McCadden JNL was inspired by the hand-lettered credits for the George Burns and Gracie Allen Show [1950-1958]. Its casual theme offers a lighthearted approach to titling and display work. The font gets its name from McCadden Productions (the company started by George Burns), which itself was named after a street Burns' brother William once lived on.

Railhead is a revival of an 1870s type style that was originally available from both the Bruce foundry in New York and James Conner's Sons type foundry. The Redux version is the original design but only the uppercase and punctuation were ever created the rest of this font design including numbers, accented characters and lowercase are of my own design. Looking at the original font the inside rails reminded me of a railroad so I created a new version by adding horizontal lines in the lower portion of each letter which resemble railroad ties and Railhead seemed to be the most logical name for this old revival.

The distressed letterforms hark back to early printing process using hand carved wood cut letters. The typeface is available in 6 weight with both Rough & Solid variations.

George Gibson is based on handwriting samples dating back to mid-1800s England. The font features additional characters for foreign language support, as well as extra glyphs.

Univers and Helvetica Compressed are most often used for movie posters, but they lack variants. Therefore I made a compressed family with seven weights for more versatility.

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980's. Many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Aspire SmallCaps family finds its origin of inspiration in the ACURA automotive company logo, and from there expands to an 6 font family of weights & oblique styles, striving to become a workhorse. Aspire SmallCaps is perhaps the most true to form tribute to the original all capitals inspiration logotype. It maintains all capital forms (whether standard or smallcaps) and yet is still strikingly powerful in its presence and readability including numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here's what's included with the Aspire SmallCaps Family bundle: - 438 glyphs per style - including Capitals, Small Caps, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) - Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look. - 3 weights in the family: Light, Regular, & Black. - 3 obliques in the family, one for each weight: Light, Regular, & Black. - Fonts are provided in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Aspire SmallCaps Family is for you: - You're in need of automotive sans font family with a range of weights and obliques - You're love that ACURA letter styling, and want to design anything within that genre - You're looking for an alternative to Eurostile with more stylized letterforms. - You're looking for a battle-tech typeface for your futuristic war chest labelling. - You just like to collect quality fonts to add to your design arsenal

Geometric/Technical style logotypes have been developed for car chrome labels since the early 1980’s. The styles are loaded with inspiration for great font families, but surprisingly, many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Aspire family finds its origin of inspiration in the ACURA automotive company logo, and from there expands to an 6 font family of weights & oblique styles. Aspire pays homage the techno display styling of the inspiration logotype, further evolving beyond its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It adopts a sturdy yet approachable style with its uniform stroke forms and curves, and goes on to include a lowercase, numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here’s what’s included with the Aspire Family bundle: 477 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 6th graphic for a preview of the characters included) Stylistic Alternates - alternate characters that remove the angled stencil cuts for a more standardized text look. 3 weights in the family: Light, Regular, & Black. 3 obliques in the family, one for each weight: Light, Regular, & Black. Fonts are available in TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here’s why the Aspire Family is for you: - You’re in need of automotive sans font family with a range of weights and obliques. - You’re love that ACURA letter styling, and want to design anything within that genre. - You’re looking for an alternative to Eurostile with more stylized letterforms. - You’re looking for a clean techno typeface for your starship console labelling. - You just like to collect quality fonts to add to your design arsenal.

Grace and Cheval, the inspiration for the name Gracheval. The word "cheva" comes from Old French cheval (horse) and literally means "horsemanship". Gracheva gives the impression of elegance and powerful like a horse galloping on the shore. Gracheva is a premium display typeface that conveys a charming elegance but powerful like a graceful wild horse that can be applied to many areas of design. Coming with 130+ stunning and super easy to use alternates and ligatures. Very suitable for apps, magazine, headline, website, ads, product package and all type of design project you have. Features: OpenType support Multilingual support (15 languages) PUA Encoded Super Easy to Use alternates - You can easily call alternates using special combination like A.2 S.2 A.E R.A etc. To get results like the preview just type G.3R.AC.HE.2V.2A.4

