After watching a bunch of Danish series like Dicte, Bron and The Killing, I figured it would be nice to give my newest font a Danish name. It became Hyggelig. Hyggelig, like the Dutch word 'Gezellig', cannot be translated into English, but it means something like 'cosy'. And a 'cosy' font it is. Hyggelig is a very cute, very threedee-ish typeface. It works great in poster ads and as a display font. It comes with upper and lower case letters and a whole bunch of diacritics. Enjoy!

Mother Love is a lovely romantic script font with lots of authenticities!. It has beautiful and well-balanced characters and as a result, it matches a wide pool of designs. It will turn any design project into a true stand out. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the amazing glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Smiling Cat is a cute little font. It is an adaptation of and older font of mine: Harimau Dua. I have had many requests for a bold version of Harimau, so I started working on it, changed a few glyphs, redid the kerning and cleaned it up. Rather than adding it as an extra bold style to my existing font, I thought it’d be better to launch it as a new one. Smiling Cat is handmade, cute and quirky, it would be ideal for Children’s Book Covers. Comes with a litter of diacritics.

Savior Sans is the third collaboration between Sudtipos and Vástago, this is a 9 weight typeface in 3 different widths, condensed, regular and expanded. Its simple design with open shapes offers a different texture that works in different uses, such as web design, packaging or branding. Savior Sans offers a contemporary look at traditional sans fonts, maintaining the identity in each of its weights. In its variable version, it allows multiple options when designing, adapting to different composition solutions. We hope you enjoy it and get the most out of it.

Heavy Rain is a decorative roman typeface. Drawn and created by Mans Greback during 2020 and 2021, this medieval serif font has a distinct classic style and a historical character. It gives antiquity to any graphic project, and with its ornamental capitals it accentuates your message. In addition to the decorated uppercase, it is provided in a regular, simplified text style. Heavy Rain is built with guaranteed top-notch quality. It has extensive lingual support, covering all Latin-based languages. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

I really like the Japanese language, as it has words that describe a whole world of meaning. Like Shoganai. It literally means: ‘It cannot be helped’. That’s life, get used to it. Shoganai sums up a lot of the Japanese culture and way of thinking: if things cannot be helped, then accept it and move on. Shoganai is a set of Brush fonts: a thinner, script font and a heavy display font. Use if for book covers, product packaging and more. If you can’t use it, then, well, Shoganai.

Fisionada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2023. It is a condensed sans serif typeface with sharp edges and a very technical aesthetics. Its condensed design makes it very effective for space economizing and its geometric features make it a very attractive choice for display usages such as futuristics logos, video games and sci-fi content. It has been conceived to be most suitable for headlines and short length text blocks. Fisionada consists of 8 styles. Each containing small caps and glyph coverage for several languages.

Adorn Garland is a script face that runs along a somewhat “vintage” direction. Rather than deriving its strength from a heavy skeleton or structure, it uses its sense of contrast, its light touch upon the page, and its elongation to provide a visual break – it can function as a long string, rule, or dividing line. With 166 swashes. See what's included! http://bit.ly/1rYDcmQ This font has been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

Introducing Desmo Reversed Contrast Slab Serif Font Unique Design Meet Desmo Reversed Contrast Slab Serif Font. Its reversed contrast sets it apart. Thick horizontal lines and thin verticals create a striking look. This design choice grabs attention, perfect for impactful displays Versatile Display Font Desmo shines in display settings. Whether for headlines, posters, or advertising, it stands out. Its bold features ensure readability from a distance. Moreover, its unique style makes every design engaging. Engaging Typography Desmo’s typography is designed to captivate. Its slab serifs add a touch of elegance. The font’s balanced spacing ensures clarity in every word. Therefore, it’s ideal for brands aiming to make a statement. Accessibility and Ease of Use This font is accessible to a wide range of users. Its simplicity avoids complex vocabulary. Easy to install and use, Desmo suits various design projects. Additionally, its compatibility with multiple software enhances its versatility.

