Lisboa Tamil is a humanist sans-serif typeface based on the same design as the original Latin version (2005). Originally designed for small sizes, this font family can work as display typeface where there own calligraphic style gives elegant low contrast personality between organic and solid design approach. Tamil is an Indic script, spoken in southern India, Sri Lanka and Singapore. Latin transliteration characters were also included.

Rundfunk is a condensed font which features an unusual lowercase with an extremely low x-height and high tail ascenders that align with the capitals. It is a reworking of the original designed by Adolf Behrmann for the Berthold type foundry in 1928. Rundfunk font is ideal for projecting the look and mood of the 1930s.

Squarish could have been the Universe or Helvetica of the 1980's, if only it was designed then. Now it is just a little quirky gridded typeface.

Made in La Chaux-de-Fonds (Switzerland), Hyper Schlag is born while the designer drinks a beer with friends. One of his fellow beverage partner wears a sweatshirt written in embroidery. The text is quite clumsy, at least this is what he saw. This is how the most spontaneous font ever designed by Bisou is born. Hyper Schlag is thought from ground up to give a strong feeling of friendliness. Clumsy, naive, playful, this handwriting font is best suitable slogans of sweet revolution. It works perfectly with short texts, punk music album covers or underground film festival posters. Be aware that it is not recommended for police stations or administrative office signboard.

"Portiere" is a natural handwritten font, we created this font using a marker pen, the natural emphasis of the pen makes the round size random. We write one by one on the paper and then we select each glyph to be the font. This is how we get a natural impression. To sharpen the natural impression we made several ligatures because in natural writing you will not find the same composition. Activate the ligature and feel a natural writing sensation. This font is very suitable for writing quotes and short sentences. Even more so for text animations such as on YouTube and other social media. Its unique shape also allows it to be used for logos.

The name FeggoliteHatched comes from the fact that it was created with the help of an old font manipulation program called Incubator Pro. It was an attempt to create a more conventional typeface from the odd monospaced font, FeggoliteMono. As a monospaced font, FeggoliteHatched could be considered a typewriter face, but no typewriter ever produced letters like these. The original version from 1994 is now the italic style and it has a leftward or back slant. The upright or plain version was added much later, in 2018. There is also a choppy upright version included in this family.

Kaikoura is a small town on the east coast of the South Island of New Zealand. It is a very pleasant, laid-back place where the mountains meet the sea. Kaikoura is also the best place in the world to spot sperm whales. Kaikoura font is quite similar in appearance: it is laid-back and beautiful, has sharp peaks and generous curves. I am still trying to find out how to add whale watching to this description… Kaikoura is an all caps font with a lower case alternative for the o and y. It comes with an ocean of diacritics.

When type historians look back on Jim Rimmer, they will consider him the last type designer who just couldn't let go of metal type, even though he was just as proficient in digital type. Lancelot is one definite case in point: A face designed and produced in digital as late in the game as 1999, only to spring onto the new millenium a couple of years later as a metal type cast in three sizes. That was Jim, a time traveler constantly reminding the craft of its origins. This particular time machine was originally designed as a simple set of attractive caps that emphasize the beauty of the variable conventional dialogue between the drawing tool and the intended final form, and the one exchanged within the totality of the forms themselves. Jim designed two weights, with contrast and counterspace being the main difference between them. In 2013, the Lancelot family was remastered and greatly expanded. Lancelot Pro is now a wonder of over 840 glyphs per font, including smaller versions of the caps in the minuscule slots, and alternates and ligatures that can transform the historic spirit of the original design into anything from half-uncial to outright gothic. Language support goes beyond the extended Latin stuff, to cover Cyrillic and Greek as well. 20% of the Lancelot Pro family's revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

officially funky is a brand new, creative & unique font duo. It is a part of my font duo series and after French Lovers & Silver Garden it was time to create a font that is both modern and nostalgic. It is a 2 in 1 font, where the sans makes it modern and alternate serif letters & cool ligatures will make each of projects projects 100% unique. The font also includes over 45 ligatures and I am sure you will love this funky vibe. It also includes full language support, punctuation, numerals and detailed instructions how to use alternate letters most of the apps on your computer, as well as in Canva. I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Officially Funky - Modern Font Duo Includes: Over 45 ligatures in sans & serif font Numerals & Punctuation Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer and in Canva Happy creating everyone!

