Bold yet distinctive, Capstan is a stand out slab serif ideal for signage, headlines, branding and other applications intended to convey strength and character

Sans-serif reversed capitals in outlined circles, resembling old-fashioned typewriter keys. Intended for logos and signs, and for enhancement in lists and maps.

Eight was desinged to be heavily geometric. The main lines were intended to be entirely comprised of lines of eight different but set angles.

It is highly recommended to use this font at 72pts or higher. GOONATIC 72 PLUS is intended to be used primarily for headlines. Enjoy!

This font is intended to be used with all of the lowercase letters. Alternate glyphs for each letter are contained in the capital letters.

Welcome to the world of Galderglynn Esquire. This typeface is a celebration of the sans-serif types from the 1800s, with a unique twist that sets it apart from the rest. Galderglynn Esquire is not just a simple revival of a specific typeface, but rather, it’s a concoction of them all. With a bold personality and a distinct voice, Galderglynn Esquire is full of inconsistencies that make it stand out. It’s as if the letters have a mind of their own, dancing and shifting on the page. This typeface is perfect for those who want to add a touch of whimsy to their designs. And speaking of designs, Galderglynn Esquire has a variety of numerals to choose from. Whether you need standard, monospaced, old-style, inferior, or superior numerals, Galderglynn Esquire has got you covered. It’s a typeface that’s as versatile as it is unique. But don’t take our word for it, try it out for yourself. Galderglynn Esquire comes in seven weights and italics, giving you even more options to play with. And if you prefer a more well-behaved version of this typeface, check out Galderglynn 1884. With Galderglynn Esquire, you’re not just getting a typeface, you’re getting a piece of history. This typeface pays homage to the sans-serif types of the past. It’s a typeface that’s as timeless as it is modern, perfect for designers who want to create something truly unique. So why settle for the ordinary when you can have the extraordinary with Galderglynn Esquire. Most Latin-based European, and some Cyrillic-based writing systems are supported, including the following languages. A Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

The name says it all: here's a faithful revival of a Schelter und Geiseck release from 1911, designed by Moritz Greishaber and originally called Monos. Although it predates the Art Deco era, it has a Deco vibe. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Cargo TRF is a revision of existing Cargo typeface dated 2001. The new version of Cargo consists of three styles—A (plain), B (punch-out holes) and C (screw heads). Cargo TRF is recommended for use in big sizes as a display typeface. It is available in OpenType format with Western CP1252 character set.

A faithful reproduction of the common French Ronde of the nineteenth century; the design originates at the Inland Typefoundry in St. Louis as French Script and was revised by Morris Fuller Benton in 1905 and made popular by ATF under the name Typo Upright. Stephenson Blake also had a version available as Parisian Ronde.

Mitchell was released by Inland Type Foundry in 1906 as a bolder version of their popular sans, Blair. This revival is faithful to the original, and is quite handy for both formal and informal use. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

The 1960 revised edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” showcases the many interesting lettering designs Welo hand lettered for his book. One such example is an extra-bold serif typeface which is now available as Law Office JNL, which is available in both regular and oblique versions. --------------

Let your mind wander, think about new cultures, missing links. After discovering a bamboo pen, the founder of the first digital type foundry in the northeast of Brazil proposed a set of graphic signs for a fictional civilization. Stone, established in 1999, is the only record of a mystical culture from the age of rocks.

A design revelation inspirited by perpetual classics—establishing a graceful, aesthetic, and dynamic font. Introducing a vintage galvanized look typeface named Emherican. Comes with three font pairing combinations, extras ornaments, ligatures, and +60 stylistic alternates—makes it ideal and perfect for creating a design piece inspired by letterheads, posters, signage, charters, labels, packaging, logotypes, etc.

The multi award winning ESTA is back, renewed and improved in OpenType format. Now named Esta Pro, is available in Regular, Italic, Bold, Bold Italic, Display and Swashes. Includes plenty of features, like SmallCaps, Alternates, Ligatures and CE characters.

Aryana is young, fresh, and has arrived just in time for the back-to-school season! The perfect typeface for labeling notebooks and putting together poster projects. This handcrafted font is a casual and fun addition to your library.

"Malikasthi" is an elegant and beautiful brushed handwriting font. This font is equipped with uppercase, lowercase, numerals, punctuation, and multilingual support. It is suitable for weddings, engagements, business branding, stickers, banners, branding, posters, valentines, back to school, and others.

Fonts without curved lines were quite popular in Victorian times. We drew this one back in the days of T-squares and triangles, and based it on a type that we felt could stand to be improved. (Arrogant, eh?)

"Butter Christmas" is a very pretty handwritten font. This font is equipped with uppercase, lowercase, numerals, punctuation, ligatures, and multilingual support. It is very suitable for Christmas, Valentine, back to school, winter, autumn, birthday, wedding, engagement, and so on.

