Experience the timeless allure of Timesky, a serif font that effortlessly blends classic elegance with a modern sensibility. The generous spacing between characters ensures that your text breathes, This ample spacing not only enhances legibility but also lends a feeling of modernity to your design. On the other hand, the inline style brings a sense of depth and dimension to the font, creating a captivating visual. Timesky fits in headlines, branding materials, print media, and many more.

Panforte Pro is the basic ingredient for any tasty visual feast: a prime-cut font family, deliciously readable online and offline, space-saving and organic, appealing to hipster consumers and seasoned gluttons. Hand drawn in easy big strokes, its a very condensed typeface that allows you to typeset easily long texts. Lovers of world cuisine will be delighted to discover that it supports over forty languages using the latin alphabet, spiced with hand-picked diacritics and comes also with a tasty side dish of greek and cyrillic characters. For all the nouvelle cuisine open type chefs, it features a set of proper small case character set and alternate oldstyle numerals, as well as a set of repeating letter ligatures to avoid that metallic taste of repeating double characters.

In Amaboxi the upper-case letters are all placed upon a background inspired by the cardboard boxes that many people in Africa use to carry their possessions. The box takes its shape from the character and conversely, the character is influenced by the shape of the box. All characters except the six "fractions" are included in Amaboxi. It includes all upper and lower case letters as well as all numerals, punctuation, accented and special characters. All characters have been letter-spaced and kerned in terms of the box (not the character). This improves legibility, however, the inter-character spacing has been minimized so that there is often a very slight overlap between the boxes of adjacent characters. This generates an exciting and variable "white space" around the characters.

Close Together was designed to alternate convex and concave letter sets, with convex letters on the upper-case keys and concave shapes on the lower-case keys. The OpenType feature of contextual alternatives (calt) does this automatically. Individually some of the letter shapes are strange and unsightly. They have the shapes that they have so that they fit snuggly with adjacent letters. The family has three weights: regular, bold, and extrabold. The letter spacing is set very tight and the user may want to loosen it by altering characters spacing. (Either the convex or concave set the letters can be used alone if the character spacing is adjusted.) The typeface has four OpenType stylistic sets of alternates, one for numbers and the others for letters D, T, and Y.

The Sajola font is a contemporary sans-serif designed in four variants. Font designs range from formal and non-formal modern styles with a coherent typography system that has the same amount of weight, identical character sets, and vertical dimensions. Professional typography that supports using individual variants as main headings, sub-headings, sentence and paragraph texts, making this font complete as your choice. This font is designed with space-sensitive environments in mind. Environments such as interfaces, forms, and pathfinding applications. Font spacing is adjusted in a way that allows switching of weight and style without having a significant impact on overall space consumption. No matter the topic, this font will be an incredible asset to your fonts' library, as it has the potential to elevate any creation.

Cascadeur is a variable modular sans with 3 axes, a modernistic hommage to space-age typography. It was designed by Peter Bushuev and released in April of 2020. Cascadeur was born from a type design study and went a long way to its final form. The main feature is a structure of the font: it based on 4 lines grid, has very tight spacing to achieve maximum space coverage and set of inventive letterforms. It is also a variable font and has 3 axes: weight, slant, and roundness. Cascadeur has alternates for almost every letter (2-4) so you can find a rhythm and a unique pattern for your design piece. It is a perfect choice for posters, album covers, big headlines, oversize typography, identity and packaging, editorial design.

NarrowWay is a family of 18 condensed and ultra-condensed sans-serif typefaces. The family started with the ultra-condensed widths, then the condensed and regular widths (the regular is still quite condensed) were added. All widths have three weights and each weight has an italics style. These 18 styles lack a true lowercase but rather have a set of alternative characters, some based on lower-case forms, on the lower-case keys. Some alternative letters can be reached with the OpenType feature of stylistic sets. The character spacing in most of the styles is quite loose and it can be tightened with an application's character spacing if needed. These typefaces are display faces that can be useful for squeezing tall lettering into tight spaces. They are not readable at small point sizes.

The name African Gold is associated with Johannesburg, the "City of Gold"; (the Zulu name for Johannesburg is eGoli). The font was so named for two reasons: the intricate African patterns within the characters of the font suggest the shafts and tunnels of a gold mine, and, as with a gold mine, the richness lies within. African Gold is a display font that is best used at larger sizes, however, it contains a full character set with all accents, special characters, diacritical marks and all the characters are carefully spaced and kerned. The numerals are mono-spaced so that they will line up correctly in columns of figures. The letters of the alphabet are spaced according to their width and are carefully kerned to create an attractive appearance.

