There are a lot of narrow passages... like the Straits of Gibraltar, Hormuz, of Malacca, of Thermopylae, the Dardanelles, the Dervenakion, Magellan, Rentina of Naruto, Kerch etc. I tried to pass into mine closely with the name «Artios Pro". Walking on the same considerations as the previous series (Khamai/Aeolus/Corset) I tried to give some sense of diversity for narrow passages of the letters. These twelve style are the result. And here, the "Rail" engage with "Semi Bold" in the same way as the previous series. This series is composed and includes 12 fonts with 625 glyphs each, with true italics and supports Latin, Greek and Cyrillic.

I recently bought a small, portable speaker. I can now listen to music when I am making fonts! Output Volume is a name I came up with after reading the quick start guide that came with the speaker. Output Volume is a 100% handmade display font - it was based on a protest sign, but after a few glyphs it started to morph into something unique. I created 2 sets of contextual alternates (including the most used accented glyphs), that will cycle as you type. I also added some discretionary ligatures, to get an even more random effect. Output Volume comes with a vast array of accented letters, including Vietnamese.

Polydot is an experimental Font, built following its own rules. It has interesting letter shapes, making it a perfect choice for creative packaging and magazine design. At the same time it makes a beautiful, neat but vivid text pattern when used in smaller sizes: Use it for children’s books, food and beverage, cosmetics or health topics. Each Glyph is based on at least one dot on the body line, and has up to two more on the lower case level and the ascender level. Since they have the same size and are on the same height on all letters, no matter what weight and shape, these dots give a strong structure to the typeface, allowing for dynamic and easy letter shapes, inspired by brush strokes. It’s not a hand font but it has the dynamics of one. It has no serifs but provides the structure and readability of a roman type. It has an extensive choice of weights, but it’s characteristic dots have the same size and it has the same tracking through all weights. Try it, it’s special.

Akira Kobayashi modified his Eurostile Next design into a fun unicase version. Ascenders and descenders have been traded in for alternates of letters that all share the same height. The effect is similar to using all caps, although this is quite a bit more quirky. For example, letters like the lowercase a and e are now the same height as their capital versions and the lowercase y has been raised to fit between the baseline and top height. Odd relationships such as these give Eurostile Unicase a fresh and funky feeling. Try using it for headlines and titles, then use Eurostile Next for the body text!

Introducing Tooth & Nail; a rustic & hearty hand-painted dry brush font, designed to work in both all-caps as well as lowercase. It also includes a bonus vector pack, featuring 24 elements designed to boost your text and reaffirm it's hand-made style. With rough bold strokes and high quality textures throughout, Tooth & Nail is the perfect workhorse font for product packaging, promotional messages, handwritten quotes, home decor and branding projects. Tooth & Nail is reliable and familiar, like meeting someone for the first time and feeling like you've been reunited with an old friend. Tooth & Nail consists of 2 styles: 1. Tooth & Nail • A handwritten brush font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Tooth & Nail Alt • This is a second version of Tooth & Nail, with a completely new set of lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option.

We at Fontscafe are forever trying to work on conniving up typography that will blend itself into your work space in a manner that will make you wonder how you ever managed without it…and that effort has led us to the birth of yet another all-new font for you! And this one like most of our others has a niche appeal although it is versatile as versatile can be. Now this is a font that can pretty much fit the bill when you want to send out an exclusive appeal but yet not overly formal. It is styled with fonts that cry out ‘eliteness’ and exclusivity, but without the part where it becomes so exclusive and classy that it goes way over people’s heads! The ‘Egregio’ can still connect on a very personal, almost friendly level with your audience while it remains in a class of its very own!

This dotty delight, with its exceptional x-height, is based on handlettering presented in one of Hal Martin’s many Idea Books for Signmen, Artists and Displaymen, published in the 1930s. The ball terminals on several letters in the original alphabet have been enlarged to punctuate the page with dancing dots, suggesting the game which gives this typeface its name. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Last year I spent some time exploring the city of Bath in England. Its claim to fame are the Roman Baths in the city center, which are well worth a visit. Kingsmead is an electoral ward within Bath and I thought it was an apt name for this rather stylish - if old fashioned - font. Kingsmead Script is a handmade font. It comes with diacritics and some discretionary ligatures for double lower case letter combinations.

