Cantona Script is a beautiful, swirly script typeface. With its hundreds of decorative alternates, this font is perfect for a swashy logo or headline. It contains ligatures, and has support for all Latin based European languages.

The name says it all. Sans Original is indeed a unique sans serif display type form with very original curves and bold characteristics. Its distinct design offers a great potential for advertising, publications and package design.

Hollows is a display font decorated with smooth wave surfaces. This font is suitable for cards, book covers, posters, and logos. It contains full uppercase, lowercase, punctuation, and standard multilingual support. It also contains alternate styles.

Fatefulness is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Playkidos embodies fun, quirkiness and authenticity. This enchanting decorative font will turn any creative idea into a true standout. Get creative with its childlike playfulness, and use it to brighten up any kids and school project!

Rantting Tjinta is a stylish handwritten script font. This enchanting font was made with digital brush pen strokes and it features an authentic feel. Use it for wedding invitations, business cards, logos, signatures, and much more!

Mephist Garilos is a muscular script font. Use it to add that special retro touch to any design idea! It is perfect for many different projects such as logos & branding, product designs, labels, and much more!

DearJoe 1 is the first of four handwritten scripts by JOEBOB graphics. It is not the same as the free font. It includes a complete character set with numbers and most (but not all) special signs.

Zirkular is a beautiful and versatile display font. Use it for titles and subtitles, invitations, menus, diplomas et cetera. It is recommended to also activate the discretionary ligature feature. The letter T has an alternative variant.

Orange Moonlight is a natural handwritten and display font. It is perfect for logos, quotes, posters, clothing, and so much more ! Add it to any of your creative projects, and be amazed by the generated outcome!

The goal was to create a typeface that looks reputable and still original. Notably, some uppercase characters indicate this font its unique character. It is ideally suited for both body text and headings, or modern logos.

Veruzza Hollow is a cute and modern display font. This enchanting font will turn any creative idea into a true standout. Get creative with its unique look, and use it to brighten up any crafting project!

Baby Gumbout is a cheerful, funny and friendly handwritten font. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more.

Small headline font family inspired by discreet unobtrusive technical labels on various electronic devices. It is recognizable for its geometrical character complemented with surprising detail. Suitable for designing printed matters, posters, magazines and visual data output.

"Mighty Bastion" - an attractive and fun display font. Its classic and dynamic letterforms bring a unique character to your designs, making it ideal for logos & branding, headlines, magazines, posters, quotes, packaging design, labels, and much more!

Pumkinpie is a cute and lovely handwritten font. Fall in love with its simple and neat style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more!

Day n Nite is a playful display font. It has a cheerful look that will elevate your crafting projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

Cafeterio is a hand drawn cute font which makes it great for any children's design, be it a book cover, a t-shirt or a poster. Font includes latin and cyrillic characters, diacritics, numbers and punctuation.

Leytta is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Lucky Skirt is a bold, fun, and playful display font. Its well-rounded and slightly chunky characters make this typeface an extremely versatile one! It can elevate the look of almost any of your beautiful creations!

Rocktopus is a minimal fat blocky letter font. Each letter is designed for simplicity and maximum style points. Check it out! Rocktopus is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Madelief is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Dirty Lizard is a display font with a graffiti style. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logos, labels, and much more!

The Head Strung font is designed with a simple and basic serif structure, but has its oddities and curly lines. It comes with 4 different versions of each letter, and these automatically cycle as you type.

Introducing New Mesopotamia Modern Signature, created with signature letters in mind. This font also has Swash, Ligature in it. You can use it as a logo, packaging, headline, poster, t-shirt, greeting card, wedding invitation, etc.

Madore is an elegant and modern script font. It maintains its classy calligraphic influences while feeling contemporary and fresh. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Relaunch delivers a classy, smart and timeless look. To make it look like handwriting, we created 20 ligatures and 15 alternates, so you can mix and match it to make a better style on your design.

