A retro seventies idea of the Futuristic typeface, Automatic is a reflection on the simple and innocent ideas of the future from our past. To reach to moon, to colonize other planets, feed and clothe the earth, and spread peace throughout the universe and our own planet. Those ideals of the future are now changed forever by genetics, and the progression towards automation, amongst others. Will the future still be an innocent place for our children, or something out of a Terminator or Matrix like film...? Put the retro techno edge into your designs, and bring the dreams of yesteryears future back into our future!

Macho was designed in 2010 for MAN, Museo d'Arte Provincia di Nuoro, as a part of the corporate identity designed by Sabina Era. Macho is based on the idea of modular widths of the 20th-century typesetting systems, as the Olivetti Margherita and the hot-metal Linotype machine. The basic module is 7,5 percent of the body size (75 upm units) and every letter width is up to 20 modules. Every letter has the same width across different weights. Macho includes a large set of boxes and underlines that can be overlapped on the letters.

Cat Burglar is another off-kilter sans-serif font by Pink Broccoli, this time inspired by the titling of a 1961 Looney Tunes cartoon called "The Pied Piper of Guadalupe". As with some of my previous type designs, it is a typographic drunken stumble, wonderfully and awkwardly stumbling across designs, surprising with each letter typed. With an extensive character set, and offbeat letter weighting, Cat Burglar is fun to typeset with, with a collection of double letter ligatures, as well as discretionary ligature combinations that add to the quirky playfulness.

During many years I have been exploring the translation from lettering or calligraphy to type design. Lately I have been designing more big sans and serif families plenty of weight. One of the main things about Hopfen is to bring back the german lettering of Bentele, who also inspired my fonts Semilla and Bowling Script, to a more versatile and useful world. Hopfen has the spirit from the past but with today's flow, it comes in 5 weights, full of swashes, endings and alternates. We imagine it being used from Breweries to book covers, from packaging to movie posters but we prefer to let our costumers to find the better use. When you license the complete Hopfen set we will include the variable version of the set so that you can find the right weight.

A single-weight display font, Steel Grrrder Nutjob is an industrial-style stencil with a nut device. It’s best used in short display settings or as an introductory drop cap to grab attention. The capital letters sport an open nut while the lowercase letters feature a solid nut. It’s not the most legible design, but if you’re after a robust display font with an element of nuts, this will do the job perfectly. The Steel Grrrrder extended family also includes a six-weight sans-serif with corresponding italics, a six-weight joining script and a display font, Groove - all designed to work with each other.

The typeface LED pixel is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz.The font system (sans-serif, slab serif, small caps & unicase) of the display typeface is inspired in the past and present. 60 + 1 (icons) font-styles (Circle, Circle Outline, Cross, Hex, Hex Outline, Line, Square, Square Cross, Square Half 1, Square Half 2, Square Outline, Square Circle, Square Star, Star, Triangle × 4) with 903 glyphs (Adobe Latin 3) incl. 300+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤️ or #SMILE for

A festive spin off our Maiden Orange Pro typeface, Maiden Orange Inline Pro comes packed with all of the features of the original Maiden Orange Pro typeface, but adds a little more visual flavor with hand drawn inline cuts, leaning even more towards the custom hand lettered 1950’s advertisements that inspired the original. Clean and legible, while also being offbeat and friendly, this font lends itself to a wide variety of uses. The SmallCaps and extensive figure sets offer a slightly more serious tone as well as a wider range of design use.

Years ago, I came across a vintage playbill and was struck by its lettering. The detailed floral pattern surrounded by thick outlines stayed in my mind even though the play's name and cast have faded. I finally tried to recreate the style from memory and Forgotten Playbill is the result. While all letters are actually capitals, the uppercase rotate slightly counterclockwise and the lowercase slightly clockwise. I suggest alternating between the two to reproduce my mystery inspiration.

Proudly Present a new font called Heinyta inspired by urban script fonts with sharp and beautiful letters that create fonts that are modern, trendy and elegant. Heinyta is a font intended for logotype creation. But with almost 500 glyphs inside the font, you can also create many of other typography designs. Stylistic Alternates, Swashes, Contectual Alternate and Ligatures is a list of features from OpenType which you can use to pairing the letters each other powerfully. Heinyta came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more. Files Include : Basic Latin A-Z and a-z Numbers Symbols PUA Encode Multi-language Support Thanks and have a wonderful day, If you have any questions, please get in touch with us Don't forget to check out our other products.

