characters were not available — which was always the case with fonts derived from clock faces — I have endeavored to design them in a sympathetic style. I may even extend some of these to the full alphabet in the future. If I do, these number-only fonts could be considered as experimental design exercises: forays into form to probe interesting new graphic possibilities.

Sevigne [sey-vee-nyey] is a highly refined, contemporary geometric sans, inspired by the ambience of high-end fashion and luxury. The inclusion of over 130 unique ligatures expand its sensibility of alluring, well-balanced letterforms and distinctive style. Stylistically, as an all-caps typeface, Sevigne exudes a greater sense of harmony and polish due to its unicase form where the interplay of a limited amount of characters is the focus. Subtle, considered details are found within individual letters, contrasted by the complex, intersecting forms that make up the various ligatures. With multiple stylistic sets added to the expanded ligatures, individual letters and ligature pairs can be carefully exchanged to fine-tune text settings for a unique custom type solution. Features include: Precision kerning- Expanded set of over 130 Ligatures, including alternates (ae, oe, fi, fl, ffi, ffl, ffj, ff, fh, fj, ft, tt, th, ct, st, oo, og, go, ogo, gog, la, ea, ev, ew, fy, ez, et, oc, ga, do, uv, vu, yu, uy, nn, mm, xy, yx, ao, oa, ac, da, aq, nt, aa, ll, ss, ut, tu, ka, ca, ag, of, off, co, ne, nr, nl, nd, nk, hn, mn, me, mp, al, an, af, ar, ak, ah, ad, ab, and, gg, all, co, ço, he, the, tl, tn, tf, tr, tk, td, tb, te, am, ame, amb, tm, ap, tp, wu, uw, kt, tz, ra, za, mk, xx, yy, vv, ww, ky, fu, oq, cc, cq) Alternate characters (A, G, R, Q, Z, _, $, ®, •, ¶) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Coming Together contains over 400 glyphs and is supplied as a single, cross-platform OpenType font. All glyphs are accessible using OpenType-savvy applications, Unicode-savvy utilities, the Character Map utility on Windows, and FontBook on Mac OS X. Nearly 400 designers contributed to “Coming Together”: Adam Humphries, Aditi Dilip, Adrien Midzic, Afraa Gutub, Al Insan Lashley, Alan Lima Coutinho, Alaric Garnier, Alejandro Cabrera Avila, Alejandro Lo Celso, Alejandro Paul, Alessandro Segalini, Alex Cameron, Alex Coblentz, Alexander Trubin, Alexandre Freitas, Alexey Murashko, Alicia Jabin, Aline Horta, Allison Dominguez, Amanda Postle, Amy Brown, Amy Papaelias, Anderson Maschio, Andrea Emery, Andres Perez, Andrew Boardman, Andrew Jesernig, Andrey Furlan, Andrij Shevchenko, Ann Tripepi, Antonio Gutierrez, Antony Kitson, Anushree Kapoor, Anya Cam, AP303 Estudio Design, Becky Krohe, Beejay, Ben Mitchell, Benjamin K. Shown, Benjamin Varin, Brad McNally, Brad Nelson, Bradley Trinnaman, Brady Baltezore, Brandon Horne, Breck Campbell, Brian J. Bonislawsky, Brian Jaramillo, Brian Jongseong Park, Brian Mueller, Brock French, Bruce Rodgers, Bruno Pugens, Bryan Angelo Lim, Buro Reng, Caitlin Martin-Frost, Calou, Carlos Fabián Camargo Guerrero, Carlos Vidal, Cayo Navarro, Cesar Puertas, Chank Diesel, Charles Williams, Chris Lozos, Chris Trude, Christophe Badani, Christy Lai, Claes Källarsson, Claire Coullon, Claudio Piccinini, Colby Cook, Craig Eliason, Cristina Pegnataro, Curve Doctor, Dan DiSorbo, Dan Liggins, Dan Rubin, Daniel Justi, Daniele Capo, Dav(id Hubner), Dave Bailey, Dave Cohen, David Jonathan Ross, David Sudweeks, David Thometz, Dawn Mercurio, Delve Withrington, Diana van de Blaak, Didier Mazellier, Diederik Corvers, Dino Santos, Dmytro Pobiedash, Donald Beekman, Dries Wiewauters, Duncan Bancroft, Ed Hoskin, Eddy Ymeri, Edineide Oliveira, Eduardo Manso, Eduardo Rodríguez Tunni, Eero Antturi, Eli Castellanos, Elias Bitencourt, Elias Stenalt Werner, Elman Padilla, Emery Miller, Emily Leong, Emily Maher, Enrico Limcaco, Eric Frisino, Eric Stine, Erik Brandt, Espen, Evan Moss, Evangeline Rupert, Fabiane Lima, Fabio Foncati, Fabrizio Schiavi, Farbod Kokabi, Felipe Lekich, Francisco Martin, Frank Riccio, Frans van Bellen, Gary Holmes, Gautam Rao, Gayle Hendricks, Gene Buban, Georg Herold-Wildfellner, George Aytoun, Gerd Wiescher, Giles Edwards, Gist Studio, Glen Barry, Glenn Parsons, Goro Mihok, Grace Engels, Grant Alexander, Grant