Impressed by the quality of the Aachen typeface that was originally designed for Letraset in 1969 and extended to include Aachen Medium in 1977, Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family. Derived from the serif-accented Egyptienne fonts dating to the early 20th century, Aachen has serifs that are very solid but considerably shorter than those of its precursor. The incorporated geometrical elements, such as right angles and straight lines, provide the slender letters of Aachen with a slightly technological, stencil-like quality. Despite this, the effect of Aachen is by no means static; its dynamism means that this typeface, originally designed for use in headlines, has come to be used with particular frequency in sport- and fitness-related contexts. Jim Wasco, for many years a type designer at Monotype Imaging, recognized the potential of Aachen and decided to extend the typeface to create an entire typeface family. He appropriated the existing Aachen Bold in unchanged form and first created the less heavy cuts, Thin and Regular. Wasco admits that he found designing the forms for Thin a particular challenge. It took him several attempts before he was able to achieve consistency within the glyphs for Thin and, at the same time, retain sufficient affinity with the original Aachen Bold. But he finally managed to adapt the short serifs and the condensed and slightly geometrical quality of the letters to the needs of Thin. The weights Light, Book, Medium and Semibold were generated by means of interpolation. Supplemented by Extralight and Extrabold, the new Neue Aachen can now boast a total of nine different weights. Wasco initially relied on his predilection for genuine cursives in his designs for the Italic cuts. But it became apparent with these first trial runs that the soft curves of cursives did not suit Aachen and led to the loss of too much of its original character. Wasco thus decided to compromise by using both inclined and cursive letters. Neue Aachen Italic is somewhat narrower than its upright counterparts; the lower case 'a' has a closed form while the 'f' has been given a descender, but the letters have otherwise not been given additional adornments. The range of glyphs available for Neue Aachen has been significantly extended, so that the typeface can now be used to set texts not only in Western but also Central European languages. Wasco has also added a double-counter lowercase 'g' while relying on the availability of alternative letters in the format sets for the enhancement of the legibility of Neue Aachen when used to set texts. The seven new weights and completely new Italic variants have enormously increased the potential applications of Aachen and the range of creative options for the designer. While the Bold weights have proved their worth as display fonts, the new Book and Regular cuts are ideal for setting text. And the subtlety of Ultra Light will provide your projects with a quite unique flair. The new possibilities and opportunities in terms of design and applications that Neue Aachen offers you are not restricted to print production; you can also create internet pages thanks to its availability as a web font.

Brighton was designed by Alan Bright with a feeling of warmth in the design. Its charm lies in the simple construction of its letterforms which makes it suitable for nearly any typographic requirement.

Bendita could evoke the didones of the 19th century. It has and an extreme contrast that makes it only suitable as a display typeface, with its characteristic shapes. The fatty type par excellence.

Christmas Lantern is a straightforward handwritten font. Add it to your original ideas to see how it helps them stand out since it can be readily suited to a huge range of projects.

Springbok is a striking display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Intentness is an incomparable display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

profonts Stina is an cursive font based on cross stitch pattern. It can be used in (very) tall letters but it also keeps legible in smaller sizes. Because of its joined letter pairs and ligatures it keeps the flow of a "handwritten" cursive font. So, you ever felt like stitching? - Start today.

Futura Display was designed by Paul Renner in 1932. Its original German name was Futura Schlagzeile, which means “headline”, alluding to its suitability for display use. Its forcefulness and robustness have made it a widely used typeface in film posters, advertising, logos, and music covers. Futura is a Trademark of BauerTypes SL

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Karepe FX is a modern sans family, which comes in a variety of styles. Includes 54 styles with regular, rounded, and outline options. They all work perfectly with each other. It can easily fit into any project, so add it to your creative ideas and see how it can make it stand out!

Bajazzo is a multi-weight and multi-width humanist sans-serif typeface. Inspired by old wood-type specimens, its timeless and unapologetic design lends itself for posters just as much as it does for text. Its extensive range of styles, widths, and weights make it fit for use in practically any application.

Kids Arabic Dashed Font is an incredibly unique and interesting dashed display font. It was designed especially for letter tracing worksheet for children, but it could be employed to a variety of other designs. Add it to your portfolio of fonts and it will soon become a favorite option, no matter the creation!

Lazy Monday is a flowing and beautiful handwritten font. It is PUA encoded which means you can access all of the glyphs and swashes with ease! It features a varying baseline, smooth lines, gorgeous glyphs and stunning alternates. Fall in love with its incredibly versatile style and use it to create spectacular designs!

Treves Sans is a scratchy, messy, hand written display font. It has the look of charcoal or a brass rubbing, reversed in lighter tones it looks like chalk. It reminds me of Edward Gorey's or Eddie Campbell's styles of sketching. It has about 200 glyphs including all those extra pesky foreign features.

Bourgeois is a squarish geometric font that plunders mid-century modernism and gives it a contemporary edge. It speaks with a distinctive self-assuredness that makes it highly-suited to branding and identity work. With 24 styles in its 2016 form, Bourgeois is one of our most extensive, versatile and widely-used typefaces.

Purista is a strict, orderly typeface based on a well-tried principle of geometric sans serifs from mid-20th century. Its obsession with technological precision makes it perfect for use in corporate systems and visual communications of technocratic businesses. Thanks to its broad range of cuts, it is also ideal for display advertising.

Discharge is a bold, heavy, distressed and destroyed sans serif typeface. It was started alongside Universally Corrupt and Insurgent, but it took a couple extra years to finish. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets, so it will work with most languages in Europe and the Americas.

