This font is not overly distressed, nor is it overly clean. It is a typewriter font. It is perfect when you want a document to look like it was made on a typewriter. This font is primarily based on the typewriter used for a typographic conference document from 1966 in Mainz Germany. The model and age of the typewriter used is not known. Additional characters were sourced from other vintage typewriters and others were designed to complete the full character set.

ITC Bradley Hand is a calligraphy font from Richard Bradley, designed in 1995. The contours make it look as though it were written by hand with a felt tip pen on rough paper and it has all the details which give it a handwritten character. The font has a balanced, harmonious look and lends correspondence a personal touch. Bradley Hand is legible in point sizes as small as 8 and is good for headlines and short to middle length texts.

Ishtar was the Babylonian goddess of war, fertility, love and sex - all in all a lethal combination. She wasn't the sweetheart her lovers had hoped for; I guess the 'war' part in her resume is a dead give-away. Ishtar font is no sweetheart either: it doesn't have a real baseline and its spooky character might not be everyone's cup of tea. It does have a certain charm, however, and befitting a Babylonian goddess, it comes with Babylonian language support!

Appelstroop literally means ‘Apple Syrup’ in Dutch, but it is also know as Apple Butter; a slightly sweet & sour goo that you can use to sweeten things, or, as we do in Holland, spread it on a sandwich. It’s delicious, give it a try! Appelstroop font is a chunky, slightly eroded affair. It is mostly all caps, with a few lower case glyphs thrown in for good measure. Use this sticky font for your product packaging, toys and kids book covers!

Lumina is a font that exudes sophistication and style. Combining modern and classic elements, it boasts a unique and distinctive look that sets it apart. This versatile font shines brightly in larger contexts, making it ideal for various design applications. Whether you're working on a logo, web font, or looking to add a touch of elegance to your project, Lumina is the perfect choice. With its radiant presence, Lumina effortlessly elevates any design, adding a dose of charm to your visual creations. **Uppercase

Pinky Style is a Lovely Craft Font display font with heart design. Fall in love with its incredibly versatile style and use it to create spectacular designs! Pinky Style is perfect for branding, logo, invitation, quotes, apparel design, product packaging, merchandise, game titles, cute style design, Book/Cover Title and more. What's Included : - Multilingual Support - Made it into separated file to make it easier to use by beginner & separated file user can use the font with software which doesn't accept open type features.

Holy Christmas Eve is a chic and modern calligraphy font. It is ideal for crafting, branding, greeting cards and for adding a joyful touch to your designs! It is PUA encoded which means you can access all of the glyphs and swashes with ease! These alternate and swash features are also designed to be easy to use in Silhouette software. It features a varying baseline, smooth lines, gorgeous glyphs, and stunning alternates. Add it to your designs and make them come alive!

Grotesca Negra is a charming sans serif with a flirt towards the Jugend era. Still its modern enough not to feel outdated. It is briefly inspired by a local typeface named Grotesca chupada negra, found in a Spanish edition of a type specimen book from the German Bauer type foundry. It has an angle on the horisontal strokes on many of the letters. It is one of many display face derived from book cover designs. Intended to work as a display typeface.

Introducing Urban Sketart. A Graffiti Style Font with 157 Ligatures. Inspired by the graffiti art on the city streets, so I made it into a font. So that it will make it easier for you to make graffiti writing or designs. There are 157 ligatures that will make this font even cooler. so enjoy it! Suitable for many design project, branding, packaging, logo, wall art, headline, template, banner, poster, and so much more! This font is also support multi language.

Thanks Summer is a fresh and sweet handwritten font. Its distinct and well-rounded letters make this font a masterpiece. Its casual charm makes it appear wonderfully down-to-earth, readable, and, ultimately, incredibly versatile. Thanks Summer will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! This font is PUA encoded which means you can access all of the awesome glyphs with ease! It also features a wealth of special features including ligatures.

Golemi Display is a reverse-contrast fat face font inspired by the Caslon Italian specimen from 1821. It is intentionally designed to keep its wood type feel—the overall chunky body with rounded junctures to imitate the old look. However, compared to its prototype, Golemi is redrawn to have smoother shapes with a modern look. Golemi Display is suitable for large applications, such as headlines for editorial design, branding, webpages, and environmental design. It is currently a single styled typeface disposed for extension.

I've had mixed feelings about Kabel; It is a brilliant headline font with a lot of character, but it's the characters I have problems with. The versions of all big foundries have the same flaws (in my opinion), especially lowecase a and s. So I finally went ahead and made an all new version. It is not Kabel, but very much like it. It has unique x-height, weight and width, and many individual characters are also different from the original.