The Stempel family consists of two fonts; each made to look like a set of block stamps. Each letter appears inside its own roughly drawn square. Stempel One's letters are very simple form/counterform objects. Stempel Two's forms are more ornate: each square stamp has a thin border inside of it, and then the individual letterforms have been knocked-out, so that the colored area depicts the counters around the letters rather than the letters themselves. As a line of text is typed, a box appears for each letter entered, and all of the boxes slightly nudge against each other to form the line. The Stempel fonts have the appearance of a hand-made quality to them. Their forms appear too random, too delicate, and too thought out to have been made on a machine. Using these fonts will add a nice warm, linoleum-cut touch to your work. Both Stempel One and Stempel Two were designed by German designer Martina Balke in 2002, and are part of the Take Type 5 collection from Linotype GmbH."

MardiParty is a totally wild latin typestyle with inlines that grow out of it. Inspired by hand-lettering from a 1950's Haiti travel brochure, where the original lettering was just the word "Haiti", this font proved a fun challenge to flesh out. The end result, a funktastical tribute to its origins, perfect for any celebration themed invitations, logotypes, or outlandish branding.

I'll admit right off the bat here -- I've never been to a party in a barn. I don't even know if they still do barn dances and parties, or if that's something out of the musical Oklahoma! or something. But this font gave me kind of a homey, rustic feel, so the name felt right! Like many of my fonts, this one has been refined with crafters in mind -- smoothed curves and reduced nodes, for easy cutting and printing. It's also packed with over 600 characters total! The usual alphabet, numbers, and punctuation, plus 30 double-letter ligatures, over 300 diacritics, and a full second alphabet coded in as Stylistic Alternates. Enjoy!

In 1927 Albert Auspurg cut Trocadero for the Trennert foundry in Hamburg. This new version is not a mere digitalization, but many letterforms were altered and updated, and missing links in the complete alphabet had been drawn afresh. Out came a beautiful cursive font with a certain charm of its own which covers beside the West European languages also those of Central Europe and Turkish.

Rallynda is a whimsical yet adaptable handwritten font, that can easily stand out. Simple but with a strong visual effect, this font will instantly make your creation more appealing than any others. This font is PUA encoded which means you can access all of the glyphs with ease! What's Included? Uppercase & Lowercase Numbers & Punctuation Ligature, Alternate & Swashes Multilingual Support PUA Encoded Enjoy our font

The decorative font "SchoolType" came straight from our school notebooks. We painted these letters in our notebooks, but now they can be printed on a computer. All uppercase Latin letters have the same width, which is ideal for designers. As always, we offer you a font with support for many languages. Standard and Latin Extended support such languages - English, Danish, Spanish, German, Norwegian, Polish, Portuguese, French, Swedish. Standard and extended Cyrillic are supported by languages - Russian, Belarusian, Bulgarian, Macedonian, Serbian, Ukrainian, Kazakh, Kyrgyz.

Azalleia Ornaments is a new flourished ornaments typeface. Well elaborated and unusual design, inspired by old cross-stitch and craft books and entirely designed by hand, without use of auto-tracing and available in two different designs.

Bon Air was one of a series of script typefaces cut into wood by the Hamilton Manufacturing Company for the Morgan Sign Machine Co. (makers of the Line-o-Scribe showcard press) in the mid 20th Century. These were some of the last new designs cut into wood by Hamilton until the museum revival in the early 2000s. Bon Air was created in 1958 and trademarked in 1961. The wood type made for Morgan was used largely in department stores to make their own signage. The script styles are reminiscent of sign painters alphabets and evoke a Mad Men era advertising aesthetic. The font was only cut in four sizes: 12, 18, 36 and 72 line. It was distributed by Morgan for use in their presses, but as type high wood type, it could be used on any press. The font was issued with several alternate letters and ligatures to simulate the effect of hand lettering. Its lively strokes and odd details give it an exotic flavor suitable for advertising display work. The digital version includes all of the original alternates plus new characters to fill out a full European character set.