Huckleberry is a revival and expansion of a 1973 typeface called Mark Twain, which was G. Jaeger's reaction to the popularity of VGC's Eightball (also digitized and expanded as Orotund by Canada Type) from across the ocean. Jaeger's reaction was typical German efficacy, with majuscules that surpass their inspiration in art and humour, and minuscules that could have been just the thing if one wanted to make the Eightball lowercase friendlier. Back in its day, this font reached its own heights of popularity in Western Europe, but in the Americas it was less known because art nouveau faces were being made by the hundreds in the 1970s. Round, happy and bouncy, Huckleberry comes as a timely response to public demand for big and cheerful letters. Huckleberry is also very effect-friendly. Stretch it a bit, drop-shadow it, warp it, and it will still keep its cheer and communicate the message with a smile. Huckleberry comes in all popular formats, and contains plenty of alternates sprinkled throughout the character set.

Lev is a slab serif font, the rectangular serifs and the straight angled shoulders and links contrasting the curves and loops. Lev Serif is characterized by thick, block-like serifs. Lev contains 12 high quality fonts.

A modern cutting designed to give the appearance of an old wood type. The letters were cut as linoleum blocks about 2 inches high, then duplicated as copper electrotypes. Used for some Ringling Bros. circus work.

Print quad paper and cross-stich chart grids, as large as your printer will allow. These blank grids are in sizes to match four fabric thread counts, plus 1/10", 1/8", and 1/2" grids.

Sveva Versal is a light swinging art nouveau caps only headliner, with swash like alternates and lots of special combinations. It's well suited to set a short and fancy block or line of text. PDF Specimen

Reacher-Sans is an elegantly simple sans-serif font. Designed for versatility, it possesses unique letters perfect for logos and still maintains a simple and readable look beautiful for both headlines and large blocks of text.

Flatsider JNL is a simple block (square) stencil font available in both regular and oblique versions. Plain, stark and with no unwanted embellishments, Flatsider JNL gives the look of structured compliance to any stencil-based text.

Evil Type in its purest form Multiple Weights, Alternates, Ready for t-shirt production non-readable NORD weight

The 1960s was the most tumultuous decade of the 20th century. Sixties Symbols JNL collects twenty-six icons and phrases from that time of change and unrest including the peace symbol, a dove, a daisy—even the militant 'power fist' that signified rebellion against mainstream society. There's also a blank lapel button on the Y/y keys and a blank protest poster on the Z/z keys for your own special message. For the more daring, the left and right brace Keys {and } have the 'one finger salute' the radical hippie factions displayed generously. Use that one with discretion!

Designed by Gennady Fridman and released by ParaType in 2008. Hub represents so called block letter handwriting style, which becomes more and more usual and nowadays replaces traditional cursive handwriting. One of the reasons for these changes is an often requirement in official forms to write in block letters. Some forms contain even stricter rule – to write in capital letters. Hub was designed to meet these requirements and includes small caps instead of lower case letters. It’s recommended for use in advertising and display typography and especially when you need to show a sample of properly filled bureaucratic form.

This is a fully connected script font, not calligraphic, but entirely designed to follow handwritten cursive ligatures rules as teached in schools. In order to correctly visualize it, you have to enable OpenType features (Contextual Alternates, Discretionary Ligatures, Standard Ligatues and Kerning). Trying to write All Capitals will generate Block Letters writings, since cursive style doesn't allow more than the first uppercase per word, however this font is not meant to be a Block Letters font. Using specific type combinations will generate special glyphs. All of these features are intended to reproduce a classic schoolboy or schoolgirl notebook.

