Quickpen is casual and carefree, designed to recreate the look of confident, quickly jotted script with a felt tip pen or brush. In OpenType, ligatures and contextual alternates for lowercase letters add a natural hand-written look, while swashes lend a bit more finesse. The perfect script for any design that doesn’t take itself too seriously. For a fuller brush texture, check out Quickpen’s cousin, Quickbrush.

introducing SUMMER MACARON -crafty handwritten sans serif- it is a simple, natural, and fun handwritten font. This is an uppercase font designed for crafters. It is great for branding, packaging, quotes, t-shirt design, card, banners, cutting, silhouettes, and anything of craft projects. It looks so natural. Features: - Uppercase - Number & punctuation - Multilingual - PUA encoded I hope you love it. Welcome summer regards, Abo Daniel Studio

Diary Angelique is a beautiful script font with many alternative styles, this font looks natural, elegant and perfect for any extraordinary project. Diary Angelique is suitable for various products such as invitations, product packaging, quotes, product design, crafter, labels, photography, watermarks , logos & branding. Everything can be accessed using software that supports Opentype, such as Adobe Indesign, Adobe CS Illustrator, Adobe Photoshop CC, and Corel Draw.

This font of Moon Type is modelled after Dr. Moon's original poster. He developed this embossed writing system to help those who have lost their sight later in life, and so are familiar with the shapes of English letters. Moon writing is still used, and you can find books written with it. This font only contains the letters and punctuation that are in the Moon Type system.

Quartiel is a casual handwritten brush font. Written by hand using a dry brush pen. With fast movements. But, keeping the height of each letter the same. Comes in two styles, regular and slanted also include swash as a sweetener. Suitable for all creative projects, especially in headlines, branding, advertising, packaging, and more. And will give a natural, and authentic touch to each of your projects.

Hey Girl is a fun, brush font with a a bouncy baseline. This playful font will give your designs that fresh, modern feel to it and will look lovely on quotes, cards, logo's and all your other lovely projects. Hey Girl has nice smooth lines which makes it perfect for crafters and cutting machines. Hey Girl contains standard characters, lowercase, uppercase, numbers, punctuation, ligatures, and international characters.

This font is the byproduct of a T-shirt line for a punk/hardcore band I did a while ago. The guys like it skatestyle, so I scribbled their bandname and tagline with fat edding markers, which was so much fun that I decided to make it into a whole font. PiS Wallride features ligatures and OpenType alternates for an even grittier and more authentic feel.

Super Ride is a manual written font to get the best texture for each letter. Super Ride is perfectly designed, each letter character will make your design strong and dazzling. Each letter and symbol is painted using the best brushes and ink. Super Ride contains uppercase and lowercase characters, numbers and various punctuation marks ready for you to use with unique and charming characters.

I just launched brush script font in the new collection Sandblast is a extreme textured for brush script, I design it with real write my hand, I really hope you will enjoy it so much when using this font.I love using this one with layer masks in Photoshop, really look natural written. Please contact me if anything question,I'm glad to help :) Happy Designing, Haksen Studio

Foreign Skies is that hastily written brush font you're going to need, if you're looking for an authentic brush font. I am aware that Foreign Skies doesn't always meet the criteria of a professional signletteres demands of "perfect strokes" - but that is the basic idea! It is super legible, even at small sizes, but at the same time it is uneven, bouncy, clumsy and rough!

Dudley Castle - Hand Written Script Font is a beautifully crafted font with a hand-drawn script style that exudes elegance and luxury. Designed to resemble handwritten text, this font adds a personal touch and a sense of authenticity to your designs. With its abundance of alternative characters and flourishes, Dudley Castle offers versatility and allows for creative exploration. It is a perfect choice for titles, names, branding, headlines, logos, and various other design applications. The hand-written script style of Dudley Castle brings a unique and personalized feel to your projects. It captures the essence of beautiful handwriting, giving your designs a human touch and an intimate connection. The font's elegant and luxurious appearance elevates the visual appeal and adds a touch of sophistication to any text it is applied to. Whether you're creating a title for a magazine, a name for a product, or a logo for a high-end brand, Dudley Castle will help you achieve a refined and stylish look