Are you watching closely? We know what you're looking for -- the secret. Comicraft’s magic formula, our Legendary Legerdemain. But you won't find it because of course, you're not really looking. You don't really want to work it out. You want to believe in the magic. Every great Comicraft font consists of three parts. The first part is called “The Pledge”. Comicraft shows you an ordinary looking font: A through Z, nothing more than the letters of the alphabet, unaltered, normal. But of course... they aren't. The second part is called “The Turn”. Comicraft takes the ordinary letters of the alphabet and makes them look extraordinary. Now you are peering closely -- you convince yourself you're looking for the secret... even though you really don't want to know. You want to be fooled. And you are! But don't applaud yet. Because making something extraordinary isn't enough... That’s why every Comicraft font has a third part, the hardest part, what we call “The Prestige”. That''s when we have to SELL the font. And that’s the real trick. See the families related to Legendary Legerdemain: Legendary Legerdemain Leggy.

Don't you HATE it when this happens? You're protesting the war in Iraq, and the other protesters keep pointing at you and giggling. You can't figure out what they could possibly be laughing at...You look up and then it hits you: you're holding a sign that looks like it was made by your 5-year old kid brother. It's sloppy, the words are crooked, hell, it's BARELY READABLE. How is anyone ever going to take you seriously with THAT SIGN???? There's only one solution...To further your cause, you need Burghal Design's Peace font. Peace contains upper and lower letters, numbers, punctuation, even foreign accented characters! Clean, concise, and oh, SO legible, you'll have no problem getting your message across with this typeface. Who knows, you might even make the evening news.

Created with love and attention to detail, this font instantly brings out the natural characteristics of your projects, adding a playful and whimsical touch. Whether you're designing websites, SVG graphics, home decor items, branding materials, blogs, logos, invitations, or more, Super Cute is the perfect choice to infuse your creations with charm and character. Super Cute offers a versatile combination of uppercase and lowercase letters, providing endless possibilities for your typographic compositions. It also includes a comprehensive set of numbers and punctuation marks, ensuring your designs are complete and well-balanced. With multilingual support, this font allows you to communicate your message effectively across different languages and cultures. With PUA Encoding, Super Cute unlocks additional special characters and glyphs, allowing you to add extra flair and uniqueness to your designs.

Our Aclonica Pro is a strong and modern sans serif typeface with a slight deco/techno essence to it. Clean letterforms and a generous x-height lend to a friendlier feel and easily legible typestyle, while signature swoops and angular tapering stems exude a subtle sensual nature. The SmallCaps and extensive figure sets not only expand the usefulness of the typeface across a wider gamut, but also convey a more serious tone when needed. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Geogrotesque Stencil is a member of the popular Geogrotesque family, and despite being thought as a display typeface, it goes one step further and tries to solve some of the typical problems with stencils fonts. Geogrotesque Stencil comes with 3 widths of cut (A, B and C). These cuts not only allow a better performance when printing at different sizes, you can also move across versions A, B or C in accordance to the rigidity of the material used. The family consists of 42 styles, 7 weights with 3 versions each plus italics, all of them in Open Type format including ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors with support for Central and Eastern European languages. For more details see the PDF.

Island Life is a font inspired by the loose, wavy style of the type associated with 1970s surf culture. Often found on lo-fi surf movie posters, t-shirts, and decals, it’s an aesthetic that promotes a laid-back, summer-loving style. With a zen “be like water” approach, this font has no straight edges. Behaving like letters inside a Lava Lamp, each individual character blends into a harmonious whole; perfect for groovy titles, logos and headers. The Island Life font features unique uppercase and lowercase characters, along with numerals, punctuation and language support, symbols and lots of custom ligatures for a truly hand-made look. All ligatures function automatically and can be turned on/off using the opentype features built into your software of choice. It’s the perfect font for the summer season and works great across posters, logos, t-shirts, menus and more. I recommend first laying out your text and then experimenting with warp, wave and bulge effects for some excellent results. Check out the visuals to see it in action. Enjoy!

