The Linotype Technical Pi font includes a variety of characters for technical areas, especially for the field of electrical engineering. Among other symbols are those for AC and DC, certifications, and a number of others which illustrate technical terms, warnings and information. Technical Pi also includes the modern symbols which have become a part of everyday life, like environmental and recycling characters. General characters like fax and telephone symbols complete the symbol palette of Linotype Technical Pi.

A page from an 1880s type specimen book presented a unique "Barnum"-like design with top horizontal lines much thinner than the bottom ones. Titled "Ten Line Antique Compressed No. 7", the design transcends the years; for it's not only an antique wood type font, but is also reminiscent of the 1960s hippie counterculture movement. Antique Unique JNL is available in both regular and oblique versions.

A caps-only typeface with a modern twist. When the joy and corpulence of the mango fruit meet the gothic aesthetics, Mango Grotesque is born. In this territory, fun and creepy are mixed. Just like a tropical beach in an expressionist film. Cause it's a bittersweet symphony this life...

The biggest feature of HT Espresso is a mixture of straight line and curve.It is like a cup of espresso with a bite-sized piece of chocolate. You can connect all the letters with thin line and It would attract notice. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

Andrew Smith played with his pencil and scetched an alphabet with several strokes. and as he made come cross strokes it lokes like barbed wire.

Pizza. It's our life, it's your life. It's what you live for. We can't live without it, so it's time to get to the root of the problem. As food lovers ourselves, we wanted to create a font that captured our love for pizzas. Pizza Mania is a quirky & lively display font that will make all your designs pop! So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations works on PC & Mac Thank You!

Zibryain is a unique display font. Modern style created as a result of my experiments on letterforms, on the one hand I like the appearance of the individual curved lines, on the other hand they seem very strange, foreign and illogical. It was like looking into a microscope and seeing something strange. I wanted to develop and study these forms as something new, because I had never seen anything similar before. The result is a contrasting font that has sharp, smooth curves and lines. The Zibryain font is perfect for designing company logos, online game logos, magazine covers, biographies, business cards and all your design work of course. become more attractive in appearance.

Shabby brush - creating this font Pavel was inspired by the past and visualized a good future. Erasing lines of letters, like memories that have passed through years. The long-lasting brush continues to create and inspire with all its strength

Like Phenix out of the ashes the former Schriftguss hot-metal font „Rautendelein“ has come to live again. Carina Pro was carefully extended for multilingual use, and contains a few alternates which can be activated via the swash OpenType feature.

This is definitely a font suitable for kids toys. The letters are legible, and at the same time totally wacky! Kinda like what a kids toy should be! Fidusmager started out as a handdrawn, slightly rugged looking fon. However I ended up manually tracing each letter in order to have those smooth lines. By the way, Fidusmager is danish and actually means someone who’ll trick you - but as a kid I didn’t know that, and found that it most likely was something positive! :)

Balaleen arabic & latin typeface is a cute layered hand-drawn font designed by Adel Banfeel, Inspired by balloons effects, this font is easy to read, and easy to play with 5 different styles, line, solid with line, solid with effect, line with effect or mix all styles. To do so, you can simply superimpose them with a compatible software like Photoshop, then choose a color for each, making your works charming and unique. This font, finely designed for cards, book titles, headlines or any artworks.

AggressIan is the release of the first font I ever drew. It was done by hand with triangle and parallel rule back in the mid-1980s. I originally called it Aggressor, but I never liked it. My local type designer friend, Ian Roberts, really likes this type of drawing and told me I had to release it. So I named it after him. The small caps should work well if you need a bolder version. It has oldstyle and lining figures, plus the small cap figures. I hope you like it.

The unmistakable brush of Angel Koziupa does its unique work again, this time with the elegant strokes made for branding or packaging projects that entail the use of many design elements, and so require clear and simple artistic alphabet to represent the brand elegantly, without clashing with the overall design. Methodical and disciplined, Sinfonieta accentuates the collage just enough to convey class and comfort, art and elegance. Sinfonieta includes alternates that come in handy to help with the precision usually required for logotypes and wordmarks.

Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with variations of every letter by using different styles. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations. The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines. Brandon Printed has a high level of detail, so it may process more slowly in some applications.

The Vivala old black letter font family is characterized by its hard-cut lines. This gives the typeface a special woodcut-like character. The typeface family offers a wide range of possibilities for design. It works well for posters, packaging, and corporate design for restaurants or breweries.

The Killegar family is inspired by one of the great houses of Ireland...Killegar—which is on the grand Estate of Killegar. I lived there for many years. It is a quiet and peaceful place surrounded by lakes and trees and is inspirational in so many ways. All of my creative talents were boosted by this amazing two hundred year old building with all of it's secrets and heritage. Time stood still in Killegar....except for me and my modern day computers, cell phones and fax machines. This twist of fate, with me living both a rural and hi-tech life, living in an environment of the early 18th century, with the friendliest local people on the Earth, played it's part in the origin of the Killegar family of fonts. Tony Fahy

Another offbeat typeface inspired by the lettering on a design by Patrick Owsley for the Chicago Bears. There's nothing more lively than animated text, and Bear Club has that flavor in two ways. With counter inspirations drawn from fonts like Ad Lib and Nightclub, an automatic alternating caps and alternate caps feature, as well as a contextual alternates set that creates a true animated bounce, just like Hip Hopper. Let the fun begin with this spunky, lighthearted and heavy-weighted comic typeface.