The ballpoint pen woman’s handwriting As the name suggests — the Iris’ Hand is a woman’s personal handwriting, written with a ballpoint pen. Iris’ Hand is an amazing font — almost indistinguishable from “real” handwriting. Thanks to the over 200 different ligatures and stylistic alternates the typeface is extremely lively and varied. The ballpoint pen has its own characteristics, which are clearly expressed in this font. The stroke is not always uniformly thick. Sometimes only a delicate, thin line is created. Often it breaks off suddenly and leaves a gap. In addition to the normal version, there is also a light and a bold version. Handwriting is sometimes written more or less slanted. So does Iris’ Hand. The normal version is only slightly slanted. But there is also an oblique version that is significantly more inclined by 20°, which makes the script appear more regular and somehow feminine. The Iris’ Hand is also available as a variable font!

A personal handwriting done in pencil. Conté Script is a computer font but has the extraordinary look of handwriting. The typeface is exceedingly lively, diversified and distinct thanks to more than 300 different ligatures, i.e. letter combinations. In addition to the letter combinations in Conté Script, there are also double letters and figures included (aa, ff, AA, MM, 22, 66…) as ligatures with stylistic alternates. Type set in Conté Script appears remarkably similar to a text actually handwritten with a pencil. The typical style of the pencil — crumbliness where pressure lessens and the deep darkness where the pressure of the graphite in it's fullest denseness smudges — is another earmark of Conté Script. The font appears to be written quickly, fleetingly, casually, as if not really to be taken seriously, and as if it would be written one minute and erased the next. Conté Script looks most ”authentic“ around the point size of 18 to 22.

This script font was inspired by a lot of autographs, notes and drafts, written by President Abraham Lincoln, mainly the Gettysburg address, first draft and copies, but also the emancipation proclamation. It is an attempt to offer a typical manual script from this American period, not to propose the exact writing from A. Lincoln himself. This font is a little fat and monotone, maybe Abraham Lincoln used a smooth or rounded pen, but some letters I have consulted were written obviously with a sharp one, so, in the future, I will certainly produce a slim version of this font. It is used as variously as web-site titles, posters and fliers design or greeting cards, all various sorts of presentations, menus, certificates, letters. This font supports enlargement as well as small size, though the original size was about 18 to 24 pts. When printed, it remain perfectly legible from 10 to 12 pts.

Calligraphica was designed because there are very few inline fonts, and even fewer inline calligraphic fonts. The original forms were written with a split pen in a single stroke. The minuscules have a rougher look and the capitals have a smoother shape to imitate hand written calligraphy with more formal, decorative initial caps. The Calligraphica family contains 6 fonts: Calligraphica Regular and Italic are the regular upright roman true italic version of the font. The ascenders on this font are a bit higher than the capital letters--this is standard for most fonts. Calligraphica LX Regular and Italic are similar to the first 2 fonts except their ascenders are longer and reach high above the capital letters--giving these fonts a taller appearance. Calligraphica SX Regular and Italic are similar to the first 2 fonts except their ascenders are shorter and are the same height as the capital letters--giving these fonts a shorter appearance.

M Banquet is a humanistic script written by a Chinese restaurant owner, which the name ‘Banquet’ comes from. It is a calligraphic style that always being seen in traditional Chinese banquet menu. Incorporated a feeling of masculinity, fill with strength and energy and attracts eyeballs of customers. It was written with a thin ball pen in a unique, personal and expressive writing style, such that it is realistic, natural and masculine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text to subheading with little conglutination. All strokes are irregular, inconsistent, irregularly oriented and tightly coupled. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal style. It is one of the few proportional-width font in a full scale. It is best suited for casual lively atmosphere, illustrations, set upright (non-slanted), non-condensed.

M Banquet is a humanistic script written by a Chinese restaurant owner, which the name ‘Banquet’ comes from. It is a calligraphic style that always being seen in traditional Chinese banquet menu. Incorporated a feeling of masculinity, fill with strength and energy and attracts eyeballs of customers. It was written with a thin ball pen in a unique, personal and expressive writing style, such that it is realistic, natural and masculine. Contrast of strokes is low and the text is visible and eye-catching. Its light to medium stems (豎) make it suitable for small text to subheading with little conglutination. All strokes are irregular, inconsistent, irregularly oriented and tightly coupled. Spatial distribution, positioning, size and relative proportion of radicals fully reflect a natural and personal style. It is one of the few proportional-width font in a full scale. It is best suited for casual lively atmosphere, illustrations, set upright (non-slanted), non-condensed.