Originally drawn in the style of 19th-century woodcut types with interior shading and ornate English swashes, Raphael was updated in 1974, and the interior shading was removed. It now exhibits modern design elements - very wide letter strokes offset by hairlines - and is easily identified by the swashes that curve over the tops of the capitals, turning into crossbars on the A, E, F, and R. Used sparingly, Raphael adds flash to advertisements, announcements, stationery, notices, and business cards. Featured in: Best Fonts for Logos

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Kids" because it looks as if a child is writing the names. The first "Alef" has a "hamzit wasel", this indicates that the name can be pronounced both as "AR-RAHMAAN" or "R-RAHMAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). Some of the letters in the calligraphy are unusually big, they look as a child is writing them. No decorative letters are used in this calligraphy. Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran.

You can’t reinvent the wheel When it comes to designing a sans serif, many designers stick closely to existing models. How boring! Others try to demonstrate self-reliance by special stylistic elements – at the cost of readability or aesthetics, or both. I did chose a different way: My Font should just look pretty and friendly, being the good buddy for all days. This is how the name is explained.

Trick or Bite is an incredibly unique horror display font, with bite and spider webs in any characters. Add this font to your favorite Halloween themed ideas and notice how it makes them come alive. Trick or bite is perfect for posters, packaging, banners, advertising, apparel, and more.

While watching the 1947 holiday classic “Miracle on 34th Street”, one scene in particular presented a chance to develop a retro type design. ‘Kris Kringle’ suggests to a mother visiting with her child in the Macy’s toy department to try Gimbel’s for a toy she couldn’t find at the store. The news of this behavior reaches Mr. Macy himself, who embraces the practice as a brilliant marketing strategy. A number of departments are then presented with reference books containing competitor ads, and the visual of the cover stating “R.H. Macy & Co. Shopping Guide for the Convenience of Our Customers” shows on screen. The thin, Art Deco sans serif monoline with a few serif-like hooks added onto some characters became the basis for Shopping Guide JNL, which is available in both regular and oblique versions.

ORIGRAM PRO is the full version of ORIGRAM Free Font, a font with over 100k downloads, and counting! This font was already featured in dozens of websites and Design Blogs. I decided to remake this font, smoothing out a few rough edges - so to speak - and adding value to the end result, with several different interesting tweaks and updates. Inspired in the Origami and Tangram tradition, the basic shape is an octagon. Geometrical and regular, resulting in a neat and captivating display font. Not particularly conceived to be used in common text, this stylized font will add value to any large scale image within the realm of logos & branding, outdoors, packaging, titles, magazines, posters, signs, shirts, scrap-booking... Your imagination is the limit. This display font comes now with Uppercases, updated Lowercases, Numbers, and a slew of new Diacritic Marks and Punctuation Marks. A large number of special characters was included in the package, enriching the font’s versatility and usability.

These four sets are based on the elegant and beautiful work of the German graphic designer Emil Rudolf Weiss. The initials were made to complement Weiss’ text fonts and were cast in the 1920s by the Bauer Type Foundry of Frankfurt. Also known as Weiss Initials Series I, II, II Bold, and III, the lettering has a distinct antique quality. These extremely hard-to-find digital versions look superb in large sizes and remain huge favorites among book designers. Wellsbrook Initials are now available in the OpenType Std format. Some new characters have been added to this OpenType version as Stylistic Alternates. This advanced feature works in current versions of Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

The Greek font started from an experiment with designing fonts based on a geometric grid. I joined the points on the grid with straight lines to form the various characters and found that this resulted in a font that closely resembled Greek writing (derived from inscriptions carved in stone) of ancient times. I continued to develop this theme but I now accentuated the look and feel of Greek writing. The three styles shown are the results of this development. I did not kern or letterspace the individual letters since this would have been out of character with the orignal Greek writing. This means that the font is mono-spaced. At a later stage I may produce more refined and "modern" versions of these fonts. Surprisingly, the Greek SCF styles are very readable. The font is fully professional in terms of its character set. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

Aircrew is a neutral, humanist sans-serif family optimized for signage applications in display sizes. Its large x-height enhances readability and its letterforms help distinguish characters from each other, increasing legibility. Aircrew has vertical terminals, low contrast, and short ascenders and descenders. The weight variations between uppercase and lowercase characters provide the perfect balance and its slightly condensed proportions allow more words to fit in less space. There are two different versions of Aircrew, positive and negative. This avoids optical effects that cause uneven thickness and unsteady readability in either light or dark backgrounds.

