Sweet Mia is a playful modern calligraphy font with a dancing baseline. This sweet font has nice smooth lines and is perfect for crafters and cutting machines. Sweet Mia will look gorgeous on cards, mugs, quotes, logos and all your other lovely projects.

Inno font, is a modern take on the futuristic scifi theme, this typeface is clean, sharp, and have plenty of alternative, you can easily access them through uppercase lowercase. This font is great for headlines, sub titles and many attention grabber projects.

Blast into the past with Atomic DooDads, a set of 1950’s and 60’s-era dingbats. Baby boomers to late bloomers will enjoy this set of playful glyphs. Go get yourself a cup-a-joe and design the heck out of something.

Restu Bundah is a retro bold script with a groovy style. It features a vintage style and is perfect for retro lovers. It will elevate a wide range of design projects, be it barbershops, motorcycle clubs, clothing, logos, coffee shops, and much more!

Hermaphrodite was developed for the Bastard Project and had its origin in the idea of applying the process of an Antiqua on a Grotesque. In other words, a Grotesque font was drawn calligraphically and then digitized. Some inconvenient corners were simply cut off.

Darwin font family is a eclectic assembly of grotesque, geometric and humanistic styles, includes 20 fonts, 10 normal and 10 alt sub family, the alt variant gives spice to the compositions. The font family is good for headlines, short text, posters and logos.

AdvertiserÆs Gothic Light, from a volume of headline fonts, was designed by Robert Wiebking in 1917. Wiebking was a skilled type engraver from Chicago who created his own pantographic machine, used to cut punches drawn by other successful type designers, including Frederic Goudy.

Tough Cookie is a handmade font that looks like it has been cut out. It comes in three varieties that work together really well. Use it for your book covers and product packaging, or (if you’re a tough cookie) for your christmas cards…

AZ Hello font was inspired from old auto repair signs. This font utilizes an "old look" to the line work which is designed to have a "worn feel" to it. Ideal for use as headline or sub-head text in you design.

Gloucester is a smart, chipper, and studious typeface that evokes British literature and historic books. It's highly legible and great for kids books. Use this font for a pub sign, a book about British history, or anything else that needs a sophisticated look.

Common Stencil JNL takes a vintage lettering stencil from the 1980s with imperfectly bent cutting dies [which unintentionally gave the characters a distressed or "grunge" look] and recreates it in a digital form. The design is available in both regular and oblique versions.

Rosart is a digital version of the 2-line great primer letters cut by J. F. Rosart for Izaak & Johannes Enschedé in 1759 (Enschedé no. 811). When the AR type is set at 50 pt it will match the size of the original.

Electroz font is a techno themed font made with futuristic values, made with condensed width and slanted cuts at the corners of the letters making this font look cool and have a strong futuristic value. suitable for use in futuristic-themed designs

The image of an old enamel sign advertising poultry inspired Poultry and Fish JNL, which is available in both regular and oblique versions. Horizontal cut-through lines within the Art Deco-era hand lettering adds to the uniqueness of this type design.

The design idea for Meter Room JNL comes from a vintage brass hand-cut stencil of the words "High Voltage". What makes this stencil font a bit different than others is the placement and angle of some of the "breaks" within the letters.

From the realm of insigne, a new family has risen. By name, Mandrel. Courtly in character and elegant in appearance, the face finds great favor among those with whom it seeks audience. With confident air, Mandrel carries itself gracefully before each pair of eyes, never faltering or stumbling in its refined step. But while dressed with gentility, this elegant family is not faint of heart when challenged. Crafted well for high-impact resistance, Mandrel steps boldly and prominently into the arena of the reader’s eye, boasting its tall x-heights, high contrast, confident bends, and sharp serifs. Skillfully, it wields its sharp serif endings, cutting swiftly through opponents’ crude clutter, which fights for the reader’s attention. From Thin to Black, nine weights and their matching italics make up this noble family. Mandrel furthermore includes an abundant treasury of OpenType variables to adorn your text. Ligatures, old-style figures, and stylistic sets are available to accompany the family’s 500 glyphs and its support for more than 70 languages. Raise your cup to this new Mandrel! With strong serifs and high contrast, you’ll find this champion ready to take up your challenge in many a test ahead.

Mark Geard’s Artemis is a contemporary humanist sans serif. Its flourishes and unusual cuts give the typefaces huge distinctiveness—yet they remain highly legible. Glyphs begin with something that resembles a serif, leading the eye across their body and on to the next letter.

A vintage printer's cut for the masthead of the "Fed-O-Gram" (a monthly publication of the Farm Bureau Federation, Inc.) had its title set in letters that emulated a moving message board. This design formed the basis for what is Moving Message JNL.

Dunkelbunt is freely inspired by works and words of the wildly eccentric artist, architect and designer Friedensreich Hundertwasser. It’s an all caps font, with 2 cuts for each letter, loaded with imaginative energy and organic forms that will certainly make your designs shine. Enjoy!