The Data Error AOE Family was one of my earliest typefaces, at a time when I had become obsessed with all forms of "digital/techology" typestyles. It's been awhile since the early 2000's, but I've had a hankering for awhile now to revisit this typeface, giving it a more expansive language character set and fill it out with some Opentype features. Inspired by some old printouts of BASIC programs and an Atari 1050 Disk Drive manual with pin printer examples, comes the familiar yet oddly restricted style with this Data Error family. This family comes complete with Regular and Bold versions with their respective Oblique versions. Odd pin printer restrictions inherent in this typeface are: no characters extend below baseline or above ascender line, (except international accents). A nostalgic typeface for computer programmers everywhere, strong and legible at any size, Data Error is perfect for so many purposes, get it today!

Eckhardt Freehand JNL is the fourth font based on the lettering of sign painters and show card writers. Jeff Levine has chosen to name this “mini series” of fonts in honor of his friend Albert Eckhardt, Jr., a talented sign man who ran Allied Signs [in Miami, Florida] from 1959 until his passing in 2005.

Need beautiful letters for your love letter or wedding invitations? Look no more! Austen Script is an elegant and feminine typeface, named after Jane Austen, one of my favorite writers, who wrote so much about love. It includes uppercase and lowercase letters, numerals, punctuation, stylistic alternates, some ligatures and alternate uppercase letters, and multilingual support.

It is known as the Naskh Font for its extensive use in the copying and transmission of books because it helps the writer to write more quickly than any other font since the Islamic times and then Naskh font wrote the "Quran". And the advantages of Naskh font are clarifying the letters and show their beauty and splendor.

Please read before purchasing! This font resembles one the of many traditional sign-writer styles used for fire and rescue vehicle lettering. Limited to English and entirely to capitals, numbers and select punctuation characters. The intended purpose for this font is for vehicle lettering and sign design. You may find it useful for other applications as well.

Eckhardt Headline JNL is a bold, condensed sans serif font. This is part of a series of typefaces popular with the sign trade. Named in honor of the late Albert Eckhardt, Jr. - a talented sign writer and a good friend of type designer Jeff Levine - it is available in both regular and "slant" for extra emphasis.

The 1920 edition of “How to Paint Signs and Sho’ Cards” by E. C. Matthews offered a number of examples of then-modern lettering styles for sign painters and show card writers. A bold display alphabet made with a round lettering nib is now available as Show Card Pen JNL, in both regular and oblique versions.

Jeff Levine's Eckhardt Inline JNL furthers a "mini series" of fonts and lettering styles popularized by sign painters and show card writers. Named in honor of the late Albert Eckhart, Jr. (owner of Allied Signs in Miami, Florida until his passing), this inline sans serif more closely resembles hand lettering than "perfectly designed" display type. Limited character set.

Censorship JNL joins the wide array of stencil-themed fonts from Jeff Levine. An advantage to this particular design is the larger amount of stencil sections per letter or number. When used with a plotter/cutter, stencils in excess of 12 inches high can be cut into masking material without the cut-out characters becoming floppy or unstable.

An authentic script from the tip of the ball point pen. This hasn’t been seen yet: A typeface which truly looks as if it were handwritten. Calligraphy is, actually, the art of fine writing. And actually, written scripts as typeface for the computer are 100% nonsense. And yet, an obvious thought: Create a typeface which truly derives from everyday handwriting. And since we, if we write at all, utilize practically only a ball point pen anymore, then a modern cursive writing form must look like just that. As a counterpart to the artistic ”handwritings“ which have long been available as typeface, the thought of digitalizing a truly ”ugly“ handwriting is appealing. After all, time and again there is the need for a text to look ”handwritten“. Biró Script is written freehand with a ball point pen. Finally a truly individual script! Biró Script includes more than 300 authentic ligatures in addition to the customary alphabet. By the way, the most convincing effect is obtained with a font size of about 18 to 22 points, at which the thickness of the stroke is now about the same as that of a real ball point pen. There's a difference between the anglo-american forms of some characters (esp. the numerals 1 and 7, but also capitals I and F) and how it's written in the rest of the world. For those of us who aren’t used to the world-wide usual forms, Biró Script includes a US version with the appropriate characters.