Space Rocks! A Retro Sci-Fi Font Inspired by 1950s Television Serials “Oh boy, oh boy, oh boy! The next episode of Space Rocks is on tonight! What’s it about? Well, it’s all to do with this family of astronauts who crash land on Mars and how they survive all sorts of alien creatures and killer storms! The science is really real too! Who needs school!!!” And so goes the story of one young fan whose imagination is captured by the latest offering in a golden-age of TV science-fiction. A brand of 1950s programming that offered a light-hearted and optimistic view of the future full of exploration, discovery and hazardous adventure! Sometimes even a cautionary tale to live on in your nightmares! With Space Rocks I want to capture this vibe with an all-caps design inspired the opening titles of these shows, fully hand-drawn with a range of discretionary ligatures that add a comic (not atomic!) touch. The package includes Regular and Outlined (all hand-drawn) versions with a complete set of alternatives to help maintain the analogue look. This font also includes unique uppercase and lowercase characters, along with numerals, punctuation, language support, underlines and symbols. It’s perfect for movie and television titles, album covers, posters or any design that needs a dramatic, spacey and fun look. Check out the visuals to see it in action.

Taglio’s name is derived from intaglio, which means “incised carving” or “an impression from an engraving”. Indeed, Taglio looks like an incised engraving with a contemporary calligraphic interpretation. The down strokes start with a single horizontal line that curves into a dual vertical line and ends with the same single line at the base. The dual elongated strokes create a bold overall impression but is literally twice as sophisticated than if the two lines were solid. That was exactly the goal in creating this font. We managed to create a font that is distinctive, elegant, and crisp that is also intentionally stencilled for more flexibility. For instance, it is ideal for laser cutting signage. One of the unique features in using the capital glyphs is that they stack perfectly without losing legibility, primarily because of the slanted ends of the dual vertical lines - see the example “Miami Fashion Week” display ad. Taglio’s unusual style was carefully crafted to come to life at display sizes. It is therefore ideal for use in branding fashion, restaurants, buildings, packaging, museums, signage, etc. An ideal pairing font is our WERK family which can be seen on some of the display ads below. Taglio has a sparkling and sophisticated personality that will absolutely delight!

Prushkov is the first typeface that I made. Its name comes from the town I lived in at the time. The design was inspired by both geometric typefaces like Futura, and didone fonts like Bodoni. Its aim (perhaps quite bold) is to blend high contrast with mathematical excellence. Prushkov will work well as a display font, both in uppercase and lowercase. It has a wide array of stylistic alternates for all of the capitals and some lowercase glyphs too.

Black Madness is a font inspired by blackletter typography, but instead of clean and accurate lines I gave it an more abstract and intuitive look. Like most of my fonts, Black Madness is made for logos, headlines and other typography related work.

Strands is a carefully ink drawn font that grows on you. It looks and reads like spaghetti and vines! Spring is emerging with this font. Use it for headlines and logos. Each letter grabs on to the next producing playfulness and life!

The Jantze font is a project undertaken by Dan Bailey of Fontosaurus and Michael Jantze, creator of the nationally-syndicated comic strip, The Norm. All their royalties from the font will go to The Lance Armstrong Foundation. For those that have been living under a rock for the last five years, Lance is a professional bike racer that overcame advanced testicular cancer to not only come back to his sport, but to dominate its premiere event, the Tour de France. In climbing to the top of his sport, he has become a legend among cyclists and a beacon of hope for those battling cancer and their families. His foundation provides financial grants to researchers working to improve our odds against the disease, individuals stricken with cancer, and survivors of the disease that are advocates for survivorship issues in their communities. Michael Jantze and Dan Bailey would like you to consider the quote from Ralph Waldo Emerson that brought us to this project: "The purpose of life is not to be happy. It is to be useful, to be honorable, to have it make some difference that you have lived and lived well. We hope that you will help us help Lance Armstrong's legacy be more than that of just sports legend. We hope that you will help those that may someday help you as much as we hope that you will never have to suffer the ravages of cancer. We hope.

Strangelove NextSlab is a serif version of our bestseller Strangelove Next. It contains 3 styles with two weights each. (Be sure to have ‘Contextual Alternates’ activated in your design app of choice to get a more lively look when it comes to subsequent letters like ee, gg ... etc).

"Liberty Walk" is a display font featuring characters with straight, upright lines. Fonts like this are often used to give a clean, simple, and assertive appearance to designs. They are suitable for various design projects, including logos, posters, titles, or other design elements that require clear and upright typography.

