British type designer Neville Brody created this display FontFont in 1993. The family contains 3 weights and is ideally suited for poster and billboards and sports. FF World provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Fresh Orange is a type of font that presents a unique style for every design project such as cartoons, comics, poster designs, and so on. Fresh Orange has two styles: regular and extrude, which will create a great layered look when combined.

Designed at American Type Founders in 1930-33 by Morris F. Benton. An all-capital sans serif featuring squared-off letters with rounded corners. For use in advertising and display typography. Cyrillic version was created at ParaType by Tagir Safayev in 1997.

German type designer Simone May created this display FontFont in 1995. The font is ideally suited for festive occasions and poster and billboard projects. FF A Lazy Day provides advanced typographical support with features such as ligatures and comes with tabular lining figures.

Vario is a bold brush-based design. Created by the renowned type designer and calligrapher, Hermann Zapf, Vario offers superb emphasis for use in headlines and displays. It is availble in both regular and italic styles. Vario was first produced in 1982.

British type designer Neville Brody created this display FontFont in 1993. The family contains 4 weights and is ideally suited for poster and billboards and sports. FF Tokyo provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Betm is a geometric sans-serif font family created by Chatnarong Jingsuphatada (a Thai type designer) and published by Typesketchbook. Inspired by clean modern and, somewhat, mild geometric lines, Betm comes in 10 very useful weights along with complementary italics. You’ll love Betm!

Meet the delightful duo that brings an organic twist to your designs! Introducing Sista Planteria, the charming pairing of an all-caps serif and a playful script font. Whether diving into illustrative creations, crafting whimsical greetings, adding charm to book covers, designing delightful quotes, or creating enchanting packaging, Sista Planteria is your go-to choice for an organic touch. With its alternates and ligatures, this font duo offers a signature handwriting style that adds a hint of natural elegance to your projects. And don't worry about language barriers – Sista Planteria supports multilingual Latin characters, ensuring your creativity knows no bounds. Get ready to infuse your designs with a dash of organic taste that will captivate hearts and bring smiles. Elevate your creations with the Sista Planteria font duo and let your imagination bloom!

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be "neutral" or "transparent." Like many of Barnbrook's typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook's types a distinct and unique flavor. Like its creator, Priori is a one of a kind.

After the popular successes of Exocet and Mason, Emigre has once again teamed up with Jonathan Barnbrook to bring you his latest venture into type land. Priori is a logical progression from Mason, a typeface he designed around ten years ago. Where Mason was designed purely for display purposes and featured only caps, Priori includes lower case, companion serif and sans serif versions, alternates and, according to its creator, is shooting for text face status - a bold claim from a designer who loves to wear his influences on his sleeve and who has little use for typography that aspires to be "neutral" or "transparent." Like many of Barnbrook's typeface designs, Priori is based on his interest in British typography of the early 20th century. It is inspired by the work of famous British typographers, such as Eric Gill and Edward Johnston. But it also embraces all of the signage and lettering that Barnbrook observes in the streets, cathedrals, and public buildings of his London neighborhood. This mixing of native influences with a contemporary pop culture intent is what gives Barnbrook's types a distinct and unique flavor. Like its creator, Priori is a one of a kind.

Ching Mang is a cartoon character created by Hajime Kawakami for a magazine in Japan in the 1980s. This picture font features various expressions of this fun creature. It features solid and outline variations for multi-color overlay effects in layout.

Linotype Afrika, from German type designer Jörg Herz, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. Dancing, jumping, and playing, the lively beings of this symbol font exude joy. Ornaments and a few frolicking animals complete the font. Combining the single figures, whether as decoration or border, creates a pattern which will surprise you with its lightness and dynamism.

Aremic is a bold display font created to be used for bold headings coming in 2 shapes Regular and Rounded including Oblique. This font is inspired by the shape of the letters on sports posters. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

The hand composition typeface was created at Polygraphmash type design bureau in 1959 by a well-known Soviet book and type designer Pavel Kuzanyan (1901-1992). It was reproduced in the 1960s for slugcasting and machine display composition. Sharp contrast, strong weight, slightly condensed Modern Serif with calligraphic elements. The typeface is useful in text and display composition, in scientific, fiction and art books. The revised and completed digital version was designed at ParaType in 2002 by Lyubov Kuznetsova.

Linotype Mailbox is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The typefaces was created by German designer Andreas Karl. An entire alphabet, only lower case letters, with the look of @ -- who doesn’t think of the Internet? If you want to give your headlines or short texts an unmistakable feel of the Internet, you could not do better than Linotype MailBox.

Neva Regular with Italic was created by Moscow book and type designer Pavel Kuzanyan (1901-1992) at Polygrafmash in 1970 for slugcasting and display composition. Based on simple strict letterforms of Russian classical typefaces. Neva typeface was rewarded on the Gutenberg international type design contest in 1971 (Leipzig). The typeface is useful in text and display composition, in fiction and art books. The digital version and bold styles were designed for ParaType in 2002 by Lyubov Kuznetsova.

The pLatinum family was created in 1998. Ink, scanner, Fontographer and as a result Regular and Italic styles of pLatinum typeface. Kyrillitsa'99 International type design competition Award winning typeface. The design style is “Irregular Serif”. The glyphs of pLatinum roman are reminiscent of the Russian types of early eighteenth century—especially in the smaller point sizes. An Italic, surprisingly close to the handwriting copybooks of mid-eighteenth century, is a later addition to the design.