A very glitzy Blitz! I always wanted to design a typeface that was top heavy, but I never knew how not to make it look like Antique Olive, until recently -- I had an idea. My new family is very readable despite it beeing top heavy, thin on the low end and thick on the upper end. The font gets a special shine because of this effect. And it stays readable despite its special design. Your designer of surprising typefaces, Gert Wiescher

Hibagon is the Japanese equivalent of the Yeti from the Himalayas, or Bigfoot from North America. It is usually sighted on Mt. Hiba (Hiroshima prefecture), hence the name. I have never seen Hibagon myself, even though I have visited Hiroshima several times. Hibagon font is a nice, handpainted, all caps font with a mythical feel to it. It probably won’t scare you, but it will look good on anything that needs a bit of brushwork, or a bit of roughness.

The Antonela Font is inspired by classic typography and brings its own unique style to any design project. Its casual charm makes it appear wonderfully down-to-earth, readable and, ultimately, incredibly versatile The Antonela Font is perfect for various purposes such as branding, interior design, book title, printed on a t shirt, packaging, advertising, and many other stuff. Coming with a lot of language support, this font is perfect for you. Thanks for downloading, and I hope you enjoy it!

Circonia is a simple font, with a soft touch on serifs. It has clean lines and friendly shape, making it perfect for informal communication such as childrens' books, funny flyers and leaflets or food menus. It is suited both for headlines and a (larger) body copy. It has more than 300 glyphs with full western and eastern support and also basic math support. Check out the gallery page for the font info PDF with detailed info https://www.myfonts.com/fonts/8av/circonia/gallery.html

Giritron is a modern geometric sans-serif typeface that effortlessly blends elegance with a contemporary aesthetic. With its precise, angular forms and minimalist design, Giritron offers a perfect balance between readability and visual impact. Giritron is the perfect choice for contemporary branding, editorial layouts, websites, and any design project where a sophisticated, modern look is desired. Its geometric sans-serif nature ensures a timeless quality, while its attention to detail sets it apart as a distinctive and visually pleasing typeface.

Mohn is a sans serif font that draws inspiration from the Bauhaus movement, characterized by its geometric shapes and neo-grotesque elements. With its clear and legible forms, Mohn works as a body copy font, or blow it up larger for headlines to really see its gently rounded corner details which bring a personal and contemporary touch to any design project. Available in 7 weights with italics for each, a variety of accented glyphs, ligatures, and extra stylistic alts on select letters.

Meredia is a striking modern space sans serif typeface that embodies contemporary design principles with its clean lines and geometric shapes. This versatile font exudes a sense of sophistication and minimalism, making it an ideal choice for a wide range of applications, from digital interfaces to printed materials. With its well-balanced letterforms, Meredia exudes a sense of professionalism and readability while embracing a futuristic aesthetic, making it a standout choice for designers seeking a sleek and timeless typeface for their projects.

Batelik -This is handwriting on paper using a pen and then we turn it into 3 styles such as regular Batelik which is original or natural handwriting without being cleaned or tidied up in the slightest while Batelik1, or Batelik2 I tidy it up and clean it, it's very modern and minimalist, it's really cool and it's amazing that you can try it for the job you're doing. letters are equipped with uppercase and lowercase letters, punctuation numbers and also language support

Bungehuis font was modeled on the lettering found on an Amsterdam art deco building from 1931. This building on the Spuistraat, also called "Het Bungehuis", used to house offices, but is now part of the University of Amsterdam. In 2015 it had its brief moment of fame, when students, demanding more democracy at the University, occupied it. Bungehuis is a heavy art deco font and would look great on posters and in headlines. It comes with a rather democratic range of diacritics.

Changa is a layered font intended for titles or short texts blocks, with its short ascenders and descenders and a set of lowercase letters inscribed within a square. The uppercases case gains slightly more in height and develops its morphology in a single height in order to make it possible to create text composition with minimum line spacing. Its counter-shapes are rectangular, featuring small curvatures in opposite vertexes which accompany and break the shapes, thus evoking a modern style.

Au Revoir - saying goodbye is one of the hardest things in life, but in a sense it is also beautiful: there is a promise of seeing each other again, as 'Au revoir' literally means: 'to the next time we see one another'. Au Revoir font is slightly cursive, elegant without being posh, simple and legible. You could write a poem or a farewell letter with it, but I guess its simplicity lets you use it in various other, less dramatic, designs.

