BC Away is a display typeface. It has emerged from the idea of drawing letterforms with a single-line path. Thanks to this idea, the characters are designed out of standard and conventional forms. Character designs are a combination of sharp corners and smooth curves, at the same time keeping readability. Some parts have been left blank in accordance with the letter forms. The name 'Away' represents these blanks. Also, the word 'a way' refers to the design of letterforms using a single-way.

The Greyspark Font is a great font selection for a big range of design projects. These fonts will add a beautiful and light retro charm to any design project! This font is perfect for branding logo, illustration, or apparel design. This font also support multilingual, number and symbol. This font comes in three style, regular, stamp, and block. The script style have the clean feel, the stamp gives you the aged feel with texture on it, and the block style have a rough edge.

The main idea behind creating Monly typeface was to combine playfulness with a strong letter construction backbone, so all the letters would stand tall and firm, but not to lose the playfulness. Like people, who grow up but try to save their inner child. By doing so and combining all this, the typeface achieves a great readability and appealing look. Monly font suits best for logos, headlines and small text blocks, but can also be used for big text blocks if the style suits the purpose.

Like traditional athletic block typefaces, Crafton is built with chiseled corners and a rigid skeleton. However, an underlying formula of fervor and functionality emerges in execution. The typeface features traditional block tendencies that are challenged by expressive angles and deviations in line weight that harken to penmanship. Uniquely tapered terminals seen in letters like a, c, and s demonstrate a strong visual energy while increasing legibility. The legs of angled letterforms like the A, v, and y are cropped in a way that further reinforces this motif.

Brown Hunter Inspired by the design style of the 1830s, the elegant Victorian style design is full of charming sharp curves. Designs with a classic Victorian style from the cruel era, people always use it for redesigning needs or creating new designs. The Brown Hunter typeface is designed in an elegant Victorian style which contains many font characters which when combined will make an attractive design and of course very cool. Included in the download package are: Brown Hunter Vic, which is a classic Victorian serif style and contains swash and alternatives, there are two types of Brown Hunter Vic, the standard one and the hold one, which contains ornaments on the inside of the body. Brown Hunter Script is an elegant street writing style made with spontaneous and sharp brush strokes giving a bold impression. Brown Hunter Dis is a Serif display style font that is intended for subtitles in designs, besides this font has 13 families from thin to heavy. Brown Hunter Black is a font with a charming black letter style and is still comfortable to read when used for body text in a classic Victorian style. This font also has 13 families from thin to heavy so it can be used for headers or body text. Brown Hunter Ornament is a font made with a unique orament shape in the classic Victorian style, besides that there are also border frames, animal vectors, silhouette logos, flowers and many more. With 4 styles and 30 different fonts, the Brown Hunter typeface when combined will create a cool design and a Victorian concept. By collecting Brown Hunter Typeface you can easily create classic, Victorian and elegant themed designs. Brown Hunter is perfect for designing vodka labels, beer, pomade, logo tattoos, book covers, t-shirts and so on.

Novel Pro is the humanist Antiqua typeface family within the largely extended award winning Novel Collection, also containing Novel Sans Pro, Novel Sans Hair, Novel Sans Condensed Pro, Novel Display, Novel Display Condensed, Novel Display Extra Condensed, Novel Display Compressed, Novel Display Extra Compressed, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Classic proportions of a Renaissance Antiqua combined with modern details let Novel appear as a friendly and elegant but functional typeface. The almost upright letters of the narrow Italics create a vital contrast to the generous construction of the roman. All typeface families of the Novel Collection have a carefully attuned character design and a well balanced weight contrast. The fine gradation of 12 weights enable designers to create fine legible typography and combine the design with other members of the Novel Collection to reach highest quality in typography. Novel Pro [914 glyphs] comes in 12 styles and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Jill Bell's typefaces are energetic, highly decorative, and refreshingly unpredictable. Some are friendly and childlike, while others are rough and nervous. Her latest creation is ITC Swank, a connected script whose shabby-chic" sophistication communicates a worn elegance. Bell begins the design process "with black stuff on white paper," she explains, preferring to draw letters before she digitizes them. Often the inspiration for her typefaces comes from a piece of hand-lettering. "Bruno began as a reminder to buy cat food," she says, "and ITC Swank started out as a small bit of lettering for Wurlitzer Pianos." Bell finds that working with blocks of lettering is a good start for script typefaces. "If I'm drawing a script typeface, I have to write out sentences in the letters first," she explains. "Drawing each letter separately doesn't establish the flow and spontaneity that scripts deserve." Bell's newest design is ITC Swank. It's a somewhat tattered formal script with definite links to early copperplate scripts. Though probably not for wedding invitations, Swank's elegant underpinnings are evident, with its slightly narrow proportions and a baseline that can best be called "bouncy." Graphic designers will appreciate the abundance of swash letters, making it easy to create distinctive headlines and short blocks of copy. Bell has a fondness for the "open, genuine" quality of Chinese and Japanese calligraphy. "Eastern styles incorporate the natural flow of the hand," she says. "Natural, human qualities shine through. Mistakes are accepted, not scorned as in the 'white-out' Western culture." This philosophy is evident in Bell's own designs. Whether it's ITC Clover 's carefree spirit, the slightly spooky Hollyweird, Caribbean 's< rustic charm or the weathered elegance of ITC Swank, there is a natural honesty in her work."