The minimal character of this typeface with its direct reference to Bauhaus, manages to keep the balance between strict geometric structure and elegance. It strays from monotonous repetitions and works equally well with Latin and Greek, while it really hits home with Cyrillic. Now, in its 3rd major upgrade comes equipped with all that’s needed for an international career. In total 602 characters offer support for all European languages in six different variations. Finally, five special OpenType features offer typographic solutions which includes a stylistic alternate set for Greek and Cyrillic.

Bendungan Signature Handwritten is a Beauty and Minimalist font with beautiful ligature, character specials and multilingual support. This is a very versatile font that works well in large and small sizes. Bendungan Signature Handwritten is perfect for branding projects, Logo designs, Clothing Branding, product packaging, magazine headers, or just as a stylish text overlay for any background image. Features: Ligature The A-Z alternative Numbers & Punctuation Accented characters HOW TO ACCESS ALTERNATIVE CHARACTERS Open the glyph panel: In Adobe Photoshop, open Window - glyphs In Adobe Illustrator, open Type - glyphs

Penang is a modern take on an old piece of Art Deco signage I had discovered in Penang Malaysia. The font is available in four styles: Regular, Bold and Italics of both. It looks great as All Caps but works equally well in standard copy. The font is loaded with plenty of extras and glyphs (256 but who is counting). I have various cuts of certain letters available as alternates to enhance whatever design you’re working on. I’m really happy with how this font finished, so I hope you enjoy using it.

The 1934 Dick Powell-Ruby Keeler-Joan Blondell movie musical "Dames" gave us the classic song "I Only Have Eyes for You", but the sheet music for the song had the movie title hand lettered in a multi-line Art Deco sans serif design that just begged to be turned into a type font. From these few letters now comes Deco Multiline JNL, which is available in both regular and oblique versions.

From the standpoint of calligraphy, a font family of capitals and uncials makes perfect sense. The Roman square capitals, the quadrata, are matched by round capitals of older Greek origin; the word "uncus" means hook-shaped like a beak or talon. Interrelated and often interchangeable, these capital letters served as book hands for both the Latin West and the Greek-speaking East before they evolved into minuscule alphabets. The Testament family is based on the few formal capital manuscripts of the Bible, Virgil and Homer that have survived from the ancient world. Throughout the Middle Ages both uncials and square capitals were used, often together, for headings and initial characters. By their nature the Roman capitals are the voice of Caesar and hold the place of authority, while the uncials speak for the Church in a balanced relationship. In ancient times church and state were not as separate as they are now, and the alphabets were not as different as typographic tradition has made them. In this calligraphic rendering it is clear that they are of the same substance and can be written in the same style, conveying even to the modern eye the eternal and classical quality of epic and scripture. Testament comes in all popular font formats, and includes support for a vaster-than-usual range of Latin-based languages.

Introducing Arekoy Font: A Playful Game-Inspired Display Font Are you in search of a bold, impactful font with a touch of gaming fun? Welcome to the world of Arekoy! Key Benefits: Arekoy is the perfect solution for various projects that require a strong theme and a bold style. With its striking characteristics, this font ensures your message stands out in movies, games, product titles, or any grand event. What Makes Arekoy Unique: Entertaining Game Style: Arekoy is designed with an entertaining game touch. Every character exudes the spirit of adventure and excitement. Four Different Style Families: Arekoy font comes in four distinct style variations: Regular, Outline, 3D, and Blurry. This provides you with the flexibility to convey various nuances in your designs. Multilingual Support: Arekoy supports multiple languages, allowing you to reach a global audience effortlessly. With Arekoy, you’re not just getting a font; you’re obtaining a tool to infuse creativity, boldness, and fun into every one of your designs. Download the Arekoy Font now and witness how your designs transform into something extraordinary! What’s Included : File font All glyphs and standard Iso Latin 1 We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw, so you can see and access all Glyph variations. PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support Thank you for your purchase!