Hutchinson, Greg Smith, Gunnar Swanson, Gustavo Machado, Hans Nieuwstraten, Harold Lohner, Hilary Salmon, Hillary Fayle, Hrant H Papazian, Hugo Gallipoli, Ian Drolet, Ian Lynam, Ilona Kincses, Isac Corrêa Rodrigues, Ivette Chacon, Ivo Federspiel, Jacques Le Bailly, Jae-hyoung Choi, Jaime Vasquez, James Edmondson, James Grieshaber, James L. Stirling, James Lukens-Gable, James Martin, James Ockelford, James Puckett, Jarbas Gomes, Jarett Knuth, Jason Adam, Jason Robinson, Javier Suzuki, Jay Chu, Jayson Zaleski, Jean Francois Porchez, Jeff Fisher, Jeff Jarvis, Jeffrey Vanlerberghe, Jelmar Geertsma, Jennifer Clarke, Jennifer Rutherford, Jens Kutilek, Jerry Allen Rose, Jess Latham, Jesse Ragan, Jessica Page, Jesvin Yeo Puay Hwa, Jim Ford, Jim Lyles, Jim Rimmer, Jin Ping, Jo De Baerdemaeker, Joachim Muller-Lance, Joanna Abbott Moss, Joe Francis, Joe VanDerBos, Joel Vilas Boas (J85), John Downer, John Flanagan, John Foley, John Langdon, John Lopez, John Lyttle, John Skelton, Johnny Dib, Jonathan Hughes, Jonathan Pierini, Jos Buivenga, Jose Luis Coyotl Mixcoatl, Juan Acosta, Judd Crush, Judith Lee, Julie Johnson, Julie Oakley, Julie Thomas, Juliet Shen, Jumin Lee, Jurgen Weltin, Justin Callahan, Justin Chodzko, Karel Piska, Karen MacKay, Karin Eberhardt, Karin van Soest, Karla Perez, Katie Parry, Katie Snape, Katri Haycock, Katy Brooks, Kelley Garrard, Kelly Redling, Kent Lew, Kevin D’Souza, Kevin J. Boynton, Kevin McDermott, Kim Arispe, Kokin, Kristen Caston, Kristen Hartman, Kristian Möller, Kristians Šics, Kyle Jones, L Bollinger, Lan Huang, Larry Van Dyke, Laura Ricker, Laura Worthington, Laurel Wilson, LeAndrea James, Lijklema Design, Linda McNeil, Lise Barreto, Louie Crumbley, Louis Duchesne, Luke Dorny, Luke Stouffer, Madison Cramer, Måns Björkman, Marc Salinas Claret, Marcus Leis Allion, Marcus Parker, Marcus Sterz, Marie-Anne Verougstraete, Mark Simonson, Martin Majoor, Matheus Barbosa, Mathias Forslund, Matt Desmond, Matt McInerney, Matt Millette, Matthew Jerauld, Max Kisman, Michael Browers, Michael Bundscherer, Michael Cina, Michael Doret, Michael G. Adkins, Michael Hernan, Michael Paul Young, Michael Wallner, Miguel Catopodis, Mikael Engblom, Mike Jarboe, Mike Petschek, Miriam Martincic, Moira Sheehan, Monica Pedrique, Nacho Gallego, Naomi Atkinson, Natanael Gama, Nathanael Ng, Neil Fox, Neil Patel, Neil Summerour, Neil Woodyatt, Ngoc Ngo, Nguyen Pham, Nicholas Curtis, Nicole Hudson, Nicole Sowinski, Nicolien van der Keur, Nina Stössinger, Noah Scalin, Ojasvi Mohanty, Oleg Macujev, Olivia Choi, Ong Fang Zheng, Pata Macedo, Patrick Gallagher, Patrycja Zywert, Paul Hunt, Paul Langman, Pedro Moura, Pedro Paz, Per Ohlsson, PJ Onori, Premm Design Ltd, Rae Kaiser, Rafael Carozzi, Rafael Cordeiro, Rafael Neder, Randy Jones, Ray Larabie, Raymond Forbes, Ressa McCray, Ricardo Esteves, Ricardo Martins, Riccardo Sartori, Richard Kegler, Richard Miller, Rob Keller, Roballo, Rose Coplon, Roy Rub, Rudo van der Velden, Russell McGorman, Ryan Rushing, Ryan Thorpe, Sander Neijnens, Sara Cross, Scott Boms, Scott Fisk, Sergio Jimenez, Shi-Min Chin, Sílvio Gabriel Spannenberg, Soohyen Park, Sorin Bechira, Stanley Friesesk, Stefan Hattenbach, Stefan Kjartansson, Stephen Lay, Steve Harrison, Steve Marsh, Steve Matteson, Steve Mehallo, Steve Zelle, Steven Bonner, Steven Wulf, Stuart Brown, Stuart Ford, Stuart Sandler, Sue Zafarana, Sulekha Rajkumar, Susan Surface, Tanya T Stroh, Taylor Loman, Ted Ullrich, Teja Ideja, Tena Letica, Terrance Weinzierl, Theo França, Thiago Martins, Tiffany Wardle, Tim Whalen, Titus Nemeth, Tom Plate, Tom Rickner, Tomato Košir, Tomi Haaparanta, Travis Kochel, Troy Leinster, Tyler Heron, Type Mafia, Vanessa Robertson, Veronika Burian, Victor Esteves, Victor Zuniga, Viktor Nübel, Viviana G, Wellinton Reis, Wilson Thomas, Wolfgang Homola, Xavier Dupre, Xerxes Irani, Zvika Rosenberg These designers represented the following countries: Argentina, Australia, Austria, Belgium, Brazil, Canada, Columbia, Croatia, Czech Republic, El Salvador, England, Finland, France, Germany, India, Ireland, Italy, Japan, Latvia, Lebanon, Mexico, New Zealand, Peru, Poland, Portugal, Scotland, Siberia, Singapore, Slovenia, Spain, Sweden, Switzerland, The Netherlands, Ukraine, United States, Venezuela, Vietnam