Some say The Silver Age Will End in Fire; others say The Silver Age Will End in Ice! Know, O Prince, that In Your Darkest Hour, the Masters of Evil Will Live Again! But from The Ashes of the Bitter Taste of Defeat, A New Power will be Unleashed! Lo, There Shall be A Frenzy in a Far Off Land, There Will be a Great Price AND a Great Prize! There Will Be a Bitter Victory in a World Gone Mad -- a World You Never Made... Face it, Tigers, You are Captives of The Coming of The Return of The Mad Mysterious Menace of He Who Would Destroy You...This Man, This Monster... This Final Font in our collection of Silver Age Display Lettering -- BATTLE DAMAGED! See the families related to Battle Damaged: Battle Cry & Battle Scarred .

Ratcaps and Ratkeys were designed as a set of highly-legible keycap fonts for use in software and systems documentation destined for in-house printing. They were specifically designed for clarity and legibility even on low-resolution (300 dpi) laser printers. Ratcaps consist of representations of the basic alpha-numeric keyboard keys. Ratkeys contains the special function and modifier keys. Both fonts also come in a 3D-effect version.

Real Enemy - Original Handmade Brush Font is an Authentic brush Font that is written casually and quickly. Letters are made with Procreate. Then trace down into vector format, and carefully crafted into a typeface. That is why Real Enemy has a rough, authentic, and strong characteristic more natural look. Real Enemy Perfect for designs, branding projects, Logo design, Quotes product packaging and another Project that require cool strong brush font.

Paperly is the perfect way to add a friendly, hand-written touch to any project! It's simple and minimalist design conveys a calm and friendly feel. It was designed by Rachel Kick based on original hand-drawn letters. Each character was initially drawn on paper before being transformed into a simple typeface. It has 4 styles that can be combined or used individually to fit the needs of any project.

It is a neat and friendly handwriting typeface with unadorned innocence. The tight handwriting gives off a cute atmosphere as if it were written by a young person. In the existing KINDERLAND, only Regular and Bold were introduced, but the Korean version of the font introduces two white weights. White weight can give a unique feel by saving only the border and not filling the typeface. This font contains Korean.

Bodoni Classic Swing is another of my decorative additions to Bodoni’s family of typefaces. Bodoni did not design decorative versions. His quest was for purity in book design. He was purely as a printer who had to cut his own fonts because there simply weren't any foundries in those days. I think if Giambattista were alive today he would design many decorative typefaces. Yours molto classico, Gert Wiescher

Cupid Hearts is a hand written script, first drawn on paper and then remastered on the computer to give a smooth free flowing script,that looks perfect over the top of photos or as a logo. With 20 alternate style sets this lovely and friendly typeface take the stress out of finding fonts that match together so you can focus on what you want to do which is designing beauty work.

Introducing Overbillion - Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. That is why Overbillion has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, Overbillion Perfect for designs,branding projects, Logo design, Quotes product packaging.

HU Suryeo is a new typeface of Heumm's calligraphy that takes the motif from carefully written calligraphy. It follows the calligraphic shape of Korean classics and can be used for titles and body text without distinction. The stroke thickness, strength, and degree of bending were set differently for each style. The thinner it is, the sharper it is, and the thicker it is, the blunt and round it is.

Smooch is a brushy hand written script full of speedy personality. The Pro version comes complete with all of the forms of the Regular and Alternate versions as well as the titling Sans set. Use the Contextual alternates setting to create clean connectors while keeping the integrity of the speed and flow. Multiple language support is available for all the fonts, with Cyrillic forms available in the Sans versions.

Introducing Fragmented is a Special Rough Striped Typeface that is written casually and quickly. Letters are made with brushes on Procreate. Then crafted carefully drawn into vector format. That is why Fragmented has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. design more interesting. Fragmented is perfect for homeware designs,branding projects, Logo design, Quotes product packaging.