Miamour is a cartoon-like and quirky display font. Get creative with its childlike style, and use it to brighten up any project. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Pragma ND is a sans serif typeface with calligraphic features. Its vital rhythm facilitates the reading of long texts. It also has an “authentic” italic imitating the movement of handwriting. Its high legibility makes it an ideal typeface for long texts in analog and digital contexts. Pragma is a Trademark of BauerTypes SL

Toffee Display is a sans serif project inspired on Gill sans, Helvetica and Eurotstile italics. This project is designed for food packaging, candies, commercial, and fast food. I recommend combining it with a light and calligraphy font to get absolute contrast. That is it, Thanks for buy it and work with it!

ETTORE is a font for onomatopoeia. Friendly-looking, it is inspired by the lettering of the classic French comics with an adventurous and humorous font-style. It is chunky, marked, with low contrast. The kerning is perfectly balanced. It is made with a chisel-tipped marker determining its thick, square, flat stroke.

Planc has emerged as an approach to reconsider the grotesque font anatomy in a contemporary way. It is a new grotesque family with its subtle touches of details. Its relaxed proportional structure differentiates Planc from the usual grotesque anatomy, meeting the grotesque font requirement that can keep up with today. In addition to the solid grid structure on the horizontal axis, with its smoothed curves, Planc provides a comfortable reading flow and avoids being dull with its details. Its minimalist approach comes from Planc's reduced dysfunctional details. As a clean design principle, it contains innovative letterforms. Planc font family consists of 10 weights including matching italics with extended Latin character set. It is a designer-friendly typeface with extra symbols, standard-old style,tabular-proportional numbers, arrow sets, and stylistic alternates.

Elyanor is a classic display serif font, drawing inspiration from French Renaissance type. It is available in both regular and italic styles, making it versatile for use in various design projects. Elyanor's serifs make it perfect for creating headlines and titles that grab attention. Additionally, its classic look lends itself well to editorial design, where it can add a touch of sophistication and elegance to text-heavy layouts. Elyanor is also suitable for use in monograms, logos, and branding materials, where its distinctive and memorable appearance can help establish a brand's identity. Its versatility extends to poster design, allowing it to create bold and eye-catching typography that stands out from the crowd. Elyanor is a versatile font that offers a unique and shabby-chic aesthetic, perfect for a wide range of design projects.

Rusulica Antique distinct aroma & flavor Rusulica Antique is a modification of the erstwhile script. With rough edges it has a distinctive appearance, rich aroma and antique charm. Because of its ornamental and playful design, it offers plenty of possibilities. Rusulica Antique has a high contrast. Its edges are rough and there is an alternate for almost every capital letter. The typeface’s x-height is bigger than usual and it is constructed at a 30° angle.

Monema is a modern serif font with a unique, high-contrast binding style. The letterform morphology makes this typeface ideal for display purposes such as large bold logos and titles. Also, thanks to its large x-height, it works flawlessly in headlines with tight prefixes. On the other hand, its high contrast and very simple and easily recognizable form makes it very easy to read, so it also works with small and long text.

Antique Vintage - Script font is a type of font that features thick and prominent strokes, giving it a bold and impactful appearance. The letters are usually interconnected, creating a flowing and handwritten look. The boldness of the font makes it stand out and grabs attention, making it a popular choice for headlines, titles, and logo designs. It exudes confidence, strength, and creativity, making it suitable for various design projects that require a strong visual impact.

Retro Smile is a cool font for your fun displays. It comes with 2 versions (filler and outline). The fun and happy vibe will be there when you use it. You can use it for anything ranging from t-shirts, other merchandise, kids’ book designs, and greeting cards to stickers and posters, or anything that needs a casual touch. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Dilan Whemsy is a delicate, elegant and flowing handwritten font. It has beautiful and well balanced characters and as a result, it matches a wide pool of designs. Add it to your most creative ideas and notice how it makes them come alive! This font is PUA encoded which means you can access all of the cute glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.

Hello Balcony is a lovely handmade paint font. You can use it for anything ranging from t-shirts, book designs, packaging and greeting cards to stickers and posters, or anything that needs a casual touch. If you want to use it for Christmas or Valentine or other lovely themed designs, it will be your perfect font to pick. Fall in love with its incredibly versatile style, and use it to create lovely designs!

Barbados is a modern font that is eccentric for its versatility. a typeface that conveys a sense of comfort by combining the solidity of modern proportions with the strict precision of its profile image. His personality develops through his particular modulation, which grows with load; making it a rather jovial typeface that doesn't abandon its more elegant modern characteristics. This font brings compatibility in a global aspect due to its extraordinary versatility for your designs.