Bergamot was inspired by vintage apothecary labels, but this font is actually quite modern in both style and effects. It features all caps plus 2 sets of alternates (so, 4 total variations for each letter). The coolest part… they intermingle randomly as you type! Ok, so it’s not exactly random, but that’s the easiest way to explain what you'll see. The letters are actually coded to rotate with their respective alternates. This effect is both useful or can be purely for fun! Let’s talk about the useful part for a sec… Repeating characters are often a dead giveaway that a font is being used. And sometimes we don't want that, right? We want to give the illusion that our design has been custom hand-lettered for a particular project… and can't be recreated by another. That’s exactly what this font aims to do. The randomizing effect is built into the Contextual Alternates feature and will likely be “on” automatically in your chosen program. Alas, even random doesn't guarantee that like characters won't appear in close proximity. So for those of you with access to the “Stylistic Alternates” feature, easily change repeated letters that are near each other simply by turning this feature “on”. Voila! Custom…hand…lettering. Bergamot also features separate files for Frames & Ornaments. Check them out below.

This set of initial letters was inspired from French renaissance decorated letters. It is a typical pattern, one among dozen quite similar, but this one was in use in Paris, unchanged, for centuries, and was still in use in the beginning of 1900s. This explains the difference between I and J, U and V. These characters were engraved years after the original set. Our font was inspired from a late 1800s publication. It can be used as well with Humane fonts (like our 1543 Humane Janson or 1592 GLC Garamond) as with modern fonts like our 1820 Modern or 1906 French News.

Klothilde is a handwriting font which came to life in one of my doodling sessions (I must admit I still doodle with pen and paper). The idea was to create a font which resembles writing with a quill on paper with exaggerated ball terminals. Sometimes there is too much ink which makes the letters fat and the strokes uneven. The paper soaks the ink resulting in blurred line crossings. The form gets blurry. On the other hand, when the quill runs out of ink the stroke gets thinner looking like the light version of Klothilde. In order to emulate the different looks, I created six fonts with a common skeleton but different appearance which can be altered seamlessly by using the Variable Fonts technology (e.g. in latest Adobe apps or CorelDRAW Graphics Suite) along the Weight and Blurred sliders. But even without, Klothilde can be used even in longer copy. Use it from 18 pt upwards, flush left with tight leading and intersecting ascenders and descenders. Due to extensive manual kerning, it gives your text an even colour. To my knowledge, Klothilde is one of the first script Variable fonts in different weights. No, Klothilde’s letters are not connecting. But I added a whole bunch of connecting ligatures which are simply activated by the ligature feature of your app. Even Microsoft Word can do that. Thus Klothilde comes to life, as it should be expected from a handwriting font. In order to add to variety there are additional glyphs for some critical initial and standalone letters. Repeating letter combinations like nn, mm or rr are avoided by replacing the second letter by an alternative form. All features are activated by the standard ligature feature. Ligatures are available for most European languages, some even in Cyrillic (some special Serbo-Croat letters included and accessible through localization or Style Set 08 features). Romanian comma-accent characters and ligatures are accessible through the OpenType locl feature. For the topping on the cake, I added an alternate ampersand (stylistic set 1) and asterisk (ss04), an alternate Cyrillic b (ss02) and t (ss03), a few fleurons, arrows and a skull (OpenType feature ornm), fractions (frac feature), circled numbers (ss06) and an interrobang (ss07) which result in exactly 900 glyphs in each of the six fonts. There should be enough to play with. Should you be missing a special character, do give me a hint.

Monospasz means mono-fun in English. It's spelled with 'sz' instead of 'ß' for all you english speaking folks out there who always mistake it with a 'B'. Monospaced fonts keep on drawing attention to them because their proportions stand out from the canon of common fonts. "Yuck. Look at the condensed little m. Isn't that ludicrous?" But Monospasz isn't copycatting traditional typewriters, the most popular of monospaced fonts. It's completely manually ink-written and hand crafted. Monospasz has been designed and first used for the third incarnation of our annual Weimar based typography symposium dubbed "TypograVieh lebt" in the summer 2006.

Digital Stitch is the embroidery of digital era. This font is a blend of pixel stylization of traditional cross-stitch embroidery and stylization of printed circuit boards. There is a big collection of ornaments in the symbols set.