Époque Seria is that kind of person who looks really cute when angry. This font was derived from the Époque family. She is the little sister to Époque - a little shorter with her smaller x-height and — how do you say it in the typographic circle — your eyes are also smaller (and you know you squint when things get serious, isn't it?). The genealogy of these font face is undeniable, but Époque Seria has a ‘personality’ very different from her older sister. The reduction of the x-height also shakes somewhat with the cap that had crossbar. To accompany the package of standardization, the letters that don't have their straight axes were changed, which brought to the set more Cs and Gs contemporaries. In addition, other measures were taken as a greater softness in the variation of the weights and the abandonment of the black weight, being considered too heavy for this version.

The main challenge with Shirah Joie was how not to design just another monoline font, and how to add liveliness while condensing the letters a little bit. Shirah Joie is an OpenType/TTF Unicode font.

Linotype Zapf Essentials is the modernized version of Zapf Dingbats and was also designed by Hermann Zapf himself. Over 372 characters and symbols are included within six fonts and make life a little more communicative, a little more informative, and a lot more interesting. The fonts contain symbols for both professional and everyday uses. With their markers, ornaments and arrows they are informative as well as versatile, timeless and lively. An interesting note to the story of Zapf Essentials: in 1977, Hermann Zapf created about 1000 sketches of signs and symbols. ITC chose those which became known around the world as Zapf Dingbats. For a typesetter, dingbats are the characters in the corner of the type box which can be used for just about anything. The last decade has seen the appearance of new symbols for e-mail, fax, mobile phones and other developments. These are now part of Linotype Zapf Essentials, just as they are now a part of everyday life. For a quick overview of the different Linotype Essentials variations, see the keyboard layout PDF in the Gallery section. It shows the keyboard layout of each font. A helpful hint from Hermann Zapf: Linotype Zapf Essentials should be used sparingly so that the characters retain their emphasis.

Typefaces following Montessori Institute guidelines for reading and handwriting. With these fonts, the crucial stages of letter formation are made easier for parents and teachers to produce consistent worksheets. Children should then progress towards an efficient and mature joined-up handwriting. Free to download resources: How to access Stylistic Sets of alternative letters in these fonts

Ovidius is a formal script with solid structure. Characters present a look and feel of an ancient pen to very rough paper. The Ovidius family designed by Thaddeus Szumilas is now part of GroupType, a foundry specializing in period and revival typeface designs. These designs have not only important historical design roots, they possess great contemporary appeal.

British type designers David Crow and Ian Wright created this display FontFont in 2002. The family contains 2 weights and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Beadmap provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

Okasa, our newest typeface, is now available. We present to you a quirky and contemporary typeface, which you can use to produce an optimal visual display in each of your projects and to impress all of your audience with the unique look of your project. Because everyone does not necessarily understand Japanese letters, we supply fonts with letters that can be utilized for your project. We produced this display font with a Japanese theme or an Asian font, which we designed to fulfill the needs of your Japanese-themed project. Of sure, your initiative will be understood by people all around the world. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out. Caps only fonts

For the angular, blocky look, the future is Ferrocarbon! Designed primarily as a title font, I created it way back in 2013 and promptly forgot about, so I'm releasing it to the world now. it's meant to be used for your tech and sci-fi uses, but don't let us stop you there!

Designed after the sixties neon sign of an arthouse cinema in downtown Zurich, Studio 5 is now a typeface for many applications. The three different styles include old style numbers and alternate characters for titling. All styles have the same metrics. Bold and open styles can be layered for neon sign effects.

In March 2010, Émile Fradin, a modest peasant farmer from central France, died at the age of 103. To his grave he took the secret behind one of the most controversial archaeological discoveries of the 20th century. A discovery which put into question the very origins of the written word and the paternity of European culture. It was the uncovering of peculiar artefacts would come to be known as the Glozel runes. The discovery of the Glozel runes On the first day of March 1924, a not yet 18-year-old Fradin was ploughing his family’s field in the hamlet of Glozel, when his cow stumbled into a hole. When he and his grandfather, Claude, looked closer, they discovered a mass of broken stone, under which lay an underground chamber. Within, they discovered pottery fragments, carved bones, and a peculiar clay tablet covered in bizarre characters that neither of the two could decipher. The family requested a subsidy for excavation works to be carried out, but were refused by the regional authority. With that disappointment, it seemed as though the discovery would fade into obscurity. However, the following year, news of Fradin’s unusual clay tablet reached the ears of the physician and amateur archeologist, Antonin Morlet. By the end of May 1925, Morlet began the first of his excavations.4 Within the first two years alone, he had amassed some 3,000 finds.