Print Shop Parts JNL has a nostalgic assortment of blank sign panels, a pointing hand, decorative embellishments and even an assortment of "Made in U.S.A.", "Made in America" and "Made in United States" emblems located on the 1-9 keys. All are from vintage type catalogs and sign painting instruction books from the early 1900s. When scaled up, the blank sign panels can be used for small signs or price tags as originally made in years past. During the early part of the 20th Century, it was common to create show cards in attention-getting shapes matched with beautiful hand lettering.

Suave silky is a handwritten font. The designer was inspired by his own handwriting in high school.This font makes me go back to my days as a student.

The design approach from this humanist sans-serif is much more simple and neutral than Lisboa Tamil (lacks the hook-head terminals). Latin transliteration characters were also included.

A laid back slab serif font with a good deal of the funky side of pizzadude.dk! You will need to use OpenType supporting applications to use the autoligatures

The evolution of ‘Sapiens’ Evolved is the modern counterpart of its prehistoric cousin, ‘sapiens’. The letterforms have adapted and evolved to fit in a more modern space – this typeface has become more civilized but retains the quirks and character of its predecessor.

British type designer Neville Brody created this display FontFont in 1993. The family contains 3 weights and is ideally suited for poster and billboards and sports. FF World provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

The 1897 specimen book from Barnhart Brothers and Spindler showed a enchanting little face called Dotted Roman. Here's a faithful revival, ready to warm up the 21st century. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Dolmen font from Max Salzmann revives the look of the 1920s and suggests all the glamour and culture of the jazz age. Dolmen can be used in all capital or upper and lower case settings and gives any work an Art Deco look.

Inspired by the images on some EBay auctions, Jeff Levine sketched out and revived this early 1900s serif design used on some French sign letters. Named for a friend in the graphics industry, this font captures the charm of the Art Nouveau period.

British type designer Neville Brody created this display FontFont in 1993. The family contains 4 weights and is ideally suited for poster and billboards and sports. FF Tokyo provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

FDI Triumph revives Albert Auspurg’s “Triumph” typeface originally released in 1929 by the type foundry Ludwig Wagner in Leipzig. The forgotten design was carefully digitized from the original wood type font and extended to cover the Western codepages Win 1252 and Mac Roman.

Coen Hofmann revives an original design by Germany type foundry Schriftguss from 1940: His digital Admira is expanded with an extensive open type character set and even provides full Cyrillic. The face is set to best use at point sizes above 24.

Selectric typewriter font. The part of the large, many years project on revival and further development (over 1000 glyphs) of the 20th century’s most famous typewriter Selectric golfball fonts, lost for many decades, not being created since then in digital vector form.