Clasica Sans is a fresh and contemporary typeface, consisting of 7 standard fonts plus italics. It is perfect for publishing and print design. Clasica Sans comes in various weights, working well into paragraphs with small and large text sizes. Regardless of its use, size or alignment, the family keeps a solid look, thanks to its balanced contrast. In short, it is a font based on classical proportions, but with a fresh and contemporary look, ideal for the most versatile designs.

Linotype Balder is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. Designed by Lutz Baar, Balder is reminiscent of advertisement and poster typefaces of the 1950s and 1960s. It is composed of only capital letters, making it perfect for initials and headlines. Balder looks as though it were written with a broad tipped pen. Its light serifs at the tops of the characters and the slant of some of the strokes give Balder a dynamic feel.

Taurus Retro is an AWESOME swash typeface with its swashes built in as character alternates, instead of being a pesky, separate typeface. This typeface is great for any project that needs both boldness and femininity. It comes with eight font styles. Great for any projects needing a retro or throwback feel, restaurant menus, along with book, movie, and album covers. It has a feminine and juvenile feel simultaneously, and is layerable for cool effects. It has 480+ glyphs, supporting a variety of languages!

Brigker is a bold, distinct and elegant blackletter font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch. Use it for product packaging, branding, or other projects that need bold and daring typography! It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

Decour Soft is the rounded-edged version of Decour. It is a slab serif humanist low contrast typeface. The overall design also features strong curves, making it a very friendly face. The font retains the original elegant features of Decour—based on Art Deco design—such as high contrast between upper and lower case characters. Decour Soft is a suitable font for logotypes and packaging. Its design also allows it to be used with certain elegance in book titles and magazines subheadings.

Areaman OT is a fun chunky ALL CAPS display font. I wanted it to look blocky and loud, So it can scream from Posters and Headlines. It has over 300 glyphs, several variations on the standard alphabet and all those extra pesky foreign features. It also has various letter pairing with extra ligatures and flourishes available through OpenType or your Glyphs palette. This upgraded version is now coded with OpenType features to create a randomised bespoke look and feel to your copy.

Check out other members of the Pocket family: Pocket and Pocket Serif This hand drawn font has a subtle rough texture, and lots of alternate swash characters to start and end words. It is perfect to give an extravagant but whimsical look to your projects. It has support for most western and central European languages, and has alternates for most letterforms accessible through Opentype features, allowing for variations that make it look authentically hand-drawn. It also has extra ligatures, swashes, and catchwords.

Elbow Grease was made with, yes, you’ve guessed it: Elbow Grease! It started off as a grungy font, but it didn’t look right, so I reworked all the glyphs. Then I forgot to save the font, so I had to start all over again. Naming a font was never this easy! Elbow Grease is a didone-ish font with some seriously warped glyphs, a lot of panache and a ‘get-it-done’ attitude. Also comes with a toolkit full of diacritics.

Trend & Trend Hand Made is a font made of layers, taking as a basis a sans and a slab font. It is the result of observation, search and study of the last global trends. Trend tries to capture the aesthetics of fashion or even fashion itself, integrating elements of a very popular and current trend. It is a typeface designed to be used without need to add anything external to it, because it has all components required for this. Trend is trending.

Liner Notes is a fun scrawly, marker felt, ALL CAPS display font. I wanted it to look fun, loud, and to have hints of School graffiti, so it can wail from Posters and Headlines. It has over 260 glyphs and several variations on the standard alphabet and all those extra pésk¥ foreign features. It also has various letters with extra ligatures and flourishes available through OpenType or your Glyphs palette. OMG, LOL I also added some web slang to the glyphs.

Browking is a bold, distinct and elegant blackletter font. This font is imposing and features uniquely shaped letters, and as a result, it will easily match a wide range of creations that require a distinct touch. Use it for product packaging, branding, or other projects that need bold and daring typography! It is PUA encoded which means you can access all of the glyphs and swashes with ease! Add it confidently to your projects, and you will love the results.

Ceramika is a modern tribute to Old Style typefaces. This design is inspired by the letterforms of the serif faces found in history books from the beginning of the 20th-century. Its sturdiness and generous X-Height makes it bold and compact; while the high-contrast strokes and recognisable shapes makes it extremely readable. All this makes Ceramika a really versatile font, perfect for logos, headlines and even body copy. It comes in 6 different weights and 2 styles — Standard and Italic.