Morning Mood Script is a handwritten font reflecting calligraphy lettering. It includes numbers, punctuation, alternates, ligatures, supports other languages. It is perfect for adding a hand lettered style to your stationery, headlines, branding and wedding invitation.

Crunk was inspired by the creator's (at the time) teenaged hoodlum of a brother. The font Crunk is great for headlines and text and has served its creator well over the years since it was made.

The goal was to create a typeface that looks reputable and still original. Notably, some uppercase characters indicate this font its unique character. It is ideally suited for both body text and headings, or modern logos.

Steamer is a grimy grotesque with a thick early 20th century air to it. A tireless workhorse, it is accustomed to carrying out any typographic task from continuous text to bold headlines steadily through any conditions.

A smooth contemplative Antiqua with aspiring to the sky ascenders, inspired by the Quietism philosophy. Clarity of the mind is achieved by bringing the body into a state of calm and contemplation, and this is reflected in the design – the quiet horizontal serifs (body) are opposed to the peaky soaring ascenders (mind). The design also features four optical size subfamilies with different x-height and contrast, oldstyle diagonal stress, oldstyle figures by default, smooth details and slightly dark texture. Variable axes: Weight, Contrast, X-Height. Scripts: Latin, Greek, Cyrillic. Languages: 480+. The complete list of supported languages: michaelrafailyk.com/quietism Kerning: 4553 class-to-class pairs. Hinting: Not applied. Format: TTF – OpenType with TrueType outlines. Variable Font: Quietism Variable provides more options than static versions, and has three axes: Weight (Thin–Black), Contrast (Low-High), and X-Height (Low-High). Variable fonts includes thousands of styles that you can access using a sliders on graphic editor or via CSS on web browser. Mixing different axes gives you extra styles not represented by static fonts. Optical Size: The typeface is represented by four subfamilies: Text (low contrast, high x-height – for paragraph 10-20 pt), Deck (medium contrast, medium x-height – for subheading 20+ pt), Display (high contrast, medium x-height – for heading 72+ pt), Poster (high contrast, low x-height – for big size 120+ pt). Small Caps: Lowercase letters and Oldstyle Figures are replaced with Small Capitals forms. Capitals to Small Caps: Uppercase letters, all figures, and some punctuation are replaced with Small Capitals forms. Case Sensitive Forms: ()[]{}‹›«»-–—•·#%‰@ and Arrows are centered on capitals. Oldstyle figures are replaced with Lining figures. Oldstyle Figures: 0123456789 #%‰. Designed to work with lowercase letters. Used by default. Lining Figures: 0123456789 #%‰. Figures are the same height as uppercase letters (cap height). Proportional Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Tabular Figures: Lining, Oldstyle, Small Caps, Capitals to Small Caps. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures. Contextual Alternates: Number sign character (#) before uppercase letters is replaced by its version centered on capitals. Hyphen character (-) between two uppercase letters is replaced by its version centered on capitals. First of two TT letters is replaced by its alternate form. Letters vwy before the letters fijmnprtuvwxy are replaced with an alternate shorter versions that fits better in the context. Contextual Alternates (Greek): ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps and Small Caps modes. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Stylistic Alternates: FTГТИЦЩцщ and their versions with diacritical marks. Stylistic Set 01 “Arrows”: Left <- Right -> Up Left Right <-> Up Down North West South East \> South West Stylistic Set 02 “Round-Square Cyrillic”: ДИЙЍЛФвгджзийѝклнптцчшщьъю characters are replaced with its Bulgarian or Russian forms. Stylistic Set 03 “Cyrillic Tse Shcha short tails”: ЦЩцщ characters are replaced with its alternate form with short tail. Stylistic Set 04 “Cyrillic I full serifs”: ИЙЍӢ characters are replaced with its alternate form with inner serifs. Stylistic Set 05 “FT bent inward serif”: FTГ characters and their versions with diacritical marks are replaced with its alternate form with right head serif that bent inside. Stylistic Set 06 “Small Caps centered on Capitals”: Small Caps are vertically centered on uppercase letters. Standard Ligatures: fi fl fb ff fh fj fk ffb ffh ffi ffj ffk ffl. Discretionary Ligatures: Th ct st. Localized Forms: 52 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Macedonian, Moldavian, Polish, Romanian, Serbian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (571 characters). Precomposed.