This beautiful handwritten font we made very attractive with a natural touch we worked back to clean smudges and into smooth lettering it's easy when you cut as well as print stickers and other cool work you're working on this font has 3 front swashes and 3 back swashes for lowercase and one alternative for uppercase, 98 ligature Fonts include uppercase and lowercase letters, punctuation numbers, and language support

Let Bronze Script take you back. Back to the golden age of vintage when hand drawn scripts appeared in every form of publication. A different time when everything moved slower, lettering was done with expertise, and every detail awarded care and attention. In our age of cold digital creations, you can rest assured that Bronze Script will give you that tailor made flare only a nostalgic font can offer.

LTC Italian Old Style is not to be confused with the English Monotype font also called Italian Old Style, which is an earlier design from 1911 based on William Morris’s Golden Type that is based on Nicholas Jenson’s Roman face. Goudy went back to Jenson’s original Roman and other Renaissance Roman faces for his inspiration and the result is what many consider to be the best Renaissance face adapted for modern use. Bruce Rogers was one of the biggest admirers of Italian Old Style and designed the original specimen book for Italian Old Style in 1924 using his trademark ornament arrangement. These ornaments are now contained in the pro versions of the Roman styles—Regular Pro and Light Pro. With most digitizations of old metal typefaces, one source size is often used as reference (as was Goudy’s method for his own cuttings of his Village foundry types) so that all sizes refer to one set of original artwork. The original hot metal fonts made by Lanston Monotype (from Goudy’s drawings) and other manufacturers used two or three masters for different size ranges to have optimal relative weights—smaller type sizes would need proportionally thicker lines to not appear thin and larger sizes would require thinner lines to not appear to bulky. The variations in size ranges can also be affected by the size of the cutter head in making the master patterns. The light weights of LTC Italian Old Style were digitized from larger display sizes (14, 18, 24, 30, 36 pt) and the regular weights were digitized from smaller composition sizes (8,10,12 pt). The fitting for the regular weights is noticeably looser to allow for better setting at small sizes. Very few font revivals take this approach. Italian Old Style, originally designed by Frederic Goudy in 1924, was digitized by Paul Hunt in 2007. In 2013, it has been updated by James Grieshaber and is now offered as a Pro font. The newly expanded Pro font includes all of the original ligatures, plus small caps and expanded language coverage in all 4 Pro styles.

Mymoon is geometric modern sans serif family that comes in 22 weights. Aimed for universal use, in any size and in any media. It has slight retro characteristics and mostly neutral overall impression. With wide range of thickness, from Thin to Heavy, all weights are well synchronized to match ideally. Contains extended Latin character set with OT features such as OldStyle and Tabelar numerals and fractions.

Bubbly Hills is the classic style bubble letter font! Combine the 3-D & flat letter styles, or use these styles separately..... many different looks can be created! There is a sprinkling of dingbats scattered around the alternates, just there to make this font extra fun and useful . Check it out! Bubbly Hills is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Poster Hand is an informal, casual script that echoes the hand lettering of those ubiquitous signs found all around us. From market stalls to menu boards, we are surrounded by the work of the unknown sign writer. The font comes in three styles, Regular, Italic and Reverse Italic and contains OpenType ligatures and kerning. Latin Extended A supports all western and eastern european latin languages.

Displayer font family is modern, wide and sans serif family available in 7 weights and Variable type file. It’s strong, stable, compact, futuristic family with some specific letter design and generous ink-trap. With it’s display charm, Displayer fits perfectly into any branding project – use it in posters, package, website, logo, video games, magazines. Contains fractions and standard ligatures with Extended Latin character map.