A classic blackletter Which looks best at 16pt and above. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Way back in the 1990s, the fatter the fast food generation got, the more condensed letters became. I figured when the taste in fonts started to mirror the contemporary bodily norm, Hunky Chunk should be there. Here it is.

This typeface was drawn to create short headlines (quickly) for one of my projects (a set of illustrations featuring The Evil Rat, imagined character). Each character (here I mean "glyph") has it's own personality, mostly evil one (jokingly) — that is why the font is called "The Monsters". The font was drawn on paper, then scanned and traced. It has both Latin and Cyrillic sets, since it was used with both. Monsters are good for short notes of comic or ironic style.

The British Telegraph font family was inspired by classic headers of Britain newspapers from the middle of XX century. Classic look with three width – Light, Regular and Bold. Great for headers, signs or logos. Also, working well for text blocks. - The British Telegraph Light: Use it for text blocks, or for gently light header typographic. Try to make more wide tracking with capitals, it looks good. - The British Telegraph Regular: Great for simple message, quotes, subheaders (If the header is Bold) or advert slogans. - The British Telegraph Bold: Is a killing title buddy. Massive, strong, bold and in the same time – very gentle. Perfectly for main words, headers, signs or logo's. The British Telegraph has full glyph set with standard and discretionary ligatures (Open Type Features).

My youngest son Boris has his birthday in a week. He turns 8, and he loves to play with those Danish building blocks - you know what I’m talking about. Last year he developed an interest in Star Wars n(no idea how that came to be), so we bought him some Star Wars-themed blocks for his birthday. I am now watching the movies with him and it is fun to witness his enthusiasm. The only drawback is the fact that we now seem to have a Chewbacca in our home… Meowtant Kittens is a font I drew with a fineliner and then digitised. Of course the name was influenced by the movies I am watching with Boris, even though they don’t feature any Meowtant Kittens.

Update November 2022: ULGA Grid now features an oblique variant. It’s also been expanded into a family of different but related designs with the addition of ULGA Grid Solid and ULGA Grid Rounded typeface families. All variants and new designs are monospaced, sharing the same width as the original ULGA Grid font and matching character sets. The character set has also been enlarged and now supports Western Europe, Vietnamese, Central/Eastern Europe, Baltic, Turkish and Romanian. ULGA Grid is a modular, monospaced typeface reminiscent of the old Letraset LCD & Quartz typefaces from the 1970/80s with lots of alternative characters and ornaments to bring a fresh twist to the genre. The idea’s seed germinated while I was going through a phase of binge watching my favourite 1980/90s sci-fi movies (classics such as Terminator, Total Recall and RoboCop). However, perception and reality don’t always align. Thirty years later, when compared to today’s technology, some visual elements look kind of outdated, almost Retro Futuristic. The initial design process started out in Adobe Illustrator when I constructed letters from a few geometric shapes within a square block. Just playing around with different shapes was so engrossing that it wasn’t long before there were enough characters for a basic typeface. The project grew again as I experimented with designs within the shapes and set paragraphs of text in patterns, resulting in over a hundred alternative characters and ornaments, some of which double up as border designs. This typeface may be square but it’s anything but boring. What it lacks in legibility ULGA Grid makes up for in style and the end result is a surprisingly versatile typeface that you'll have fun using for a wide range of display purposes including CD covers, posters, packaging, advertising, brochures and film titles. Ironically, the fixed grid structure frees the characters to create patterns of text not possible with variable widths.

The Plena font offers a modern all-caps experience. All glyphs have incision and unified alternatives and can be shaped for your intended use. This font is crafted for different design trends and would look great for your large print banner headers. It can be preferred by the designer in accordance with its intended use and can be used impressively and strikingly with its large family on different platforms. Plena also offers multilingual support.

Note: This family only contains Capital letters Jadeite is a geometric monospaced display font. The typeface has a distinct style inspired by the Mid-Century Modern era and designed to be easy to read. The Jadeite name comes from a mineral form of jade and also represents a color of green, reminiscent and popular of the 1950’s era. Jadeite is great for display work, quotes, invitations, film credits, fashion, architecture, posters and headings.