Proudly present Southern Clan - Retrotype, created by ikiiko. A expressive handwriting type with a 80's street graffiti shape. This type is very suitable for making a poster, t-shirt design, magazine header, brand logo, sleeve cover, party flyer, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Alternates & Stylistic Multilingual Support Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Bakewell is the 4th typeface of the Winslow Type System. It's a low contrast sans-serif with ball terminals and a sweet disposition. The typeface includes a wide range of styles, widths and weights that make it a great addition to any type collection. From Narrow to Wide and Hairline to Bold, the font family offers extended optionality. Packed with Opentype Features, users can create one-of-a-kind designs perfectly tailored to their specific needs!

A Unique Display Logo Font that we created special for Beauty and Modern branding needs that will give you more elegant look. And specially for this font, We prepared any alternate characters to help you create unlimited variations for your creative needs. Galina Display Logo font ready with: Any options to get creative variations (combination of Alternates) Preview as a inspirations that you can do with Galina font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

A Serif font that we created special for elegant branding needs, with extra ligature and alternates in unique shape will be ready to add value of your brand. We prepared any ligatures characters to help you create unlimited variations for your creative needs. Orlantha Serif font ready with: Any options to get creative variations (combination of Ligatures) Preview as a inspirations that you can do with Orlantha font Ready with Lowercase and Uppercase characters Wish you enjoy our font. :)

Changing nature of work FS Industrie is an extraordinarily versatile new type system, with 70 variants built around five different widths and seven different weights. Type in the future will be increasingly variable, and FS Industrie is specifically designed to address the changing needs of brands. As more of the things we make exist primarily in a digital space, so our need to create type that can adapt within that space grows. It is the spirit of variable design, adaptation and flexibility that drove us to create FS Industrie. A typeface for future work in a future world. FS Industrie is a response to the changing nature of type, for brands that are responding to the changing nature of work. Industrial style Stylistically, FS Industrie feels direct and simple without sacrificing its humanity. It takes inspiration from German fonts of the 1930s, with their roots in manufacturing and signage. A classic sense of functional utility combined with a progressive view of where type is heading. Expressions in width A fundamental challenge with variable type is to ensure that craft and precision is preserved at every interval. Each width and weight is drawn by hand, with subtle variations in terminals and angles as you progress through the system. This ensures each variant can play to its unique strengths, while also pairing perfectly with its siblings. From the closed terminals of the Condensed and the open terminals of the Extended. FS Industrie is a design system that maintains a practical, grounded and robust tone throughout every variable style. Variable nature The 70 styles offer a range of expression. Each width contrasts with the next to clearly define typographic roles in graphic layouts. Every glyph is crafted with adaptability and scalability in mind, creating a pliable design space for the user. The proportions of each letterform flex as weight scales up, stem weights increase as letter width broadens. These subtle design changes create an optically consistent visual impression.

Changing nature of work FS Industrie is an extraordinarily versatile new type system, with 70 variants built around five different widths and seven different weights. Type in the future will be increasingly variable, and FS Industrie is specifically designed to address the changing needs of brands. As more of the things we make exist primarily in a digital space, so our need to create type that can adapt within that space grows. It is the spirit of variable design, adaptation and flexibility that drove us to create FS Industrie. A typeface for future work in a future world. FS Industrie is a response to the changing nature of type, for brands that are responding to the changing nature of work. Industrial style Stylistically, FS Industrie feels direct and simple without sacrificing its humanity. It takes inspiration from German fonts of the 1930s, with their roots in manufacturing and signage. A classic sense of functional utility combined with a progressive view of where type is heading. Expressions in width A fundamental challenge with variable type is to ensure that craft and precision is preserved at every interval. Each width and weight is drawn by hand, with subtle variations in terminals and angles as you progress through the system. This ensures each variant can play to its unique strengths, while also pairing perfectly with its siblings. From the closed terminals of the Condensed and the open terminals of the Extended. FS Industrie is a design system that maintains a practical, grounded and robust tone throughout every variable style. Variable nature The 70 styles offer a range of expression. Each width contrasts with the next to clearly define typographic roles in graphic layouts. Every glyph is crafted with adaptability and scalability in mind, creating a pliable design space for the user. The proportions of each letterform flex as weight scales up, stem weights increase as letter width broadens. These subtle design changes create an optically consistent visual impression.

Botobe is a new script from Swedish type designer Bo Berndal and the T4 font foundry. Botobe is a playful and friendly script that has lots of character. It gives text a genuine handwritten style and comes in two different cuts, regular and italic. It is an OpenType creation, for both PC and Mac.

Doblo is a colorful and slightly retro layered type family designed by Joël Carrouché. Consisting of one master character, 8 different layers and a collection of extra ornaments, this fancy family allows several creative combinations and produces unique results. The fonts are delivered in OpenType format and include diacritics for most western & central European languages.

Wolfers is a great vintage-looking font for your brand logo or any other type of creative project that requires a vintage or classic look like magazines, banners, headlines, or other corporate graphic design needs. Features: – 6 Font styles – Uppercase and lowercase – Alternate characters – Regular and Stamp or grunge style – Symbol and punctuation – Multilingual support