Autocode is a highly legible monospaced font based on Autobahn, ideal for coding and wherever mono spacing is required. It also works effectively as a general text font.

This style was actually inspired by some old stock certificates Tom had collected. It’s a very versatile font and allows for some horizontal stretching. Fits almost any space.

SixMinutesNarrow is - as the name suggests - a narrow version of SixMinutes. Just as quick, dirty and tasty as SixMinutes, but it will fit more text in less space.

'Dizengof' is a Display Typeface, design to deliver a humanistic quality with a unique interpretation for the latin type. The Bold look of 'Dizengof' gives a magnetic visual impact, that is thanks to the strict attention of spaces within and between the letters. Can be used for logos, posters, on video, and of course - branding. The Bold look of 'Dizengof' gives a magnetic visual impact, that is thanks to the strict attention of spaces within and between the letters. Has 2 Stylistic sets.

Faithfully reproduced from my father’s design drawings made at The Municipal School of Arts and Crafts, Wolverhampton in 1939. Strong nostalgic influences of Art Nouveau and Art Deco. What caught my eye was the consistency with which each particular character was formed: every ‘R’ like every other, every ‘S’ the same. Tight letter spacing and loose word spacing characterised his titling but he didn’t trust himself to print without first ruling guidelines, a hint of which remain in this font.

Love Birds Pattern is a picture font consisting of pattern tiles and illustrations. It is the sister font of Love Birds , which contains a handful of charming birds silhouettes. With 37 unique tiles (corresponding to lowercase & numbers) and 26 single illustrations (corresponding to uppercase), this font makes it easy to create awesome patterns – even in the simplest text editors. Just be sure to set the line spacing value the same as the font size, with no spaces between paragraphs. And keep singing!

Ticketing is a monospaced font loosely based on the pixel style lettering of electronic ticketing, designed for clarity when cheaply printed at small sizes. Ticketing, however, has a larger x-height than is often found on ticket type. The glyphs were drawn on a square grid 13 wide by 22 high, though some accented characters are taller or extend below the baseline. The Space is a full character width, but the Non-Breaking Space is set to half the width of the glyphs.

Tahiti Sans is a playful, all caps display sans available in 2 versions. At first glance it appears to be the offspring of a rather uniform font and a wacky one. The variations of letterforms as well as random angles are minimal. They’re tall by nature so squeezing text into tight spaces should be easy. Characters are slightly jumbled in a childlike manner and misaligned with varying degrees of spacing. Use it for youth sports, social media, toy packaging or advertising.

Comicraft first created this font, based on the unique European lettering style of Ladronn, for the Marvel X-book CABLE in 1998. It was later upgraded for THE INHUMANS mini-series, and modified again for the HIP FLASK mini-series in 2002. In 2018, we Remastered it for the new LOST IN SPACE series from Legendary, with improved spacing and kerning, an additional Bold weight, and our patented Crossbar I Technology to automatically place the crossbar I in the right spots.

Old Thunder is a revival of an 1800’s Tuscan style font called Lavinia, we've expanded the original font to include a lowercase, an Open faced version, a very attractive Black face and last this set just wouldn't be complete without a Fill font. When you see the word Fill in a fonts name this describes its purpose which means the font is intended to be used for filling in the open space of its parent font or the Open faced shadowed version from that font family or group. Some Fill fonts look as if they may be used as stand alone fonts but others simply do not look good used as a plain font. The Fill font for Old Thunder was designed to work as both a fill and a regular font, although when used as a regular font the letter spacing will appear a little wide. If needed the spacing can be adjusted in some applications font settings, check the help file in your application for further information on spacing. You will need an application that allows layering of your fonts in order to take advantage of FontMesa Fill fonts.

Lucidity is a condensed, handwritten font with emphasis on texture and default wide spacing. This makes it a versatile font for display, medium amounts of text, and T-Shirts.

Claxon is reminiscent of the types from the 1920s Bauhaus movement. Designed with very short ascenders and descenders for tighter line spacing. Effective for short headlines and general use.

Positively bold, Cachalote was drawn by subtracting negative space. The resulting glyphs show unexpected, original forms, packed in an unicase font. Suited for impact. For the coolest looks. Positively.