Boxiest is a stylish cartoon typeface that effortlessly combines playfulness with a touch of modern flair. Its bold and chunky letterforms are reminiscent of cartoon characters, creating a sense of whimsy and fun. With its clean lines and geometric shapes, Boxiest exudes a contemporary aesthetic that adds a dash of style to any design. Each letter is like a carefully constructed box, giving the typeface a unique and distinctive look. Whether used for children's books, comic strips, or vibrant signage, Boxiest injects a lively and energetic vibe, instantly capturing attention and igniting imagination. This versatile typeface brings a delightful and fashionable twist to any project, making it a perfect choice for those seeking a stylish and eye-catching cartoon-inspired font.

I really like the Japanese language, as it has words that describe a whole world of meaning. Like Shoganai. It literally means: ‘It cannot be helped’. That’s life, get used to it. Shoganai sums up a lot of the Japanese culture and way of thinking: if things cannot be helped, then accept it and move on. Shoganai is a set of Brush fonts: a thinner, script font and a heavy display font. Use if for book covers, product packaging and more. If you can’t use it, then, well, Shoganai.

Marker Note is a playful and vibrant marker font that brings a sense of fun and spontaneity to any design. Inspired by the cheerful strokes of a marker pen, Marker Note captures the essence of handwritten notes with its bold and slightly irregular letterforms. The ink-like texture and uneven lines give the font a whimsical and handcrafted feel, making it perfect for projects that need a touch of informality and creativity. Whether used for greeting cards, posters, or social media graphics, Marker Note adds a lively and energetic vibe, instantly drawing attention and creating a sense of joy. With its expressive and friendly style, Marker Note is a delightful choice for those seeking a font that exudes a carefree and casual charm.

Lifeform is a modern display font created as a result of my experiments on the forms of letters. While working on the font, I had ambivalent feelings, on the one hand I liked the individual curved lines, on the other hand they seemed very strange, alien and illogical. It was like looking into a microscope and seeing something strange. I wanted to develop and study these forms as something new, because I had never seen anything similar before. The result is a contrasting font that has both curves and sharp, and smooth lines that resemble some kind of organic matter. The font is well suited for large headlines, posters and covers. Its strange design catches the eye and will not leave the viewer indifferent.

CHARACTERISTICS A state-of-the-art OpenType-Feature (like Contextual Alternates (calt) and Stylistic Alternates (salt)) of “Hand Scribble Sketch Times” is, that each uppercase and each lowercase letter has automatically alternated two variations to bring humanly-random characteristics of handwriting to life. The cha­rac­ter of the rough, ruggend and raw hand­written classic serif type­face is a very uni­que warmly atmosphere. An pro-version of the font “Hand TIMES”. APPLICATION AREA warmth, love, handmade. For support of human warmth. Of cooking recipes, menus in the restaurant across party flyer, music cover Art to logo (word marks), headings in magazines and websites. TECHNICAL SPECIFICATIONS ? Font Name: Hand Scribble Sketch Times ? Font Weights: Regu­lar, Rough, Invert ? Font Cate­gory: Grunge Serif Dis­play for Head­line Size ? Font For­mat: OTF (Open­Type Font for Mac + Win) ? Glyph cover­age: 601 ? Lan­guage Sup­port: Basic Latin/English let­ters, Cen­tral Europe, West Euro­pean diacri­tics, Bal­tic, Roma­nian, Tur­kish ? Spe­cials: Alter­na­tive let­ters, Standard & Discretionary Ligatures, extras like sym­bols, ding­bats, Old-style Digits, Lining Figures, accents & €, incl. OpenType-Features like Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig), Kerning (kern), Stan­dard Liga­tures (liga), Nume­ra­tors (onum), Ordi­nals (ordn), Sty­listic Alter­na­tes (salt), Stylistic Set 01 (ss01), Stylistic Set 02 (ss02), Stylistic Set 03 (ss03), Slas­hed Zero (zero), Lining Figures (lnum), Tabular Figures (tnum), Old Style Figures (onum), Proportional Figures (pnum) ? Design Date: 2013 ? Type Desi­gner: Manuel Vier­gutz

I've always admired the work of Rudolph Koch. Culpepper is what I think Neuland would have looked like if it had been developed with lowercase, small caps and a range of weights. I started work on this series in the late 80’s and, like so many of my ideas, it was shelved when life drew me in another direction. Culpepper is the name of one of the islands in the Galapagos chain.

Say hello to Boyish & Weird! (I actually don't know what boyish is, but I do like how that word looks with these letters.) I had a lot of fun making this weird little font. It has oval cutouts, heavy lines, and plenty of whimsical details.

Doodles Too is a new pictogram font from Outside the Line. It features 40 little pictures... odds & ends of this & that. If you liked the font Doodles, Holiday Doodles or Holiday Doodles Too you should love Doodles Too as it is more of the same.

A Lost Art Deco Style Reborn and Multiplied Rhumba began as a digitization of a film typeface from LetterGraphics in the early 70's known as "Barrio Lined". Originally only a single typeface, represented by our Rhumba Lined style, it was fun and offered more diversity to expand out the styles of this gem. Playing off the stylings of fonts like Prisma, Rhumba fills in gaps between the various lines of the original to offer 3 alternate looks. The Rhumba family contains 382 characters per font. A comprehensive character map preview is at the end of the poster graphics collection.