Gift Wrap JNL takes a classic wood type display font and cuts it into diagonal striped lines to emulate package wrapping paper. An interesting side effect of the lettering is that at first glance you might perceive the style as being an oblique, but the letters are actually vertical. This typeface is perfect for holidays, birthdays and special events featuring a festive theme.

Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. The Black and medium weights began as one approach before separating into display and text categories. The four text weights were created through pendulum swings in design direction that experimented with contrast, angles, tangent redirections, and the amount of anomalies allowed. The text weights are vocal when set larger than ten points and subtle at smaller sizes. The tech-heavy Incised display style came last, employing a surprising range of trigonometric functions to make it behave exactly as desired. Its look can result in something distinctive and emotional or completely over-the-top. Most normal typefaces change only in thickness; Rezak changes in intention, highlighting the relationship between dark and light, presence and absence, what’s removed and what remains. Rezak’s Black and Incised display styles are like a shaft of light in reverse and are perfect in situations of impact: websites, headlines and large text, gaming, call-outs, posters, and packaging. The tone works for something from youthful or craft-oriented to organic and natural products. Try these two in logotypes, complex print layering, branding, and words-as-pattern for greater experimentation. The text styles are bold, energetic, well informed, and round out the family with four weights (Regular, Semibold, Bold, Extrabold) and matching italics for a family grand total of ten. These jaunty styles work well in children’s books, call-outs, movie titles, and subheads for myriad subjects such as architecture, coffee, nature, cooking, and other rough-and-tumble purposes. Rezak’s crunchy letters are meant to expose rough, daring, or dramatic text. A further benefit is that this family is not sequestered within one specific genre or script, so it can be easily interpreted for other scripts, such as its current Latin and extended Cyrillic which supports such neglected languages as Abkhaz, Itelmen, and Koryak. Rezak’s push toward creativity and innovation, with an eye on typography’s rich history, reinforces our foundry’s mission to publish invigorating forms at the highest function and widest applicability.

My brother is an architect, and I have always loved his lettering, you know, the style of writing that can be found on architectural drawings. There is a common thread to it, yet each architect or engineer brings their own personality to it. I have seen a similar style being used by some hand-letterers for invitations, place cards and signage. Inspired, I set out to create my own, and the result is my new typeface, Robard! I wanted something compact, somewhat modular, done quickly but with control, and sourced from hand-lettering. Starting out with a handful of pigment ink pens, I settled on a 0.1mm Copic Multi-Liner, and using a light table with a grid underneath the paper, I cranked out grouping after grouping, letter after letter, numbers, punctuation, accents, just trying to zero in on the feeling and the look I was after. There were some ideas that didn't work, like unicase (there would be no regular lowercase), or swash alternates. Ultimately, I ended up with a decent array of glyphs to choose from, and alternates like oldstyle numbers, and an alternate set of caps for the lowercase slots, and even alternative figures so doubles like 88 would be different. In the font, the OpenType ligature code automatically alternates the cap and lowercase (alternate cap) letters, and numbers as you type, lending Robard that hand-lettered look in a digital typeface that I was hoping for. There are also oldstyle figures, and unlimited fractions, ordinals, and a few alternate letters. I hope you like Robard!

This set of decorated initial letters was inspired by those used in 1510 in Nancy (France, Lorraine) for printing of "Recueil ou croniques des hystoires des royaulmes d'Austrasie ou France orientale[...]" Author Symphorien Champion, unknown printer. There were three sorts of initials family, but only one complete and clear, except a very few characters. The printer used some letters to represent others, as V, turned over to make a A, D to make a Q, M for E, So, the reconstruction was a little less difficult. Thorn, Eth, L slash and O slash were also added. The original font's letters was only drawn in white on a black background only, but it was tempting to propose a negative version in black on white. A few letters have multiple appearance, but only the A was clear enough to be reproduced. It can be used as variously as web-site titles, posters and flyer design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font... This font supports strong enlargements revealing its fine details and remaining very smart. Its original medieval height is about one inch equivalent to about three to four lines of characters. This font may be used with all our blackletter fonts, but as well with "1543 Humane Jenson", "1557 Italic" and "1742 Civilite", without any fear about anachronism.

These hand written letters make for such fun designs! Give you designs that stand out feel with these fun, unique letters! With clean lines for crafting, you can do so much with these!