Following to Swiss design principles, Alessandro Butti and Aldo Novarese designed the Microgramma font for the Nebiolo typefoundry in 1952. Microgramma is wide, almost like an extended" font, and it has the typical look of 1950s industrial design. The font has been immensely popular as a display face ever since its original release. Use it in large sizes to help get your message across to readers."

The cover of the 1904 sheet music from the Tibetan comic opera “The Forbidden Land” had the title hand lettered in an unusual Art Nouveau style. Mostly squared with rounded corners, many of the characters twisted, turned and extended in ways that took on the look of the Far East. This became the design model for Nouveau Moderne JNL, which is available in regular and oblique versions.

Cheddar Gothic Rough is a hand-drawn, textured display all-caps typeface with condensed proportions. The uppercase characters add distinction with extended crossbars and chiseled terminals, while the lowercase provides a more classic sans serif appearance. Carefully drawn for quality and readability, but still rough enough to exhibit the handmade details. Cheddar Gothic Rough is great for display, branding, packaging, advertising, food, sports, titles, and more.

The Hand Wide is a handwritten font designed by Fanny Coulez and Julien Saurin in Paris. It's the extended version of The Hand, coming in 8 heights finely balanced. We wanted to create the most generic and readable handwritten font, to work well in every kind of design. We hope you will enjoy our work :) You could follow us on our Instagram: instagram.com/sc.type Merci beaucoup!

Grinko is a new unique decorative san serif font, created with bold and equal stroke all around with sharp edges that provide strong and straight feeling. This font extend some ligature and alternative glyphs to give you optional choices in creating typography projects. Grinko font is perfect for branding design, logotype, logo tagline, flyer header, magazine title, or even short quote for layouting ideas. Grinko features:

AMA Greek and Latin Font is a hand-made display font. Of course, the font supports a full set of Greek chars and an extended Latin character set with diacritics. Τhis typeface can be a mighty companion to your next graphic design project. From “hand-written” quotes to product packaging, merchandise, and branding projects, this font is so versatile that it can cover them all.

A handwritten font with long conections and small aperture and counter, a graceful and fresh rhythm to catch the eye attention. This script family is based on italian “bella scrittura”. The letterforms have been careful designed to grant this typeface with an effortless sense. Check the Opentype features window and discover an extended set of swashes to help you to give emphasis to the message.

Arethusa is a versatile font after the 'transitional' style – a style that has been evolving for 250 years. The balanced design of familiar letter forms blends form with function to create highly readable text. Twelve fonts organised in three sub-families provide a range of weights and styles. The standard character set covers many roman-based languages. For extended language support, see Arethusa Pro.

Lakshmi is an elegant and friendly script font. Inspired by brushed typography, it adds elegance, tension and typographic rigour to traditional script fonts. It's identified by its dynamic curves and the softness of its design. Lakshmi is ideal for display use, logotype, headline, packaging and advertising. Lakshmi is designed with extended language support, alternative characters as well as various ligatures and old-style numbers.

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States. Created as a display typeface, Furius combines a host of Opentype features and equally incoporates a full extended latin and cyrillic character set to provide a versatile and complete design solution for titles or display settings.

Curly Jane is a whimsical typeface combining straight lines with a little curl at the ends. Great for headlines, humorous notes, greetings, whatever hits your whimsy because simply said, it's simply Curly. Curly Jane includes a large assortment of extended characters to support many of Europe's languages, including Czech, Danish, Dutch, Esperanto, Finnish, French, German, Italian, Hungarian, Polish, Portuguese, Romanian, Spanish, Swedish, Turkish & Welsh.

Okay-A lets you make 3D letters that look to be fastened down with screws. Inspired by the angular futuristic shapes of Japanese Katakana letters, this angular font is bold and square. Okay-A lets you easily make multicolour logos or signs as the styles can be overlaid. It features extended characters, containing West European diacritics & ligatures, making it suitable for international environments & publications.

Lusta plays with the interchangeability of an inline and an outline, negative and positive space. Often one single character will epitomise the design of a font, and here the S served as the conceptual starting point. The inline/outline was then applied to sans and serif variants, and extended into a multi-line prisma and an offset layered shadow version, probably inspired by Face Photosetting’s Stack.