“A couple of years ago, when I was designing a package for a marmalade range, I started having a go at creating a typeface that would suit the package I had in mind. The whole process was intensely appealing to me: from merely using typefaces as an intricate part of my work as an art director, I started exploring the function of each and every element that a typeface consists of. The two things on my mind in designing a typeface for a marmalade brand were firstly, that I wanted it to have a hand-written feel, so as to exude that old-fashioned, homemade quality, and secondly, that it ought to have a certain sweetness and gentleness that would match the product. However, PF Scandal managed to outgrow its original inspiration. As I continued working on it, I toned down some of its elements to make it more versatile. And so, PF Scandal evolved into a typeface that has a contemporary, and yet handwritten look, which makes it suitable for a wide range of uses. The ‘Pro’ version comes with the full array of European characters including Latin, Greek and Cyrillic as well as 120 matching pictograms". -A.S.

Guanabara is the third release of Plau Type Foundry. It started from the need of a wayfinding typeface that had personality enough to be the brand typeface for a city. The city of Rio de Janeiro, with its never-ending curves and all year long summer weather provided the constraints and requirements of this typeface. From there, it evolved to be a workhorse, with 8 weights from Thin to Black and matching true italics. It just had to have the features that all us designers have grown to love, such as alternate letters (a, g and r for the romans), tabular and proportional figures in lining and oldstyle set-ups as well as small caps, fractions and all that jazz (I mean, samba). And it needed to be recognizable and distinct. For that, design features like tapered R legs, capitals with classic proportions and calligraphic finishes on the terminals proved crucial. And last, but not least, like Rio, it had to welcome many cultures. We came to think of it as the “Typeface from Ipanema”, with a classic, timeless look, swinging elegance and joyful attitude.

Sans meets serif. Would you like to express tradition by using a contemporary font? Sintesi might be exactly what you are looking for. Sintesi stands for synthesis: the unification of serif and sans-serif into a contemporary font, which surprises with different facets depending on its application. In copy size Sintesi performs like a sans-serif. It is a compact and well readable font that fulfills all requirements of modern digital media. In larger sizes, Sintesi unfolds its traditional character. Now, its strong contrast and the perceptible feather-ductus stand out clearly, as we appreciate it in a historical old style face. Sintesi is completed by a suitable italic. Its cursive character has more to do with writing-speed than to moderate inclination. Therefore Sintesi may be well-suited for many other purposes, not only for emphasis. The whole font family consists of 20 styles and offers a wide range of Western and Eastern European special characters, typographical ligatures, uppercase, oldstyle and fraction figures. Sintesi (Serif) builds together with Sintesi Semi and Sintesi Sans an extended family. Start combining antiquity with modernity! Download a free trial version of Sintesi with a reduced character set. Check it out!

Loaded with personality and functionality, Cresta is built to look good while surviving the worst conditions. It is at home on screen and in a magazine. Its six weights are intended to be used everywhere. Unlike most typefaces, Cresta was built without a reference. For this project, everything design choice was based on what worked best for a workhorse sans serif family. Cresta was originally created as the primary typeface for this website. This meant it needed to work in copy, headlines, and navigation across all devices, browsers and operating systems. This meant it needed to be sturdy and have enough character to make it stand out from other UI typefaces. With its large x-height, ample counters, and giant apertures, Cresta is meant for easy utility in rough conditions. Even with all of this, that doesnít mean that its dull; as the weights increase, the style of Cresta becomes more appearant. This style is defined most apparently by the terminals on the lowercase r and the angle of the joins between the curved and straight strokes (such as in the connection on the n).