One day shortly after Christmas 2004, the art-director of Vogue Moscow called me. Would I maybe make a Cyrillic version of my Bodoni Classic Text typeface? Well, since I had been thinking about doing it since a long time, this was the perfect reason to finally do it. It was not an easy venture, since I do not have the faintest idea of Russian but, together with those nice people in Russia and a fellow helpful type designer in Kiev, I managed. I did an enormous amount of kerning, thanks to the help of the Moscow Vogue office. Here the fonts are now for all of you: five text cuts, plus one standard roman cut that has no Cyrillic letters but an extra set of medieval numbers. At Vogue they are happy with the fonts, even though I did not quite adhere to Bodoni's originals in this case. Nastarowje (or whatever you say in Russia), Gert Wiescher

Periodical JNL is based on one the many stylized titles from the cover of the 1920s Spanish magazine "Nuevo Mundo" (New World). Each cover displayed a beautiful piece of period artwork along with the magazine's name in different lettering styles of the time (Art Nouveau and early Art Deco). The original design features an "engraved" look and now has an oblique counterpart. Also available are solid versions (without the inside lines) in both regular and oblique styles.

Precious Sans Two is a complete reworking of the 2002 design which was only ever available in PostScript format. Over a decade later G-Type’s Nick Cooke decided to re-appraise the typeface, scrutinise the old letterforms and overhaul the family. Make no mistake though, Precious Sans Two is no rudimentary re-release; nearly every character has been redrawn, re-proportioned, respaced and improved. Precious Sans Two is now in cross-platform compatible OpenType format with extended Latin language support for Western & Central Europe, the Baltics & Turkey. The original quirkier glyphs (f, g, I) have been retained as an OT style set feature and the typeface now contains small caps and an extensive set of discretionary ligatures as well as both proportional & tabular figures. The character set is further enhanced with the addition of 20 directional single and double arrows in each of the six weights which range from Thin through to Black, all with accompanying italics. Precious Sans Two is a distinctively modern typeface, well equipped for advanced typographic use in print, web and digital publishing environments.

Beverly Hills is an all-caps display face in the Art Deco style. Its design features dramatically low crossbars, and each letter has a fine inline highlight. The most prominent letters in this typeface are clearly the E, F, G, and K, while the elegantly narrow S is sure to delight. A classy offering like Beverly Hills should only be set very large, either as a magazine headline, a store sign, or on the cover of a fine invitation. If you like Beverly Hills, you make enjoy other high-contrast Art Deco designs in Linotype's library, including ITC Anna, Avenida, Broadway, Jazz, and ITC Manhattan.

Underscript, from designer Claudio Rocha, is an alphabet of capital letters in handwritten style. Each letter has a corresponding alternative form and using both randomly in a text can give it the look of real handwriting. One constant element in the font is its stroke width. The strong figures are even and have rounded corners, lending them a cheerful appearance. All other attributes vary from letter to letter. Wide and narrow, high and low, the figures line themselves up unevenly on the base line. So can Underscript create a dynamic overall image with contrast. Underscript is perfect for cartoons, comics and anything light and carefree.

A long lost Art Nouveau wood type from the Hamilton Museum Collection evokes the excesses of Victorian design and the equally quirky 1960s Psychedelic era revival of the Victorian type styles. Free flowing organic designs that flourished with Art Nouveau in the late 1800s were directly referenced and further distorted with with phototype in the late 1960s. This design, known as Arabesque, was produced by the Morgans & Wilcox Co. and the Wm. Page Co. as almost identical designs. Both manufacturers were acquired by Hamilton and offered briefly by Hamilton as design #618. This curious wood type defies most of the basic tenets of type design and what comes to mind when one thinks "wood type". Many characters have a lively eccentricity that were all left true to the original design. Additional characters were designed to fill out the standard range of characters found in digital fonts. This font includes over 280 characters for full unicode support of Western and Central European Latin characters.