Designed originally for the BBC's listings magazine "Radio Times", this dingbat font has been extended to include the US rating as well as the UK ones and a selection of symbols for use on DVD film packaging and satellite listings. The font used is Paralucent, and an ideal accompaniment. Note: the icon for sexual content comes in two versions, one with genitalia and one without.

Although the pattern for this typeface, originally named Glenmoy, was released by Stephenson Blake in 1932, the letterforms can be more aptly described as pure 1950s retro. With beatniks, Brando and blue suede shoes all rolled up into one, this typeface is definitely a contender. The Opentype versions (OTF and TTF) of this font contain the complete Unicode Latin, Latin 1 and Latin Extended-A character sets.

A modern sans serif font with a geometric and a bit of a grotesque touch. It comes in 12 weights, 6 straights and matching italics. Each weight includes extended language support (+ Cyrillic), fractions, tabular figures, ligatures and more. It has been designed with powerful OpenType features in mind. Perfectly suited for graphic design and display use. It could work seamlessly for web, signage, corporate and editorial design.

Qanelas is a modern sans serif with a geometric touch. It comes in 20 weights, 10 uprights and its matching italics. Designed with powerful opentype features in mind. Each weight includes alternate characters, fractions, extended language support (+ Cyrillic), arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Satiata is fat, single, display font that's full of charm. Tightly spaced, Satiata is designed with condensed proportions which place the font in versatile position – it can be used for posters, titles, outdoor graphics, but equally the same for package, branding or websites. It is recognizable enough to lead every project. Satiata contains extended Latin character map with two stylistic sets and small pack of ligatures.

Oblivian Text is a sans serif type family of ten weights plus italics. The typeface is based on geometric forms with bits and pieces of modern humanistic grotesque fonts. It comes along with various OpenType features such as table, old style figures and a stylistic character set. Oblivian Text has an extended character set that supports Central and Eastern European as well as Western European.

Chesna grotesk is a geometric form-based sans serif typeface. It has 20 weights 10 uprights and 10 italics. Bringing a new approach to the classic grotesque design, Chesna was inspired by typefaces such as Avenir, Futura and Circular. Each weight includes extended language support, fractions, tabular numbers, arrows, alternative characters and ligatures. (Please see the pdf specimen for more information.) PDF Specimen, Horizontype.com

Talesha is a high contrast typeface inspired by old style and contemporary fonts. Talesha family consist of 8 fonts: Sans and Serif Font: Normal, Condensed, Slant with 239 glyphs each. Opentype features allow for the implementation of typographic niceties such ligatures and extended language support. Perfectly for elegant branding, web design, magazine design, logo design, headlines, posters, packaging, cards or wedding invitation and more.

Neubaufra is a geometric modernist type family. Originally released in 2012 as Baufra, Neubaufra is a considerate restoration of the original work. Inspired by the early 20th century designs, Neubaufra gives special kudos to the Bauhaus influence. Complete with 8 weights + Italics, new design retained its prime modernist characteristics with the improvement to the legibility for text and web use. Extended language support includes Latin and Cyrillic.

VTC Horoscope is a modern & minimalist rendition of a Victorian-esque style typeface. Much like the typefaces of that time, this font has high stroke contrast, smooth serifs, and a slightly extended x-height, however it ditches the flourishes & fluff for weight & legibility. VTC Horoscope makes the perfect font for packaging design, big bold headlines, vintage inspired projects, or anywhere you want to spark curiosity and attention.

Benedetta is a beautiful and lovely handwritten font for luxury / signature / branding / logotype / personal invites / greeting cards / promotional graphics. Benedetta is completely handmade with perfection and aesthetics at its level best. Advanced Kerning & Essential Ligatures: We have performed advanced, in-depth kerning to make sure the font looks amazing on all possible letter combinations. The font includes extended language support including Western European & Central European sets.

An elegant display face influenced by Aldine oldstyle letterforms, Miranda Pro brings the early successful Tim Rolands font Miranda into the OpenType era. Miranda Pro now includes numerous extended ligatures, alternate forms, small capitals and support for a wider range of languages. Use it as a companion display for classic text fonts or on its own as a refined but stylish messenger for all sorts of projects.

Hello Everyone, Introduce our new collection, Brexo – Extended Sans Display famous logos of Technology and brands that have very strong characteristics, very suitable for posters, t-shirt, packaging, branding, logotype and more. Brexo font with strong and challenging nuances. very suitable for the title, typography, clothes, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.