A vintage look label font named "Farm House".Typeface includes five styles for clean version and five styles for rough version, for sample look at 4th preview. This font will good viewed on any retro design like poster, t-shirt, label, logo etc. For using effects layers (for clean or rough version): - Type your text in Regular. - Copy that and paste at the same position. - Change the style to Shadow or Texture.

Calligra is a single weight display font derived from a serif roman. It works well for headlines and can be used also well in text. It supports English, Spanish, French, German, Extended Latin, Greek and more. The name Calligra came from calligraphy which was the main style we followed during creating this font. Main Features: • 813 glyphs • 622 ligatures • 29 “Number” ligatures • Support for many languages • Perfect for logos and headlines • Latin support expanded

Gauche Display is a "tasteless and awkward" script font for those who don't exactly want sophistication in their typographic script usage. Er, um, uh..."inspired" by several script fonts (all of which look much, much prettier), you can't take your eyes off this font, much in the same way you can't stop looking at a trainwreck. In other words, it sucks on purpose and lives up (or down, take your pick) to its name.

American Type Founders released the pattern for this typeface under the name "Thermotype". In the days of cast-metal foundry type, copyfitting headlines could prove problemmatic at times; this typeface, with a wide uppercase and narrower lowercase of exactly the same “color”, allowed stacked lines of type to be composed with uniform width. Clean, crisp and practical. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Within the pages of the April 16, 1938 issue of Liberty Magazine was found a hand lettered condensed typeface with a fun attitude that’s perfect for casual and informal titling. Because the art of lettering allows for taking liberties with letterforms, and as this came from Liberty Magazine as an inspiration source, it was only fitting that the typeface would be named Taking Liberties JNL. It is available in both regular and oblique versions.

Tactical is nothing more than a testosterone-laced typeface. Rigid, mechanical and unforgiving. Originally conceived in 2007 while I was working through the early sketches of Ginza, Tactical features hard 45-degree angles and the presence of a curve for curve’s sake is just not there. Complimenting the original is a Stencil variant (inspired by the military, marathon video game, explosion-influenced name) and matching Obliques—altogether creating a sharply coordinating family.

The font has a pronounced decorative effect and is suitable for the gaming, publishing and film industry. The Cyrillic alphabet conveys the spirit and atmosphere of Soviet constructivism. It is well suited for names of Soviet (or pseudo-Soviet) trademarks, large headings, signs, giant letter structures, etc. The Latin part is not tied to the Soviet period and can be applied in a wider range. Sharp angles and unnatural proportions create dynamics, strength and heaviness.

Crazy Xeon is stylish graffiti brush inspired from graffiti street project art. This gorgeous font includes all lowercase and uppercase characters, numbers, punctuation, an array of standard ligatures and a selection of international characters as well. Whether you are using it for cartoon-related designs, lable, children’s games, quotes, t-shirts, titles, merchandise, brand names, book covers, posters, or just any creation that requires a touch of beauty, this font is a great choice.

An original typeface designed for ParaType in 2004 by Armenian designer Manvel Shmavonyan. Based on the lettering created in 1970s by outstanding Armenian type designer Henrik Mnatsakanyan (1923-2001) of the same name. In Armenian 'Bardi' means 'Poplar'. Extra compressed decorative stenciled typeface. Its letterforms resemble many Neo-Classicism extra compressed faces and magazine lettering of the 1950s-60s. For use in advertising and display typography especially in magazine headlines and logos.

Crazy Robot is a unique and funny font that is suitable for use in game logos, event titles, animal names, movie titles especially in animated films and of course can be used in other designs. What's Included: - Glyphs - Works on PC & Mac - Simple installation - Can be accessed in Adobe Illustrator, Adobe Photoshop, Affinity Design. - Fonts include multilingual support. Thank you very much, this font will make your project easier. Saiful Anwar - Sealoung studio

Res Publica is a workhorse. It is quite anonymous as typeface, without any distinctive marks. But it gives a harmonious text body, well suited for large amounts of text, such as official public reports, magazines based mainly on text, school books, and so on. The public" concept is part of the name. Res Publica is Latin for "public matters". The word republic has the same origin. Res Publica was released in 1992.