Reyhan is a low contrast typeface that looks legible and clean in small sizes. On large sizes, it wraps the space around. Finely drawn negative spaces, neat and minimal shapes define Reyhan. Simple and clean lines give the typeface a solid and finished look. Reyhan is pure and powerful with well designed proportions. Different alternatives such as square dots, alternate /a /l /y /R /1 /6 /9, coverage of 94 Latin languages, various Opentype features, and 18 styles expand the usage area of ​​Reyhan, making it a versatile workhorse. With high-quality spacing, Reyhan looks good on all sizes, making it not only a valuable tool for graphic designers but also a total typeface solution for every person who communicates with type. Reyhan is a typeface designed to adapt requirements of modern and traditional communication. For more information please visit www.plantype.co

An excellent example of early 1900's sign artistry. This Letterhead Fonts' revised version of Mike Henderson's bold font features all new spacing, kerning and improved characters. Includes 6 alternates.

KD Diagona is a display, geometrical face with 45 degree diagonal cut. Letter spacing along with almost 4000 kerning pairs were designed to match the diagonal progression of the font.

Gwyner, a strengthened didone with sharp and clean characteristics, comes with thin to bold weights and is suitable in italic for various uses. A condensed family for space-saving design.

Latino is the work of British designer David Quay, an unusual, condensed, wedge-serif roman typeface. The characters can be set normally or widely spaced. Latino exudes grace and elegance.

Lasta is small serif font family with simple elegant shapes, refreshing Italics and poetic endings. Containing 2 weights and 2 italics, with lower x-height which brings more air (empty space, white space...) into paragraphs making text more graceful and legible. Thin serifs bring small touch of dynamic into letter forms, just enough to bring specific tone to paragraph. Beside being mainly imagined as fully text family, Lasta is suitable titles or decorative typography as well for, especially the Italics with fancy curvy endings.

SS Vortax is a space-age themed display sans featuring broad strokes and tight spacing. This close relative of Galaxus features imposing Capitals with some sharp slants in the Italic version. It’s designed to cover horizontal blocks effortlessly. Most characters have curves on the exterior with right angles on the interior. This dynamic contrast makes it a great choice for a video game/app, toy packaging, or sports logo. SS Vortax is equipped with European accents for international support. Please check glyph maps for all supported characters.

Vitrines is a digital and extended version of a charming alphabet featured in a 1913 book devoted to window signs and show cards. This version was carefully developed to preserve the original hand lettered look and feel. It includes a bold weight and a set of pattern tiles to adorn your compositions. A note about the pattern font: in order to create even patterns, be sure to set the line spacing the same size as the font and set no spaces before or after paragraphs.

Eleven out of ten typographers have confirmed that Tabac Big Slab can be used both on the facades of majestic villas and on the most ordinary typesetting of labels and medication package inserts, where it saves both space and tired eyes. Even width compression doesn’t take away from the typeface’s well-distinguished characters, while its huge x-height optically enlarges typesetting in small sizes. Aside from the lightest weights, we can recommend Tabac Big Slab for all applications where there is a lack of space or paper.

Compacta is the work of Fred Lambert and is reminiscent of the extremely narrow, sans serif stencilled fonts of the 1920s, then intended as titles or headlines for magazines and posters. The characters of all cuts are narrow and the space between letters is very small. The white spaces between strokes are perceived almost as only small white stripes and dots which stand out from the black bands of the lines of text. Compacta is not meant for longer texts but is impressive in titles and headlines.

Compacta is the work of Fred Lambert and is reminiscent of the extremely narrow, sans serif stencilled fonts of the 1920s, then intended as titles or headlines for magazines and posters. The characters of all cuts are narrow and the space between letters is very small. The white spaces between strokes are perceived almost as only small white stripes and dots which stand out from the black bands of the lines of text. Compacta is not meant for longer texts but is impressive in titles and headlines.

Made in bold style and wide, as well as consistent spacing between letters, this font has a distinctive aesthetic value, suitable for graphic design use such as logos, posters, and others.

VWORP! VWORP! This font will travel through the four dimensions of time and space to materialise on your hard drive. TIMELORD was created for Telos publishing's line of DOCTOR WHO novellas.

Sci Fi Bronze can make your design look modern and futuristic. This fonts suitable for logotype, packaging, branding, header, film poster, and more design about space, high tech, and futuristic feel.

Cloister was designed in 1914 by Morris F. Benton. The characters of the Cloister font family have a small body and are suitable for texts where economy of space is desired.

Casual and sugary, Candykitchen is an inline face with a weight problem. Frosted with occasional swashy finishing strokes and a few errant bulbous terminals, this face wants space in your cupboard.

AstroNaut is an 8 font family consisting of 4 weights with italics. It's angular construction takes influence from various science fiction films including: Blade Runner, Alien, Minority Report & 2001: A Space Odyssey.

Imaginer is a great font for designers looking to give that space age, techno look to their designs. Four standard weights and six outline styles make it a very versatile typeface indeed.