Hand-cut wooden letters belonging to a long-defunct salad bar's signage were offered for sale in an online auction. The casual look of the lettering, the hand crafted feel and the rounded ends made for the perfect inspiration for designing Salad Bar JNL.

Sergury is an ultra-bold typeface formed by cutting circular elements from rectangular blocks. It is caps only and is so bold that it is almost unreadable. The three tall styles were added in 2021. Sergury is a variation of Porker, another experimental typeface.

FunTrace is font prepared to make it easier to teach children to recognize letters, numbers and practice writing. Designed to consist of 6 sub-families of fonts (Regular, Bold, Dashes, Directions, Outlines, and Guide Lines) supports the child's learning process in a fun way.

Modifi is a straight cut modern monospace font. This typeface is inspired by the digital monotone living in urban lifestyle. Modifi has a few alternates to supply you with variety in your work and is perfect as a headline, title, branding, logo and many others.

Bistro and Hot Sauce have been prepared quickly. In Bistro you will find 10 fine traces from coffee cups, and in HotSauce 10 pleasant-for-eyes stains from sauce. Both fonts are created in the 1998. OpenType revision, with extended Latin characters, made in 2009.

Based on William Page’s Skeleton Antique wood type (circa 1865), Local Printer JNL is available in both regular and oblique versions. Primarily used for text passages, the type design also works well in headlines and sub-headlines needing less emphasis and a touch of subtlety.

False Idol is based on bad rub-down lettering from 1970s pornographic magazines and home-made religious leaflets. The letterforms were intended to mimic a feeling of cheap glamour but just became seedy. Somehow an alluring beauty emerges from this mix of sleaze and chic...

Baseface is a sans serif font family with a basic shape, simple and clean design. With a choice of six font styles, it is suitable for various typography designs, general text, text effects, logos, web pages, lettering, laser cutting, t-shirt design and others.

In 1968 Hildegard Korger’s Typoskript was cut by Typoart in Dresden, Saxony. This freshly redrawn and digitized version was extended to include Central European, Baltic and Turkish letterforms, and possesses various OTF features. It is well suited for invitations, lyrics, poems and related things.

This extrabold display face takes its design cues from the typeface Thomac, designed by George Piscitelle in the 1960s. Its semiscript styling makes for headlines that get attention. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Carabelle is based on the Nebiolo type foundry’s Calipso design. Newly redrawn and with many original details added, this old typeface has been revitalized. Noble and sweet, Carabelle plays the elegant companion for cup cake shops, wedding invitations or culinary tours through France and Italy.

Balaeno seamlessly combines modern sophistication, technological innovation, sporting spirit, and timeless elegance into one captivating font. With its sleek design and sharp lines, the font not only reflects contemporary trends but also exudes cutting-edge technological vibes suitable for a range of design projects.

Dynamic Outfit is actually another one of my fonts (Universitet) cut and slightly rotated into a grunge font. To make the font more realistic and grungy, I have added 8 different versions of each letter - and these different versions automatically cycle as you type!

Loopo was created as an experiment with rotating forms. The cut of the stencil shows the rotation and creates a reference to motion throughout the font. Characters are created by manipulating the rotations of the stencil which gives the font a round and fluid look.

Bistro and Hot Sauce have been prepared quickly. In Bistro you will find 10 fine traces from coffee cups, and in HotSauce 10 pleasant-for-eyes stains from sauce. Both fonts are created in the 1998. OpenType revision, with extended Latin characters, made in 2009.

The basic forms stem from Erich Mollowitz' version which he cut for Trennert in 1936. These fonts were completely redrawn, extended with East European letterforms and some OpenType features. They are well suited for more formal invitations, headlines and subtitles, for diplomas and certificates.

This font invites you to play with it. The Real version has longer tails, while the Roman version cuts them up to make the font more suitable for text. The Script version connects the letters, while the Dynamic version is just an italic style.

Blox is a bold, retro, experimental display typeface designed by Superfried. With a simple geometric structure, tight spacing and cuts, Blox is very distinct with high impact. Available in two styles, vertical or horizontal, Blox has been featured on the Behance curated typographic gallery TypographyServed.com.

introducing CHERRY PARSLEY - swirly handwritten font - It is great for quotes, cards, banners, books, cutting, silhouettes, social media content, and anything about craft projects. This font is all uppercase. Features: - Uppercase - Number & punctuation - Multilingual - PUA encoded I hope you love it. regards, Abo Daniel Studio

The Ahmedians is a handwritting gel pen typeface, The Ahmedians is an out-of-this-world addition to your font arsenal, perfect for quote graphics, modern/edgy vinyl cutting projects, or logos & branding. The Ahmedians is best for: - social media graphics or quote graphics - logos + branding with a modern feel - crafting projects with your Cricut or Silhouette - Starstuff has a super smooth edge perfect for vinyl cutting or SVG designs - website design + website accents - clean print design, like magazines + flyers - header elements that need a handwritten touch The Ahmedians : - full upper + lower case characters - numbers + punctuations - Multi Language Support - Standard double letter ligatures ee, ff, ll, oo, rr, ss, tt - PUA-encoding