Creatives understand the compulsion to make something of worth. And each creative person has a toolbox they grab from often. Letterboard Lite is the narrow geometric sans that can headline or support whatever project is next on your list — the one unfussy tool you’ll use time and again. ‍ With its geometric shapes, Letterboard is a ground-floor sans that stabilizes the foundation upon which everything else will be built. It cements the context unobtrusively without begging to be acknowledged. Pair Letterboard with any script typeface and it will highlight that script’s qualities, whether capricious or elegant. Pair it with a serif or slab serif for an obvious change of tone: With a modern slab, trends will be respected, but it will act more coy with an old-school chunky slab. Letterboard’s geometry is easily subsumed as a partner to a range of serifs, from classics to the latest releases. These qualities and its narrowness make it easy for Letterboard to be used as a large display font in headlines or branding applications. ‍ Letterboard comes with 270 characters necessary for setting over 150 Latin-based languages: A–Z with diacritics, lining numerals, and the most common punctuation and symbols.

Introducing Namile – Playful Sans Serif A Playful Twist on Sans Serif Namile, our Playful Sans Serif font, is a delightful departure from the ordinary. Its quirkiness and fun factor set it apart from the crowd. Eccentric Display Font Crafted especially for eccentric displays, Namile injects a delightful dash of whimsy and vibrancy into your creative projects. Versatile for a Range of Designs Namile’s versatility truly shines in various design contexts. This makes it an ideal choice for a broad spectrum of creative endeavors, from branding to posters. A Playful and Memorable Experience Namile ensures that your content is not only playful but also memorable. It captivates your audience, leaving a lasting and cheerful impression. In Conclusion In summary, Namile – Playful Sans Serif is the font that brings a playful and quirky twist to the world of sans serif fonts. Its versatility allows it to shine in various creative projects, ensuring they stand out with a sense of fun and vibrancy. Whether it’s for branding, posters, or any other design endeavor, Namile captivates your audience, leaving a memorable and cheerful mark, making it accessible to a diverse readership.

Most fonts include uppercase and lowercase letters. Some experimentally-minded designers have proposed unicase typefaces as well: rather than having two different forms for a given letter, unicase fonts have one, chosen from the upper- or lowercase forms. Ambicase Fatface takes the next step, offering not "either/or", but rather "both/and". Each letter in Ambicase Fatface is a combination of its traditional upper- and lowercase forms, in an extra-bold style. Its inventive, hybrid forms are a bolder take on those of its 2010 sibling typeface, Ambicase Modern. Ambicase Fatface stands out as a carefully crafted experimental font: its eccentric forms do not hinder its readability. It is suitable for high-style display settings. Ambicase Fatface offers a large character set and extensive OpenType features. Most notably, in modern OpenType-aware applications, Ambicase Fatface can be set in swash mode, which features sophisticated decorative flourishes that differ depending on whether the letter is at the beginning, middle, or end of a word. Ambicase Fatface is available in two optical sizes: Regular and Poster. At very large sizes, the Poster cut, with its finer details, is recommended.

The "Jack Knife" font is a unique, handcrafted font that perfectly captures the spirit of the medieval time period. With its spiky, pointy design, this font exudes strength, courage, and boldness – making it the perfect choice for anyone looking to add a touch of daring to their brand. The sharp, jagged edges of the "Jack Knife" font give it a rugged, rustic feel that is both timeless and modern. Its bold, thick strokes make it easy to read even from a distance, while the intricate details and delicate curves add a touch of elegance and sophistication. Whether you're looking to create a bold, daring logo for a whisky brand or add a touch of adventure to your design, the "Jack Knife" font is the perfect choice. Its unique design and versatile style make it suitable for a wide range of projects, from branding and packaging to advertising and social media. So if you're looking for a font that embodies the spirit of the medieval period and exudes strength, courage, and boldness, look no further than the "Jack Knife" font – the perfect choice for anyone who wants to make a bold statement with their design.