Step back in time with Antihistory, the ultimate vintage typeface. Unlike other aged fonts that mimic designs from the early 1900s, Antihistory is inspired by typography from the late twentieth century and beyond. With its distressed look and feel, this typeface is perfect for adding an authentic, retro touch to your designs. Whether you’re working on a vintage-inspired logo, poster, or website, Antihistory will transport your audience to a future bygone era. Available in Regular and Italic styles, Antihistory is incredibly versatile. Use the Regular style for bold headlines and eye-catching titles, while the Italic style adds a touch of elegance and sophistication to your designs. Plus, with its unique look and feel, Antihistory is sure to make your work stand out from the crowd. So, why settle for boring, modern fonts when you can add a touch of alternate universe history to your designs with Antihistory? Get your hands on this one-of-a-kind typeface today and start creating stunning gonzo-vintage designs that will leave a lasting impression. Most Latin-based European, Greek, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greek, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Ukrainian, Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Step into the future with Daphyre, the ultramodern headline typeface that’s out of this world. Its soft edges and techno strokes will transport you back to the magnetic ink (MICR) inspired display types of the 1960s, while its wide, stark letterforms and massive x-height will have you feeling the Y2K vibes. Daphyre’s design is sleek and refined, eschewing the zany take on the MICR style for a more austere approach. The stroke logic emphasizes verticals, making each letterform stand out in its own right. The result is a sumptuous typeface that oozes sophistication and luxury. With Daphyre, you can make a statement that is both bold and elegant. Use it to convey high-end electronics, opulent weapons, and luxury vehicles, or let your creativity run wild and experiment with its myriad of possibilities. So why wait? Grab Daphyre today and step into the future with confidence! Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Introducing Gnuolane Stencil, a captivating typeface that exudes sophistication and style. Inspired by the timeless elegance of grotesque models from the early twentieth century, Gnuolane Stencil is the perfect combination of classic and modern design. With its superelliptical 1960s feel, Gnuolane Stencil will transport you back to an era of cool, sleek lines and understated elegance. The slim stencil design lends a serious and authoritative air to any message, making it the ideal choice for logos, headlines, and other high-impact designs. But Gnuolane Stencil is more than just a pretty face. This versatile typeface comes in five different weights, allowing you to find the perfect balance of boldness and subtlety for your project. And if you’re looking for even more creative options, be sure to check out the plain version called Gnuolane and the playful, bouncy variation known as Gnuolane Jump. So whether you’re looking to add a touch of vintage flair to your designs or simply want a typeface with character and charm, Gnuolane Stencil is the perfect choice. Try it out today and experience the unique personality and style that only Gnuolane Stencil can offer. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Hackensack—a rugged and reliable typeface that embodies the spirit of the past with its vintage charm and commanding presence. This Clarendon-inspired narrow slab serif design is perfect for anyone looking to make a bold statement with their typography. With Hackensack, your message will be delivered with a sure-footed confidence that demands attention. This compact display typeface has an old-fashioned feel that hearkens back to a bygone era, giving your design a touch of timeless elegance. But don’t let its vintage charm fool you—Hackensack is as rugged and durable as they come. Its strong, sturdy lines and slab serifs make it perfect for headlines, logos, and other display uses where you need your message to stand out. And if you’re looking for even more vintage flair, Hackensack includes old-style numerals which can be accessed in applications that support OpenType features. So whether you’re creating a vintage-inspired poster, a classic logo, or any other design that requires a touch of old-world charm, Hackensack is the font you need. Most Latin-based European, Vietnamese, and some Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Step into the 1920s with Breamcatcher, the typeface that’ll transport you to the Art Deco era. Inspired by the smooth notes of “With Every Breath I Take” from the Bing Crosby/Kitty Carlisle classic “Here is my Heart,” Breamcatcher is the epitome of class and style. Don’t be fooled by compact sans-serif typefaces that lack personality; Breamcatcher is a slow jam that’ll have you grooving in no time. With loose spacing and lazy strokes, your message will take on a breezy, reassuring voice that oozes romance. Get ready to feel like a true Gatsby with Breamcatcher’s OpenType fractions, numeric ordinals, and a wide range of currency symbols that are included. Available in Regular, Italic, and Bold-Italic styles, this typeface is perfect for any occasion. So whether you’re advertising the latest luxury goods or simply want to add a touch of class to your designs, Breamcatcher is the perfect choice. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Welcome to the world of Zerbydoo! A pixel-perfect typeface that will transport you back to the golden age of video games. With its simulated bitmap design, your messages will have an authentic retro feel that is sure to grab everyone’s attention. Zerbydoo’s thick, bold letters are inspired by classic arcade game fonts. This typeface is perfect for those looking to add a touch of nostalgia to their designs. But don’t be fooled by its vintage look, Zerbydoo is a modern and versatile typeface that can be used for a variety of projects. One of the most exciting features of Zerbydoo is its variable pixel gaps, adding to the overall playful and dynamic vibe of the typeface. And to maintain the authenticity of the pixel-font look, kerning is limited to full pixel increments. Whether you’re designing a logo for your retro-inspired game, creating graphics for your Twitch stream, or just want to add some personality to your social media posts, Zerbydoo is the perfect typeface for you. So grab your joystick and get ready to level up your designs with Zerbydoo! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.