Killega is a bold and modern serif font. Elegantly crafted to become a top choice, this font has the potential to bring each of your creative ideas to the highest level!

Sangki is a cool and bold serif font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!

Be Bold is an incredibly unique display font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!

What's all the "Hoopla" about? Try this unique, amusing font for scrapbooking and creative papercrafting. Its letters are thin, with a handwritten look. It's for the young, and young at heart.

Both edgy and elegant, LD Genevieve—with its decorative plumes—adds unique flair to your scrapbook layouts, handmade greeting cards and other creative projects. Pair Lowercase and Uppercase to mix cases.

That font was designed for Liliming, a famous Shanghainese feminine fashion brand. As the brand itself, it shows a solid background - a former typewriter machine feeling - and a fresh creative touch.

Pearl River is a bold and elegant script font. Whether you're designing a logo, or poster or working on crafting projects, Pearl River can take your creativity to a new height.

Old style fonts or also writing from teenagers, as a form of expression for those who are bored or looking for cool and creative ideas by drawing something accompanied by writing.

"Fibula" has a surprising and lively effect? The design is based on the form of a safety-pin. Fibula display font offers designers creative alternatives to create brands, packaging and titles.

Mleyoth is a bold and detailed blackletter font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level!

Charly Dreams is a sweet, colorful and friendly display font. Add it to your most creative ideas and notice how it makes them stand out! The only limit is your imagination!

Threva is a stylish sans serif font with 2 styles, solid and outline. You can combine the two into something creative. The shape is not too stiff, looks modern and elegant

Holy Nativity is a simple lettered handwritten font; it's a celebration of warmth and joy. Its unique handwritten style invites endless possibilities for your design projects, allowing your creativity to shine.

Gothico Antiqua is the result of grunging up one of my early sans-serif type designs. It strangely works very well and looks authentic at small to medium settings.

This font was inspired by the lettering on a shop sign along a very classy shopping street in Bordeaux, France. There were similar styles among mid-nineteenth century types.

Almibar is a delicate and very elegant connected script font. Its classic style is perfect to be applied in any type of formal pieces such invitations, labels and menus.

The design of type Meeneralca 4F was inspired by the logo of the mineral water Borjomi from Georgia. The word "Meeneralca" is the short (slang) version for "mineral water".

Handbill JNL takes the type design from Broadletter JNL and gives it an open drop shadow treatment to emulate a popular style of many wooden typefaces from the 1800s.

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

Xylo Sans letterforms are based on a typeface from Miller & Richard type foundry, from circa 1911. They are presented here with a rough wood texture, in two xylographic flavors.

Gauntlet LGt is a geometric type, with a horizontal union of some of glyphs in the middle of the glyph, no lowercase, ideal for large holders, posters and banners.

Swing Band JNL is a casual, playful type design inspired by the title lettering from "Hi-De-Ho", a 1930s all-black cast film starring legendary bandleader Cab Calloway.

DOCK11 is a heavy headline typeface with an elegant look.  This typeface will work well for headings, short paragraphs, magazines, web, posters, logos and any type of graphic design.

A round was added to a neat straight line to express a soft sensibility. It is a neat and flexible font using a clean and stable type of module.

Carl Schraubstadter of the Inland Type Foundry probably had more to do with the design of this italic than he did with the roman. Great for Craftsman Era projects.

Concave Tuscan Extra Condensed is a classic wood type sans serif design that is the basis for Table Wood JNL, which is available in both regular and oblique versions.

We took a distressed-looking Victorian type called Cabinet and redesigned it with clean lines to make it more suitable for today's decorative work. Quite readable in all sizes.

Rock Wood is a fresh version of old western wood type. With its strong and sinuous lines it has a taste of vintage and modern at the same time.

Convicted JNL is a condensed, chamfered sans serif type design inspired by opening credits from the 1940 film of the same name – available in both regular and oblique versions.

I made this cartoon book font in my own handwriting. This type of font is great for writing comic stories, children's games, and is perfect for making cartoon movies.

A style example found within the pages of a vintage type foundry catalog inspired Case Lot JNL. The design is a classic early 20th Century sans with chamfered corners.

Claxon is reminiscent of the types from the 1920s Bauhaus movement. Designed with very short ascenders and descenders for tighter line spacing. Effective for short headlines and general use.

Blado is the italic companion to Monotype Poliphilus, revived in the 1920s by Stanley Morison based on a type cut by Ludovico degli Arrighi for Aldus Manutius, around 1526.

A revival of one of the popular wooden type fonts of the 19th century, a very useful design for display, or text, somewhat geometric in form, a bit narrow.

A crunchy comic font, suitable for both small and large typing. At small sizes the font appears as a "simple" handwriting font, but at larger points the crunchiness appears!

Madigan is a high-contrasted, crisp, and attractive typeface. While situated firmly in the category of ‘modern’ types, it appears fancy and lively, showing extravagant details in display sizes.

