JY Rebeca was our first attempt using Fontographer to develop a typeface from scratch. It possesses some experimental characteristics in its design, e.g. the mixture between a transitional and modern typeface.

Sparkle is an expressive yet legible monoline font, benefiting from OpenType with nearly 800 glyphs for alternate letterforms, smooth ligatures, complimentary sans-serif small caps, accents, and a variety of swashes.

Zura’s font family design draws its inspiration from nature and a tribal style. The use of geometrical expression emotes a technological undertone. Opentype features include: Old style numerals Case sensitive forms

Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.

Minimum Waste - the name is taken from a Sade song, but is meant more as a political statement. Please be aware about your everyday use to make sure the planet survives!

AZ Declan was inspired from a need to develop a san serif typeface with a scrawled scratchy feel to it. This font was designed for use as a fun bold headline.

Mattiface is a modern handwritten font, perfect for both formal and non-formal designs. This versatility will appeal to a wide range of crafty ideas, from letterheads and titles, to stationery.

The opening movie titles from the 1940 musical comedy “Strike up the Band” (starring Judy Garland and Mickey Rooney) inspired Bandmaster JNL, which is available in both regular and oblique versions.

Re-drawn from a screen capture of a vintage newspaper front page, Late Breaking News JNL is a traditional sans serif that's perfect for headlines, titling and other forms of announcements.

Introducing the new hand made font " Taste Of Heaven " This font made from real hand writing. Looks clean and cool What's Included ? Uppercase Lowercase Symbols Numerals Multilingual Supports Thank You, Regards!

Dabi is a bold sans serif type family of three weights plus matching italics. It is suitable for logos, titles, posters, etc. Made from a compilation of all his design projects.

This script has almost no historic roots. It is named after hajdamakas, Ukrainian guerilla fighters from past times. It is lively and somehow saucily forms the vibrant lines of a text.

As its name suggests, TRGrunge is a rough, grungy font that is surprisingly readable. Derived in 1997 from a 1989 sans-serif face, it was expanded with additional characters in 2021.

Svelte is condensed serif family. Its consist of upright styles from Regular to ExtraBold. Fit for display, short text, and stacked typesetting. Its contain 394 glyphs with broad latin language coverage.

To design the font Pekora I was inspired by a You And Me Monthly published by National Magazines Publisher RSW Prasa that appeared from May 1960 till December 1973 in Poland.

Lagoena Font was designed by Zainul Faozi from San Studio. This was inspired by road markings. This font fits on any project You make, on posters, logos, ads, banners, and more.

Border pieces, catch words, head and tail pieces and a generous amount of cartoons comprise Letterpress Assortment JNL. All of the printers' stock cuts were re-drawn from vintage source material.

Revers is a rough, grunge slab serif based on newspaper headlines from the 1950s. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Print Illustrations JNL gathers a number of charming and functional designs redrawn from vintage sources. There are attention getters, spot illustrations, catch words and decorative embellishments all in one digital file.

Findastone is a delicate and fine script font. It can be applied to a variety of design ideas, from invitations, to cards and pretty much anything that requires a lovely touch.

Old style fonts or also writing from teenagers, as a form of expression for those who are bored or looking for cool and creative ideas by drawing something accompanied by writing.

Built from the petroglyphs found on the island of Santa Catarina - Brazil. With elemental geometric signs and figurative human representations. It is a printer with a decorative characteristics of Art Deco.

This display stencil typeface is extension from Gazeta font family, where the letterform cuts are more mechanical without loosing their own natural structure. Italic versions are not available, only roman characters.

Arbor Brush is a fresh and lively brush script from the FontHaus design studio. The design is organic, strong, painterly, and anything but tentative. Great for advertising, menus, signage, or display.

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Kraut is a decorative headline font that can be used for posters, packaging, logos and on football jerseys. It contains all small and capital letters from the Latin and Cyrillic alphabet.

The 1934 sheet music for "I'll String Along with You" from the Dick Powell-Ginger Rogers musical "20 Million Sweethearts" yielded the charming Deco monoline design for Words and Music JNL.

The hand-hewn Islander looks like it could have been liberated from granite blocks.These demonstrative letter forms leave no doubt when it comes to conveying your message, yet they remain playful.

Belly Swing is natural, organic and kind of cute. It's my handmade sans font with contextual alternates - meaning that you have 3 different versions of each lowercase letter to choose from!

Haldane is an Art Nouveau 'punctuated' (i.e. not joined) script, ideal for certificates, calligraphic lettering and signage. Stroke width vary from almost hairline to extremely wide. Great fun for every application!

Step into the beauty of Belda’s elegant form and discover the richness flowing from both its historic influence and its strong elements. At its heart, Belda's graceful style embodies the classical calligraphy of the Roman capital, best known from such Roman monuments as Trajan's Column. To lessen the possibility for error, the builders of these defining structures brushed their templates onto the marble before taking their first cuts from the expensive stone. These simple strokes now mark a simple but wonderful path full of life and mystery. Beyond a copy of the past, Belda has grown from its roots to offer a brave, new world of potential through its still-simple structure. The new design strongly contrasts thickness and stroke. Its delicate shape, curves and sharp serifs provide a unique style of harmony and beauty. The resulting balance? The lighter weight design remains subtle and elegant, while the combination in its bolder counterparts provides an intense luster and sparkle, pulling the reader’s eye to the font’s captivating features. A quick look beyond its surface of standard forms also reveals Belda has more layers to discover with OpenType small capitals, titling capitals and more. With a wealth of weights and many widths beside, the font is capable of serving as both text and titling. While especially strong as a movie title or poster font, it’s also great for book jackets, advertising, and packaging. So start your journey with Belda. The possibilities to explore on this path are practically endless. Production assistance from Lucas Azevedo and ikern.