Introducing a comic style label font named Caffeination. This font has a wide languages support with west european and cyrillic characters (check out all available characters on previews). The font family has six styles: Regular, Shadow, Shadow FX, Rough, Rough Shadow FX and Rough Shadow. Each of these fonts have same metric and kerning. This font will look good on any comic or vintage styled designs like a poster, T-shirt, label, logo, etc.

Rastanty Cortez consists of sophisticated, elegant, classy and modern handwriting. With a little dirty curvature and made from the typography of new trends, this font will give you a design that looks fresh and modern. Rastanty Cortez, with a soft style and elegant nuances, classy and natural, is perfect to get a more charismatic impression or give a unique touch to your projects and branding, greeting cards, wedding, banner, name card, lettering, fonts pairing, etc. Try mixing your design with this font. Don't hesitate to pair it with serif or serif in your work idea. Find interesting layouts to complement your project.

Since I have my new logotype people are asking me about the typeface it is based on. But it did not exist and I did not believe that it would actually work. I still love my logotype and so I went on to try to make it work as a font. After many different versions and some doubts I am glad to present Jocham. It is the first typeface with my name. For an obvious reason. There is only one weight with an italic. I tried different weight, but they were all not as strong as the final.

Bailamore is a retro boldscript font. We're pouring the lettering styles into fonts. As much as possible we make this font well integrated with spacing and balance of space. We made 159 ligatures. Activate the ligature mode and you are like being a lettering artist, plus 85 alternates to enrich the feel of lettering. This font consists of 3 fonts, namely regular, outline and shadow. Regular stands alone, while outline and shadow are complementary if you want a 3D extrude impression. Please see the video torial here: https://youtu.be/H71JEgEOows Please try and enjoy the retro bold Bailamore script

The lettering found on an 1878 Salt Lake City advertisement for the Forepaugh’s Circus inspired Faux Pas JNL, which is a bit of a pun on the circus’ name and also a commentary on how this unusual lettering style seems to break all of the rules on stroke width and balance. According to Wikipedia: “Adam John Forepaugh (February 28, 1831 - January 22, 1890) was an American entrepreneur, businessman, and circus owner. Forepaugh owned and operated a circus from 1865 through 1890 under various names including Forepaugh's Circus, The Great Forepaugh Show, The Adam Forepaugh Circus, and Forepaugh & The Wild West. In 1889, Forepaugh sold his circus acts to James Anthony Bailey and James E. Cooper and he sold his railroad cars to the Ringling Brothers. The Ringlings used the equipment to transform their circus from a small animal-powered production to a huge rail-powered behemoth, which later purchased the Barnum & Bailey Circus. Thus, in liquidating his circus assets, he indirectly contributed to the demise of his arch-rival.” Faux Pas JNL is available in both regular and oblique versions.

Historical influences coalesce with a contemporary twist to form the striking slab serif typeface Regime. In the early 19th century, as the Industrial Revolution began to transform Britain, the slab serif was born. The impact of new technology created a demand for a visual language that was compatible with mass-production and that could capture the attention of a newly-literate consumer. The design of the first slab serif typeface is credited to British punchcutter and typefounder Vincent Figgins and was released under the name Antique in 1815. In the same year, Napoleon was defeated at Waterloo. The name Regime alludes to this moment in history, when Britain emerged as the principal naval and imperial power of the 19th century.

Years ago, I developed an interest in the Japanese art of dwarfed potted trees, bonsai. I bought some books on the subject from Brooklyn Botanic Garden. In one -- Handbook on Bonsai: Special Techniques (seventh printing, February 1976) -- the type was bad. Old worn lead type, I suspect, spread wide in the tops of characters and disappearing on the bottoms. Two decades later, I came across my Brooklyn Botanic Garden collection and was struck again by this interesting type. Inspired, I made a typeface. Didn't take me long to decide on a name for it, either: a name with a double-meaning, based both on its look and its inspiration. Bonsai, the typeface, has two styles, a roman and a true italic.