Migae is a versatile and elegant display font designed to captivate and engage audiences across a wide range of design applications. With 14 distinct weight variants spanning from delicate Light to commanding Black, and complemented by a refined set of italics, Migae offers a harmonious balance of strength and elegance to fulfill your typographic needs. Key Features: 1. 14 Weight Variants: Migae's extensive weight range, including Light, Regular, Medium, Semi-Bold, Bold, Extra Bold, and Black variants, allows you to choose the perfect weight for your design, whether it's a subtle headline or a bold statement. 2. Italics: In addition to its standard upright styles, Migae boasts a comprehensive set of italics that adds versatility to your typography, conveying an air of sophistication and style. 3. Strong to Elegant Styles: Migae's design philosophy seamlessly combines strength and elegance. Its strong weights provide a bold and impactful presence, while the lighter weights exude an effortless elegance, making it suitable for a wide array of creative projects. 4. Modern Aesthetic: Migae's clean, contemporary lines and carefully crafted details make it an ideal choice for modern graphic and web design, editorial layouts, branding, and advertising. 5. Legibility: Migae prioritizes legibility across all weights and styles, ensuring that your messages are communicated effectively, regardless of the chosen variant. 6. Versatile Applications: From branding and packaging to posters, editorial design, and web headings, Migae adapts to various design contexts, making it a versatile choice for graphic designers, typographers, and creative professionals. Design Inspiration: Migae draws inspiration from the harmony of nature, where strength and elegance coexist. Its name, derived from the Korean word "미래" (miraee), meaning "future," reflects its forward-thinking design approach that is equally rooted in tradition and innovation. Ideal Usage: Migae is an ideal choice for those seeking a display font that can effortlessly transition between bold and delicate, exuding confidence and refinement in every style. It's perfect for branding, packaging, advertising, editorial layouts, and any design project where typography plays a pivotal role. Migae is more than just a font; it's a design companion that empowers creatives to achieve a perfect balance between strength and elegance in their visual communications. Explore the world of Migae and let your design projects shine with its captivating charm and versatility.

We Love Nature Leaves is an extensive and versatile collection of foliage illustrations. This font consists of 52 highly detailed drawings of twigs and leaves which can be used on their own or in combination with the other illustrations in the ‘We Love Nature’ font collection. All illustrations are drawn by hand and of the highest quality.

Senella is a script font with more than 350 characters and covers several languages based on the Latin alphabet; the whole font design has also been completed with extensive alternates, ligatures and swashes sets. Senella is suitable for any design project, vintage, fashion, branding, print design and whatever design you want Thank you for visits and happy branding !

BluHead Studio LLC is pleased to announce the release of 4 fonts from the Churchward Conserif family designed by New Zealand typeface designer Joseph Churchward. BluHead Studio is in the process of digitizing many of the fonts in Churchward's extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis.

Unique poster typeface with multilingual, contextual alternates. Perfect for loud message. With over 1000 alternate glyphs, this font has extensive Latin language support for Western, Central, and Eastern European and gives text a unique, elegant and modern feel. Technical info: To be able to use Nevolastx font you need to have installed program with OpenType features (Contextual Alternates) support.

Formosa is the old, colonial name for Taiwan. Formosa means beautiful in Portuguese and I think this handwritten typeface has a certain beauty itself. It comes in three styles, all of which make extensive use of ligatures, to give the font an authentic, handwritten feel. Like most of my fonts, Formosa comes with Babylonian language support.

Skippy Sharp was drawn by Skippy McFadden in 1995 and faxed to Mister Chank Diesel. Chank completed the character set, added extensive kerning and created a very friendly, informal marker handwriting font. The font is also enhanced for OpenType use with Contextual Alternates for a more natural and organic handwriting style, and true Small Caps, too.

Developed by Andrea Tartarelli as an extension to Calvino typefamily, Marcovaldo is a heavy condensed wedge serif, optimized for display design. The high contrast and rich texture of the old style letterforms marry digital aesthetics in a typeface that is at the same time impactful and refined, with its nod to the Elzevir and DeVinne tradition.

This stylish stout script was originally issued in the 1930s under the name “Fulgor” by the spanish foundry Fundición Gans. Cursory research suggests that Saks-Fifth Avenue found it suitably snooty to use extensively in its newspaper ads of that period. Perhaps somewhat ironically, this version takes its name from one of comedian W. C. Fields' many odd aliases.

It is known as the Naskh Font for its extensive use in the copying and transmission of books because it helps the writer to write more quickly than any other font since the Islamic times and then Naskh font wrote the "Quran". And the advantages of Naskh font are clarifying the letters and show their beauty and splendor.

Medieval Pixel VP is a highly stylized family of three fonts that combine familiar pixelfont forms with unique sharp details - evocative of a fantasy and historical aesthetic, retro video games, and horror movies. All styles include an extensive character set and numerous advanced OpenType features. Over 800 glyphs in each font ensure full support for over 200 languages.

Its name, CrippledFont, might lead you to think that this font was missing important characters. It is not. Rather it is a letterbat font composed of crutches and canes. It is caps only, with the lower-case keys having an alternative set of capitals. It has an extensive set of accented letters that will support most European languages.

LE MANS - CLASSIC is a font inspired by vintage motorsport racing. In particular, advertising posters from the 70's. This time period was important as it showcased not only the cars that changed but also the illustrative styles & typography. Features: Offered in 2 Styles - Regular & Compressed Extensive Language support Specialised Kerning on all character combinations Designed by KAZER STUDIO

Buttermilk is the first font from illustrator/designer/typographer Jessica Hische. It’s a wonderful display script that is feminine but bold. It’s equipped with decorative caps (which would make great drop-caps), fancy numerals, and a far too extensive array of ligatures (automatic in most programs thanks to OpenType) to make it easier for you to set it beautifully.