A fresh, curly and delicious sans serif. Designed by Daniel Hernandez, Merced is a sans serif font that can be given different uses due to its wide variety of alternate types. Its main virtue is the endless number of possibilities for you to write words, texts or paragraphs. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.

Prima is a series of fonts designed at Bitstream by Jim Lyles (Sans and Serif) and Sue Zafarana (Sans Mono), released in 1998. The fonts have been tuned to give exceptionally good quality at low screen resolutions. The fonts are therefore suitable for sustained use in browsers and other applications where users read for long periods from the screen. Of course, Prima looks great printed out too.

introducing MELONS - display sans serif - MELONS is a cute and playful sans-serif font. It is great for t-shirt designs, books, magazines, branding, packaging, logos, quotes, mugs, tote bag designs, cards, banners, social media, and anything about your projects. The ligatures make it look so awesome. Features: All Uppercase Characters Numeral Multilingual Support Punctuation Ligatures PUA encoded I hope you love it. regards, Abo Daniel Studio

Qore font is a sans-serif typeface with minimal, modern,and futuristic style. This typeface is available in all caps only with stylistic alternates feature plus supports multilingual languages. This font is appropriate for your branding, logo design, shirts, etc. Qore offers you: Qore- A clean San serif font including Upper & Lowercase characters(ALL CAPS) Stylistic alternates Character Numbers and Punctuation Multilingual Support (Latin Western Europe)