The Adinkra name, by legend, comes from the King who was conquered by the Ashante people of Ghana. The king, Adinkra, wore wonderful patterned fabrics. Adinkra means “goodbye,” and the symbols were reserved for funeral garments. Today the symbols are part of the Ghana popular culture and around the world. You will find the symbols on everything from housing, clothing, to tattoos. These 100 symbols are accompanied by the Ghana name, a loose translation and what the symbol has come to represent. The meanings and symbols are by no means the complete list and some people do not use the exact same translations and meaning as you will find here. These are for casual use and not historical or anthropologically completely accurate.

Betting Soker is an casual handwitten fontinspired by natural brush typography. Written in rapid motion using a slightly dry brush pen. This will give you a fresh and elegant design. Betting Soker comes with uppercase and lowercase letters, large sets and small sets, numbers, alternative styles for several lowercase characters are also available that make your text and design more attractive. Try Betting Soker, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. - Included multilingual support and special ligatures

Elevate your design game with Siga Mono, the ultimate font family for all your creative needs. Transform your digital and print projects into masterpieces with its remarkable monospace layout and distinctive style. The multiweight options of Siga Mono allow you to experiment with various typographic hierarchies, ensuring that your design stands out from the competition. Don't miss the opportunity to try Siga Mono's extraordinary capabilities – download our variable demo and witness its magic firsthand!

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

Standard fabric (or textile) care symbols used for creating clothing labels. This font has temperature setting symbols for washing, drying and ironing. It also includes bleach and dry cleaning symbols. This font uses a method that allows combinations of the washing, drying and dry cleaning symbols to create more symbols. Therefore, this font actually has a total of 73 unique fabric care symbols that can be created.

STRAW The inspiration for this capital alphabet came from those beautiful haystacks you see in summer and the old fashioned Mikado game! We wanted to create a light, fragile and airy typeface with an optical effect. And here it is ... it’s just STRAW ! Concept/Art Direction/Design: André Toet © 2017

Introducing our newest display font, its name is Acmatic. This font is designed to answer the needs of a beautiful and unique project. This font is perfect for gaming, sports events, branding, banners, posters, movie titles, book titles. This font is suitable for your various design projects because this font is equipped with a font family that complements each other, both for titles and sub-titles and sentence text. start using Acmatic font for your extraordinary project

Years ago, I came across a vintage playbill and was struck by its lettering. The detailed floral pattern surrounded by thick outlines stayed in my mind even though the play's name and cast have faded. I finally tried to recreate the style from memory and Forgotten Playbill is the result. While all letters are actually capitals, the uppercase rotate slightly counterclockwise and the lowercase slightly clockwise. I suggest alternating between the two to reproduce my mystery inspiration.

A clean, symmetrical and modern typeface. The font (previously named "Heimat Grotesk") was developed by Florian Klauer for display and body copy application. What stands out about this font is it's large x-height and constant line-weight. Nearly all letters bend with a continuous unfaltering style, giving the impression all letters are cast from the same mold. Florin Sans comes with two weights plus matching italics with 268 glyphs each, and is available as TrueType and OpenType font.

Vector is inspired by the 1979 Atari Asteroids video game UI screen font, yet it has been completely reworked to achieve a more balanced and refined visual aesthetic, loosely adhering to the original source. Letterform widths, angles, metrics and kerning are thorougly tweaked throughout in an effort to recreate a modern classic anew and extend it's functionality. Stylistically, Vector accurately reflects it's name, exuding a uniform sense of flatness and rectangular geometry defined by it's retro-modernist origins.

The other day, a couple of kids at work (I work as a kindergarten teacher!) played this game where they were detectives. Not the usual detective, but someone who worked for cookies and biscuits! They called themselves The Biscuit Kids, and I knew instantly that I had to make a font with that name! My Biscuit Kids font is a playful comic book font, but also suitable for anything that needs a fresh extra spicy attention!