Ratieka is a stylish, modern font that is perfect for use in fashion-related design projects. Its elegant letterforms make it ideal for branding and logo design, while its high level of legibility makes it perfect for use in websites, advertising, and other types of communication. Features. Supports all languages in the world (37) Versatile Single Font. One font for all needs. OTF File Ratieka is perfect for modern fashion brands or any projects that require a high-end feel.

The face of horror – The GoreGrinder is an extreme logo font designed for extreme music. If you’re in love with deathmetal, grindcore and the horror movie scene, you may find pleasure in using this font. It comes with an upper- and lowercase characterset, numerals, some punctuation and a bunch of drips and stuff used in the genre. Use it in your graphic-editing-application and be creative, play with it and find out what’s possible. Find out more about using it on Behance.net

I was listening to an Opeth album called Blackwater Park. By the time I had decided that this font needed some swirls, the band was playing a song called The Drapery Falls - which has the word ‘spiraling’ in it (see poster 2) - and the name was born. Spiraling down is a surprisingly elegant font (given its roughness). I probably wouldn’t set a whole text in it, but it will really stand out as a titling font for packaging or book covers.

Cute FS Kitty is the type equivalent of Bagpuss: plump, cute, cuddly and not fond of exercise. So don’t go giving it a run-out on body copy; FS Kitty is an all-caps font made for showing off in posters and headlines, and on products, point-of sale and especially sweets. Blubber Kitty had been quietly curled up in Phil Garnham’s sketchbook for a year before he brought it out to be brushed up. “It was in the mix as a basic form when I started thinking about FS Lola. It was a twisted, bubbly beauty – quite squishable and huggable. The working file was called Blubber. “At that time it was a basic construction of strokes. I created the ‘A’ first, purely as a shape to play with, not as type. I flipped it for ‘V’, and copied that for a ‘W’. I flipped the ‘W’ for an ‘M’... I thought, ‘This looks a bit wacky, but I like it,’ and just carried on. The most tricky characters were the ‘B’ ‘P’ and ‘R’. I must have drawn about 20 kinds of B for this, just to get it to fit.” Variety “When the regular weight of Kitty had been designed,” says Jason Smith, “it just felt like a natural progression to go on and explore how far we could go with it: Light, Solid, Headline, Shadow.” Phil Garnham thinks there’s still more to come. “There are some really individual characters in this font that I think have yet to be exploited: the Greek Omega symbol, the strange face in the ampersand. Like Bagpuss, Kitty has kept a low profile so far. “We know people are using Kitty. In fact, it was the first of any of our fonts that we sold on the day it was released. But I still haven’t seen it out there in the wild. It’s going to be a exciting moment.”

Syntachron is an extraordinary monospaced font that stands out with its futuristic and mecha-inspired design. What sets this font apart is its unique ability to combine simplicity, modernity, and boldness, resulting in a visually captivating typeface. It is the perfect choice for those seeking to create impactful posters, eye-catching marketing materials, captivating logos, attention-grabbing headlines, and engaging book and magazine layouts. One of the distinguishing features of Syntachron is its compatibility with the Cyrillic alphabet, offering versatility and style for a wide range of design projects. Whether you're working on international branding campaigns or multi-language publications, this font seamlessly integrates with the Cyrillic characters, ensuring consistency and cohesiveness across different languages. In terms of typeface pairing, Syntachron harmonizes exceptionally well with related families and typefaces that share its sleek aesthetics and futuristic vibe. It complements and enhances other fonts, enabling designers to create stunning combinations that amplify the impact of their designs. Beyond its striking appearance, Syntachron excels in its functional aspects. The font comes in a variety of styles, allowing for versatility in design choices. Its monospaced nature ensures consistent character widths, making it ideal for code snippets, technical documentation, and typewriter-style layouts. Furthermore, Syntachron offers a comprehensive character set with special features, enabling the seamless creation of diverse and engaging designs. The design concept behind Syntachron was to capture the essence of a futuristic world and merge it with the mechanical elements of mecha-inspired aesthetics. The result is a font that exudes a sense of cutting-edge technology and boldness, empowering designers to create visually striking and impactful designs that captivate their audience. Syntachron was meticulously created to fulfill the need for a font that seamlessly merges modern simplicity with futuristic design elements. Its purpose is to provide designers with a versatile tool that sparks creativity and enables them to craft stunning visual experiences. With its sleek aesthetics, support for the Cyrillic alphabet, and functional aspects, Syntachron is an indispensable asset for any design project seeking to embrace the future.