“There is just something magical about type design,” says Sebastian Lester. “If you draw a successful typeface it can travel the world, taking a part of you with it.” If this is true, his Soho® Gothic family has taken him far and wide. Understated, modern and exceptionally versatile, the family has been put to good use in just about every application imaginable. A good choice for virtually any type of project, The Soho Gothic family performs equally well as the backbone of a global brand as it would in an edgy fashion magazine. Versatile, extensive, customizable, and multilingual – the Soho Gothic typeface family has it all.With the same proportions as Soho, its slab serif cousin, Soho Gothic ranges across seven weights, from a willowy hairline to a brawny ultra – each with a complementary italic.Lester took care to ensure that the Soho and Soho Gothic designs work in perfect harmony. According to him, “The typefaces were developed alongside each other so that I could consider every aspect of each design and be certain that they would be absolutely compatible.”Soho Gothic is a more understated and more subtle design than Soho. Features that give the design its distinctive tone are the flat, crisp apexes of the diagonal characters like the A and V, and the marked horizontal stress in the a, g and s. “I wanted the family as a whole to radiate effortless modernity,” recalls Lester, “to be a master communicator that works in all conditions and at all sizes.” A collection of alternate and “semi-slab” characters were also part of Lester’s plan. “I like to develop alternate characters for all my type designs,” he says. “I believe they give graphic designers greater flexibility and make a typeface more valuable.” Soho Gothic is available as OpenType® Pro fonts that have an extended character set which supports most Central European and many Eastern European languages. If you’re looking to complete your designs, consider pairing it with Bembo® Book,Joanna® Nova,Neue Frutiger®,PMN Caecilia®,or ITC Stone® Serif.

Taco is a new Mexican style font family based on our Tavern and Algerian Mesa type designs. When I finished the extra heavier weights for Tavern I decided to play around with a decorated version, the extra bold letters allowed for much more room to work with an inlay pattern. After experimenting with several designs I decided on a Mexican pattern because the original base font is very popular in Mexican restaurant logos and menus plus it's frequently used on Tequila bottle labels. I originally planned three weights for the Taco font family, however, after completing the bold weight I've decided to release it now so you may put it to use while the regular and extra bold are being produced, sorry I can't estimate a release date for the two other weights. To use the fill font layers you'll need an application that allows you to work in layers such as Adobe Creative Suite products. The Taco Fill Uno font may be used as a stand alone font, however, we recommend searching for our Tavern font family where you'll find three different bold weights of this same design. Opentype features aware applications are also needed for accessing the many alternate glyphs in Taco, all the alternates that you love in our Tavern fonts are also available in Taco. While the fill font layers are in registration with one another some applications may throw them out of alignment by changing the spacing. Custom inter letter spacing in Adobe Creative Suite may also throw the fill fonts out of alignment. We recommend doing your custom spacing first then duplicate the type layer and change to the next fill font and color. The inspiration for the Taco name of this font family was from a homemade Taco dinner I made for a guest at my house, after dinner I searched to see if there was a commercial font named Taco. There was no such font named Taco and the rest is history. The old Stephenson Blake Algerian font has come a long way since 1908, and we're not done with it yet. We hope you enjoy our Taco font family, we're looking forward to see it in use.

The Garamond family tree has many branches. There are probably more different typefaces bearing the name Garamond than the name of any other type designer. Not only did the punchcutter Claude Garamond set a standard for elegance and excellence in type founding in 16th-century Paris, but a successor, Jean Jannon, some eighty years later, cut typefaces inspired by Garamond that later came to bear Garamond’s name. Revivals of both designs have been popular and various over the course of the last 100 years. When ATF Garamond was designed in 1917, it was one of the first revivals of a truly classic typeface. Based on Jannon’s types, which had been preserved in the French Imprimerie Nationale as the “caractères de l’Université,” ATF Garamond brought distinctive elegance and liveliness to text type for books and display type for advertising. It was both the inspiration and the model for many of the later “Garamond” revivals, notably Linotype’s very popular Garamond No. 3. ATF Garamond was released ca. 1918, first in Roman and Italic, drawn by Morris Fuller Benton, the head of the American Type Founders design department. In 1922, Thomas M. Cleland designed a set of swash italics and ornaments for the typeface. The Bold and Bold Italic were released in 1920 and 1923, respectively. The new digital ATF Garamond expands upon this legacy, while bringing back some of the robustness of metal type and letterpress printing that is sometimes lost in digital adaptations. The graceful, almost lacy form of some of the letters is complemented by a solid, sturdy outline that holds up in text even at small sizes. The 18 fonts comprise three optical sizes (Subhead, Text, Micro) and three weights, including a new Medium weight that did not exist in metal. ATF Garamond also includes unusual alternates and swash characters from the original metal typeface. The character of ATF Garamond is lively, reflecting the spirit of the French Renaissance as interpreted in the 1920s. Its Roman has more verve than later old-style faces like Caslon, and its Italic is outright sprightly, yet remarkably readable.